Michelangelo ( ) and Mannerism

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1 Europe, 1500 Source: 6 Movements of the Renaissance Brunelleschi -Bramante -Palladio -Alberti Early High Late Renaissance Mannerism Baroque -Michelangelo -Romano -Della Porta -Maderno -Bernini -Borromini Michelangelo ( ) and Mannerism Michelangelo, The New Sacristy, San Lorenzo Church, 1520, Florence Mannerism -Subversion of Orders -Alternation in pediments -Hanging motifs Brunelleschi, PazziChapel; Michelangelo, The New Sacristy In common 1. Pietra serena 2. Pendentives 3. Decorative pilasters 4. Square/circle Differences 1. Doors 2. White walls 3. Lines on floor 4. Tiled floor 5. Superimposition of Orders Source: 10 & 2 High Mannerism Baroque Source: 7 & 10 Early Mannerism 1

2 Florence, 1525 Florence, 1525 Inner Staircase Inner Staircase Mannerism 1. Spiralsof steps 2. Inclination of sides 3. White walls 4. Pediments 5. Superimposition 6. Columns Source: 11 High Mannerism Baroque Michelangelo, Capitoline Hill, Rome, 1538 Michelangelo, Capitoline Hill, Senate Building Source: 2 High Mannerism Baroque 2

3 Michelangelo, Capitoline Hill, Rome, 1538 ÉtienneDupérac( ), 1604), Capitoline Hill,, Engraving, 1568 Source: 7 High Mannerism Baroque Source: 7 High Mannerism Baroque GiulioRomano (c ), 1546), Palazzo del Tè, Mantua, The Baroque with Bernini and Borromini Source: 1 High Mannerism Baroque GianlorenzoBernini ( ), 1680), Sant Andréaal al Quirinale, Rome, Bernini, Sant Andréaal al Quirinale, Altar and Plan Source: 9 High Mannerism Baroque 3

4 Bernini, Sant Andréaal al Quirinale, Dome Francesco Borromini ( ), 1667), Saint Charles of the Four Fountains, Rome, ; façade, 1665 Borromini, Saint Charles of the Four Fountains, Dome and Plan From the High Renaissance to the Baroque: facades Source: 12 High Mannerism Baroque GuidettoGuidetti, Santa Catarina, Rome, 1564 GiacomoDella Porta, Il Gesu, Rome, Source: 7 High Mannerism Baroque 4

5 Carlo Maderno, Santa Suzanna, Rome, 1597 Martino Longhi, Saint Vincent, Rome, Source: 7 High Mannerism Baroque Bramante, St. Peter s, Rome, 1505 From the High Renaissance to the Baroque: St. Peter s High Mannerism Baroque Michelangelo, St. Peter s, Rome, Michelangelo, St. Peter s: Canopy (Bernini, , 1633, Gilded Bronze, 30 m high) Source: 8 Dome is Mannerist Altar is Baroque Source: 8 Late Mannerism 5

6 Carlo Maderno(1556 ( ), 1629), St. Peter s, Rome, Bernini, St. Peter s, Rome, 1656 Key notions -Colossal -Greek/Latin cross -Plan: axial and central Required reading -Gombrich, The Story of Art,, ; 174; ; 219; ; ; 350; Suggested readings -Adams, Exploring the Humanities,, p ; 350; ; 375; Cleaver, Art, an Introduction,, p Fiero, The Humanistic Tradition,, vol. 3. p ; 53; Kleiner, Gardner s Art through the Ages,, p ; 638; ; 655; ; Bibliography and Sources 1. Adams, Exploring the Humanities 2. Bradbury, Kirsten. Michel-Ange 3. Cleaver, Art, an Introduction 4. Fiero, The Humanistic Tradition,, vol Gombrich, The Story of Art 6. Kleiner, Gardner s Art through the Ages 7. University Laval Course Notes