Abbildungsverzeichnis
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1 Abbildungsverzeichnis Abb. 1 William Holman Hunt, Rienzi Vowing to Obtain Justice for the Death of his Young Brother Slain in a Skirmish between the Colonna and the Orsini Factions, Öl/Lw., 86,3 x 122 cm, Privatsammlung In: Prettejohn, 2000, S. 32. Abb. 2 John Everett Millais, Isabella, Öl/Lw., 109,9 x 142 cm, Walker Art Gallery, Liverpool In: Prettejohn, 2000, S. 31. Abb. 3 Dante Gabriel Rossetti, The Girlhood of Mary Virgin, Öl/Lw., 83,2 x 65,4 cm, Tate Britain, London In: Prettejohn, 2000, S. 16. Abb. 4 Thomas Seddon, Jerusalem and the Valley of Jehoshaphat from the Hill of Evil Counsel, Öl/Lw., 67,3 x 83,2 cm, Tate Britain, London In: Pre-Raphaelite Vision, 2004, S Abb. 5 Thomas Seddon, The Pyramids of Giza, 1854 Öl/Lw., 53 x 78 cm, Privatsammlung In: Staley, 2001, S Abb. 6 John Everett Millais, The Rescue, 1855 Öl/Lw., 119,4 x 83,8 cm, National Gallery of Victoria, Melbourne In: Riding, 2006, S. 28. Abb. 7 Frederic Leighton, Cimabue s Celebrated Madonna is Carried in Procession through the Streets of Florence, Öl/Lw., 231,7 x 520,9 cm, National Gallery, London, Leihgabe Ihrer Majestät Königin Elisabeth II. In: Frederic, Lord Leighton, 1996, S Abb. 8 William Holman Hunt, The Scapegoat, Öl/Lw., 87 x 139,8 cm, Lady Lever Art Gallery, Port Sunlight In: Prettejohn, 2000, S Abb. 9 Michael Halliday, The Measure for the Wedding Ring, 1855 Öl/Lw., 90 x 68 cm, Privatsammlung In: Wood, 1983, S. 70.
2 Abb. 10 John Everett Millais, Autumn Leaves, 1856 Öl/Lw., 104,3 x 74 cm, Manchester Art Gallery In: Riding, 2006, S. 33. Abb. 11 John Everett Millais, Peace Concluded, 1856, 1856 Öl/Lw., 116,8 x 91,4 cm, The Minneapolis Institute of Fine Arts, The Putnam Dana McMillan Fund In: Barlow, 2005, S. 62. Abb. 12 John Everett Millais, The Blind Girl, Öl/Lw., 82,6 x 62,2 cm, Birmingham Museum and Art Gallery In: Riding, 2006, S. 31. Abb. 13 John Everett Millais, The Order of Release, 1746, 1853 Öl/Lw., 102,9 x 73,7 cm, Tate Britain, London In: Prettejohn, 2000, S Abb. 14 Ford Madox Brown, An English Autumn Afternoon, Öl/Lw., 71,8 x 134,6 cm, Birmingham Museum and Art Gallery In: Prettejohn, 2000, S. 90. Abb. 15 Ford Madox Brown, The Last of England, Öl/Holz, 82,5 x 75 cm, Birmingham Museum and Art Gallery In: Prettejohn, 2000, S. 91. Abb. 16 William Holman Hunt, The Haunted Manor, 1849 Öl/Pappe/Holz, 23,3 x 33,7 cm, Tate Britain, London In: Pre-Raphaelite Vision, 2004, S. 32. Abb. 17 John Everett Millais, Effie/The Foxglove, 1853 Öl/Pappe, 24,1 x 21,3 cm, Wightwick Manor, The Mander Collection In: Millais. Portraits, 1999, S. 61. Abb. 18 John Everett Millais, A Dream of the Past Sir Isumbras at the Ford, 1857 Öl/Lw., 124,5 x 170,2 cm, Lady Lever Art Gallery, Port Sunlight In: Riding, 2006, S. 34. Abb. 19 John Everett Millais, The Escape of the Heretic, 1559, 1857 Öl/Lw., 106,2 x 76,2 cm, Museo de Arte de Ponce, Puerto Rico Nach: (Abruf: )
3 Abb. 20 Dante Gabriel Rossetti, The First Anniversary of the Death of Beatrice, 1853 Aquarell/Papier, 42 x 61 cm, Ashmolean Museum, Oxford In: Dante Gabriel Rossetti, 2003, S. 27. Abb. 21 William Holman Hunt, The Children s Holiday, 1865 Öl/Lw., 210,2 x 146 cm, Torre Abbey Historic House and Gallery, Torquay In: Bronkhurst, Bd. 1, 2006, S Abb. 22 William Holman Hunt, The Eve of St Agnes, 1848 Öl/Lw., 77,5 x 113 cm, Guildhall Art Gallery, London In: Bronkhurst, Bd. 1, 2006, S Abb. 23 Abraham Solomon, Waiting for the Verdict, 1857 Öl/Lw., 110,3 x 124,5 cm, Tate Britain, London In: Lambourne, 1999, S Abb. 24 Dante Gabriel Rossetti, Fazio s Mistress/Aurelia, 1863 Öl/Lw., 43,2 x 36,8 cm, Tate Britain, London In: Dante Gabriel Rossetti, 2003, S. 73. Abb. 25 John Everett Millais, A Huguenot, 1852 Öl/Lw., 92,7 x 62,2 cm, The Makins Collection In: Riding, 2006, S. 44. Abb. 26 Dante Gabriel Rossetti, St Catherine, ,3 x 24,1 cm, Tate Britain, London In: Dante Gabriel Rossetti, 2003, S. 48. Abb. 27 Dante Gabriel Rossetti, The Beloved, Öl/Lw., 82,5 x 76,2 cm, Tate Britain, London In: Dante Gabriel Rossetti, 2003, S. 74. Abb. 28 Dante Gabriel Rossetti, Monna Vanna, 1866 Öl/Lw., 88,9 x 86,4 cm, Tate Britain, London In: Tickner, 2003, S. 48. Abb. 29 Asher Brown Durand, In the Woods, 1855 Öl/Lw., 154,3 x 121,9 cm, The Metropolitan Museum of Art, New York In: Art and the Empire City, 2000, S. 393.
4 Abb. 30 Ford Madox Brown, King Lear, Öl/Lw., 71 x 99 cm, Tate Britain, London In: The Pre-Raphaelites, 1984, S. 66. Abb. 31 Rosa Bonheur, The Horse Fair, Öl/Lw., 244,5 x 506,7 cm, The Metropolitan Museum of Art, New York In: Art and the Empire City, 2000, S Abb. 32 Dante Gabriel Rossetti, Bocca Baciata, 1859 Öl/Holz, 32,2 x 27 cm, Museum of Fine Arts, Boston In: Dante Gabriel Rossetti, 2003, S. 57. Abb. 33 William Holman Hunt, The Finding of the Saviour in the Temple, Öl/Lw., 85,7 x 141 cm, Birmingham Museum and Art Gallery In: Bronkhurst, Bd.1, 2006, S Abb. 34 Dante Gabriel Rossetti, Burd Alane, 1860? Öl/Holz?, 28,7 x 31,7 cm, Privatsammlung Nach: (Abruf: ) Abb. 35 John Everett Millais, The Black Brunswicker, 1860 Öl/Lw., 99 x 66 cm, Lady Lever Art Gallery, Port Sunlight In: Riding, 2006, S. 45. Abb. 36 Dante Gabriel Rossetti, Found, Öl/Lw., 91,4 x 80 cm, Delaware Art Museum, Wilmington In: Dante Gabriel Rossetti, 2003, S. 25. Abb. 37 Dante Gabriel Rossetti, Ecce Ancilla Domini!/The Annunciation, 1850 Öl/Lw., 72,4 x 41,9 cm, Tate Britain, London In: Dante Gabriel Rossetti, 2003, S. 21. Abb. 38 Dante Gabriel Rossetti, Hist! Said Kate the Queen, ca Ölskizze, 32,5 x 60 cm, Eton College In: Bennett, 1988, S Abb. 39 William Holman Hunt, The Light of the World, 1853 Öl/Lw., 125,5 x 59,8 cm, Keble College, Oxford In: Prettejohn, 2000, S. 244.
5 Abb. 40 Dante Gabriel Rossetti, Fra Angelico Painting, ca Federzeichnung, 17,8 x 11,1 cm, Birmingham Museum and Art Gallery In: Dante Gabriel Rossetti, 2003, S Abb. 41 Dante Gabriel Rossetti, Giorgione Painting, ca Federzeichnung, 11 x 17,6 cm, Birmingham Museum and Art Gallery In: Dante Gabriel Rossetti, 2003, S Abb. 42 Dante Gabriel Rossetti, Studie für Bonifazio s Mistress, ca Federzeichnung, 19,4 x 17,1 cm, Birmingham Museum and Art Gallery In: Dante Gabriel Rossetti, 2003, S Abb. 43 Dante Gabriel Rossetti, Helen of Troy, 1863 Öl/Holz, 32,8 x 27,7 cm, Kunsthalle Hamburg In: Dante Gabriel Rossetti, 2003, S. 61. Abb. 44 The Virgin and Child with Two Angels, 13. Jh., Toskana Tempera auf Holz, 36,5 x 26,7 cm, National Gallery, London, seit 1970 vermisst In: Davies, 2001, Plate 67. Abb. 45 Anna Jameson, Greek Virgin and Child Holzschnitt In: Jameson, 1864, S. xxxiv. Abb. 46 Dante Gabriel Rossetti, Regina Cordium, 1860 Öl/Holz, 25,4 x 23,2 cm, Johannesburg Art Gallery Nach: (Abruf: ) Abb. 47 Dante Gabriel Rossetti, Regina Cordium/Porträt Mrs John Aldam Heaton, 1861 Bleistiftzeichnung, 22,8 x 22,8 cm, Birmingham Museum and Art Gallery Nach: (Abruf: ) Abb. 48 Dante Gabriel Rossetti, Regina Cordium/Mrs John Aldam Heaton, 1861 Öl/Holz, 27,9 x 23,2 cm, Christie s 2003 Nach: (Abruf: ) Abb. 49 Dante Gabriel Rossetti, Maria Leathart, 1862 Öl/Holz?, 31,2 x 26,5 cm, Privatsammlung Nach: (Abruf: )
6 Abb. 50 Dante Gabriel Rossetti, Regina Cordium, 1866 Öl/Lw., 59,7 x 49,5 cm, Glasgow Art Gallery and Museum In: The-Pre-Raphaelites, 1984, S Abb. 51 Giovanni Bellini, Portrait of Fra Teodoro d Urbino as St Dominic, 1515 Öl/Lw., 63,9 x 49,5 cm, National Gallery, London In: Dante Gabriel Rossetti, 2003, S. 59. Abb. 52 Jan van Eyck, Porträt eines Mannes, 1432 Öl/Holz, 33,3 x 18,9 cm, National Gallery, London In: Campbell, 1998, S Abb. 53 u. 54 Dante Gabriel Rossetti, Two Mothers, c Öl/Lw., 30,5 x 25,8 cm, Sudley House, Liverpool In: Milner, 1995, S. 72. Abb. 55 Tizian, Frau mit Spiegel, ca Öl/Lw., 99 x 76 cm, Musée du Louvre, Paris In: Joannides, 2001, S Abb. 56 Tizian, Flora, ca Öl/Lw., 79,7 x 63,5 cm, Galleria degli Uffizi, Florenz In: Dante Gabriel Rossetti, 2003, S. 77. Abb. 57 John Everett Millais, Pizarro Seizing the Inca of Peru, 1846 Öl/Lw., 128 x 172 cm, Victoria & Albert Museum, London In: Cooper, 2003, S. 27. Abb. 58 William Mulready, Choosing the Wedding Gown, 1846 Öl/Lw., 53,3 x 45,1 cm, Victoria & Albert Museum, London In: Lambourne, 1999, S Abb. 59 John Everett Millais, The Proscribed Royalist, 1651, 1853 Öl/Lw., 102,8 x 73,6 cm, Andrew Lloyd-Webber Collection In: Pre-Raphaelite and Other Masters, 2003, S. 54. Abb. 60 Sarah Setchel, The Momentous Question, 1842 Aquarell, Victoria & Albert Museum, London In: Meisel, 1983, S. 287.
7 Abb. 61 C. Rolls, Frontispiz für Walter Scotts Heart of Mid-Lothian, 1823 Stich nach Charles Robert Leslie In: Meisel, 1983, S Abb. 62 John Everett Millais, Cherry Ripe, 1879 Öl/Lw., 134,6 x 88,9 cm, Privatsammlung In: Millais.Portraits, 1999, S. 22. Abb. 63 John Everett Millais, Bubbles, 1886 Öl/Lw., 109,2 x 78,7 cm, Elida Gibbs Collection, London In: Riding, 2006, S. 53. Abb. 64 John Everett Millais, The Vale of Rest, 1859 Öl/Lw., 102,9 x 172,7 cm, Tate Britain, London In: Riding, 2006, S. 35. Abb. 65 John Everett Millais, Spring/Apple Blossoms, 1859 Öl/Lw., 110,5 x 172,7 cm, Lady Lever Art Gallery, Port Sunlight In: Riding, 2006, S. 37. Abb. 66 William MacDuff, Shaftesbury, or Lost and Found, 1862 Öl/Lw., 47 x 40,6 cm, Museum of London In: Lambourne, 1999, S Abb. 67 Holzstich-Illustration der Brüder Dalziel nach John Everett Millais, Was it not a lie, ,2 x 12,7 cm, Birmingham Museum and Art Gallery In: John Everett Millais, 2004, S. 33. Abb. 68 Holzstich-Illustration der Brüder Dalziel nach John Everett Millais, The Parable of the Lost Piece of Money, x 24 cm, Victoria & Albert Museum, London In: Cooper, 2003, S Abb. 69 John Everett Millais, Trust Me!, 1862 Öl/Lw., 111,8 x 77,5 cm, Privatsammlung In: Ash, 1998, Plate 23. Abb. 70 John Everett Millais, The Ransom, 1862 Öl/Lw., 129,5 x 114,3 cm, The John Paul Getty Museum, Los Angeles Nach: (Abruf: )
8 Abb. 71 John Everett Millais, My First Sermon, 1863 Öl/Lw., 92 x 76,8 cm, Guildhall Art Gallery, London In: Riding, 2006, S. 51. Abb. 72 John Everett Millais, My Second Sermon, 1864 Öl/Lw., 97 x 71,7 cm, Guildhall Art Gallery, London In: Riding, 2006, S. 51. Abb. 73 Reproduktion nach John Everett Millais, Sleeping, 1867 Öl/Lw., 89 x 68,5 cm, Privatsammlung In: Frick Art Reference Library, New York Abb. 74 Reproduktion nach John Everett Millais, Waking, 1867 Öl/Lw. 89 x 68,5 cm, Museum and Art Gallery, Perth In: Frick Art Reference Library, New York Abb. 75 Reproduktion nach John Everett Millais, Yes or No?, 1871 In: Frick Art Reference Library, New York Abb. 76 Reproduktion nach John Everett Millais, No!, 1875 In: Frick Art Reference Library, New York Abb. 77 John Everett Millais, Yes, 1877 Öl/Lw., 152,4 x 116,8 cm, Lord Lloyd-Webber Collection In: Riding, 2006, S. 48. Abb. 78 John Everett Millais, William Ewart Gladstone, 1879 Öl/ Lw., 125,7 x 91,4 cm, National Portrait Gallery, London In: Millais. Portraits, 1999, S Abb. 79 John Everett Millais, Chill October, 1870 Öl/Lw., 141 x 186,7 cm, Lord Lloyd-Webber Collection In: Riding, 2006, S. 71. Abb. 80 Diego Velázquez, Die Übergabe von Breda, 1634/1635 Öl/Lw., 307 x 367 cm, Prado, Madrid In: Rudersdorf, 2000, S. 145.
9 Abb. 81 Diego Velázquez, Die Sage der Arachne/Die Spinnerinnen, um 1657 Öl/Lw., 164 x 250 cm, Prado, Madrid In: López-Rey, Bd. 2, 1996, S Abb. 82 John Everett Millais, The Eve of St Agnes, 1863 Öl/Lw., 118 x 154,9 cm, Royal Collection, London In: Ash, 1998, Plate 24. Abb. 83 James McNeill Whistler, The White Girl, 1862 Öl/Lw., 214,6 x 108 cm, National Gallery of Art, Washington DC In: Lambourne, 1999, S Abb. 84 John Everett Millais, Esther, 1865 Öl/Lw., 105,4 x 74,9 cm, Privatsammlung In: Riding, 2006, S. 41. Abb. 85 John Everett Millais, Jephtah, 1867 Öl/Lw., 125,7 x 161,2 cm, National Gallery of Wales, Cardiff Nach: (Abruf: ) Abb. 86 John Everett Millais, A Souvenir of Velázquez, 1868 Öl/Lw., 102,7 x 82,4 cm, Royal Academy of Arts, London In: Riding, 2006, S. 61. Abb. 87 Joshua Reynolds, The Age of Innocence, ca Öl/Lw., 76,5 x 63,8 cm, Tate Britain, London In: Millais. Portraits, 1999, S Abb. 88 John Everett Millais, Sisters, 1868 Öl/Lw., 106,7 x 106,7 cm, Privatsammlung In: Millais. Portraits, 1999, S Abb. 89 John Everett Millais, Stella, 1868 Öl/Lw., 112,7 x 92 cm, Manchester Art Gallery In: Riding, 2006, S. 43. Abb. 90 William Holman Hunt, Christ and the Two Marys, 1848,?1897 Öl/Lw., 117,5 x 94 cm, Gallery of South Australia, Adelaide In: Bronkhurst, Bd. 1, 2006, S. 124.
10 Abb. 91 William Holman Hunt, Master Hilary The Tracer, 1886 Öl/Lw., 122,2 x 66 cm, Lord Lloyd-Webber Collection In: Bronkhurst, Bd. 1, 2006, S Abb. 92 Philip Henry Gosse, Aquarellvorlage für Actinologia Britannica, 1860 Horniman Museum, London In: Pre-Raphaelite Vision, 2004, S. 17. Abb. 93 John Singleton Copley, The Death [or Collapse] of the Earl of Chatham in the House of Lords, 7 July 1778, 1781 Öl/Lw., 228, 6 x 307,3 cm, Tate Britain, London In: Lambourne, 1999, S. 11. Abb. 94 Benjamin Robert Haydon, Christ s Entry into Jerusalem, 1820 Öl/Lw., 396 x 457 cm, Mount St Mary s Seminary, Cincinnati, Ohio In: Giebelhausen, 2006, Plate 1. Abb. 95 William Holman Hunt, The Afterglow in Egypt, 1863 Öl/Lw., 185,4 x 86,3 cm, Southampton Art Gallery In: Bronkhurst, Bd. 1, 2006, S Abb. 96 William Holman Hunt, The Sea-King s Peaceful Triumph on London Bridge, 10 th of March, 1863, 1864 Öl/Lw., 65 x 98 cm, Ashmolean Museum, Oxford In: Bronkhurst, Bd. 1, 2006, S Abb. 97 William Holman Hunt, The Abundance of Egypt, 1857 Radierung, 13,8 x 10,5 cm, Etchings for the Art-Union of London by the Etching Club 1857, Plate 20 In: Bronkhurst, Bd. 2, 2006, S Abb. 98 William Holman Hunt, The Sea-King s Peaceful Triumph on London Bridge: Study of the Architecture of London Bridge, 1863 Bleistift auf Papier, 12,7 x 17,8 cm, The Pollitt Collection In : Bronkhurst, Bd. 2, 2006, S Abb. 99 Anthony Van Dyck, The Five Eldest Children of Charles I, 1637 Öl/Lw., 163,2 x 198,8 cm, Royal Collection, London In: Millar, Bd. 1, 1963, Plate 74.
11 Abb. 100 Julia Margaret Cameron, William Holman Hunt in His Eastern Dress, Mai 1864 Albumen Print, 25,9 x 20,8 cm, National Museum of Photography, Film & Television, Bradford In: Julia Margaret Cameron, 2003, S Abb. 101 William Holman Hunt, A Portrait (Self-Portrait), 1875 Öl/Lw., 103,5 x 73 cm, Galleria degli Uffizi, Collezione degli autoritratti, Florenz In: Bronkhurst, Bd. 1, 2006, S Abb. 102 William Holman Hunt, Il Dolce Far Niente,?1866 Öl/Lw., 99 x 82,5 cm, Privatsammlung In: Bronkhurst, Bd. 1, 2006, S Abb. 103 William Holman Hunt, Morning Prayer, 1866 Öl/Lw., 25,4 x 18,4 cm, Lord Lloyd-Webber Collection In: Bronkhurst, Bd. 1, 2006, S Abb. 104 William Holman Hunt, Isabella and the Pot of Basil, 1868 Öl/Lw., 187 x 116,5 cm, Laing Art Gallery, Newcastle In: Bronkhurst, Bd. 1, 2006, S. 208.
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