collage 10 years anniversary

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1 collage 10 years anniversary 1

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3 The most obvious contrast between daylight and artificial light is that nature only has one light source, and you never look directly into it. Our perception of light is based on countless natural layers which filter and reflect the light. Louise Campbell 3

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5 10 years old and more mature Launched in Used around the world, in settings ranging from private homes to universities. Anywhere an alternative look is desired. Brings light and atmosphere into the room with an independent identity. 5

6 Identity Matt and reminiscent of velour. A soft look with sharply defined patterns. The multiple layers create depth and attract attention. A jewel. 6

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9 Calm Experience the shapes of shadows. New nuances constantly appear. Fascinating. Medi tative. The three layers provide depth and contrast. Like looking at the sky through a vista of leaves. 9

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12 Colour and ambience Peaceful hues. In combination or solo. Harmony. Supplementing and contrasting. The diversity creates the room s identity. Ambience. 12

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16 white rose dark green blue-grey 16

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18 White shadows White tones that interplay beautifully with the surroundings. Purity. Aesthetics and ambience with character. A sense for the details and a deep respect for simplicity. 18

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21 Meditation Gaze into the layers. Rest your eyes in the calm tones. Experience the depth and let your thoughts settle. Light creates both mystery and calm. Collage arouses the senses with constantly changing shadows. 21

22 Collage 450 Design: Louise Campbell Concept: The fixture emits diffuse light directed primarily downwards. The patterns on the three lasercut acrylic shades have been carefully staggered with the aim of eliminating unpleasant glare from the light source. The patterns differ between the shades, resulting in different perceptions of light and shadow depending on the viewing angle. A soft and comfortable light will be obtained by mounting the lower antiglare shade. Finish: White Matt, Rose Matt, Blue-Grey Matt, Dark green Matt. Material: Suspension: Natural anodised aluminium. Shades: Laser cut Matt acrylic. Mounting: Suspension type: Cable 2x0,75mm². Canopy: Yes. Cable length: 3m. Weight: Max. 3kg. Class: Ingress protection IP20. Electric shock protection II w/o ground. Product code Light source Finish COLL-450-P Max 100W E27 BLUE-GREY MATT DARK GREEN MATT ROSE MATT WHITE MATT Specification notes The innovation of light sources is ongoing. Consequently we only inform about the max. wattages. On we update a list of recommendable light sources. Info notes Top- and bottom antiglare shades are available as accessories. 22

23 Collage 600 Design: Louise Campbell Concept: The fixture emits diffuse light directed primarily downwards. The patterns on the three lasercut acrylic shades have been carefully staggered with the aim of eliminating unpleasant glare from the light source. The patterns differ between the shades, resulting in different perceptions of light and shadow depending on the viewing angle. A soft and comfortable light will be obtained by mounting the lower antiglare shade. Finish: White Matt, Rose Matt, Blue-Grey Matt, Dark green matt. Material: Suspension: Natural anodised aluminium. Shades: Laser cut Matt acrylic. Mounting: Suspension type: Cable 2x0,75mm². Canopy: Yes. Cable length: 4m. Weight: Max. 4,5kg. Class: Ingress protection IP20. Electric shock protection II w/o ground. Product code Light source Finish COLL-P Max 100W E27 BLUE-GREY MATT DARK GREEN MATT ROSE MATT WHITE MATT Specification notes The innovation of light sources is ongoing. Consequently we only inform about the max. wattages. On we update a list of recommendable light sources. Info notes Top- and bottom antiglare shades are available as accessories. 23

24 24 Louis Poulsen A/S. Concept/production: IMD Photo: Erik Zappon, Kaslov Studio. Litho: Garn grafisk ApS. Print: Zeuner Grafisk. Louis Poulsen will not be liable for any printing errors or changes due to technical development or official regulations. Item-no

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