lunche lunche N the the

Transcription

1 O. lunch N Ñ lunch Ñ N ON O.

2 a tabl. two popl. a mal. ating disordrs, prhaps. What's ir rlatiship, w d't know. What ar ir goals? You probably d't giv a damn All w know is that vrything will go as lg as y kp ating. lunch N Ñ Ñ O. O. lunch T lunch lunch lunch lunch Ñ O. N ON lunch t l ch t l T ch Ñ O. lunch Lunch the *Kac & Luis traind togr at Drama Cntr Ld.

3 Th (a) Company is a collctiv group, csistning of both Luis Amália & Kac Mny. Th (a) Company will produc, dirct and xhibit svral plays which xplor abstract ms. Th first offring of collctiv is pic ntitld, Th Lunch. Bird by two Ld basd mn of n British linag aftr ir shard sns of rythmn, timing, humour; crashd & mrgd togr aftr ir joint xplorati at infamous instituti Drama Cntr Ld. (a) Th two divrs bings hav sought a way to suck and spit uncvntial from cvntial which has ld to timly birth of ir joint vntur Th (a) Company.

4 (a) structur A originally writtn two handr play which mad its offical dbut in Bold, abstract, outspokn scnic sktchs ar brought togr with physcial absurdity ovr cours of a lunch. Th Lunch has had succssful showings at Th Stockwll Playhous & Th Nw Shorditch Thatr and ctinus to wow & shock audincs in qual masurs as it mbarks a Europan tour. Lik in Th Hours rfrring to Mrs Dalloway... but with food. A mal s whol crmy in a singl cvrsati. Just mal. And in that mal all ir prvious cvrsatis. Lik a cinmatic trackshot, squnc of bizarr situatis start not to b that bizarr and cvrsati btwn s two guys start to link to situatis outsid spac of tabl. Th Lunch aims to xplor scnt of daily routins, cvntial acts, simpl & ordinary and aims to show it in a uniqu unxplord dynamic abstract way.

5 (b) xprimntal spirit, tim A highly xprimntal pic of work. Dspit having a clar structur with a script and a outlin, improvisd sptanous natur of pic will man play will always b frsh. Th prformrs hav a library of storis and basd how y fl in momnt y will choos and slct s which coms to m. Evry audinc will gt a nw xprinc. Th strcutr allows for room to liv words and com aliv. That allows prformrs to fl scnic tnsi and that allows audinc to s a diffrnt prformanc ach vry tim, as wll as, providing m a snsati of REAL TIME (which is of wdrs of Thatr).

6 (c) mis n scèn & spatial awarnss Rgarding scnic spac. Th pic is xtrmly intimat yt public. Th styl of pic will prvrt maning of what a traditial play is. Th Lunch aims spacially to subvrt orginal styl of a two handr play. Th scnic display throughout pic is not rminiscnt of ir a traiditial lunch or an xprimntal pic of atr but a blnd of both at tims bing xtrmly cvntial layr yt compltly uncvntial anor layr. This cstant flux of unorthodox mthods mak pic distinctiv and off. In rlati to Architctur. Th ras bhind our basic stag st up of a tabl and a chair is bcaus s two pics of furnitur hav bn xplord and xprincd by humans sinc tim bgan. W ar trying to xplor how w can disct, manipulat and transform a basic stag st up to nhanc play s abstract story and tak it to vn mor abstract lvls. This allows for audinc to accss (or add) mor layrs to ir atrical xprinc, if y wantd.. Th spac of tabl s surfac and all sris of movmnts, sounds and objcts whn prforming act of ating, play an instrumntal rol in scn. Also spac bhind tabl and spac btwn audinc and tabl. Which gnrats a diffrnt lvls of dramatic tnsis.

7 Como mi hijo Sbastian xigía. Éramos una parja famosa. La gnt no hablaba d nosotros como Sbastian y su madr o la Sñora Vnabl y su hijo, no. La gnt dcía: Violta y Sbastian. Violta y Sbastian s qudan n l Lido o n l Ritz d M a d r i d. No, not hr. Hav you vr bn rimmd? A n d t h a t T h a t i s a d i s a s t r o f p i c p r o portis right r. China has now a gigantic cushi This is pass whr Alicia wnt out of balanc incurring a fiv tn dducti I n d a y o n.

8 Kac Mny Following our cours ladr advic at drama school, Kac prfrs to hid and not spak about his past bfor pursuing his acting carr. Born & brd Ldr bgan his training stag at Almida Thatr spnding svral yars prforming and training as part of his arly schooling & wnt to build this xprinc with tim spnt at Young Actors Thatr & Th Prcinct Thatr. His lov of film and tlvisi ld him to dvloping his craft in scrn acting at various institutis such as MN Talnt Agncy, Idntity Drama School & City Acadmy bfor undrtaking intnsiv two yar Scrn Acting Mastrs at Drama Cntr Ld. Kac has appard in svral short films two of which Bfor you wr Born & Lost Ons scrnd at Canns 2017 & or fstivals. Luis Amália Amazd and dply movd by Ingrid Brgman, Btt Davis, Katharin Hpburn or Paul Nwman s works which fd my passi vr sinc I can rmmbr. I traind at Drama Cntr Ld MA Scrn Acting and with Osqui Guzmán + Lticia Gzálz d Lllis in Bunos Airs, Sita Mani in HB Studio NY and Ignacio d Antio Antón in Madrid. I cofund prforming arts collctiv/artistic roots El Hijo Tto, acti/prformanc laboratory Tostada s Pan and opn platform A Esr Moya l robar una mdalla /Esr Moya s mdal was stoln from hr/. I xplor acts and movmnts of daily routins mixd with world of gymnastics, from a qur prspctiv. I hav prformd at Binnal di Vnzia, Trinal d Arquitctura d Lisboa, Th Pragu Quadrnnial, Matadro Madrid and Bow Arts Ld. In paralll, I studid and finishd Architctur in Madrid s School of Architctur with hours. I can manag Frnch, hav Portugus notis [although y say I invnt vrything] and prtnd that I spak Grman. I film Haikus and somtims, both my grandmors.

9 Kac Mny link to prvious works ph Luis Amália link to prvious works ph vimo Luis Amália

10 W d lik to thank our familis. And also all boringly narrow mindd popl who ld us invitably to crat this pic. And to Charli Kauffman and Mryl, of cours.

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