IN-CLASS PORTION: TIME: POINT VALUE: TOTAL:

Transcription

1 * * * THE FINAL TERM EXAM WILL TAKE LONGER THAN OUR CLASS TIME * * * * * * BE PREPARED TO START BY 6:40 AM, OR PLAN TO STAY AFTER SCHOOL FROM 3:00-4:00 * * * REVIEW: TEXTBOOK, READING QUIZZES (IMAGES ONLINE), CHAPTER STUDY GUIDES (ONLINE), LECTURES (ONLINE), NOTES, TERMS, IMAGE LISTS AND INDEPENDENT RESEARCH TOPICS. The Final Examination will cover all of the content that we explored during the second nine weeks (October 7-December 18). The following chapters will be included: CHAPTER JEWISH, EARLY CHRISTIAN & ART CHAPTER ISLAMIC ART CHAPTER ART OF SOUTH AND SOUTHEAST ASIA BEFORE 1200 CHAPTER ART OF SOUTH AND SOUTHEAST ASIA AFTER 1200 CHAPTER JAPANESE ART BEFORE 1392 CHAPTER JAPANESE ART AFTER 1392 CHAPTER EARLY MEDIEVAL ART OF EUROPE CHAPTER ROMANESQUE ART CHAPTER GOTHIC ART OF THE 12 th AND 13 th CENTURIES CHAPTER FOURTEENTH CENTURY ART IN EUROPE The Final Examination will be structured in a manner that is very similar to the AP Art History Exam in May. The Final Exam will be worth 15% of your semester grade and be structured as follows: IN-CLASS PORTION: TIME: POINT VALUE: TOTAL: PART 1: 2 10-minute free response questions 20:00 18 points apiece 36 PART 2: 14 image identification questions (title & period/culture) 7:00 (30 sec. per image) 1 point per image 14 PART 3: 5 sets of 7 multiple-choice questions based on images 15:00 (3 min. per set) 1 point per question 35 PART 4: 40 multiple-choice questions without images 20:00 ½ point apiece 20 OUT-OF-CLASS PORTION: TIME: POINT VALUE: PART 1: 2 10-minute free response questions 20:00 18 points apiece 36 PART 2: 1 30-minute free response question 30:00 27 points 27 The free-response portion of the exam will be worth 99 points and the remainder of the exam will be worth 69 points.

2 TERMINOLOGY TO REVIEW: CHAPTER 7: Narthex (222 and 228), diocese (222), cathedral (222), transept (227), spolia (227), ambulatory (228), longitudinal-plan (228), central-plan (228), putti (229), cruciform (232), naos (236), pendentive (236), squinch (236), icon (237), pilgrimage church (239), relic (239), scriptoria (242), scribe (242), diptych (242), codex (243), iconostasis (245), iconoclasm ( ), Pantokrator (249) CHAPTER 8: Mosque/masjid (261), hajj (262), circumambulate (262), aniconism (262), joggled voussoirs (264 and 272), arabesques (263), kufic (272), tugra (284) muqarnas: small, niche like feature in arches within Islamic architecture (264) minaret: large tower in a mosque in which faithful are called to pray (267) qibla wall: wall in a mosque that faces Mecca, contains a mihrab niche (267) mihrab: portion of qibla wall that has a carved-out niche (like pulpit) (261) maqsura: enclosure in front of mihrab to protect the prayer leader (268) CHAPTER 9: Chakravartin (291), yogi (294), samsara (295), dharma (296), yakshi (296), nirvana (297), bodhisattvas (297), axis-mundi (297), chakras (298), stupa (298), reliquary (299), torana (300), northern-style temple (301), southern-style temple (301), vimana (301), chaitya (302), urna (303), ushnisha (303), mudras (304), garbhagriha (308), shikara (319), mandapa (315) CHAPTER 23: Gopuras (775), chased (776), chattri (779), atelier (781) Gouache (GO-wash): Heavy paint material consisting of pigment, binder, and added material to be used as an opaque coating. Also, paintings made using this technique. CHAPTER 11: Shinto (355 and 358), kondo (360), pagoda (360), mandala (365), mantra (365) Earthenware: A type of clay that must be fired to become ceramic CHAPTER 25: Tatami (819), raku (821), ukiyo-e (826) Stoneware: A dense, hard clay that is weatherproof and waterproof when fired CHAPTER 14: Vestments (425), scriptoria (429), bosses (432), rune (436), repoussé (444) Canonize: The process in which a person is elected into Christian Sainthood CHAPTER 15: Baldachin (467), portal (473), archivolt (473), trumeau (473), mandorla (474) Seraphim: The highest-ranking angel in Christian hierarchy CHAPTER 16: Flying buttress (496), cames (497), stringcourse (499), triforium (502), Tiercerons: Additional strips of ribs on a vaulted ceiling, not necessary for support CHAPTER 17: Loggia (532), corbels (554), bosses (554), tiercerons (554), Vesperbild (555)

3 IMAGES TO REVIEW: CHAPTER 7: Reconstruction of Old St. Peter s Basilica, Rome Church of Santa Sabina (exterior) Church of Santa Sabina (interior) Hagia Sophia (exterior) Hagia Sophia (interior) Church of San Vitale, Ravenna (exterior) Virgin of Vladimir CHAPTER 8: The Kaaba, Mecca Haram Al-Sharif Prayer Hall, Great Mosque, Cordoba, Spain CHAPTER 9: Ashokan Pillar Great Stupa, Sanchi Yakshi Bracket Figure CHAPTER 23: Taj Mahal, Agra, India Akbar Inspecting Construction of Fatehpur Sikri Krishna and the Gopis CHAPTER 11: Haniwa Night Attack on the Sanjo Palace Kuya Preaching CHAPTER 25: The Great Wave Winter Landscape Himeji Castle CHAPTER 14: Chi Rho Iota page Gummersmark Brooch Palace Chapel of Charlemagne, Aachen, Germany Crucifixion with Angels and Mourning Figures Otto I Presenting Magdeburg Cathedral EARLY CHRISTIAN EARLY CHRISTIAN EARLY CHRISTIAN EARLY ISLAMIC EARLY ISLAMIC EARLY ISLAMIC MAURYA PERIOD ANDHRA PERIOD ANDHRA PERIOD MUGHAL PERIOD MUGHAL PERIOD MUGHAL PERIOD KOFUN PERIOD KAMAKURA PERIOD ARTIST: KOSHO ARTIST: HOKUSAI ARTIST: SESSHU MOMOYAMA PERIOD CELTIC NORSE CAROLINGIAN CAROLINGIAN OTTONIAN

4 CHAPTER 15: Cathedral of Saint James, interior Adoration of the Magi Speyer Cathedral, interior Last Judgment, Cathedral of Saint-Lazare Tower of Babel CHAPTER 16: Ambulatory and Apse Chapels, Saint-Denis Cathedral of Notre-Dame, Paris (façade) Cathedral of Notre-Dame, Chartres (façade) Cathedral of Notre-Dame, Reims (façade) Annunciation and Visitation, central portal, Reims Sainte-Chapelle (interior) Saint Maurice CHAPTER 17: Life of John the Baptist Baptism of the Multitude Virgin and Child Enthroned Virgin and Child Enthroned Scrovegni Chapel (interior) Scrovegni Chapel (Lamentation) Scrovegni Chapel (Raising of Lazarus) Scrovegni Chapel (Kiss of Judas) Maestà Altarpiece, Siena Cathedral (front) Effects of Good Government, Palazzo Pubblico, Siena Effects of Bad Government, Palazzo Pubblico, Siena Virgin and Child from Saint-Denis Exeter Cathedral (interior) Vesperbild (Pieta) GALICIA, SPAIN ARTIST: NICOLA PISANO GERMANY AUTUN, FRANCE POITOU, FRANCE PARIS, FRANCE PARIS, FRANCE CHARTRES, FRANCE REIMS, FRANCE REIMS, FRANCE PARIS, FRANCE MAGDEBURG, GERMANY ARTIST: ANDREA PISANO ARTIST: ANDREA PISANO ARTIST: CIMABUE ARTIST: DUCCIO DI BUONINSEGNA ARTIST: AMBROGIO LORENZETTI ARTIST: AMBROGIO LORENZETTI GOTHIC DEVON, ENGLAND MIDDLE RHINE, GERMANY CONCEPTS TO REVIEW: CHAPTER 7: Know the difference between narrative images and iconic images within Christian art (224) Constantine signed Edict of Milan in 313. Know the affect on Christian art & architecture (226) Have an in-depth understanding of the Church of Santa Sabina (227) Have an in-depth understanding of the plan of Old Saint Peter s (228) Know the three cycles of Christ s life (231) Know the conventions of Middle Byzantine church architecture (247) Understand the historical significance of Hagia Sophia and characteristics of H.S. (234-37)

5 CHAPTER 8: Understand who al-amin was and the events that led to the formation of Islam (262) Know the spiritual significance attributed to the Kabba in Mecca (262) Have an in-depth understanding of the The Great Mosque of Cordoba, Spain (268) Ottoman Empire replaced Byzantine Empire in 1453, renaming Constantinople (Istanbul) (282) CHAPTER 9: Know about Ashoka (291), Shakyamuni Buddha (295), Mahavira, Vishnu (298), Shiva (298) Know the three major conventions of Indian art and why they are this way (292) Art and its Contexts: Buddhism (297) Art and its Contexts: Hinduism (298) Know the function of Buddhist stupas ( ) Know how the Bhakti movement portrays gods/human relationships (318) CHAPTER 23: Know the basic principles and understand the origins of Jainism (773) For increased understanding, read Foundations of Indian Culture. An excellent synopsis (774) CHAPTER 11: Know the basics about the following time periods: Jomon (356), Kofun (356-9), Asuka (359-61), Nara (361-3), Heian (363-70), Kamakura (370-5) Know the difference between Esoteric Buddhism and Pure Land Buddhism ( ) CHAPTER 25: Know the four official levels of society during the Edo Period (821) Know the main subjects of ukiyo-e prints (827) CHAPTER 14: Know the artistic conventions of Animal Style, especially how animals are displayed (427) Know the origins of the term Hiberno-Saxon/Anglo-Saxon (427) Have an in-depth understanding of Charlemagne s Palace Chapel, as well as the architectural styles that influenced its design ( ) Know the three major purposes of illustrated book production in the Carolingian Empire (442) Have an in-depth understanding of the Lindau Gospels book cover ( ) Know a brief history of the following groups: Merovingian ( ), Norse (427), Anglo-Saxons ( ), Vikings ( ), Carolingians ( ), Ottonians ( ) CHAPTER 15: Know the artistic conventions of Romanesque art, especially religious sculpture Know about Pilgrimages/Crusades (454); know how pilgrimages affected church design (458) Know how life in a Benedictine monastery was different from life in a Cistercian monastery (454). Understand how these differences accounted for differences in their architectural style (454, )

6 CHAPTER 16: The Gothic Style began about 1140 in the monasteries around Ile-de-France (491) Abbot Suger of St. Denis played a large role in the widespread use of light and large windows Understand Scholasticism and the influence of Thomas Aquinas (493) Have an in-depth understanding of Annunciation and Visitation, Reims ( ) CHAPTER 17: Know the characteristics of maniera greca (Greek Manner) style painting (534) Know who Giorgio Vasari was (536) Have an in-depth understanding of the Lorenzetti frescoes at Palazzo Pubblico, Siena ( ) Have an in-depth understanding of Virgin and Child paintings by Cimabue and Giotto ( ) Have an in-depth understanding of the Virgin and Child statuette (549) Have an in-depth understanding of Vesperbild ( ) Know the characteristics of Decorated Style and Perpendicular Style ( ) Have an in-depth understanding of Giotto s paintings at the Scrovengi Chapel ( )