Preview Only. Legal Use Requires Purchase. Everything JAZZ. Words and Music by MICHAEL BUBLÉ, ALAN CHANG and AMY FOSTER Arranged by W.

Size: px
Start display at page:

Download "Preview Only. Legal Use Requires Purchase. Everything JAZZ. Words and Music by MICHAEL BUBLÉ, ALAN CHANG and AMY FOSTER Arranged by W."

Transcription

1 a division o Alred JAZZ Everything Words and Musi y MICHAEL BBLÉ, ALAN CHANG and AMY OSTER Arranged y W SCOTT RAGSDALE Condutor Voal Solo 1st E Alto Saxophone 2nd E Alto Saxophone 1st B Tenor Saxophone 2nd B Tenor Saxophone E Baritone Saxophone 1st B Trumpet (Opt lugelhorn) 2nd B Trumpet (Opt lugelhorn) 3rd B Trumpet (Opt lugelhorn) 4th B Trumpet (Opt lugelhorn) INSTRMENTATION revie Only 1st Tromone 2nd Tromone 3rd Tromone Bass Tromone Guitar Chords Guitar iano Bass Legal se Requires urhase

2 This easy Latin/pop lavored hart ill give your voalist an opportunity to really shine Have the and play lightly ehind the voal hile still striving or a ull sound The and an lo out a it at measure 37 hlle the voalist rests, then resume the aompnaiment roll hen she or he omes ak in at 45 ind a nie, relaxed tempo or this hart The Rhythm Setion The hole rhythm setion should listen losely to eah other and play lightly ind the poket and lok it in That happens through listening to eah other and inding the enter o the time It may take a hile, ut hen it happens, all the rhythm players ill reognize it and strive or the poket alays Guitar: The guitarist should strive or an eletri sound that ill lend ell ith the piano as they play the unison hook in the Intro Bring that llne out eah time it ours in the hart The strummed pattern should e played smoothly and sotly throughout, ith partiular attention paid toaurate time This repeating pattern ill propel the hart orard, ut should stay in the akground, so diret the guitarist to e sensitive to volume At measure 37, the guitarist an groove on ith the single sixteenth note line Note that the dynami marking at that point is one step soter than the rest o the and so that the guitar line should e more elt than heard lano: Bring out the intro and again eah time that line ours in the hart The asi rhythm as ritten at measure 9 should e irmly estalished The pianist an later emellish it somehat as long as the asi eel remains Some rass kiks are rttten into the part and should e played as ritten The let hand losely outlines the ass part NOTES TO THE CONDCTOR throughout, so depending on the experiene o the assist, the pianist may hoose to lay out on the let hand part hen it doules the ass The piano pattern at measure 45 and again at 72 is ommon in Latin musi and knon as montuno hih is a to measure pattem that repeats It should e played stritly as ritten and emphasized The Horn Setion The trumpets are asked to play lugelhoms or most o the hart I lugels are not availale, the players an use trumpets ith uket mutes instead, or just play don into the stand as a deault solution I reommend all lugels or all ukets or uniormity o sound Sith to open trumpets at measure 41, and ak to lugels at 68 All the horns should play light enough to not overpoer the voalist, hile still striving or a nie ull sound In measures 37 44, the horns an play out and shine Oserve the artiulations throughout and strive or good intonation espeially during the many unison passages The Voal Soloist The ritten melody should e studied areully The soloist should pratie ith the piano player irst to eome omortale ith the voal lines Although ommon in pop musi, some ords that are slurred rom one note to the next may look triky at irst or example: measure 12, the seond and third notes, and measure 25, the last three notes through the irst note o measure 26 These ill sound totally natural hen sung as ritten The voalist is alone or the pikups to measure 53, here the tune modulates up a hole step, requiring the voalist to listen areully and ind the ne key enter The solo voal range is rom lo E elo middle C to third spae C Enjoy! W Sott Ragsdale Sott Ragsdale revie Only Legal se Requires urhase Sott Ragsdale is retired rom the S Navy Band o Washington, DC, here he served as hie arranger, omposer, and tromonist ith the Navy s premier jazz ensemle, the Commodores He has also arranged or numerous ands up and don the East Coast or more than 30 years He studied musi at Southern Illinois niversity and the Berklee Shool o Musi (MA)

3 CONDCTOR 30659S Voal 1st EÑ Alto Saxophone 2nd EÑ Alto Saxophone 1st BÑ Tenor Saxophone 2nd BÑ Tenor Saxophone EÑ Baritone Saxophone 1st BÑ Trumpet (Opt lugelhorn) 2nd BÑ Trumpet (Opt lugelhorn) 3rd BÑ Trumpet (Opt lugelhorn) 4th BÑ Trumpet (Opt lugelhorn) 1st Tromone 2nd Tromone 3rd Tromone Bass Tromone Guitar iano Bass (Eletri) /Guitar A Straight eighths å = /iano Closed HH mi7 mi7 n n 1 B 7 D E 11 B 7 D E 11 EVERYTHING A mi7 mi I M THE LAST MAN STANDING MSIC, IHAN ZHAN MSIC, SONGS O NIVERSAL, INC and ALMOST OCTOBER SONGS All Rights or I M THE LAST MAN STANDING MSIC Administered y WB MSIC COR All Rights or IHAN ZHAN MSIC Administered y WARNER-TAMERLANE BLISHING COR This Arrangement 2009 I M THE LAST MAN STANDING MSIC, IHAN ZHAN MSIC, SONGS O NIVERSAL, INC and ALMOST OCTOBER SONGS All Rights Reserved inluding uli erormane n n n B 7 D E 11 B 7 D E 11 Words and Musi y MICHAEL BBLE, ALAN CHANG and AMY OSTER Arranged y W Sott Ragsdale lugelhorn lugelhorn lugelhorn lugelhorn mi7 mi7 mi7 revie Only Legal se Requires urhase 5 n n n n n B 7 n B 7 n B 7 6

4 Condutor Vo Bari Tpt 1 Tpt 2 Tpt 3 Tpt 4 Tn 1 Tn 2 Tn 3 Bass Tn Gtr no Ele Bass D miω D miω/e n n D miω D miω D miω D miω/e D miω/e D miω/e 7 E 11 E 11 E 11 E 11 Õ 8 You're a You're a al ar ~9} - ling star, - ou - sel, 2nd Time Only 2nd Time Only 2nd Time Only 2nd Time Only mi7 mi7 you're you're a a mi7 mi Everything B 7 D E 11 E 11 get - ish - a - ay ing ell, ar, B 7 n you're the and you B 7 n B 7 line light 10 3 in the sand me up, D E 11 hen hen I you go ring D E 11 revie Only A D E 11 Legal se Requires urhase 11 too my ar ell You're You're the a maj7 E 11 maj7 E 11 sim - mys - E 11 12

5 Condutor Vo Bari Tpt 1 Tpt 2 Tpt 3 Tpt 4 Tn 1 Tn 2 Tn 3 Bass Tn Gtr no Ele Bass 2nd Time Only ming pool ter - y, 2nd Time Only 2nd Time Only 2nd Time Only mi7 on an Aug you're rom out mi7 mi7 mi7 13 B 7 - ust day, and you're the - er spae, you're ev - ery n n B 7 B 7 n B Everything D E 11 E {17} 11 mi7 B 7 per - et thing to say And you play it oy, min - ute o my ev - ery day And I an't e - lieve, D E 11 D E 11 A D E maj7 E 11 E 11 E ill N k k mi7 ut ah, it's that kind I'm revie Only 17 mi7 mi7 Legal se Requires urhase - da ute your girl, Oh, Oh, hen hen you I B 7 B 7 n B 7 18

6 Condutor Vo Bari Tpt 1 Tpt 2 Tpt 3 Tpt 4 Tn 1 Tn 2 Tn 3 Bass Tn Gtr no Ele Bass An D miω n smile get at to D miω/e me you kno ex - at - ly kiss you, gee it puts me D miω D miω/e D miω D miω D miω/e 19 D miω/e E 11 hat you in a do hirl Ba - y don't What - ev - er E 11 ( E 11 A E mi7 pre - tend omes our ) ay, that you don't oh, e'll mi7 mi7 mi Everything B 7 D miω D miω/e kno it's true, see it thru, N n 'ause you and an you k B 7 B 7 n B 7 22 n n see it hen kno that's hat D miω An I our D miω/e look love at an you do revie Only Legal se Requires urhase D miω D miω 23 D miω/e D miω/e n ill And in this ra - 24

7 Condutor {25} Vo Bari Tpt 1 Tpt 2 Tpt 3 Tpt 4 Tn 1 Tn 2 Tn 3 Bass Tn Gtr no Ele Bass D lay Both Times lay Both Times lay Both Times lay Both Times lay Both Times lay Both Times lay Both Times k D E k k lay Both Times E - zy lie, and through these ra - zy times, it's you, it's you, you make me sing, you're ev - ery line, D D E E 25 mi9 mi7 E 7/ mi9 miω 26 D E mi7 E mi7 7 D maj7 C miω Everything k D E mi7 E mi7 A 7 miω miω/e D E k D E k 27 mi7 E mi7 7 miω E miω 7 28 D maj7 ~~~~ ~~~~ ~~~~ revie Only ~~~~ n C D C 29 Legal se Requires urhase miω miω miω/e miω/e 30

8 Condutor Vo Bari Tpt 1 Tpt 2 Tpt 3 Tpt 4 Tn 1 Tn 2 Tn 3 Bass Tn Gtr no Ele Bass B 9/D n B 9/D n B 9/D n n n B 9/D n you're ev - ery ord, you're Ev - ery - thing You're a ar - 31 D miω/e n D miω/e D miω/e D miω/e n n 32 1 mi7 mi7 mi Everything D miω D miω/e n n n n n B 7 n B 7 n B 7 34 n D miω D miω A D miω/e D miω/e revie Only D miω D miω/e 35 Legal se Requires urhase E 11 A E 11 E 11 E 11 Õ 36

9 Condutor Vo Bari Tpt 1 Tpt 2 Tpt 3 Tpt 4 Tn 1 Tn 2 Tn 3 Bass Tn Gtr no Ele Bass 2 To Trumpet To Trumpet To Trumpet To Trumpet lay single note line mi7 mi7 37 n n n n B 7 n B D E 11 D E Everything n n n n E 11 E k - - Trumpet Trumpet Trumpet Trumpet mi7 mi7 revie Only Legal se Requires urhase 41 - n k B 7 n B 7 42

10 Condutor Vo Bari Tpt 1 Tpt 2 Tpt 3 Tpt 4 Tn 1 Tn 2 Tn 3 Bass Tn Gtr no Ele Bass k k k k k k k k k k k k D E 11 D E D / n D / D / D / Õ 44 Bah dah ah n n {45} Cmi7 Ride 9 n dah ah dop op ah, Cmi7 9 Bmi7 Cmi7 9 Bmi7 n n n n Cmi7 7 Bmi Everything Bmi7 E9 B mi7 A9 maj7 n E9 E9 n E7 n n Õ 46 ah ah dop op ah B mi7 A9 maj7 n B mi7 A9 maj7 n n n revie Only B mi7 A7 maj7 n 47 Legal se Requires urhase Toms n Bah dah ah 48 n n

11 Condutor Vo Bari Tpt 1 Tpt 2 Tpt 3 Tpt 4 Tn 1 Tn 2 Tn 3 Bass Tn Gtr no Ele Bass Cmi7 9 n dah ah dop op ah, n n Cmi7 9 Bmi7 n Cmi7 9 Bmi7 n n n Cmi7 7 Bmi7 49 Bmi7 n E9 E9 E9 n E7 n n n n n n Õ Everything B mi7 A9 A n n maj7 {53} E B Gmi9 n N ah ah dop op ah n n B mi7 A9 maj7 n B mi7 A9 maj7 n n n B mi7 A7 maj7 n 51 And in this 52 n n n n n n n n n - Closed HH ra - zy lie, n n n n n n n n n n n n n n N n n - n n E E n n n n - revie Only E Legal se Requires urhase 53 N N N and through these N N B Gmi7 B B 7/G Gmi9 54

12 Condutor Vo Bari Tpt 1 Tpt 2 Tpt 3 Tpt 4 Tn 1 Tn 2 Tn 3 Bass Tn Gtr no Ele Bass E ra - zy times, it's you, it's you, you make me sing, you're ev - ery line, you're ev - ery ord, you're Ev - ery - thing - E E - E - 55 Gmi7 mi7 B 7 Gmi7 mi7 B 7 Gmi7 mi7 B 7 miω B 7 56 E maj E maj7 E maj7 ~~~~ ~~~~ ~~~~ ~~~~ D Dõ D E D C9/E E Everything miω/ / revie Only / 58 Legal se Requires urhase n C9/E n C9/E n n n C/E 59 E miω/ E miω/ E miω/ 60

13 Condutor {61} Vo Bari Tpt 1 Tpt 2 Tpt 3 Tpt 4 Tn 1 Tn 2 Tn 3 Bass Tn Gtr no Ele Bass 61 / N / / / 62 C7/E n C9/E C9/E n C/E n Õ You're ev - ery song, I sing a C9 E Everything miω To lugel To lugel To lugel To lugel C9 C9 n C n revie Only Õ 65 long, Legal se Requires urhase E miω E miω E miω A 66

14 Condutor Vo Bari Tpt 1 Tpt 2 Tpt 3 Tpt 4 Tn 1 Tn 2 Tn 3 Bass Tn Gtr no Ele Bass 11 'ause you're my Ev - ery - thing B lugelhorn lugelhorn lugelhorn lugelhorn B B B Gmi7 Gmi7 Gmi7 68 C7 n C7 n C B Everything Dmi7 G9 n n Bah dah ah n n n n n miω E miω/ E miω E miω E miω/ E miω/ 70 B B revie Only Legal se Requires urhase B 71 {72} dah ah dop op ah, Dmi7 G9 D mi7 Ride Dmi7 G9 D mi7 Dmi7 n n G7 72 D mi7

15 Condutor Vo Bari Tpt 1 Tpt 2 Tpt 3 Tpt 4 Tn 1 Tn 2 Tn 3 Bass Tn Gtr no Ele Bass D mi7 G 9 n G 9 G 9 G 7 73 Õ Cmi7 B9 ah ah dop op ah Cmi7 B9 B maj7 n Cmi7 B9 B maj7 n n Cmi7 B7 B maj7 n 74 B maj7 n Bah dah ah 75 Dmi G9 D mi7 G Everything 9 Cmi7 B9 n dah ah dop op ah, Dmi7 G9 D mi7 n Dmi7 G9 D mi7 Dmi7 n G7 76 D mi7 n G 9 G 9 G 7 Õ 77 n n rit ah ah dop op ah rit rit rit rit rit rit rit rit rit rit rit rit rit rit rit rit rit n n n N n N Cmi7 B9 B maj7 n Cmi7 B9 B maj7 revie Only rit n n Cmi7 B7 B maj7 n Legal se Requires urhase 78 B maj7 79

16 revie Only Legal se Requires urhase

Preview Only. Legal Use Requires Purchase. Hit the Road Jack JAZZ. Words and Music by PERCY MAYFIELD Arranged by MIKE LEWIS INSTRUMENTATION

Preview Only. Legal Use Requires Purchase. Hit the Road Jack JAZZ. Words and Music by PERCY MAYFIELD Arranged by MIKE LEWIS INSTRUMENTATION a division o Alred JAZZ Hit the Road Jak Words and Musi y PERCY MAYFIELD Arranged y MIE LEWIS ISTRUMETATIO Condutor 1st E Alto Saxophone 2nd E Alto Saxophone 1st B Tenor Saxophone 2nd B Tenor Saxophone

More information

Preview Only. Legal Use Requires Purchase. Don t Stop Believin JAZZ

Preview Only. Legal Use Requires Purchase. Don t Stop Believin JAZZ a division o Alred JAZZ Don t Stop Believin Words and Musi y STEVE PERRY, NEAL SCHON and JONATHAN CAIN Arranged y PAUL BAER INSTRUMENTATION Condutor 1st E Alto Saxophone 2nd E Alto Saxophone 1st B Tenor

More information

As Recorded by the New York Voices. I Could Write a Book. Words by LORENZ HART Music by RICHARD RODGERS Arranged by DARMON MEADER.

As Recorded by the New York Voices. I Could Write a Book. Words by LORENZ HART Music by RICHARD RODGERS Arranged by DARMON MEADER. As Recorded y the Ne York Voices I Could Write a Book Conductor Vocal Quartet (SATB) Vocal Solo emale Vocal Solo Male 1st E Alto Saxophone 2nd E Alto Saxophone 1st B Tenor Saxophone 2nd B Tenor Saxophone

More information

Preview Only. Legal Use Requires Purchase. Baby That s What I Need (Walk Tall) JAZZ

Preview Only. Legal Use Requires Purchase. Baby That s What I Need (Walk Tall) JAZZ a division o Alred JAZZ Bay That s What I Need (Walk Tall) Words and Musi y JOSE ZAWINUL, JAMES REIN and ESTHER MARROW Arranged y VINCE GASSI INSTRUMENTATION Condutor 1st E Alto Saxohone nd E Alto Saxohone

More information

Straight No Chaser. for Osceola All-County Jazz Auditions. j œ œ œ nœ. # œ œ nœ. œ # œ œ # œ œ œ # œ œ œ. # œ œ. œ œ# œ œ# œ œ œ œ.

Straight No Chaser. for Osceola All-County Jazz Auditions. j œ œ œ nœ. # œ œ nœ. œ # œ œ # œ œ œ # œ œ œ. # œ œ. œ œ# œ œ# œ œ œ œ. Alto Sax 4 Ó Œ for Osceola 2002-2003 All-County azz Auditions # # n T Monk # # G # # 9 # E- # # # A # # # A 4 # G # n # # 8 G # # # E- E- 22 # # # # # # A The Articulation in this piece should e closer

More information

Preview Only. Legal Use Requires Purchase. Recorda Me JAZZ. JOE HENDERSON Arranged by ERIC RICHARDS INSTRUMENTATION

Preview Only. Legal Use Requires Purchase. Recorda Me JAZZ. JOE HENDERSON Arranged by ERIC RICHARDS INSTRUMENTATION a division o Alred JAZZ Conductor 1st Eb Alto Saxohone 2nd Eb Alto Saxohone 1st Bb Tenor Saxohone 2nd Bb Tenor Saxohone Eb Baritone Saxohone 1st Bb Trumet 2nd Bb Trumet rd Bb Trumet 4th Bb Trumet JOE HENDERSON

More information

!!!! Understanding!the!Modern!Rhythm!Section! Outside!Pedestrian! Dr.!Anthony!Fesmire,!guitar!

!!!! Understanding!the!Modern!Rhythm!Section! Outside!Pedestrian!   Dr.!Anthony!Fesmire,!guitar! UnderstandingtheModernRhythmSection OutsidePedestrian.outsidepedestrian.com Dr.AnthonyFesmire,guitar AssociateProfessor,CollegeoftheDesert.anthonyfesmire.com DavidLockeretz,ass DavidOromaner,drums DavidODrums.davidoromaner.com

More information

Preview Only. Legal Use Requires Purchase

Preview Only. Legal Use Requires Purchase Words and Music y Ray Charles rranged y Victor López INSTRUMENTTION Conductor Solo Solo B Tenor Saxophone art (Sustitute or ) Solo B Trumpet art (Sustitute or ) Solo E art (Sustitute or ) Solo Cle art

More information

Preview Only. Legal Use Requires Purchase. Give It One JAZZ. MAYNARD FERGUSON and ALAN DOWNEY Arranged by ALAN BAYLOCK INSTRUMENTATION

Preview Only. Legal Use Requires Purchase. Give It One JAZZ. MAYNARD FERGUSON and ALAN DOWNEY Arranged by ALAN BAYLOCK INSTRUMENTATION a division o Alred JAZZ Give It One MAYNARD ERGUSON and ALAN DOWNEY Arranged by ALAN BAYLOC 1st Eb Alto Saxophone 2nd Eb Alto Saxophone 1st Bb Tenor Saxophone 2nd Bb Tenor Saxophone Eb Baritone Saxophone

More information

Beat 70 by Pat Metheny & Lyle Mays / arr. by John R. Hearnes & Edward Freytag Advanced / 5:00 / Players

Beat 70 by Pat Metheny & Lyle Mays / arr. by John R. Hearnes & Edward Freytag Advanced / 5:00 / Players oremost In Marching And Concert iterature PO Box 292671 Nashville, TN 37229 1-800-62-8001 AX 1-615-885-0370 rolocom Beat 70 y Pat Metheny yle Mays / arr y ohn R Hearnes Edard reytag Advanced / 5:00 / 10-11

More information

Preview Only. Legal Use Requires Purchase. Lago del Oeste MATT HARRIS INSTRUMENTATION

Preview Only. Legal Use Requires Purchase. Lago del Oeste MATT HARRIS INSTRUMENTATION 1st b lto Saxophone 2nd b lto Saxophone 1st b enor Saxophone 2nd b enor Saxophone b aritone Saxophone 1st b rumpet 2nd b rumpet 3rd b rumpet 4th b rumpet M HRRIS INSRUMNION 1st rombone 2nd rombone 3rd

More information

ULLA IN AFRICA. 8 How to Play Lead Trombone in a Big Band

ULLA IN AFRICA. 8 How to Play Lead Trombone in a Big Band ULLA IN ARICA The opening hymn-tune (ars 1 5) is very eautiul and sonorous It demands a good, lended sound rom each memer o the section as well as a connected, legato articulation and the aility to move

More information

Basic Stuff That You HAVE To Know

Basic Stuff That You HAVE To Know The first thing and possily the most important thing is the cycle of 5ths (or 4ths depending if you go up or don). 5ths (4ths) refers to intervals. Here is the cycle starting on C. 4 4 Basic Stuff That

More information

Fly Like a Bird. for Kate McMichael. Am7. B b add9. œ œ. œ J. œ œ œ œ

Fly Like a Bird. for Kate McMichael. Am7. B b add9. œ œ. œ J. œ œ œ œ 2 Based on Psalm 19:1 4, 7 12, 2 24 ly Like a Bird for Kate McMichael Ken anedo Keyoard % % NTR (q = ca 112) 4 4 RERAN Melody ly Harmony like a ird B add9 ẇ Lord, B add9 B add9 sus4 soul 1995, 2002, P

More information

Pop Ballad Accompaniment for Piano and Keyboard by Ron Drotos

Pop Ballad Accompaniment for Piano and Keyboard by Ron Drotos pedal Sloly etc E m Pop Ballad Accompaniment for Piano and Keyboard by Ron Drotos opyright 2012 Ron Drotos There are many types of piano accompaniment that ork ell behind a vocalist, hether you yourself

More information

The Fort and the Flag

The Fort and the Flag The ort and lag Baritone Solo and SATB Choir ith Optional Aompaniment Quoting rom Oiial Report regarding The Attak on ort MHenry by Maor George Armistead, abr; September, 1814 The Text o Anm is by ranis

More information

Preview Only. Legal Use Requires Purchase. Jive at Five JAZZ. COUNT BASIE and HARRY SWEETS EDISON Arranged by ROY PHILLIPPE INSTRUMENTATION

Preview Only. Legal Use Requires Purchase. Jive at Five JAZZ. COUNT BASIE and HARRY SWEETS EDISON Arranged by ROY PHILLIPPE INSTRUMENTATION a divisio o Alred JAZZ COUNT BASIE ad HARRY SWEETS EDISON Arraged y ROY HILLIE INSTRUMENTATION 1st E Alto Saxophoe 2d E Alto Saxophoe 1st B Teor Saxophoe 2d B Teor Saxophoe (Optioal) E Baritoe Saxophoe

More information

20th CENTURY FOX. Score. about 80 bpm. b b. œ œ œ3. œ œ3. œ œ œ fl. 3œ œ œ œ3. Œ œ œ œ. f œ> œ œ œ œ. œ œ œ œ. œ œ œ Œ. œ> œ œ. fœ> œ œ œ œ b3œ.

20th CENTURY FOX. Score. about 80 bpm. b b. œ œ œ3. œ œ3. œ œ œ fl. 3œ œ œ œ3. Œ œ œ œ. f œ> œ œ œ œ. œ œ œ œ. œ œ œ Œ. œ> œ œ. fœ> œ œ œ œ b3œ. Sore 20th CENTURY FOX Alto Sax. 1 Alto Sax. 2 Tenor Sax. 1 Tenor Sax. 2 Baritone Sax. Trumpet in Bb 1 Trumpet in Bb 2 Trumpet in Bb 3 Trumpet in Bb Trombone 1 Trombone 2 Trombone 3 Bass Trombone Guitar

More information

S3 North To Dreams - Princess Medley (as produced) Just Around The Riverbend - Reflection - I Can See The Light

S3 North To Dreams - Princess Medley (as produced) Just Around The Riverbend - Reflection - I Can See The Light Piano ocal Sketch Mickey and the Magical Map S North To Dreams Princess Medley (as produced) ust Around The Riverend Reflec I Can See The Light Music: Alan Menken BMI Lyric: Stephen Schartz ASCAP Music:

More information

Preview Only. Legal Use Requires Purchase. The Days of Wine and Roses JAZZ. Music by HENRY MANCINI Lyrics by JOHNNY MERCER Arranged by MIKE LEWIS

Preview Only. Legal Use Requires Purchase. The Days of Wine and Roses JAZZ. Music by HENRY MANCINI Lyrics by JOHNNY MERCER Arranged by MIKE LEWIS a division of Alfred JAZZ The Days of Wine and Roses Music by HENRY MANCINI Lyrics by JOHNNY MERCER Arranged by MIKE LEWIS INSTRUMENTATION Conductor 1st Eb Alto Saxophone 2nd Eb Alto Saxophone 1st Bb Tenor

More information

PREVIEW - Do Not Print

PREVIEW - Do Not Print Lead Sheet lorious ay (Living He Loved Me) KEY: 4 7 J. WILBUR HAMAN Additional ords by MIHAEL BLEEKER q = 76 Worshipully iano cues, Synth and Lite El. tr. 4 4 - en as illed ith His prais - es, VERSE 1

More information

'She Moves' Music & lyrics by. Jeff Wragg. for. Vocals. Rhodes. Piano. Electric Piano. Electric Guitar. 12-String Guitar. Tubular Bells.

'She Moves' Music & lyrics by. Jeff Wragg. for. Vocals. Rhodes. Piano. Electric Piano. Electric Guitar. 12-String Guitar. Tubular Bells. 'She Moves' Music & lyrics by Jeff Wragg for Vocals Piano Electric Piano Electric Guitar 12-String Guitar Tubular Bells Lute Synthesizer 1 Synthesizer 2 Percussion 2 Performance Notes 'She Moves' is in

More information

jazz band series Preview Only Legal Use Requires Purchase Pick Up the Pieces JAZZ

jazz band series Preview Only Legal Use Requires Purchase Pick Up the Pieces JAZZ jazz band series a division of Alfred JAZZ Pick Up the Pieces ROGER BALL, MALCOLM DUNCAN, ALAN GORRIE, HAMISH STUART, ROBBIE McINTOSH and OWEN McINTYRE Arranged by VICTOR LÓPEZ Conductor 1st Eb Alto Saxophone

More information

Przesłuchania do chóru "Muzyka zespołu Queen symfonicznie" TENOR

Przesłuchania do chóru Muzyka zespołu Queen symfonicznie TENOR Sorano Alto Tenor Bass "Somebody to Love" Przesłuchania do chóru "Muzyka zesołu Queen symonicznie" b b TENOR Can a ny bo dy ind me some bo dy to love "Bohemian Rhasody" 6 bb n b r n Is this the real lie

More information

All Shall Be Well. for Assembly, SATB Choir, Keyboard, Guitar, and B$ Trumpet I & II. > w. > œ w. > œ œ.> > Œ w. b œ. œ œ œ œ œ œ œ œ. .

All Shall Be Well. for Assembly, SATB Choir, Keyboard, Guitar, and B$ Trumpet I & II. > w. > œ w. > œ œ.> > Œ w. b œ. œ œ œ œ œ œ œ œ. . Timothy Dudley-Smith Organ or Piano 16' Ped or Electric Bass & or Assemly, SATB hoir, Keyoard, Guitar, and B$ Trumpet I & II & 4 4 4 sempre marcato INTRO Vigorous, oyul (q = ca 144) sempre staccato J J

More information

From The Bottom Up: Building Your Own Jazz Bass Lines

From The Bottom Up: Building Your Own Jazz Bass Lines From The Bottom Up: Building Your On Jazz Bass Lines Overvie Purpose The purpose of this presentation is to learn ho to create ass lines from a set of chord changes. The maority of the presentation ill

More information

Introduction to Jazz Guitar Chords and Comping Styles. -by Mike Scott

Introduction to Jazz Guitar Chords and Comping Styles. -by Mike Scott Introduction to Jazz Guitar Chords and Comping Styles -y Mike Scott he folloing lessons introduce some of the asics of azz guitar chords opics include: Some of the most common chord voicings used Intervals

More information

FROM THE TELEVISION SERIES THE FLASH WORDS AND MUSIC BY RACHEL BLOOM & TOM ROOT ARRANGED BY BLAKE NEELY

FROM THE TELEVISION SERIES THE FLASH WORDS AND MUSIC BY RACHEL BLOOM & TOM ROOT ARRANGED BY BLAKE NEELY PIANO VOAL UITAR SUPER RIEND ROM THE TELEVISION SERIES THE LASH WORDS AND MUSI BY RAHEL BLOOM TOM ROOT ARRANED BY BLAKE NEELY THE LASH, SUPERIRL, and all related characters and elements are trademarks

More information

Commissioned by Luther Seminary, St. Paul, Minnesota. The Potter s Field SATB, Soprano Saxophone, and Organ, with opt. Congregation. œ œ œ œ. œ Ó.

Commissioned by Luther Seminary, St. Paul, Minnesota. The Potter s Field SATB, Soprano Saxophone, and Organ, with opt. Congregation. œ œ œ œ. œ Ó. 2 Gt: Principal 8' ' S to Gt S: Flute and String P Ped: 1' 8' S to Ped Halgrimur Petursson Tr Gracia Grindal Soprano Saxophone Organ Gt Reverently ( q = ca 100 ) 3 3 F 3 3 Ó MSM-50-530 Commissioned by

More information

Evening Prayer (Glory to Thee, my God, this night)

Evening Prayer (Glory to Thee, my God, this night) homas Ken orano lto enor q» º chord 1 (but elt in one) a e tolls Evening rayer (Glory to hee, God, this night) solo reely Glo ry to hee, God, this night, he chord should be gently and regularly tolled,

More information

Table Of Contents. GuitarZoom 2015

Table Of Contents. GuitarZoom 2015 Table Of ontents Ho to Fretboard hord Basics and Major hords Minor hords I-IV-V in Major Keys Minor Key hords Progression hord Inversions uitarzoom uitar Tuning: Moderate q = to Ê Â = = = Tuning x. x.

More information

NOTES TO JAZZ IMPROVISATION CLINIC Copyright Rhinoceruss Music 2005

NOTES TO JAZZ IMPROVISATION CLINIC Copyright Rhinoceruss Music 2005 41-42 42 nd Street, Suite 1-O Sunnyside, NY 11104 (646) 320-3617 russ@russnolan.com.russnolan.com NOTES TO AZZ IMPROVISATION CLINIC Copyright Rhinoceruss Music 2005 1. ust like English, Spanish, German,

More information

The Jazz Piano. What s the function of the jazz piano in the jazz ensemble?

The Jazz Piano. What s the function of the jazz piano in the jazz ensemble? The Jazz Piano Welcome to the wonderful world of jazz piano! Understanding the function of the piano and how to play your part in the jazz band can be overwhelming when first exposed to standard jazz material.

More information

The Chromatic Scale (all half steps) The Major Scale The formula for the major scale is: w w 1/2 w w w 1/2. Minor Scales

The Chromatic Scale (all half steps) The Major Scale The formula for the major scale is: w w 1/2 w w w 1/2. Minor Scales The hromatic Scale (all half steps) # # E F F# # A A# B OR: b Eb E F b Ab A Bb B # # E F F# # A A # B & # # # # # b E b E F b A b A B b B & b n b n b n b n b n The Major Scale The formula for the major

More information

Fundamentals Lecture (topic: non-harmonic tones) (N.B. Class activities are in bold, keywords in italics)

Fundamentals Lecture (topic: non-harmonic tones) (N.B. Class activities are in bold, keywords in italics) undamentals Lecture (topic: nonharmonic tones) (NB lass activities are in old, keyords in italics) I Exposure to concept Distriute handout pg 1 Have the class sing the melody of the first 6 ars of "My

More information

Contents. Beginning Bass for Adults. About the Author Eighth Notes...33 Eight to the Bar...33 The Eighth Rest...34 Rasta Riff...

Contents. Beginning Bass for Adults. About the Author Eighth Notes...33 Eight to the Bar...33 The Eighth Rest...34 Rasta Riff... 2 Contents bout the uthor... Introduction... Ho to Use his ook... Chapter One uying Your ass... mplifiers... arts of the ass... Holding the ass... 8 he Left Hand... he Right Hand... uning Your ass...2

More information

Elements of Predictability

Elements of Predictability Advanced Harmonic Concepts Elements of Predictability There are a number of similar characteristics associated ith the composition and performance of standard jazz With these characteristics come a number

More information

TABLE OF CONTENTS ABOUT THE AUTHOR...4 INTRODUCTION...5 CHAPTER

TABLE OF CONTENTS ABOUT THE AUTHOR...4 INTRODUCTION...5 CHAPTER TABLE OF CONTENTS ABOUT THE AUTHOR INTRODUCTION5 CHAPTER Revie6 Intervals 6 Triads 7 7th Chords 8 Diatonic Harmony8 Voicings 0 Four-Note Voicings0 Shell Voicings0 Beop-Style Left-Hand Voicings Three Note

More information

Jazzing Up Jazz Band JB Dyas, PhD As published in DownBeat magazine January, 2018

Jazzing Up Jazz Band JB Dyas, PhD As published in DownBeat magazine January, 2018 Jazzing Up Jazz Band JB Dyas, PhD As published in DonBeat magazine January, 2018 JB Dyas (left) orks ith the big band at Houston s High School for the Performing and Visual Arts Presenting jazz orkshops

More information

I KNOW THAT MY REDEEMER LIVES. Preview Only. my that. Re on. earth do. j œ œ œ. once cheer was dead! joice.

I KNOW THAT MY REDEEMER LIVES. Preview Only. my that. Re on. earth do. j œ œ œ. once cheer was dead! joice. 2 SORANO ALTO TENOR BASS 4 8 12 I KNOW THAT MY REDEEMER LIES (All eople That on Earth Do Dell)* SATB voices a cappella** Eter Words y SAMEL MEDLEY (1738 1799) alt Alternate General Words y WILLIAM KETHE

More information

Performance Notes. Photo by Atsushi Sato

Performance Notes. Photo by Atsushi Sato . All Tapped Out The first time I heard Eddie Van Halen do his tapping thing, I sat in disbelief that hat I as hearing as guitar. Of course, so many of us guitarists became so enamoured of that sound that

More information

Preview Only INSTRUMENTATION

Preview Only INSTRUMENTATION CONCERT ULL ORCHESTRA Grade Level: 3 variations on a theme y handel 1 Conductor 1 1st lute 1 2nd lute 1 1st Ooe 1 2nd Ooe 1 1st Clarinet 1 2nd Clarinet 1 1st assoon 1 2nd assoon maurice c hitney Revised

More information

chapter two: melodic material

chapter two: melodic material chapter to: melodic material Many approaches can be taken hen soloing/improvising over this progression. he easiest and probably the best place to start is by simply arpeggiating the chords. Start ith

More information

Look at one last strumming pattern that uses muting in this lesson.

Look at one last strumming pattern that uses muting in this lesson. Look at one last strumming pattern that uses muting in this lesson. In this lesson, learn: another strumming pattern that uses the muting technique a song: ive Years Time how to do fast sixteenth note

More information

As performed by The Cars Moving in Stereo. Preview Only. Words and Music by RIC OCASEK and GREG HAWKES Arranged by ERIC GORFAIN INSTRUMENTATION

As performed by The Cars Moving in Stereo. Preview Only. Words and Music by RIC OCASEK and GREG HAWKES Arranged by ERIC GORFAIN INSTRUMENTATION NTERMEDATE STRNG ORCHESTRA Grade 3½ As erormed by The Cars Moving in Stereo Words and Music by RC OCASEK and GREG HAWKES Arranged by ERC GORAN NSTRUMENTATON 1 Conductor 8 1st Violin 8 2nd Violin 5 Viola

More information

HS Virtual Jazz Final Project Test Option Spring 2012 Mr. Chandler Select the BEST answer

HS Virtual Jazz Final Project Test Option Spring 2012 Mr. Chandler Select the BEST answer HS Virtual Jazz Final Project Test Option Spring 2012 Mr. Chandler Select the BEST answer 1. Most consider the most essential ingredient in jazz to be A. time B. jazz "sounds" C. improvisation D. harmony

More information

Erik Steighner. Progressive Warm-Ups for Saxophone. version 1.21

Erik Steighner. Progressive Warm-Ups for Saxophone. version 1.21 Erik Steighner Progressive Warm-Ups for Saxophone version 1.21 Contents Novice Warm-Up...2 Intermediate Warm-Up...6 Advanced Warm-Up...12 Quick Warm-Up (Int./Adv.)...19 vertone Reference...23 Scale/Interval

More information

You re Not Your Mistakes 2019 Mutual Theme Album

You re Not Your Mistakes 2019 Mutual Theme Album You re Not Your Mistakes 2019 Mutual Theme Album q = 105 4 ΠΠWords and music by Nik Day 4 You re not your mis-takes It s ust some-thing you do 4 4 4 some - times But that s not ho you are In your heart

More information

Evensong PPM01522 $4.30. Evening Service for the Transfiguration DO NOT COPY. Joel Martinson. SATB and organ

Evensong PPM01522 $4.30. Evening Service for the Transfiguration DO NOT COPY. Joel Martinson. SATB and organ paraclete press Evensong M015 $0 Evening Service or the Transiguration Joel Martinson SATB and organ Joel Martinson Joel Martinson holds the position o Director o Music and Organist at The Episcopal Church

More information

Carl Holmquist Our Reply Commissioned by the East Stroudsburg, PA High School Band Kanye Clogg, Director Grade Carl Holmquist

Carl Holmquist Our Reply Commissioned by the East Stroudsburg, PA High School Band Kanye Clogg, Director Grade Carl Holmquist Carl Holmquist Our Rely Commissioned y the East Stroudsurg, PA High School Band Kanye Clogg, Director Grade + 016 Carl Holmquist! This work is insired y the amous statement rom Leonard Bernstein, "This

More information

Comissioned by the American Guild of Organists 2017 West Region Convention Salt Lake City, Utah - June 11-15, 2017 COME, LABOR ON

Comissioned by the American Guild of Organists 2017 West Region Convention Salt Lake City, Utah - June 11-15, 2017 COME, LABOR ON 2 ORGAN 5 10 Steady, building to the end (h = ca. 56) 2 2 2 TENOR / BASS p. Comissioned by the American Guild of Organists 2017 West Region Convention Salt Lake City, Utah - June 11-15, 2017 COME, LABOR

More information

Instructions for BHS Jazz Auditions 2017 RHYTHM SECTION

Instructions for BHS Jazz Auditions 2017 RHYTHM SECTION Instructions for BHS Jazz Auditions 2017 RHYTHM SECTION Hello and welcome! Thank you for deciding to audition for the BHS Jazz Lab II band and/or the BHS Jazz Ensemble for the 2017 2018 school year. You

More information

Phil explained the origins of this gorgeous ballad in the January 1992 Phil Keaggy Newsletter as follows:

Phil explained the origins of this gorgeous ballad in the January 1992 Phil Keaggy Newsletter as follows: Let Everything Else Go Words and music by Phil Keaggy Phil explained the origins of this gorgeous ballad in the January 1 Phil Keaggy Nesletter as follos: While riding my bicycle early one Sunday morning

More information

From: Charlie Puth - Nine Track Mind. One Call Away. CHARLIE PUTH, MATTHEW PRIME, JUSTIN FRANKS, BREYAN STANLEY ISAAC, MAUREEN MCDONALD and SHY CARTER

From: Charlie Puth - Nine Track Mind. One Call Away. CHARLIE PUTH, MATTHEW PRIME, JUSTIN FRANKS, BREYAN STANLEY ISAAC, MAUREEN MCDONALD and SHY CARTER rm harlie Puth - Nine Track Mind One all Aay by HARLIE PUTH, MATTHEW PRIME, USTIN RANKS, BREYAN STANLEY ISAA, MAUREEN MDONALD and SHY ARTER Published Under License rm EMI Music Publishing 2015 harlie Puth

More information

Four Irish Songs. on poems of William Allingham for ATB (2012)

Four Irish Songs. on poems of William Allingham for ATB (2012) SCOTT ILLARD our Irish Songs on oems o William Allingham or ATB (2012) 1. O Sirit o the Summertime 2. A Gravestone 3. our Ducks on a ond. The Winter ear Text: William Allingham (12-1) Alto q = 0-5 O Sirit

More information

Christmastime. œ œ. œ œ œ. A b. Cm7. œ œ. j œ œ œ j œ œ.

Christmastime. œ œ. œ œ œ. A b. Cm7. œ œ. j œ œ œ j œ œ. V 1 1 3 6 8 m7 E A E. 3 Briskly, ith excitement q = 108 E B E E B E E sus 2 A m7 E E A E E sus 2 A B E E E E sus 2 hristmastime E E m7 B E E E E sus 2.. E f B E E B E m7. 1998 ayspring Music, LL (BMI)

More information

FORGET ABOUT THE BOY

FORGET ABOUT THE BOY 177 15 1 MISS LANNERY: "oget oys, Dillmout Get youself a caay" With Geat Covictio» MILLIE: C f No caa y qq qe 2 i a cage fo me 4 Music y eaie Tesoi Lyics y Dick Scala C C C f +Clas, Tpts, Ts Tpts, T +Clas

More information

AUDITION PACKET UNCLE FESTER

AUDITION PACKET UNCLE FESTER ADITION PACKET NCLE ALL (CON T) AND FAMILY BY AND BY WHEN YO'RE AN ADDAMS THE STANDARD ANSWERS DON'T APPLY WHEN YO'RE AN ADDAMS YO DO WHAT ADDAMS DO OR DIE (Applause) GOMEZ ntil next year my eloved ancestors

More information

# w. # w # # w # w # w

# w. # w # # w # w # w & & PRIMARY TRIADS In Levels 1-4, triads (3-note chords) ere built on the first note of the scale. If an example as in the key of E Major, then the triad introduced as an E Major triad, ith E, G and B.

More information

West Side Story Medley

West Side Story Medley West Side Story Medley q=190 b b 1 18 5 0 7 5 6 7 shows. Could mp be Who knows? There's_ some-thing due an- y day;_ I will know right a- way, Soon as it b b > > > > > its eye, ing, Com- ing-to me! It may

More information

Ukulele at School published by Daniel Ho Creations

Ukulele at School published by Daniel Ho Creations Ukulele at School published by Daniel Ho Creations.DanielHo.com For audio examples, the latest nes, and to contact us, please visit:.ukuleleatschool.com Written by Steve Sano and Daniel Ho Music performed

More information

1. ADVENT. , œ œ œ œ œ œ œ œ. F Œ œ œ. Pre - pare, > j. J œ œ œ œ > pare the way of the

1. ADVENT. , œ œ œ œ œ œ œ œ. F Œ œ œ. Pre - pare, > j. J œ œ œ œ > pare the way of the Like lainsong Solo or SA oices re are the ay o the Lord; make straight his aths [» q] q»c 7 SA re are TB Ó re are re SAMLE Lk :; hil : 1 ADVENT Richard rolx re are are re are the ay o the 0078 Lord re

More information

HANNAH$ This$packet$includes:$ HANNAH,$PASSENGER$2$

HANNAH$ This$packet$includes:$ HANNAH,$PASSENGER$2$ ' HANNAH$ Auditionacket This$packet$includes:$ SidesorHANNAH,$ASSENGER$2$ Cutothesongs):I"am"Here,"Finale"Welcome"to"the" Rock),"Something s"missing mp3linksorthesongs)above: https://dropboxcom/sh/rtyroahc30vmi9/aacuxhrvg0obt_xyav1gsadl=0'

More information

This songbook is provided at no cost to uke players for personal educational use only. Anything beyond educational usage is not implied or encouraged

This songbook is provided at no cost to uke players for personal educational use only. Anything beyond educational usage is not implied or encouraged TUM Songbook 5 As Time Goes By Blue Bayou Georgia On My Mind Jambalaya On The Bayou Lazy River Old Paint Pearly Shells Ragtime oboy Joe She ll Be omin Round The Mountain Yello Bird This songbook is provided

More information

I Love Chocolate! Unison (Opt. Two-part)* Chorus and Piano

I Love Chocolate! Unison (Opt. Two-part)* Chorus and Piano 2 Love Chocolate! nison (Opt Two-part)* Chorus and iano Words by Niel Lorenz Range: Music by Mary Lynn Lightfoot 1 With excitement h = 4 art ( or All Voices) Spoken: 2 art ( or All Voices) 2 2 C-H-O-C

More information

Great Is the Love/Hay Gran Amor. Jaime Cortez. Unison Keyboard

Great Is the Love/Hay Gran Amor. Jaime Cortez. Unison Keyboard 887 OCP sheet music Great Is the Love/Hay Gran Amor aime Cortez Unison Keyboard The material that you have requested is copyrighted. Copyright la requires you to obtain a license from the copyright holder

More information

N 1038a. Eve Beglarian. Testy Pony. for cello, narrator, and pre-recorded track. EVBVD MUSIC 468 Sixth Avenue #4 New York, NY

N 1038a. Eve Beglarian. Testy Pony. for cello, narrator, and pre-recorded track. EVBVD MUSIC 468 Sixth Avenue #4 New York, NY N 108a Eve eglarian Testy Pony 2010 for cello, narrator, and pre-recorded track EVVD MUSIC 468 Sixth Avenue #4 Ne York, NY 10011.evbvd.com Testy Pony as originally ritten for cello, but it can be performed

More information

from the television series The Flash RUNNIN HOME TO YOU for S.S.A. voices and piano with optional SoundTrax CD* Performance time: approx.

from the television series The Flash RUNNIN HOME TO YOU for S.S.A. voices and piano with optional SoundTrax CD* Performance time: approx. Arranged by ANDY BECK SOPRANO I SOPRANO II ALTO PIANO from the television series The Flash RUNNIN HOME TO YOU for S.S.A. voices and iano with otional SoundTrax CD* Performance time: arox. 2:55 Tenderly,

More information

by Mark White Whitmark Music Publishing BMI

by Mark White Whitmark Music Publishing BMI HARMONY PRIMER y Mark White Whitmark Music Pulishing BMI As a prelude to my Basslines Lesson 2-adding the chords, I thought it might e a good idea to spend a little time explaining ho asic Jazz harmony

More information

Effective Chord Chart Writing

Effective Chord Chart Writing Effective Chord Chart Writing There is a saying which has been attributed to Albert Einstein which sums up the art of effective chart writing: Everything should be as simple as possible, but not simpler

More information

Chapter 3, Introduction to Triads and Seventh Chords Chapter 3 Glossary = or = Augmented Triad (+): Bass Position: Bass-Position Symbols:

Chapter 3, Introduction to Triads and Seventh Chords Chapter 3 Glossary = or = Augmented Triad (+): Bass Position: Bass-Position Symbols: Chapter 3, Introduction to Triads and Seventh Chords Chapter 3 Glossary http://.mhhe.com/kostka7e = or = http://highered.mheducation.com/sites/0078025141/information_center_vie0/index.html Augmented Triad

More information

Rhythm. Chords. Play these three chords in the following pattern of 12 bars.

Rhythm. Chords. Play these three chords in the following pattern of 12 bars. This is a very short, brief, inadequate, introduction to playing blues on a guitar. Shown is a twelve bar blues in A because it's easy to get started. Have fun! Rhythm You've heard this rhythm before:

More information

SOLO and ENSEMBLE PROFICIENCY SCALES WIND and MELODY PERCUSSION INSTRUMENTS These scales are not listed in concert pitch.

SOLO and ENSEMBLE PROFICIENCY SCALES WIND and MELODY PERCUSSION INSTRUMENTS These scales are not listed in concert pitch. SOLO and ENSEMBLE PROFICIENCY SCALES WIND and MELODY PERCUSSION INSTRUMENTS These scales are not listed in concert pitch. Required Scale Rhythm: Chromatic: Even Rhythm Such as even eighth notes or triplets

More information

Vertical Harmony Concepts

Vertical Harmony Concepts Vertical Harmony Concepts The purpose of this book is to familiarize the bassist with chord structures and to enhance his ability to solo intelligently and effectively. While many of these concepts can

More information

rock piano scales CC1E7F B5FE6A5FD235C568D Rock Piano Scales 1 / 6

rock piano scales CC1E7F B5FE6A5FD235C568D Rock Piano Scales 1 / 6 Rock Piano Scales 1 / 6 2 / 6 3 / 6 Rock Piano Scales Welcome to irocku, Chuck Leavell s rock piano lessons. Below are videos and sheet music to learn Piano Rhythms and Progressions such as Salsa, Reggae,

More information

Private Trombone Lesson Packet Shawn Bell

Private Trombone Lesson Packet Shawn Bell Private Tromone Lesson Packet Shan Bell Tromone #1 Basic Long Tones Warm-up/Daily Routine Long Tones 1, 2, 3,, 5, 6 Focus on a full, even tone and good reath support. Don't rush! #2 Remington Long Tones

More information

Copyright 2010 Rock Star Recipes Ltd.

Copyright 2010 Rock Star Recipes Ltd. Copyright 2010 Rock Star Recipes Ltd. ll rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying,

More information

How to sing An Fold-In Round:

How to sing An Fold-In Round: Ho to sing An old-in Round: T are seven original voices, shon on the top seven lines. The bottom seven lines contain the round being sung backards, but are ritten out for ease of reading ( adustment of

More information

The Ultimate Guide To Bass Harmonics. Create chords, melodies and solo bass pieces using harmonics

The Ultimate Guide To Bass Harmonics. Create chords, melodies and solo bass pieces using harmonics The Ultimate Guide To Bass Harmonics Create chords, melodies and solo bass pieces using harmonics Ho To Use This Guide Welcome to this Ultimate Guide! It s great to have you on board. First things first,

More information

From the motion picture La La Land CITY OF STARS. for S.S.A. voices and piano with optional SoundTrax CD* Performance time: approx. 2:30.

From the motion picture La La Land CITY OF STARS. for S.S.A. voices and piano with optional SoundTrax CD* Performance time: approx. 2:30. K K 2 Arranged by JAY ALTHOUSE SOPRANO I SOPRANO II ALTO PIANO 4 5 From the motion picture La La Land CITY OF STARS for S.S.A. voices and piano with optional SoundTrax CD* Performance time: approx. 2:30

More information

Time Lord. Performance Score (Grade 5 Standard) by Gawen Robinson 1/210113

Time Lord. Performance Score (Grade 5 Standard) by Gawen Robinson 1/210113 Lord Performance Score (Grade 5 Standard) by Gaen Robinson 1/210113 Published by Musicline Publications P.O. Box 15632 Tamorth Staffordshire B77 5BY 01827 281 431.musiclinedirect.com No part of this publication

More information

Overture Cotton Avenue

Overture Cotton Avenue Author: Howard Wright JoniMitchell.com Transcription for Guitar Overture Cotton Avenue CACFGC, Joni Tuning: C93525 This transcription is the author's own work and represents their interpretation of the

More information

Ukulele in the Classroom

Ukulele in the Classroom Ukulele in the lassroom Marty Gross Educator and Author of Essential Elements for Ukulele Essential Elements for Ukulele Hal Leonard orporation 014 Item Number HL00116015 ISBN 978-1-4803-169-4 Why Teach

More information

WEST AFRICAN DRUM & DANCE Kalani Das, MT-BC

WEST AFRICAN DRUM & DANCE Kalani Das, MT-BC WEST AFRICAN DRUM & DANCE Kalani Das, MT-BC Sponsored by PERIPOLE Visit KalaniMusi.om for training and resoures West Afrian Drum & Dane -A Yankadi-Marou Celebration with Kalani Das, MT-BC A must have for

More information

Flute Clinic. by Staff Sergeant Kendra Boettcher Staff Sergeant Jennifer Nitchman Staff Sergeant Dana Tan

Flute Clinic. by Staff Sergeant Kendra Boettcher Staff Sergeant Jennifer Nitchman Staff Sergeant Dana Tan The United States Army ield Band The Musical Ambassadors o the Army Washington, DC lute Clinic by Sta Sergeant Kendra Boettcher Sta Sergeant Jennier Nitchman Sta Sergeant Dana Tan The United States Army

More information

In this lesson, you mix up the previous quarter note and eighth note strumming pattern in a different way.

In this lesson, you mix up the previous quarter note and eighth note strumming pattern in a different way. In this lesson, you mix up the previous quarter note and eighth note strumming pattern in a different way. You learn: a versatile strumming pattern that can be used for hundreds of different songs how

More information

WMHFA Solo and Ensemble Festival

WMHFA Solo and Ensemble Festival Honors Track - Information and Rules Entrance Requirements Purpose: To select the best performers for Honors Ensemble Concert to Perform in May under the direction of a college or professional conductor.

More information

Lesson #6: Single-Note Patterns Using the Alternating Thumb Technique

Lesson #6: Single-Note Patterns Using the Alternating Thumb Technique : Single-Note Patterns Using the Alternating Thumb Technique Continue in the style of pattern-based fingerpicking on the ukulele. In the previous lesson, you used the four-finger picking technique to play

More information

If your students can play the attached trio, they will be able to play all of the trios in this collection with no problem.

If your students can play the attached trio, they will be able to play all of the trios in this collection with no problem. FREE! from.freeguitarensemblemusic.com The folloing trio from the 12th Fret Capo Series is made available to you at no cost from freeguitarensemblemusic.com. Try it. Perform it. If you like it and ould

More information

œ œ œ œ œ œ œ ? b c. ? b CHORDAL BASS LINES B b7 F 7 F 7 D 7 G 7 C 7 C 7 D 7 G 7 TRIADS Chapter 01-1

œ œ œ œ œ œ œ ? b c. ? b CHORDAL BASS LINES B b7 F 7 F 7 D 7 G 7 C 7 C 7 D 7 G 7 TRIADS Chapter 01-1 Chapter 01-1 CHORDAL BASS LINES Playing the primary notes of a hord (root, third, fifth, seventh) is a great ay to begin learning ho to onstrut alking bass lines Even the most modern bassists outline triads

More information

MUSIC THEORY GLOSSARY

MUSIC THEORY GLOSSARY MUSIC THEORY GLOSSARY Accelerando Is a term used for gradually accelerating or getting faster as you play a piece of music. Allegro Is a term used to describe a tempo that is at a lively speed. Andante

More information

Choosing your own song for Vocals Initial Grade 8

Choosing your own song for Vocals Initial Grade 8 Choosing your own song for Vocals Initial 8 All techniques are cumulative but it is not expected that songs will contain everything in the list; this is intended to be a general guide to the type of techniques

More information

Scarborough Fair. Chord Solo Arrangement by Karl Aranjo. Karl Aranjo,

Scarborough Fair. Chord Solo Arrangement by Karl Aranjo. Karl Aranjo, Karl Aranjo, www.guitaru.com This study is an arrangement of a classic British folk ballad called. Although the song dates back to at least the Renaissance period, a version of it was made popular by the

More information

Primal Soup. Rich Perks

Primal Soup. Rich Perks Primal Soup Rich Perks 1 ) \ *( \rtr \d{ i: - *tn\ I., a ut ht a';. \: I '"".-. rd,/ ""*,,t\,'\\ \."' -t *O8s*wrd{r*^**'.' @ 0 R Fi io H \-/ hol ru-4.,y.r.i,:t\r,r":i..,i:.1, I! i ' J( t ) 1 \ t\\ \)

More information

Thank you for auditioning for AUSTEN S PRIDE ROLE: MR. BENNET

Thank you for auditioning for AUSTEN S PRIDE ROLE: MR. BENNET Thank you for auditioning for ASTEN S PRIDE ROLE: MR BENNET Present in the room ill e diretor, musi diretor, produing team asting Please prepare: This full paket Please also prepare a rief legit allad

More information

Free ebooks ==>

Free ebooks ==> ree ebooks ==>.book.com.book.com VolumeOne reattunesforslideuitar rangedbyrentrobitaile 16KalymiPublishing lrightsreserved. ree ebooks ==>.book.com.book.com ONTNTS - SLI UITR OLLTION Introduction... 4-

More information

O Zomer! Cassandra Miller for the Asko Ensemble 2007

O Zomer! Cassandra Miller for the Asko Ensemble 2007 O Zomer! Cassandra Miller for the Asko Ensemble 007 Performance Notes Preparation: The vibraphone and the crotales are to be prepared by taping a coin to each crotale and vibraphone bar used Scordatura:

More information

Esperanza Spalding: Samba Em Prelúdio (from the album Esperanza) Background information and performance circumstances Performer

Esperanza Spalding: Samba Em Prelúdio (from the album Esperanza) Background information and performance circumstances Performer Esperanza Spalding: Samba Em Prelúdio (from the album Esperanza) (for component 3: Appraising) Background information and performance circumstances Performer Esperanza Spalding was born in Portland, Oregon,

More information

Riff Broken Chord Arpeggio. Phrase. Improvisation Phrase Back Beat

Riff Broken Chord Arpeggio. Phrase. Improvisation Phrase Back Beat Riff Broken Chord Arpeggio Scale Pattern or Scalic Question and Answer Phrase Blues Scale and Blues Notes Improvisation Phrase Back Beat 4/4 3/4 Also known as simple time Syncopation Swing This maybe a

More information

2 0 E X C L U S I V E J A M T R A C K S

2 0 E X C L U S I V E J A M T R A C K S Audio files, track documentation, and tabs in Guitar Pro and PDF formats. 2 0 E X C L U S I V E J A M T R A C K S M P 3 G P X P D F Expand your acoustic instrumentation with this exclusive set of JamTracks.

More information