18/10/2016. Early Renaissance Painting. Thursday, October 18, 2012 Course Outline. Or, Partial mastery St. Lawrence, 10/18/2016. The Early Renaissance

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1 Early Renaissance Painting Or, Partial mastery St. Lawrence, 10/18/2016 Thursday, October 18, 2012 Course Outline The Early Renaissance The Black Death The 100-years War The Avignon Papacy Van Eyck Masaccio Piero della Francesca Mantegna 1

2 Sacrifice of Isaac 1417 Great Schism ends c Brunelleschi's experiment 1434 Van Eyck s Portrait of Arnolfini 1455 Gutenberg prints the bible Lorenzo rules Florence 1475 Mantegna s Lamentation 1492 Columbus reaches the West Indies 1498 Savonarola executed 18/10/2016 Key Notions -Atmospheric perspective -Composition -Foreshortening -Linear perspective Timeline Italy, 1400 Source: 7 2

3 The Black Death Or, the Paralyzation of life itself The Black Death ( ) Source: 12 3

4 Dürer The Ravisher Death and the Landsknecth The Four Riders Source: 9 Proto Early High The 100-years War Or, all life is directed towards death The 100-years War ( ) 4

5 The Avignon Papacy Or, the Church is shaken The Avignon Papacy ( ) and the Great Schism ( ) Source: 12 Florence Or, the Center of the artistic world 5

6 Florence, c Source: 13 Florence, 1400 Source: 7 6

7 Order Rationality Symmetry Linear perspective Atmospheric perspective Spatial concern Unification of experiences Word-stock Jan van Eyck ( ) Or, the Impact of oil paint Portrait of Giovanni Arnolfini and his Wife 1434, Oil on oak, 82 x 60 cm, National Gallery, London 7

8 Portrait of Giovanni Arnolfini and his Wife Details Portrait of Giovanni Arnolfini and his Wife 1434, Oil on oak, 82 x 60 cm, National Gallery, London The Virgin of Chancellor Rolin 1435, Wood, 66 x 62 cm, Musée du Louvre, Paris 8

9 Suckling Madonna Enthroned c. 1436, Oil on wood, 65,5 x 49,5 cm, Städelsches Kunstinstitut, Frankfurt Masaccio ( ) Or, a Question of perspective Brunelleschi s experiment Source: 12 Northern Early High 9

10 Trinity , Fresco, 667 x 317 cm, Santa Maria Novella, Florence Trinity Three-dimensional reconstruction based on fresco Source: 14 Northern Early High Crucifixion: Giotto Vs Masaccio Source: 9 Proto Early High 10

11 Piero della Francesca ( ) Or, Elements of composition Baptism of Christ , Tempera on panel, 167 x 116 cm, National Gallery, London Baptism of Christ: Giotto Vs Francesca Source: 9 Proto Early High 11

12 Andrea Mantegna ( ) Or, Spatial illusionism The Lamentation over the Dead Christ c. 1475?, Tempera on canvas, 68 x 81 cm, Pinacoteca di Brera, Milan Foreshortening Source: The Lamentation over the Dead Christ c. 1475?, Tempera on canvas, 68 x 81 cm, Pinacoteca di Brera, Milan Annibale Carracci, Dead Christ, 1582 Source: webartacademy.com Katie Maldonado, 2009 Source: webartacademy.com 12

13 The Lamentation over the Dead Christ c. 1475?, Tempera on canvas, 68 x 81 cm, Pinacoteca di Brera, Milan Salvador Dali, Ascension, 1958 Source: artmodel.wordpress.com Lamentation of Christ: Giotto Vs Mantegna What makes the Early Renaissance artist an Early Renaissance artist Pursuit of Giotto s new artistic ideals Each artist masters some artistic tools (But none of them has complete mastery of painting) Novelties and interests Mastery and preference for oil painting Experimentation with linear and atmospheric perspective Focus on geometric compositions Investigation in spatial representation with foreshortening 13

14 Suggested readings -Gombrich, The Story of Art, p Cleaver, Art, an Introduction, p Fiero, The Humanistic Tradition, vol. 2. p ; vol. 3, p. 3-7, Kleiner, Gardner s Art through the Ages, p Bibliography and Sources 1. Adams, Exploring the Humanities 2. Cleaver, Art, an Introduction 3. Davies, Janson s Basic History of Western Art 4. Fiero, The Humanistic Tradition, vol. 2 and vol Eirmerl, Giotto et son temps 6. Gombrich, The Story of Art 7. Kleiner, Gardner s Art through the Ages 8. University Laval Course Notes Rogers, Art, a World History Landrus, Les trésors de Léonard de Vinci

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