12/11/2017. Romanticism. Key Notions. Timeline. Or, the Liberty of Spirit St. Lawrence, 11/12/2017
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1 1784 David s Oath of the Horatii 1789 The French Revolution Rule of Louis XVI Napoleon is emperor 1809 Friedrich s Monk by the Sea 1830, July Les Trois Glorieuses 1830 Delacroix s Liberty Leading the People 12/11/2017 Romanticism Or, the Liberty of Spirit St. Lawrence, 11/12/2017 Key Notions -Artistic liberty -Introspection -Sublime -Vignette Style Timeline 1
2 Word-stock Lack of idealization (ugliness) Very emotionally tainted Painterly (over linear) Chaotic composition Imaginary and psychological Oppressive forces Historical and landscape Eugène Delacroix ( ), Self-Portrait 1837, Oil on canvas, 65 x 55 cm, Louvre, Paris Romanticism Word appears at salon of 1824 Historical painting (current events) Opposes Neoclassicism (too rigid) Experience over theory Eye over mind over drawing Coherence time/space/action Care for truth (even if ugly) No idealization, especially of nature Texture: rough and thick French Romanticism The Massacre at Chios 1824, Oil on canvas, 419 x 354 cm, Musée du Louvre, Paris 2
3 , 1827, Oil on canvas, 392 x 496 cm, Louvre, Paris Artistic Liberty Vignette Style :Historical; historical scene () 3
4 4
5 What makes a Delacroix a Delacroix Historical (myth and history) Chaotic Spotlight used to heightened the drama Evokes emotions Oil paint, thick and free Freedom (from rules but also from mental slavery) Combatting oppressive forces Novelties Denounces the need to learn through the academy Does not wish to teach, only present a moment as it is Exploration into the human psyche Caspar David Friedrich, Self-Portrait 1810, Black chalk, 22,8 x 18,2 cm, Staatliche Museen, Berlin German Romanticism Appears before the French one The sublime Introspection Drawing over color Friedrich Fog, clouds, and nighttime No details Subdued colors 2 planes German Romanticism 5
6 The Abbey in the Oakwood , Oil on canvas, 110 x 171 cm, Schloss Charlottenburg, Berlin Two Men Contemplating the Moon , Oil on canvas, 35 x 44 cm, Gemäldegalerie, Dresden The Sea of Ice, 1824, Oil on canvas, 96,7 x 126,9 cm, Kunsthalle, Hamburg The Wanderer above the Mists, , Oil on canvas, 95 x 75 cm, Kunsthalle, Hamburg 6
7 Monk by the Sea 1809, Oil on canvas, 110 x 172 cm, Nationalgalerie, Berlin Introspection Joseph Mallord William Turner, Self-Portrait c. 1799, Oil on canvas, 74 x 58 cm, Tate Gallery, London English Romanticism Maritime scenes The sublime Turner Landscape Pre-Impressionism Annoying blur Living light Excited texture English Romanticism Fishermen at Sea c. 1796, Oil on canvas, 91 x 122 cm, Tate Gallery, London 7
8 The Burning of the Houses of Parliament 1835, Oil on canvas, 92,7 123 cm, Cleveland Museum of Art Sublime Rain, Steam and Speed 1844, Oil on canvas, 91 x 122 cm, National Gallery, London The 'Fighting Temeraire' Tugged to her Last Berth to be Broken Up, , Oil on canvas, 91 x 122 cm, National Gallery, London Dido Building Carthage or the Rise of the Carthaginian Empire, 1815, Oil on canvas, 156 x 230 cm, National Gallery, London 8
9 Interior at Petworth c. 1837, Oil on canvas, 91 x 122 cm, Tate Gallery, London The Dogana and Santa Maria della Salute 1843, Oil on canvas, 62 x 93 cm, National Gallery of Art, Washington Source: 10 The Dogana and Santa Maria della Salute 1843, Oil on canvas, 62 x 93 cm, National Gallery of Art, Washington Guardi, A View of the Entrance to the Grand Canal with the Church of Santa Maria Della Salute and the Punta Della Dogana, c Source: 10 9
10 Interior at Petworth c. 1837, Oil on canvas, 91 x 122 cm, Tate Gallery, London Conclusion Romanticism rises against the order and rationality of classicism by preferring imaginative and emotional inspiration In terms of form, echoing this frivolity of spirit, it favors chaotic compositions and free application of paint For content, it underlines the fight of the individual against oppressive forces, whether natural, social, or artistic 10
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