Dave Soldier Kurt Vonnegut. Ice-9 Ballads

Transcription

1 Dave Soldier Kurt Vonnegut Ice-9 Ballads Narrator, male singer (tenor/baritone range), three soranos clarinet, saxohone (double on alto tenor), trombone, harmonica three violins (one double on mandolin or extra mandolinist) guitar, har, synthesizer, bass to ercussionists including a balohone (or marimba substitute) ous 1, 1995 version rom December 21, 2011 about 30 minutes in length Dave Soldier ds3@columbiaedu

2 Ice-9 Ballads Ous 1, comosed 1995 Lyrics rom Kurt Vonnegut's Cat's Cradle ith edits as er his agreement, music by Dave Soldier The original recording is ith Vonnegut as the narrator, in live erormance an actor o any emathetic tye can do his art On amliication: in a quiet concert hall, the only amliication required ould be quiet ams or the synthesizer, electric bass, and harmonica on one iece, and ossibly the narrator In other rooms, amliication ill be useul, and it to the disgression o the erormers and conductor 1 narrator 1 male singer ho can sing in West Indian dialect 3 soranos ho can sound West Indian 1 clarinet 1 saxohone, doubling on alto and tenor 1 trombone 1 diatonic "blues" harmonica (i imossible to ind the layer, use a trumet) or chromatic diatonics required are D, Ab, B, Eb, C or : Mona s uneral Music uses an am as in Chicago blues / Little Walter style i ossible 3 violins, one doubles on mandolin: i a mandolin is imossible it could be layed on the violin ith a lectrum 1 guitarist on acoustic steel string, a azz hollo body electric guitar, and string ith a cao 1 har 1 electronic keyboard ith am and 1 honograh or CD layer or comuter ith am or layback o Meade Lux Leis recording can be layed by anyone excet the clarinet 1 double bass ith a double on electric bass on Nice Very Nice and Big Tyrant 2 ercussionists: the instruments can be redistributed at ill, but has the balohone art ercussionist 1: snare drum ith brushes, crash cymbal, hi-hat oodblock, gourd or single conga (or dembe or bata), tra set i tra set can t be used, adat the other instruments or Big Tyrant ercussionist 2: balohone (a West Arican xylohone) i the balohone is imossible to locate, use a marimba, arade bass drum I ve ritten the balohone art in to ays: on a single stave here easy to read, but on to staves hen the let hand is too lo to read easily ith the right 1 Annihilation Lie Narrator reads in southestern or midestern intonation) I I ere a younger man, I ould rite a history o human stuidity (ause); and I ould climb to the to o Mount McCabe and lie don on my back ith my history or a illo; and I ould take rom the ground some o the blue-hite oison that makes statues o men; and I ould make a statue o mysel, lying on my back, grinning horribly, and thumbing my nose at You Kno Who

3 2 Dyot Meet Mat As in book God made mud God got lonesome So God said to some o the mud, "sit u!" See all I've made the hills, the sea, the sky, the stars And I as some o the mud that got to sit u and look around Lucky me, lucky mud I, mud, sat u and sa hat a nice ob God had done Nice going, God! Nobody but you could have done it, God! I certainly couldn't have I eel very unimortant comared to You The only ay I can eel the least bit imortant is to think o all the mud that didn't even get to sit u and look around I got so much, and most mud got so little Thank you or the honour! No mud lies don again and goes to slee What memories or mud to have! What interesting other kinds o sitting-u mud I met! I loved everything I sa! Good night I ill go to heaven no I can hardly ait to ind out or certain hat my ameter as And ho as in my karass And all the good things our karass did or you Amen sung version Dyot meet mat Dyot dyot lonezome Zo Dyot zaid zome o da mat, zit yu Zee all y've meet da hills, da zea, da skee, da stores An y buz zome a da mat got do zit u and look rount Luk-i me, Luk-i mat y, mat, zat yu hat a nize ob Dyot hat ton Nize dyo-shing, Dyot! Noboty but voo cot hal ton it, Dyot! y vil volly unim-ordand comart da Voo Da only bay y veel da list bit imortant is dink o all da mat dat din't een get zit yu an look rount y dyot zo much, an most mat got zo leetle Tzenk voo vore da on-oh! No mat lies ton and goes to slee Bat memries vore mat do ha! Bat intrest-sting oder kinds zitting-u mat y meet! y lovt evryting y za! Dyoot nath y go to heen no ah y can hardly bait do ind out bat my ameter bas Who as on my karass An all da dyood dings our karass tit vore voo Amen

4 3 Nice Very Nice Narrator and singer together: they should be highly dramatic/ exressive and overla, not at all be simultaneous Oh a sleeing drunkard U in Central ark And a lion-hunter In the ungle dark And a Chinese dentist, And a British queen - All it together in the same machine soranos: Nice, nice very nice; Nice, nice very nice; Nice, nice very nice - So many dierent eole In the same device 119th Calyso soranos "Where's my good old gang done gone" I heard a sad man say I hisered in that sad man's ear "Your gang's done gone aay" male Seet raith seet soul be kissed my soul Seet raith Invisible mist I am - my soul - Long have I advised thee ill as to here to souls might tryst Seet raith seet soul be kissed my soul raith lovesick o'erlong o'erlong alone Wouldst another seet soul meet I ammy soulmy soul mmmmmmm

5 5 Duo or clarinet and Meade Lux Leis The clarinetist turns on a honograh record or CD o Honky Tonk Train Blues and lays a ritten art in duet This is available on my ebsite davesoldiercom, or ind the original: make sure it is in tune ith the clarinet narrator: Born in Louisville, KY, in 1905, Meade Lux Leis didn't turn to music until he had assed his 16th birthday and then the instrument rovided by his ather as the violin A year later, young Leis chanced to hear immy Yancey lay the iano "This," as Leis recalls, "as the real thing" Soon, Leis as teaching himsel to lay the boogie-oogie iano, absorbing all that as ossible rom the older Yancey, ho remained until his death a close riend and idol to Mr Leis Since his ather as a ullman orter, the Leis amily lived near the railroad The rhythm o the trains soon became a natural attern to young Leis and he comosed the boogie-oogie solo, no a classic o its kind, hich became knon as "Honky Tonk Train Blues" 6 1th Calyso Choir: You are not dead, but only a-sleein' e should all smile and sto our eeing verses sung by calyso singer ith harmony rom one sorano: When I as young I as so gay and mean I drank and chased girls Like young St Augustine St Augustine He got be a saint So i I get to be one, too lease Mama, don't aint verse 2: Mother O mother, Oh ho I ray or you to guard us, every day chorus 7 Mona's uneral Music An instrumental eaturing balohone I the erormer can lay balohone, a traditional introduction can be used Big Tyrant Oh a very sorry eole

6 did I ind here Oh they had no music And they had no beer and everyhere they tried to erch belong to Castle Sugar or the Catholic church soranos in a nasty or variously in a dee reggae style: We do, doodeley do, doodeley do, doodeley do, What e must, muddily must, muddily must, muddily must, Muddily do, Muddily do, Muddily do, Muddily do, 'Til e bust, bodily bust, bodily bust, bodily bust calyso singer: I anted all things to make some sense So e could be hay instead o tense And I made u lies so that they'd all it nice And make this sad orld a aradise soranos: We do, doodeley do, doodeley do, doodeley do, What e must, muddily must, muddily must, muddily must, Muddily do, Muddily do, Muddily do, Muddily do, 'Til e bust, bodily bust, bodily bust, bodily bust Tiger got to hunt Bird got to ly; Man got to sit and onder, "hy, hy, hy" Tiger got to slee, Bird got to land; Man got to tell himsel He understand Narrator: Someday, someday, this crazy orld ill have to end And our God ill take things back that He to us did lend And i, on that sad day, you ant to scold our God, Why go right ahead and scold Him He'll ust smile and nod 9 olly Narrator: I once kne an Eiscoalian lad in Neort, Rhode Island, ho asked me to design and build a doghouse or her Great Dane The lady claimed to understand God and His Ways o Working erectly She could not understand hy anyone should be uzzled about hat had been or about hat as going to be

7 And yet, hen I shoed her a bluerint o the doghouse I roosed to build, she said to me, "I'm sorry, but I never could read one o those things" "Give it to your husband or your minister to ass on to God", I said, " and, hen God inds a minute, I'm sure he'll exlain this doghouse o mine in a ay that even you can understand" She ired me I shall never orget her She believed that God liked eole in sailboats much better than He liked eole in motorboats She could not bear to look at a orm When she sa a orm, she screamed She as a ool, and so am I, and so is anyone ho thinks he sees hat God is Doing Curtain

8 Score version 2111 Ice-9 Ballads Dave Soldier music Kurt Vonnegut, lyrics comosed 1995 Guitar Violin 2 Violin 3 Bass 1 Annihilation Lie q=132 Hollobody azz style Double Bass VI seet, legato izz V n n A b n b b ercussion 1 snare ith brushes Gtr Vln 1 Vln 2 Vln 3 Bass 6 6 n seet, legato n n b seet, legato erc1 1 1

9 Gtr 10 1 A n b n n narrator enters gliss b b b b b Vln 1 Vln 2 Vln 3 Bass b b r n n n n n erc1 1 anticiate ith tiny ickus Gtr Vln 1 Vln 2 Vln 3 Bass 1 1 n b bn n n n n n bb A n n n n b A n b erc1 2

10 Gtr Vln 1 Vln 2 Vln 3 Bass n n n b n b b n b b b n n b n N b b b b b b erc1 1 Gtr Vln 1 Vln 2 Vln 3 Bass n a n n n b n gliss n n n erc1 1 3

11 Gtr Vln b n b b n 1 b 2 b b b Vln 2 1 Vln 3 Bass 1 1 n b erc1 1 Gtr Vln 1 Vln a rit rit rit rit slo gliss n n Vln 3 Bass n b n n rit rit ide vib erc1 rit

12 Gtr Balo Dyot Meet Mat q=1 cao 1st ret steel string guitar b Dyot meet mat 39 b Gtr Balo Dyot meet n mat Dyot dyot lone n - zome Dyot meet mat 3 Gtr Balo 3 3 n Dyot meet mat Dyot n n dyot lone - zome 5

13 So b Dyot smooth meet mat b Dyot smooth meet mat smooth b Dyot meet mat b Dyot meet mat b Dyot meet mat b Dyot meet mat Dyot dyot lone - Dyot dyot lone - Dyot dyot lone - Gtr Balo 7 n n So 1 Gtr Balo zome zome zome Dyot meet mat Dyot meet mat Dyot meet mat n Dyot meet mat Dyot meet mat Dyot meet mat 6

14 So Dyot dyot Dyot dyot Dyot dyot lone lone lone zome zome zome b Gtr Balo Gtr Balo n n Zee Zo n all y've meet n n Dyot zed zome o da n n Da mat zit yu hills a b n n da 63 Gtr Balo zea da skee da b n stores b n b n an y buz zome a dat mat n got do zit 7

15 So 1 6 Luck - I me Luck - I mat Luck - I me Luck - I mat 6 Luck - I me Luck - I mat Gtr Balo 6 6 yu an look rount Luck - I me So y y y mat zat u mat zat u mat zat u bat a nize ob bat a nize ob bat a nize ob Dyot hat ton Dyot hat ton Dyot hat ton Gtr Balo Luck - I mat y, mat zat u bat a nize ob Dyot hat ton

16 So 1 Gtr Balo So Nize Nize Nize dyo - shing Dyot dyo - shing Dyot dyo - shing Dyot Nize dyo - shing Dyot 9 No - but - y but voo coult ha ton it Dyot No - but - y but voo coult ha ton it Dyot 0 No - but - y but voo coult ha ton it Dyot Cl Tbn Gtr Synth Balo 0 B n No - but - y but voo coult ha ton it Dyot Sitar-like sound on synth 9

17 Cl Tbn B n Gtr Synth Balo n n n n Cl Tbn Gtr Synth Balo B n n n n n n b n n n n 10

18 92 b b Cl Dyot meet mat N Dyot meet mat Dyot dyot lone - Tbn 92 B A Gtr Synth n n Balo Gtr Balo zome Dyot meet mat n Dyot meet mat 11

19 So b y vil vol - ly un - im - or - tant com - b y vil vol - ly un - im - or - tant com - b Gtr Balo Dyot n n dyot lone - zome y vil vol - ly un - im - or - tant com - So ared da Voo ared da Voo ared da Voo oo oo oo oo oo oo oo oo oo oo oo oo oo oo oo oo oo oo Cl Gtr Balo Do n lay live not recording on - ly bay y veel da least bit im - or - tant

20 So aah aah aah aah aah aah aah aah aah aah aah aah aah look a - rount aah look a - rount aah look a - rount Cl Gtr Balo is n dink o all da mat dat din't e - en get zit yu an look a - rount n So 1 1 y got zo much an most mat got zo leet - le 1 y got zo y got zo much an most much an most mat got zo leet - le mat got zo leet - le Cl y got zo much an most mat got zo leet - le Gtr Balo

21 116 b Gtr Balo n Zenk 0 b b b Gtr Balo 0 0 you or de ho - nor No mat Gtr Balo lies ton an goes to slee Gtr Balo Bat mem - ries or mat to ha bat in - tres - ting o - b 1

22 So y loved ev - ty - ting Gtr Balo der kinds zit - ing yu mat y meet y loved ev - ry - ting y loved ev - ty - ting y loved ev - ty - ting So y za Dyood night y go to 136 y za y za Dyood Dyood night night y go to y go to Gtr Balo y za n 15

23 So 1 10 b b he - ven no b Dyot meet mat Dyot b meet he - ven no b Dyot meet mat Dyot b meet 10 he - ven no Dyot meet mat Dyot meet Gtr Balo ah n So mat Dyot dyot lone mat Dyot dyot lone mat Dyot dyot lone zome zome zome Dyot meet mat Dyot meet mat Dyot meet mat Gtr Balo 1 1 n y y can n 16

24 So 1 Gtr Balo hard ly bait Dyot meet mat Dyot meet mat Dyot meet mat Dyot got Dyot got Dyot got n n - lone - zome - Dyot meet mat - - lone - zome - Dyot meet mat - lone zome To ind out b b b Dyot meet mat - b bat So b b Dyot meet mat Dyot got - lone - zome Dyot meet mat Dyot got - lone - zome - b Dyot meet mat Dyot got - lone - zome - b Gtr Balo 152 my am - e ter 152 bas n n ho as 17

25 So Dyot meet mat Dyot meet mat Dyot meet mat Dyot meet mat Dyot meet mat Dyot meet mat Gtr Balo on my ka - rass An all da n dyood dings our So A - men A - men Gtr Balo kar - ass did vor voo n n A A - - men men b 1

26 3 Nice Nice Very Nice Harmonica Clarinet Sax Trombone Synthesizer Violin 1 Violin 2 Violin 3 Bass q=102 arco diatonic in D sax ƒ dry electric organ (like Miles Davis) ƒ ƒ n b n b n b n n n b b b b b b b b b

27 Harm 16 6 Cl 6 TnSax 16 6 n Tbn Synth Vln b b b b n n b b b b Vln 2 6 b b n b Vln 3 Bass 6 6 b b n b b arco erc1 6 6 snare Bass Dr 20

28 17 narrator overlas the ords ith the tenor highly exressive, can stretch, reeat, etc Harm 17 Oh the slee - ing drunk and the li - on Cl TnSax 17 Tbn Synth Vln 1 17 Vln 2 Vln 3 Bass erc1 179 b all it to - ge - ther in the same ma - chine Oh the Bass erc1 21

29 Bass 1 stink-ing drunk and the li - on all it to ge - ther b in the erc1 So Nice nice ver-y nice Bass 190 same ma-chine all it to - ge - ther in the same ma-chine Nice nice ver-y nice b Nice nice Nice nice ver-y nice ver-y nice erc1 22

30 So Nice nice ver -y nice Nice Nice ver -y nice so ma - ny di -erent eo-le in the same de -vice Nice nice Nice nice ver -y nice ver -y nice Nice Nice Nice Nice ver -y nice so ma - ny di -erent eo-le in the same de - vice ver -y nice so ma - ny di -erent eo-le same de - vice in the 3 3 Synth 196 Nice nice ver -y nice n Nice Nice ver -y nice so ma - ny di -erent eo-le in the same de - vice n 3 Bass 3 erc1 3 3 So Synth Bass Nice nice Nice nice Nice nice Nice nice ver-y nice Nice nice ver-y nice Nice nice ver-y nice so may - y di -erent ver-y nice Nice nice ver-y nice Nice nice ver-y nice so may - y di -erent ver-y nice Nice nice ver-y nice Nice nice ver-y nice so may - y di -erent ver-y nice Nice nice ver-y nice Nice nice ver-y nice so may - y di -erent n n eo-le in that eo-le in that eo-le in that eo-le in that erc

31 So same de- vice same de - vice 3 Cl TnSax Tbn Synth Vln 1 Vln 2 Vln 3 Bass same de - vice same de - vice n sax b b b n b b b n n n n n b n b b b b b n n n 3 n n n b b b erc

32 Harm 21 Cl n n n n TnSax 21 n n Tbn b n b Synth Vln 1 21 n 21 b b b n n b Vln 2 b b n b Vln 3 b b n b Bass b n erc1 25

33 Harm Cl TnSax Tbn Synth Vln 1 Vln 2 Vln 3 Bass erc n b n b b b n n n n n b b b b n n n n n n b b b b n n b b n b b b b b b n n n n n b b b b n n b b b b n n b b 26

34 Harm Cl TnSax Tbn Synth Vln 1 Vln 2 Vln 3 Bass erc b n b b b n n n n n n b b b n b n b n b n 5 27

35 Harm Cl n n Ï n n n TnSax Tbn Synth vib vib b ad lib glisses in C Vln b n b b b n Vln 2 3 b n b b b n Vln 3 3 b n b b b n Bass erc1 2

36 Cl TnSax n n b n n n b 3 n Tbn 237 Synth Vln 1 Vln 2 Vln b b b b b b b b b b b b b b Bass erc1 crash cymbal 29

37 Cl 23 n 3 5 TnSax 23 5 n Tbn Synth Vln b b b bb Vln 2 b b b 5 b Vln 3 Bass b b b b 5 5 erc1 5 snare 5 30

38 2 narrator overlas the ords ith the tenor TnSax 2 Oh the slee - ing drunk and the li - on Tbn Synth Bass 2 2 erc1 Bass 253 all it to b - ge - ther in the same ma - chine Oh the erc1 Bass 25 stink-ing drunk and the li - on all it to ge - ther b in the erc1 31

39 So 1 26 Nice nice ver-y nice Nice nice ver-y nice Bass 26 same ma-chine all it to - ge - ther in the same ma-chine b Nice nice Nice nice ver-y nice ver-y nice erc1 So Synth Nice nice Nice nice Nice nice Nice nice ver -y nice ver -y nice ver -y nice Nice Nice Nice Nice Nice Nice ver -y nice n Nice Nice ver - y nice ver - y nice ver - y nice - ver y nice so ma - ny di -erent so ma - ny di -erent so ma - ny di -erent so ma - ny di erent n - eo-le in the eo-le in the eo-le in the eo -le in the same de -vice same de - vice same de - vice same de - vice Bass 3 erc

40 So Nice nice ver-y nice Nice nice ver-y nice Nice nice ver-y nice so may - y di -erent eo-le in that 3 Nice nice ver-y nice Nice nice ver-y nice Nice nice ver-y nice so may - y di -erent eo-le in that 3 Synth Nice nice Nice nice ver-y nice ver-y nice Nice nice Nice nice ver-y nice ver-y nice n Nice nice Nice nice ver-y nice - ver y nice so may - y di -erent so may - y di erent n - eo-le in that eo -le in that 3 3 Bass 3 erc1 3 3 So Synth same de - vice same de - vice same de - vice same de - vice so ma ny di erent so ma - ny di - erent eo - le in that same de - vice so ma - ny di - erent eo - le in that same de - vice - - eo - le in that same de - vice n Bass 3 3 erc

41 So 1 26 Synth so ma ny eo le in that so ma - ny eo - le in that same de - vice - - same de - vice so ma - ny eo - le in that same de - vice soken so ma - ny eo - le in that same de - vice Vincent rice laugh Bass erc1 3

42 Sorano 1 Sorano 2 Sorano 3 Guitar Synthesizer E Bass Bass ercussion 1 119th Calyso q= Electric Bass azz guitar unison B oen organ sound hi hat Where's my good old Where's my good old Where's my good old 35

43 So gang done gone, I heard a sad man say, I his - ered in that 295 gang done gone, Where's my good old I heard a I heard a sad man say, sad man say, I his - ered in that I his - ered in that Gtr Vln 1 Vln 2 Bass E Bs erc1 36

44 So sad man's ear, Your gang's done gone a - ay sad man's ear, Your gang's done gone a - ay 299 sad man's ear, Your gang's done gone a - ay Synth Vln Vln 2 Bass E Bs 299 erc1 So 1 30 Where's my good old gang done gone, Gtr Bass E Bs gliss Where's my good old Where's my good old gang done gone, gang done gone, erc1 37

45 So 1 30 I heard a sad man say, I his-ered in that sad man's ear, Your gang's done 30 I heard a I heard a sad man say, sad man say, I I his-ered in that his-ered in that sad man's ear, sad man's ear, Your gang's done Your gang's done Gtr Synth Vln 1 Vln 2 Bass E Bs n n n n n n erc1 oodblock 3

46 So gone a - ay gone a - ay Gtr Synth Bass E Bs gone a - ay Oh erc1 Gtr Gtr E Bs Bass 31 roll at ill seet 31 q= alsetto blues guitar raith n har 323 n 323 seet 323 soul n n seet n I soul n n am be my n n kissed n soul n n n my n soul n A n Seet n raith n n n seet raith in- n 39

47 32 32 vis - 'ble mist n seet n soul be n n n kissed seet n n raith n seet soul n Gtr Vln 1 Vln 2 E Bs Bass n n n n n n n n So n n q=96 1 n n Where's my good old gang done gone, 1 n n Where's my good old gang done gone, n be kissed 1 1 my n soul n n n n Where's my good old gang done gone, Gtr Vln 1 Vln 2 E Bs Bass n n n n n n n n n n 0

48 So I heard a sad man say, I his - ered in that sad man's ear, Gtr I heard a I heard a sad man say, sad man say, I his - ered in that I his - ered in that sad man's ear, sad man's ear, Synth 337 n n n Vln 1 Vln 2 Bass E Bs n n n erc1 oodblock 1

49 So 1 31 Your gang's done gone a - ay Your gang's done gone a - ay Gtr Synth Vln 1 Vln 2 Vln 3 Bass E Bs Your gang's done gone a - ay erc1 2

50 So 1 36 q= Long have I ad - vised thee ill n n n as to here to n souls might tryst, seet Gtr Synth Vln n n Vln 2 Vln 3 Bass E Bs 36 erc raith n n n seet soul n n be kissed my n soul Oh Gtr E Bs Bass 351 n n n n n n 3

51 Wraith love - sick o'er long, o'er long a - lone n n n Would Gtr E Bs Bass 356 n n n a - noth - er seet soul n meet I am my soul n my soul Gtr E Bs Bass 360 n n n n 365 n hum 365 my soul n Gtr E Bs Bass 365 n n n n n n

52 Harm Cl TnSax Gtr Synth E Bs Bass 370 b 370 b n n nn n n n n n n n n n n n n n n n n n n n n n n n q=96 diatonic in B sax n n R dam out n Harm Cl TnSax n n n n 37 n n Gtr n n n Synth E Bs Bass n n n 5

53 Harm 37 Cl TnSax n n let ring Gtr Synth E Bs Bass So 1 Harm Where's my good old Where's my good old Where's my good old gang done gone, gang done gone, gang done gone, Cl TnSax Gtr Synth E Bs Bass n n 6

54 So 1 36 I heard a sad man say, I his - ered in that sad man's ear, I heard a sad man say, I his - ered in that sad man's ear, Harm 36 I heard a sad man say, I his - ered in that sad man's ear, Cl TnSax 36 n n 36 n n Gtr n n n Synth 36 n n Vln 1 36 Vln 2 n Vln 3 Bass E Bs 36 n n erc1 oodblock 7

55 So Your gang's done gone a - ay Your gang's done gone a - ay Harm Cl TnSax Gtr Synth Vln Your gang's done gone a - ay Vln 2 Vln 3 Bass E Bs 390 erc1

56 So Harm Cl 395 n n n nn b solo not busy, rest all G-shar minor TnSax 395 n n n nn b Tbn Gtr Vln 1 Vln 2 Vln 3 Bass E Bs n n n n n n n n n n n n erc1 9

57 Tbn Gtr n n n n n n Vln 1 00 Vln 2 n n n n n n Vln 3 n n n n n n E Bs Bass 00 Tbn Gtr n n Vln 1 05 Vln 2 n n Vln 3 n n E Bs Bass 05 50

58 Clarinet 5 Duo or clarinet Meade Lux Leis 09 6 ith recording on IV chord n n n Cl 20 n B n Cl 27 n n n n n n n n n ith iano Cl Cl 32 3 n n n n n C n n n Cl 3 n n ith iano n n ith iano 3 n Cl 7 D 3 3 n 3 n 3 n 3 n 3 n 3 3 n Cl Cl Cl Cl Cl n 62 n n n n squeak! tr, molto ex, aggresive make a big mess n (mess thru rest) honk! E n n n n nasty: bite reed n honk! n n n n n n n 51

59 Cl Cl Cl big vib ~~~~~~~~~~~~~ n tr, molto ex, aggresive n n arm n ~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~ n n n n ~~~~~~~~~~~~~~~ narrator enters n n n G n n n n Cl 9 sim H n n n Cl 500 n n n n n n Cl 507 I 5 5 Cl 510 n n n n 5 Cl 51 5 scream o assion ith iano n Cl 519 n n n n n n Cl 52 n n n Cl 530 n n 52

60 6 1th Calyso 533 q=11 9 b b Guitar ercussion 2 Balohone string guitar b b b b b b b b b Gtr b b b You are not You are not You are not dead b dead dead b b n b b b but b but but b b Balo b b b b b b 53

61 So 1 5 b b b n b n on - ly a - slee - ing b e should all b 5 5 on - ly a - slee - ing on - ly a - slee - ing on - ly a - slee - ing b b b b e should all e should all b e should all b Gtr Balo 5 5 b b b b b b b b b b b b b b So 1 59 b b smile b smile smile smile b b b and sto our b and sto our and sto our and sto our ee - ing b ee - ing ee b b - ing ee - ing Gtr Balo b b b b b b b b 5

62 So Mom - ma's not dead b b n n b Gtr Balo b b b Mom - ma's not Mom - ma's not Mom - ma's not b dead b dead dead b b b b b b but b but but b b b 55

63 So b b b n b n on - ly a - slee - ing b on - ly a - slee - ing b 560 on - ly a - slee - ing b Cl Gtr Balo Cl Gtr Balo on - ly a - slee - ing b b b b n b b b b b b b b b b b b b b b b b b b b b b b 56

64 So 1 Cl Gtr Balo n b b b When I as When I as young young b b b b b b b So b I as I as so gay and b b so gay and mean b mean b I'd I'd Gtr Balo b b b b b b b b b b 57

65 So 1 51 b b b 51 drink and chase b girls b like Saint Au - ga - b b 51 drink and chase girls b b like Saint Au - ga - Gtr Balo b b b b b b b So stine b n stine b Saint Au - ga - b Saint Au - ga - stine b stine b Gtr Balo b b b b b b b b 5

66 So b b n 593 he got to be a b saint Gtr Balo b b b b he b got to be a b b b saint b b b b b So 1 59 b 59 I b I get to be b one too lease b Gtr Balo I b b I b get to be b one b b too b lease 59

67 So 1 60 b b mom - ma don't b aint Mom - ma's not dead Gtr Balo b mom - ma don't b aint b b b b b b b Mom - ma's not Mom - ma's not b b dead dead b b So b b b n b n b n b on - ly a slee - ing b but b but but on - ly a slee - ing on - ly a slee - ing on - ly a slee - ing b b Gtr b b b b b b Balo b b b b b b b b 60

68 So b e should all b smile b b and sto our b n Gtr Balo b b e should all e should all b e should all b b b smile smile smile b b b b b b b b b b b b and sto our and sto our and sto our b 61

69 So ee - ing b 6 9 Gtr Synth Vln 1 Vln 2 Bass E Bs erc1 621 ee - ing 621 ee ee - ing b ing - b b b b azzy b b azzy b b b b b b b b b Electric Bass hi-hat b b b Balo b b b

70 Gtr Synth Vln b b b b b sim b b b b b Vln 2 Bass E Bs 62 b b b b b b b b b b erc1 Gtr Synth Vln b b b b b b countermelody b b b b b b b Vln 2 Bass E Bs 635 b b b b erc1 63

71 Gtr Synth Vln b b b b b b b b b b b b b b b b b b b b b b Vln 2 Bass E Bs 61 b b b b b b b b b erc1 Gtr Synth b b b b b b b b b b b b Vln 1 67 b b b b b b b b b b Vln 2 Bass E Bs 67 b b b b b b b b erc1 6

72 653 9 Gtr Synth 653 b b b b b b 9 9 b Vln 1 b 653 b b 9 b Vln 2 Bass E Bs 653 b b b 9 9 b b b b erc1 9 Gtr Synth Vln b sim b b b b b b Vln 2 Bass E Bs b 659 b b b b b erc1 65

73 Gtr Synth Vln 1 Vln 2 Bass E Bs b 666 b b b b b b b b b b b b b b b b erc1 Gtr Synth Vln Vln 2 Bass E Bs 673 erc1 hi-hat or crash oen Balo 673 b b 66

74 So 1 Gtr Balo b b Mo - ther O mo - b Mo - ther O mo - b n ther mo ther - b ther b b b Oh ho I Oh ho I b So 1 Gtr ray ray b or you to b or you to b guard b guard us b us b b b b e - ve - ry b b e - ve - ry b So Mdn Gtr Bass E Bs day day b b b b ƒ Bill Monroe style b b b n n b b b b erc1 hi-hat 67

75 Mdn 702 b Gtr Bass E Bs b 702 bb b n n b b b b b erc1 crash Harm Cl TnSax Tbn Mdn Gtr Vln 1 Vln 2 Bass E Bs b b b sax bb n b b b b b Ï b b b n n b ƒ diatonic in Eb n n b b b ƒ erc1 crash crash 6

76 Harm Cl 716 b b n b b n b n TnSax Tbn n b n b n n b n b Mdn Gtr Synth Vln b b b b b b b b b b b Vln 2 Bass E Bs 716 b b N b b b b b b erc1 hi-hat 69

77 Harm 723 b b b 9 Cl TnSax Tbn n b n n n n n n b n b b n n n b Mdn Gtr Synth Vln b b b b b b b b b b b Vln 2 Bass E Bs 723 b b b b b b b b b 9 9 erc1 9 70

78 729 9 b n b You are not You are not dead b dead but b but Harm You are not dead but Cl 9 TnSax n Tbn b Mdn b b Gtr 9 b b b b b Vln Vln 2 9 b Bass E Bs erc1 9 Balo b b b b 71

79 So 1 73 b b b n b n Gtr Balo on - ly a slee - ing b on - ly a slee - ing on - ly a slee - ing on - ly a slee - ing b b b b b b b b b b b b b b e should all b e should all e should all b e should all b b b b 72

80 So b b Gtr Bass E Bs b 739 smile b smile smile smile b b b b and sto our b and sto our and sto our and sto our ee - ing b ee - ing b ee - ing b ee - ing b b erc1 crash Balo b b b b b 73

81 So 1 75 b b n b on - ly a b Harm Cl You are not You are not You are not dead b dead dead n n but b but but on - ly a on - ly a on - ly a n TnSax 75 Tbn 75 b b Mdn Gtr b b b b b b b b b b Vln 1 75 b b n b b Vln 2 Bass E Bs 75 b b b b erc1 Balo b b b b b b 7

82 So b b n b n slee - ing e should all b smile b Harm slee - ing b slee - ing b slee - ing e should all e should all b e should all b smile smile smile Cl n n n TnSax Tbn n b n b Mdn b b b b b b b Gtr Vln b b b b b b b Vln 2 Bass E Bs 751 b b b erc1 Balo b b b b b b 75

83 So b b 756 b and sto our b and sto our and sto our ee - ing b ee - ing ee - ing b Harm 756 and sto our ee - ing Cl n TnSax 756 Tbn 756 b Mdn 756 b Gtr 756 b b b b b b Vln Vln 2 Bass E Bs 756 b b erc1 Balo b b b b b 76

84 762 b b Gtr b b b b Balo b b b 77

85 ercussion 2 Balohone Balo Balo Mona's uneral Music h=10 NB soloist can add a traditional introduction Balo Balo Balo Balo

86 Balo Balo 2 2 Balo Balo Balo

87 Harm erc1 Balo reer in but C OK gourd or single conga am Sonny Boy Williamson sound Harm 66 erc1 continue groove in this style Balo Harm erc1 7 7 Balo 7 7 stick tas 0

88 erc1 Balo 2 2 Harm Cl (shake ah-ah sound) 3 3 n Vln 1 Vln 2 Vln 3 90 n n b gliss gliss gliss n erc1 Balo

89 Harm Cl n Vln 1 Vln 2 Vln 3 erc1 9 n Balo 9 9 2

90 Harm Cl Vln 1 90 n Vln 2 Vln 3 erc1 Balo

91 Harm 910 Cl Gtr Vln 1 Vln 2 Vln 3 erc n res de la table near bridge any o the guitars Balo Gtr 91 erc1 Balo 91 91

92 Harm Cl AltSax Tbn Gtr Vln 1 Vln 2 Vln Alto sax n n b n n r n erc1 Balo

93 Harm Cl AltSax Tbn Gtr Vln 1 Vln n n R n b r n n Vln 3 erc1 Balo Û Û Û Û Û Û Û Û Û 6

94 Harm Cl AltSax Tbn n 3 3 Gtr 3 Vln 1 Vln 2 Vln 3 90 erc1 3 silence Balo Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Balo Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Balo

95 Harmonica Clarinet Big Tyrant 959 b b q=1 diatonic in Ab or chromatic n Alto Sax Trombone 959 b b Alto sax n E Bass Bass 959 b 959 b electric bass, or arco i on double bass ercussion 2 Balohone 959 b Harm Cl 966 b 966 b b n n À À Oh a soken dancehall style À À À À À À ve - ry sor - ry eo - le À AltSax Tbn 966 b b b 966 b Vln 1 Bass E Bs 966 b 966 b n Balo 966 b

96 Tbn Gtr Synth E Bs Bass 972 b 972 b b 972 b 972 b À À À bà did I ind here n n À À Oh they azz guitar À À À À À À À À had -n't a - ny mu-sic and they had no beer and ev - 'ry - here they tried to erch be - longed to Cas-tle Su- gar ot the À À bà b À À À À À À À bà nn nn À À À À À À À À À So 1 Tbn 97 b b b 97 b 97 b À bà À Cath -o - lic b Oh e do hat e nasty teenagers Oh e do hat e nasty teenagers bà church nasty teenagers Oh e do hat e b n do do-di-ly do hat e must hat e mu -di - ly must mud -'ly do mud -'ly b n do do-di-ly do hat e must hat e mu -di - ly must mud -'ly do mud -'ly b n do Beach doboys -di-ly alsetto do hat e must hat e mu -di - ly must mud -'ly do mud -'ly b "ooh"s NB another layer can sing this art instead or in unison b b b b E Bs Bass 97 b 97 b 2 2 b b b b 9

97 So 1 9 b b n b b do mud-ly do hat e must hat e bo - di - ly b n do mud-ly do hat e must hat e bo - di - ly n b bust b bust b b n b Tbn 9 b 9 b do mud-ly do hat e must hat e bo - di - ly bust À À À À À À soken dancehall style I an-ted ev - 'ry-thing À À À À to make some sense À À À À À so e'd be ha - y 9 b b Gtr b n Synth E Bs Bass 9 b 9 b b n Tbn 990 b b 990 b 990 b À À À À À À bà À in- stead o be - ing tense I made u lies so e'd all it nice and make this sad orld a ar - a - b À À À À À À À b À À À À À À À À À b Oh e do hat e b dise Oh e do hat e yodel Imrov Gtr 990 b b nn 2 2 Synth E Bs Bass 990 b 990 b nn

98 So b Beach Boys alsetto b "ooh"s b E Bs Bass b b b b n do do-di-ly do hat e must hat e mud -di - ly must mud -'ly do mud-ly do mud-ly do til e bust til e bod - i - ly bust b n 996 do do-di-ly do hat e must hat e mud -di - ly must mud -'ly do mud-ly do mud-ly do til e bust til e bod - i - ly bust Tbn b b b b b b b b b n b n b n b b So b b b til e bust til e bod - i - ly bust b 1002 b til e n b b bust til e bod - i - ly bust soken dancehall style À À À À À À À À bà À À À À À À À Harm 1002 b Ti -ger got to hunt bird got to ly man got to sit and on-der Cl b Tbn 1002 b 1002 b Gtr b n Synth E Bs Bass 1002 b 1002 b n 91

99 100 b 2 b 2 Oh e do hat e 100 b À À À bà À À À À À À À À À À À À À À À 2 À À À bà Oh e do hat e yodel Imrov Harm 100 b hy hy hy hy ti - ger got to slee bird got to land man got to tell him -sel he un -der-stand 2 Cl b 2 Tbn 100 b b 2 b Gtr 100 b b n n 2 2 Synth E Bs Bass 100 b 100 b n n 2 2 So b Beach Boys alsetto b "ooh"s b E Bs Bass b b b b n do do-di-ly do hat e must hat e mud -di -ly must mud-ly do mud-ly do mud-ly do til e bust tile e bod - i - ly bust b n 101 do do-di-ly do hat e must hat e mud -di -ly must mud-ly do mud-ly do mud-ly do til e bust tile e bod - i - ly bust Tbn b b b b b b b b b b n n b n b b 92

100 So b "ooh"s n n b Harm Cl Tbn b b 1020 b b 1020 b til e til e b bust til e bod - i - ly bust n b b bust til e bod - i - ly bust "ooh"s "ooh"s n n n n b b n 1020 b crazy glisses Bl C D El sh G A Vln 1 E Bs Bass 1020 b 1020 b b b 93

101 So b b narrator enters n n n n Harm Cl AltSax Vln 1 Tbn E Bs Bass b 1026 b b 1026 b 1026 b 1026 b b unky, exressive n b b n b n n 9

102 So b n n b b n n b Harm Cl AltSax b 1030 b b n n b n Tbn 1030 b b b Vln 1 Bass E Bs 1030 b 1030 b 1030 b b n b cont imrov in rests n b Balo 1030 b cont imrov in rests 95

103 So b n n narrator ends ith music b n n b n n Harm Cl AltSax 1035 b b n n Tbn 1035 b Vln 1 Bass E Bs 1035 b 1035 b b b 1035 b b b erc1 b Balo 1035 b 96

104 9 olly Guitar Violin 1 Violin q=132 Hollobody azz style seet, legato n b n n b b n seet, legato Violin 3 Bass Double Bass izz b ercussion 1 snare ith brushes Cl Gtr Vln 1 Vln n b b b n n b b n n Vln 3 Bass n seet, legato 1 1 erc1 1 97

105 Harm Cl Gtr 109 b b b b r n b b narrator enters n n b n b Vln 1 Vln 2 Vln 3 Bass 109 b b b r n n n n n n n erc1 Harm Cl Gtr 105 n n n b n n Vln n 1 Vln 2 n 1 Vln 3 Bass b n n 1 1 erc1 1 9

106 Harm Cl Gtr Vln 1 Vln 2 Vln 3 Bass n n b b n n b b n b b b n b b b b b b b b erc1 1 Harm Cl Gtr Vln n n Vln 2 Vln 3 Bass n n n n b n n erc1 1 99

107 Harm Cl Gtr gliss to beat b n b b Vln Vln 2 Vln 3 Bass n b b erc Gtr Vln 1 Vln seet, legato n Vln 3 Bass n n b n b erc1 100

108 Cl 1075 Gtr Vln b n n b n n Vln 2 b seet, legato b Vln 3 Bass n erc1 Cl Gtr Vln 1 Vln b b n n b b n n b b b b b b r r n n b b Vln 3 Bass seet, legato 1 1 b erc

109 Harm Cl Gtr Vln 1 Vln 2 Vln 3 Bass b n n n n n n n b n n erc1 Harm Cl 107 rit Gtr 107 n n Vln Vln 2 Vln 3 Bass n erc1 102