18/08/2018. Analysis and Interpretation. It is the transfer from the visual domain to the written one using pertinent vocabulary

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1 Analysis and Interpretation It is the transfer from the visual domain to the written one using pertinent vocabulary It brings to light formal and iconographical elements 1. Theme 2. Composition 3. Light 4. Color 5. Texture & Medium 6. Iconography It attempts to set forth the significance of the work in light of the gathered information stemming from analysis and prevailing context of creation 1

2 The Genres (or Themes) Major Genre Minor Genre History Genre Boucher, Birth of Venus Genre: myth Delacroix, Liberty Leading the People Genre: allegory Da Vinci, The Annunciation Genre: religious David, Death of Marat Genre: historical Portrait Genre Hals, Regents of the St Elizabeth Hospital of Haarlem Genre: group Raphael, Julius II Genre: individual Delacroix, Self-Portrait Genre: self-portrait 2

3 Genre Scene: Everyday Life Vermeer, The Milkmaid Fragonard, The Bolt Landscape Genre Van Goyen, Dunes Genre: landscape Turner, Fishermen at Sea Genre: seascape Vermeer, The Little Street Genre: cityscape Still Life Genre Cézanne, Ginger Jar and Fruit Genre: still life Claesz, Vanitas Still Life Genre: vanitas 3

4 Composition Boucher, Birth of Venus Rhythm Raphael, The Mond Crucifixion Balance and stability Da Vinci, The Last Supper Grouping Composition Pictorial Depth David, The Death of Socrates Parallel planes Unknown, Jesus Calling the First Apostles No depth Delacroix, The Death of Sardanapalus Angled planes Light Friedrich, Monk by the Sea Diffused light Monet, Wheatstack Caravaggio, The Incredulity of Saint Thomas Intense contrast Cold lighting Warm lighting 4

5 Color Seurat, Sunday Afternoon on the Island of La Grande Jatte Extended palette, strong saturation Cézanne, Woman in a Green Hat Limited palette, weak saturation Texture Ingres, Oedipus and the Sphynx Invisible brush strokes; smooth Rembrandt, Self-Portrait Visible brush strokes; impasto 5

6 The Annunciation, Luke, 1: :26 Now in the sixth month, the angel Gabriel was sent from God to a city of Galilee, named Nazareth, 1:27 to a virgin pledged to be married to a man whose name was Joseph, of the house of David. The virgin s name was Mary. 1:28 Having come in, the angel said to her, Rejoice, you highly favored one! The Lord is with you. Blessed are you among women! 1:29 But when she saw him, she was greatly troubled at the saying, and considered what kind of salutation this might be. 1:30 The angel said to her, Don t be afraid, Mary, for you have found favor with God. 1:31 Behold, you will conceive in your womb, and bring forth a son, and will call his name Jesus. 1:32 He will be great, and will be called the Son of the Most High. The Lord God will give him the throne of his father, David, 1:33 and he will reign over the house of Jacob forever. There will be no end to his Kingdom. 1:34 Mary said to the angel, How can this be, seeing I am a virgin? 1:35 The angel answered her, The Holy Spirit will come on you, and the power of the Most High will overshadow you. Therefore also the holy one who is born from you will be called the Son of God. 1:36 Behold, Elizabeth, your relative, also has conceived a son in her old age; and this is the sixth month with her who was called barren. 1:37 For everything spoken by God is possible. 1:38 Mary said, Behold, the handmaid of the Lord; be it to me according to your word. The angel departed from her. Theme: The Annunciation Ambrogio Lorenzetti ( ), Annunciation 1344, Distempering, 122 x 118 cm, Pinacaoteca Nationale, Siena Source: 1 Theme: The Annunciation Movement: Byzantine Art Ambrogio Lorenzetti ( ), Annunciation 1344, Distempering, 122 x 118 cm, Pinacaoteca Nationale, Siena Source: 1 Theme: The Annunciation Movement: Byzantine Art 6

7 Ambrogio Lorenzetti ( ), Annunciation 1344, Distempering, 122 x 118 cm, Pinacaoteca Nationale, Siena Source: 1 Theme: The Annunciation Movement: Byzantine Art Fra Angelico ( ), Annunciation , Distempering, 175 x 180 cm, Museo Diocesano, Cortone Source: 1 Theme: The Annunciation Movement: Early Renaissance Jan Van Eyck ( ), Annunciation 1435, Oil on wood, 93 x 570 cm, National Gallery of Art, Washington Source: 1 Theme: The Annunciation Movement: Northern Renaissance 7

8 The Annunciation: One Theme, Three Interpretations Lorenzetti s Annunciation, or the Almighty God Fra Angelico s Annunciation, or the Redemption of Man Jan Van Eyck s Annunciation, or the Glorious Mary Theme: The Annunciation Louis Alincbrot ( ), Scenes of the Life of Christ c. 1460, Oil on wood, 78 x 67 cm, Prado Museum, Madrid Source: 6 Theme: Christ among the Doctors Louis Alincbrot ( ), Scenes of the Life of Christ Comput digital Source: 6 Theme: Christ among the Doctors 8

9 Il Pinturicchio ( ), Christ among the Doctors 1501, Fresco, Santa Maria Church, Spello Source: 1 Theme: Christ among the Doctors Il Pinturicchio ( ), Christ among the Doctors 1501, Fresco, Santa Maria Church, Spello Comput digital Source: 1 Theme: Christ among the Doctors Albrecht Dürer ( ), Christ among the Doctors 1506, Oil on wood, 65 x 80 cm, Lugano, Thyssen Collection Source: 1 Theme: Christ among the Doctors 9

10 Albrecht Dürer ( ), Christ among the Doctors 1506, Oil on wood, 65 x 80 cm, Lugano, Thyssen Collection Source: 1 Theme: Christ among the Doctors Christ among the Doctors: One Theme, Three Interpretations Alincbrot s Scenes of the Life of Christ, or Illustrating the Gospel Il Pinturicchio s Christ among the Doctors, or Saving the Common Man Dürer s Christ among the Doctors, or a Troubling Lesson Theme: The Annunciation 10

11 Jacques-Louis David ( ), Belisarius Receiving Alms 1781, Oil on canvas, 288 x 312 cm, Musée des Beaux-Arts Source: 1 Theme: Belisarius Movement: Neoclassicism Nicolas Jollain ( ), Belisarius Begging for Alms 1767, Oil on canvas, 129 x 160 cm, Hood Museum of Art, Dartmouth College Source: 3 Theme: Belisarius Movement: Neoclassicism 11

12 Monsieur Bertin 1832, Oil on canvas, 116 x 95 cm, Musée du Louvre, Paris Source: 1 Artist: Ingres Movement: Neoclassicism Madame Moitessier 1856, Oil on canvas, 120 x 92 cm, National Gallery, London Source: 1 Artist: Ingres Movement: Neoclassicism The Bather 1808, Oil on canvas, 146 x 97 cm, Musée du Louvre, Paris Source: 1 Artist: Ingres Movement: Neoclassicism 12

13 The Grand Odalisque 1814, Oil on canvas, 91 x 162 cm, Musée du Louvre, Paris Source: 1 Artist: Ingres Movement: Neoclassicism The Turkish Bath 1862, Oil on canvas on wood, diameter 108 cm, Musée du Louvre, Paris Source: 1 Artist: Ingres Movement: Neoclassicism Sources

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