The Art of Digital B&W. B y J e f f S c h e w e P h o t o P l u s E x p o O c t o b e r 2 2 n d, N e w Yo r k C i t y
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1 B y J e f f S c h e w e P h o t o P l u s E x p o O c t o b e r 2 2 n d, N e w Yo r k C i t y
2 The Object is to Convert from Color...
3 To Optimized B&W
4 To Final Print...in Neutral Tones
5 Or Warm Tones...
6 Or Sepia Tones...
7 Or Cold Tones...
8 Or Split Tones...
9 But First, You Must Learn to Convert...
10 But First, You Must Learn to Convert... C o l o r to B & W.
11 There Are Some Basics...
12 When You Shoot Color You Also Capture a Variety of B&W Flavors...
13
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15 The Red Channel Represents a Wratten 29 Separation Filter
16
17 The Green Channel Represents a Wratten 61 Separation Filter
18
19 The Blue Channel Represents a Wratten 47 Separation Filter
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21
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25 Photoshop s Default Panchromatic Conversion... Red: 30% Green: 60% Blue: 10%
26
27
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32 Keep The Total Sum to 100% You CAN Use Negative Numbers...
33 Other Methods of Color to B&W Conversions...
34 Hue / Saturation De-Saturation
35
36 Convert to Lab
37
38 DUAL Hue / Saturation Adjustment Layers The Russell Brown Method.
39
40 Create a Hue/Sat Layer...
41 With NO ADJUSTMENT...
42 Set to Color Blend...
43 A Second Hue/Sat... With a De-Saturation.
44
45 Re-name the Adjustment Layers Desaturate and Color Blend
46 Target the Color Blend Layer... and Adjust the Hue.
47
48 Adjust the Hue to get the conversion you wish...
49
50 You Are Substantially Altering Your Image...Turn Off the Desaturate Layer to see...
51
52
53 EEEEEK!
54 But, the B&W Iterations are Useful.
55
56 DUAL Hue / Saturation & Selective Color Adjustment Layers Variant.
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58
59
60
61 However, These B&W Conversion Methods are GLOBAL...
62 You Can Not Easily Fine-Tune the Results, LOCALLY.
63 Using Color Channels as B&W Layers... Easy to Fine-Tune Locally.
64 Start With an RGB Color Image...
65 Then Duplicate the Original Color Image.
66 You ll Have The Original Color Image... And a Duplicate of the Original Color Image.
67 Then, Convert the Duplicate Image to Grayscale...
68 The Duplicate will be Photoshop Default... About Red: 30%, Green 60%, Blue 10%
69 Target the Color Image, Blue Channel, Select All & Copy...
70 Target the Grayscale Image & Paste.
71 Target the Color Image, Green Channel, Select All & Copy...
72 Target the Grayscale Image & Paste.
73 Target the Color Image, Red Channel, Select All & Copy...
74 Target the Grayscale Image & Paste.
75 In the Grayscale Layered Document, Add Layer Masks...
76 Layer Masks Added, the Additional Layers are Hidden...
77 Local Adjustments Using Layer Masks...
78 I ve Even Given You an Action...
79 Why Keep the Color Image Open? To Provide a Source of Color Based Selections...
80 Using Color Range to Create a Color Based Selection...
81 Use a Selection Tool...
82 Drag the Selection-then Hold the Shift Key...
83 Use the Color Based Selection on the Grayscale Mask...
84 The Color Original...
85 The Photoshop Default...
86 The Color Channel > B&W Layer Conversion...
87 Adding a Color Tone to a B&W Image...
88 Converting the Grayscale Image Back to RGB...
89 Create a Hue / Saturation Adjustment Layer...
90 Hue/Saturation Colorize Option Adjust the Hue...
91
92 Adjust the Saturation...
93
94 Create a Color Balance Adjustment Layer...
95 Warming the Highlights...
96
97 Cooling the Shadows...
98
99 Custom Grayscale Conversion
100 Adding a Colorize Hue / Saturation Adjustment Layer
101 Adjusting the Saturation
102 Color Balance Layer - Adjusting the Highlights Warmer
103 Color Balance Layer - Adjusting the Shadows Cooler
104 Using Duotone to Colorize a Grayscale Image...
105
106 Selecting a Duotone Quadtone...
107 Quadtone...
108 Quadtone...
109 Saving a Duotone, Limited Formats...
110 Converting a Duotone to RGB...
111 Quadtone as an RGB Color Image...
112 Customizing the Quadtone...
113 Selecting the Colors...
114 Adjusting the Curves...
115 Quadtone Variation...
116
117 OK, Now Ya Got a Nice B&W Image... Now What?
118 COLOR MANAGEMENT!
119 Yes, COLOR MANAGEMENT! Sorry...
120 Because in Order to Print... Color Management is Required.
121 Photoshop s Default Prepress Setting...
122 More Options... Allows you to selection important parameters...
123 Adjusting Gray Gamma... When Working in RGB Gray Setting Should Match Gamma But Dot Gain When Working in CMYK
124 Adjusting Gray Gamma... Gray Gamma Should Match Your Photoshop RGB Working Space Adobe RGB = 2.2 ColorMatch RGB = 1.8 ProPhoto RGB = 1.8 srgb = 2.2
125 Saved Color Settings... Deselect: Ask When Pasting Ask When Opening: Missing Profiles It s Useful to Know when an Image doesn t Match.
126 It s Useful to Know when an Image doesn t Match. But, you ll ALWAYS Want to Convert on Paste and Selecting a Profile When Opening is Silly...You Can t See the Image So...How Will You Know it s Correct?
127 You ll Need to Properly Use Photoshop s Print With Preview
128 Let Photoshop Determine Colors
129 And Then The Print Driver... In This Case, Epson...
130 The Print Settings
131 The Printer Color Management - OFF
132 What About Epson s New UltraChrome K3 Printers?
133 No Color Management From Photoshop...
134 No Color Management
135 The Advanced B&W Photo Mode
136 The Advanced B&W Photo Mode
137 Printer Color Management Settings for Advanced B&W
138 Adjusting the Base Tone Settings - Dark
139 Adjusting the Base Tone Settings - Normal
140 Adjusting the Color Tone
141 Adjusting the Color Tone - Cool
142 Adjusting the Color Tone - Warm
143 Adjusting the Color Tone - Sepia
144 Adjusting the Color Tone - Custom Warm
145 Comparing Output Methods... ICC Profile Based VS Advanced B&W Mode
146 Color Output using ICC Profiles
147 Color Output using Advanced B&W Mode
148 B&W Output using ICC Profiles
149 Advanced B&W Mode - Neutral / Dark
150 Advanced B&W Mode - Cool / Dark
151 Advanced B&W Mode - Warm / Dark
152 Advanced B&W Mode - Sepia / Dark
153 Goodies & Downloads...
154
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156 PixelGenius.com PhotoExpo Plus Discount Coupon PPE2005 (all caps and zeros, no oh s ) Good for 15% Discount Off Total Transaction One Time / Address
In Search of... the PERFECT B&W Print
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How to correct color Once you ve opened an image in Photoshop, you may want to adjust color quality or light levels, convert it to black and white, or correct color or lens distortions. This can improve