04/11/ Fête galante -Odalisque -Scène galante. Rococo Art. Key Notions. Timeline. Or, Feminine Art Boucher s Birth of Venus
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1 Rule of Louis XV 1717 Watteau s Cythera 1740 Boucher s Birth of Venus 1748 Discovery of Pompeii 1768 English Royal Academy of Arts Rule of Louis XVI 1778 Fragonard s The Bolt 1789 The French Revolution 04/11/2018 Rococo Art Or, Feminine Art Key Notions -Fête galante -Odalisque -Scène galante Timeline 1
2 Decorative Sensual art/eroticism Aristocratic Feminine Mme de Pompadour Colors Subjects/genre scenes Flirtatious Word-stock François Boucher Portrait of Marquise de Pompadour 1756, Oil on canvas, 201 x 157 cm, Alte Pinakothek, Munich 2
3 Jean-Antoine Watteau Watteau`s Rococo Atmospheric perspective (haziness) Soft but dense vegetation (little details) No female nudes Figures seen at a distance (mysterious effect for psychological amusement) Italian setting Nostalgic ambiance The Embarkation for Cythera 1717,Oil on canvas, 129 x 194 cm, Musée du Louvre, Paris Harlequin and Columbine, , Oil on wood, 36 x 26 cm, Wallace Collection, London A Halt During the Chase, 1720, Oil on canvas, Wallace Collection, London 3
4 Fêtes Vénitiennes , Oil on canvas, 56 x 46 cm, National Gallery of Scotland, Edinburgh Rubens, Garden of Love, c. 1633, Oil on canvas, 198 x 283 cm, Museo del Prado, Madrid François Boucher Boucher s Rococo More sensual than Watteau s (sinuosity) French setting Female nude is the focus Blue is major color The Rape of Europa , Oil on canvas, 231 x 274 cm, Wallace Collection, London 4
5 The Birth of Venus 1740, Oil on canvas, 130 x 162 cm, Nationalmuseum, Stockholm The Birt of Venus, 1740, Oil on canvas, 130 xh 162 cm, Nationalmuseum, Stockholm BOTTICELLI, Sandro, The Birth of Venus, c. 1485, Tempera on canvas, 172,5 x 278,5 cm, Galleria degli Uffizi, Florence Brown Odalisque 1745, Oil on canvas, 53 x 64 cm, Musée du Louvre, Paris 5
6 Girl Reclining (Louise O'Murphy), 1751, Oil on canvas, 59,5 x 73,5 cm, Wallraf-Richartz-Museum, Cologne The Toilette, 1742, Oil on canvas, 53 x 67 cm, Museo Thyssen-Bornemisza, Madrid Jean-Honoré Fragonard Fragonard s Rococo A blend of Watteau and Boucher Interior setting Scènes galantes Red, orange, yellow, brown are major colors Source: 9 Young Woman Playing with a Dog , Oil on canvas, 70 x 87 cm, Fondation Cailleux, Paris 6
7 Monsieur de la Bretèche 1769, Oil on canvas, 80 x 65 cm, Musée du Louvre, Paris The Bathers, , Oil on canvas, 64 x 80 cm, Musée du Louvre, Paris The Stolen Kiss, , Oil on canvas, 45 x 55 cm, The Hermitage, St. Petersburg The Bolt c. 1778, Oil on canvas, 73 x 93 cm, Musée du Louvre, Paris 7
8 Vermeer, Girl Reading a Letter at an Open Window, 1657, Oil on canvas, 83 x 64,5 cm, Gemäldegalerie, Dresden Fragonard, A Young Girl Reading, c. 1770, Oil on canvas, 82 x 65 cm, National Gallery of Art, Washington Conclusion The Rococo was powered by the aristocratic ideals of a life of pleasure and frivolity, completely at odds with the growing seriousness of revolutionary discontent brewing in the streets of France Under the influence of Madame de Pompadour, painting focused on feminine interests, such as sensual, erotic, and flirtatious subjects, usually situated in lush gardens of pastel colors and curvaceous lines These works were not made for the public eye, rather they were hung to decorate the living quarters of the upper class 8
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