Antique Furniture, Carpets & Rugs, Clocks, Musical Instruments, Paintings & Northern Art

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1 Capes Dunn Antique Furniture, Carpets & Rugs, Clocks, Musical Instruments, Paintings & Northern Art Started Nov 19, pm GMT The Auction Galleries 38 Charles Street (off Princess Street) Manchester M1 7DB United Kingdom Lot Description 1 SHIRAZ PERSIAN RUG with red and floral diamond shaped centre medallion and spandrels on a midnight blue field with all-over repeat formal pattern, the principal border red with floral meander, 6`6" x 4`3" 2 PERSIAN CARPET with large centre petal shaped red and floral medallion with pendants and matching spandrels on a midnight blue and floral field, midnight blue and floral principal border with white and floral meander narrow guard stripes, 11` x 6`8" 3 SHIRAZ PERSIAN RUG with eight panel tile pattern with brown narrow borders to each tile and to the sides, 4`2" x 2`11" 4 PAKISTANI `BOKHARA` RUNNER with two rows of guls on a blue field, multiple narrow border stripes, 6` x 2`1" 5 LARGE NINETEENTH CENTURY MACHINE WOVEN WALL HANGING PICTORIAL TAPESTRY, depicting formal palace gardens with musicians on a terrace approx, 7`6" high, 15`6" wide 6 SUPER WASHED CHINESE SMALL CARPET with floral centre medallion and medallion and sprig design on a wine red field, white and floral meander border, 9` x 6` and ANOTHER with grey green field with floral medallion and festoons, floral and moss green border, 9` x 6` (2) 7 `KAYAM` WASHED CHINESE CARPET with all-over floral tiles pattern on a grey field with two floral panels to each end and fawn and floral principal border with guard stripes, 10` x 8` (labelled `Kayam` 100% silk pile) 8 SUPER WASHED CHINESE SMALL CARPET with off-white and floral centre oval medallion on a pale blue field with floral surround, the principal border mushroom coloured with floral meander, 8` x 5` 9 TURKOMAN TEKKE RUG, with six rows of primary guls with stepped borders, latch hooked secondary guls on a pink field, narrow patterned border, a deep skirt to each end with two rows repeat pattern, outer plain pink kelim with dark blue stripes and fringed ends, 6`2" x 3`9" 10 AFGHAN TURKOMAN ERSARI TRIBAL RUG, with unusual double mihrab panels in browns on a black field, multiple border stripes, 5` x 3`2" 11 SHIRAZ PERSIAN RUG, with central row of four octagonal and latch hook decorated medallions, on a tile pattern diaper field, white border with serrated leaf and wine glass pattern, outer diaper border and broader end panels and coloured end webs, 7` x 3`10" 12 ANATOLIAN YUNTDAG-CICIM EMBROIDERED KELIM CARPET OR DOOR CURTAIN, in the form of two narrow carpets stitched together, having diamond pattern broad stripes and rectangular patterned narrower stripes, the end webs wine red with three narrow blue stripes, plaited long orange fringe to one end only, ap 13 TURKISH BERGAMA RUG, with two rows of six tile pattern medallions with orange red hooked design on black ground with white surround, narrow border, the narrow orange end webs having plaited fringes, the rug having pronounced abrash

2 14 TURKISH LARGE KELIM CARPET, with large and colourful rectangular and floral centre medallion, the purple field having large scattered floral sprays, matching black and floral broad border, orange knotted fringes, 11` x 7` 15 KIRMAN PERSIAN RUG, with an all over repeat pattern of flowering shrubs in urns on pedestals on a crimson field, the principal broad border black with floral meander, narrow sky blue and floral guard stripes, 5`7" x 4` 16 SHIVAN CAUCASIAN BANDED KELIM SMALL CARPET, with no long side borders, having plain broad central brick red band and two flanking broad bands each with two large and colourful diamond shapes with zig zag filler patterns on a white field, also having six narrow bands and ribbon bands, the end webs wi 17 SHIRAZ FLAT WEAVE LARGE RUMMER, with all-over diamond pattern with interior radiating latch hook design on a dark brown field, the narrow long borders with repeat diamond pattern, fawn woven end webs with wool fringes, 10` 6" x 4`2" 18 A WEST AFRICAN CAMEL HAIR CAMEL RUG, woven in the form of two narrow rugs stitched together having six row joined medallion design in black on a white field also having two bands to the ends, 8` x 4`6" 19 ITALIAN KAROFLOR FOR MARKTEX WOVEN WOOL AND NYLON THROW, with brown foliate scroll pattern on cream ground and having a brown tasselled fringe all round, 8` x 7` 20 TURKOMAN CARPET, with three rows of Taghan guls on a crimson field, very broad multiple border, 9`2" x 6`5" 21 SEMI ANTIQUE SHIRAZ PERSIAN CARPET, with red triple pole medallion and wavy side panels on a blue field decorated with stylised animals, birds and flowers, the broad border having multiple stripes, 10`6" x 7`4" 22 LATE VICTORIAN AESTHETIC MOVEMENT MANTEL CLOCK, the ebonised case carved with plumed corner pillars and applied with roundels enclosing quatrefoil (incomplete), the triangular pediment flanked by acorn finials, the circular dial with Arabic numerals painted in blue with fruit and blossom sprays, sur 23 EIGHTEENTH CENTURY STYLE EBONISED BRACKET CLOCK, with Winterhalder and Hofmeier, Germany, 8 days pull repeater movement, striking and chiming on five coiled gongs, the arched brass dial having silvered Roman chapter ring and slow/fast adjustment dial in the arch, rococo scroll embossed spandrels, th 24 REGENCY STYLE MAHOGANY LARGE MANTEL OR BRACKET CLOCK, with 8 days movement striking on a coiled gong, circular silvered Roman dial, the milestone shape case having scroll shaded side brackets, terminating in carved patera, on cavetto breakfront pedestal base, 19 1/4" high, 16 1/4" wide, circa early 25 VICTORIAN BLACK SLATE MANTEL CLOCK, with French 8 days movement striking on a single bell, the white enamelled two part dial having a revealed escapement and inscribed `John Hall a Paris`, the case rectangular and moulded, 14 1/2" high 26 VICTORIAN BRONZE FIGURAL MANTEL CLOCK, with French 8 days striking movement, in drum case, the white dial scribed `Ollivant and Botsford, Paris`, the drum case flanked by a bronze figure of an artist leaning on a stack of books, the whole standing on a later mahogany oblong base with end bronze swin 27 FRENCH DRUM CASED MANTEL CLOCK, with 8 days movement striking on a single bell, the brass dial having visible escapement and black chapter ring, with gilt Roman numerals, in later mahogany drop dial drum case with glazed door below and brass supports and feet, 13 1/4" high 28 EARLY TWENTIETH CENTURY OAK NAPOLEONS HAT SHAPED MANTEL CLOCK, with 8 days movement striking on a coiled bell and having an Arabic white dial, the case standing on brass bun feet, 8 1/4" high, 13 1/2" wide and a VICTORIAN BLACK SLATE MANTEL CLOCK CASE, of architectural style, 15" high, 18 1/2" wide

3 29 INLAID MAHOGANY MANTEL CLOCK, with French 8 day movement, having white Arabic dial, the case rectangular with low pointed arch top, 8" high, 6 1/4" wide 30 GILTWOOD SUNBURST WALL CLOCK WITH 8 days movement winding through the white enamelled roman dial with also a fast/slow adjustment on the rim, 16" diameter 31 LATE EIGHTEENTH/EARLY NINETEENTH CENTURY CROSSBANDED AND BOXWOOD LINE INLAID FIGURED MAHOGANY LONG CASE CLOCK, with rolling moon phase, the 14" painted roman dial with subsidiary seconds and date dials to the centre and classical figures painted in the corners, stamped `W. Francis`, to the backplate 32 EARLY 20th CENTURY BRASS CASED ALARM CARRIAGE CLOCK signed J WENGER, the oblong white Arabic dial with subsidiary alarm set dial below, powered by a key wind movement striking on bell to the base, housed in a polished case with wrythen fluted columns, oblong top glass and conforming handle, 5" ( NINETEENTH CENTURY FLAME CUT MAHOGANY AND INLAID LONGCASE CLOCK, with rolling moon phase, the 14" painted dial with subsidiary dials for seconds and date to the centre, figural spandrels and rolling moon to the arch, powered by an eight day movement striking on a bell, housed in an arch top with swa 36 WALNUTWOOD CASED VIENNA WALL CLOCK, with spring driven movement, the 5 1/2" two part white enamelled roman dial powered by an eight day movement, striking on a gong, housed in a glazed case with mask capped pediment (lacks turnings), split columns to the door and curved underfoot, 31" (78.8cm) high 37 EARLY TWENTIETH CENTURY GERMAN OAK MANTEL CLOCK, the silvered Arabic dial with chime/silent and fast/slow subsidiary dials to the arch, powered by an eight day movement striking on five rods, housed in an oblong case with chamferred top and forecorners, and raised on a moulded base with compressed b 38 EARLY NINETEENTH CENTURY FLAME CUT MAHOGANY LONGCASE CLOCK, signed Grant, Fleet Street, London, the 12" silvered dial with subsidiary date and seconds dials to the centre and strike/silent dial to the arch, powered by and eight day movement striking on a bell, housed in a pagoda topped case, with sc 39 GEORGE YOUNGE, STRAND, LONDON, LATE GEORGIAN MAHOGANY BRACKET CLOCK with 8 day twin fusee movement striking on a single bell and having a white Roman dial, the milestone shaped case having boxwood stringing, cut card pierced brass side panels and brass ball feet, 14" high and the wall bracket, circa 40 VICTORIAN DECORATED BLACK SLATE MANTEL CLOCK with French 8 days movement striking on a single bed, white enamelled Roman dial, the architectural case having incised and coloured scrolls and scagliola marble panels, 12" high, 9" wide 41 VICTORIAN BLACK DATE MANTEL CLOCK oblong and break fronted having spring driven movement and circular white enamel dial with Roman numerals, 12" (30.5cm) wide x 9" (22.8cm) high PAIR BRASS PEDESTAL SIDE VASES with female mask and scroll handles the body applied with Royal coat of arms on circular fo 42 AN EDWARDIAN OAK CASED MANTLE CLOCK, of architectural form with `faux` brickwork, fluted corinthian flanking pilasters and triangular arched pediament, having a square brass dial with silvered chapter ring, the movement striking on gongs by Winterhalder & Hofmeier, 16" high 43 LATE 19th CENTURY VIENNA STYLE WALL CLOCK IN A WALNUT AND PARTLY EBONISED CASE, having a single brass cased weight driven movement, the white enamel dial with subsidiary seconds dial, approximately 48" high 44 A VICTORIAN DARK PATINATED SPELTER MANTLE CLOCK, the 4 ½" dial with white roman chapter ring and white recessed centre, with visible Brocot escapement and foliate pierced gilt metal hands, the foliate embossed drum shaped case with side handles (one missing) and surmounted by an urn, powered by an e

4 45 A VICTORIAN BLACK SLATE AND GILT METAL MANTLE CLOCK, the 3 ¾" (9.5cm) dial, with white roman chapter ring and matt gilt recessed centre, powered by a drum shaped eight day movement, striking on a gong, housed in a black slate architectural case, with gilt metal grotesque to the pediment and gilt met 47 EARLY NINETEENTH CENTURY MAHOGANY LONG CASE CLOCK, signed W. PARKINSON, LANCASTER, the 12" painted Arabic dial with subsidiary aperture (blanked), gilt spandrels and painted romantic scene to arch. Powered by an associated three hour movement, striking on a bell, housed in an arch topped case with s 48 A TWENTIETH CENTURY, GEORGIAN STYLE SIMULATED FIGURED WALNUT SMALL MANTLE CLOCK, the 3 ½" (8.9cm) dial with silvered roman chapter ring, matted gilt centre, gilt metal spandrels of putti, and rolling moon phase, powered by an eight day movement striking on bell, housed in an arch topped case, with g 49 LATE NINETEENTH CENTURY ONLY CASED MANTEL CLOCK, with copper plaquettes and pillars flanking the dial, the chapter ring with Arabic numerals, 12 1/2" (32.5cm) high 50 LATE 19th CENTURY FRENCH GREEN ONYX AND GILT METAL MOUNTED MANTEL CLOCK, the movement striking on a gong by Marti & Cie, surmounted by a spelter figure labelled `printemps par Bruchon` with floral swagged white enamel dial 51 EARLY NINETEENTH CENTURY LINE INLAID MAHOGANY WHEEL BAROMETER, by Cha (le)s Maspero, Manchester, the 8 1/2" silvered dial, in a case with swan neck pediment (a.f.), over a mercury thermometer and level, signed, 38" (96.5cm) high, lacks hygrometer 52 VINE CARVED OPEN WORK BAROMETER AND THERMOMETER, the aneroid barometer with white dial with centre visible works, 18 1/2" high 53 J. LIZARD, GLASGOW, RECTANGULAR ANEROID BAROMETER on an oak oblong panel with German thermometer fitted above, 7 1/2" x 5 1/2" and an 1960`s ANEROIS BAROMETER AND THERMOMETER inscribed Regen Veranderlich Schon, on teak panel, MAHOGANY SMALL CIRCULAR ANEROID BAROMETER with white dial and visible work 54 EDWARDIAN CARVED WALNUT CIRCULAR ANEROID BAROMETER having white enamelled dial, the centre with visible works, 7 1/2" dimater 55 SIX VARIOUS LONGCASE CLOCK WEIGHTS 56 RAINGO FRÈRES A PARIS WHITE MARBLE AND GILT METAL MANTLE CLOCK, powered by an eight day movement, striking on a bell, the 3 ½" (8.8cm) white enamel dial with blue painted roman numerals and black painted arabic seconds, the dial surrounded by a gilt metal wreath, HOUSED IN AN OBLONG D-ENDED WHITE MA 57 A LATE 19TH/EARLY 20TH CENTURY FRENCH GILT BRASS ORNATE MANTLE CLOCK, WITH JAPY FRÈRES SPRING DRIVEN MOVEMENT, striking on a bell. With a thirteen piece blue enamelled roman dial and housed in an ornate gilt brass architectural case, with scroll pierced panels and dome on a red silk ground, four cor 58 A JAEGER LE COULTRE ELECTRIC MANTLE CLOCK, with Portescap Swiss made battery powered movement, in rectangular case with gilt roman dial to the Perspex front, the gilt hands on a lapis lazuli effect ground, raised on four bun feet, 6 ¼" (15.9cm) high 59 EARLY TWENTIETH CENTURY OAK FRAMED TANTALUS with E.P.N.S. mounts, having three square cut glass decanters 60 SPELTER GROUP OF A MARE AND FOAL, on shaped oblong base, faint impressed signature, 11 3/4" (29.9cm) high

5 61 A PAIR OF FRENCH F. BARBEDIENNE, BRONZE AND GILT BRONZE THREE LIGHT CANDELABRA, with gilt bronze down swept foliate scroll arms and drip pans, surmounted with flame pattern finials, ON BRONZE CLASSICAL FEMALE COLUMNS, with stepped square bases, marked F. BARBEDIENNE, 21" (53.5cm) high 62 PAIR OF GILT METAL MOUNTED HORNS ON STANDS, each with pierced collar and pedestal stand with winged griffin pattern support, wrythen moulded column and scroll cast base, 14" (35.6cm) high (2) 63 PAIR OF BLACK PAINTED SPELTER FEMALE FIGURES, `SCIENCE` and `ARTS` both modelled standing with one arm raised, 13 3/4" (35cm) high (2) 64 SET OF THREE GRADUATED COPPER CIDER MEASURES, with wrought iron handles AND A GRADUATED QUARTETTE OF CYLINDRICAL LOOP HANDLED COPPER MEASURES, ranging from ½ pint to a quart (7) 65 CAST IRON AND BRASS FOX MASK AND RIDING CROP DOOR STOP, stamped: Peerage, England, 18" (45.7cm) high 66 AFTER JOSEPH BERTHOZ (nineteenth century) PATINATED BRONZE FIGURE of a blacksmith `Fac etc Spera`, modelled standing in front of an anvil, on a circular base, inscribed with titled and artists name, circular foundry stamp and impressed No , to the reverse, 9 3/4" (24.8cm) high 67 GEORGIAN STYLE CAST IRON AND BRASS FIRE GRATE, the basket with plain black downswept sides and corner finials above two bars, over an embossed and pierced apron and raised on square tapering forelegs with spade feet and urn shaped finials, 27" (68.6cm) high, 33 1/2" (85.1cm) wide 68 20TH CENTURY CAST BRONZE MODEL OF A RAGING BULL, 16 1/2" (42CM) LONG 69 F. SKINNER, A GREEN PATINATED BRONZE FIGURE OF DANCING HARLEQUIN, hands clasped aloft and wearing a mask, signed and dated 1990 and numbered 11/12, on a circular black marble plinth, 27 3/4" (70.5cm) high 70 MODERN EASTERN CAST BRONZE FIGURE OF A KNEELING MONKEY DEITY on an oval lotus petal bordered spreading plinth base, 15 3/4" (40cm) high 71 A SHIELD MOUNTED STAG`S HEAD TROPHY WITH NINE POINT ANTLERS 72 AN EIGHTEENTH CENTURY CARVED OAK SHALLOW BOX, rectangular form, with hinged foliate carved lid, and shallow basal drawer, raised on four ball feet, 5" (12.7cm), 19 ½" (49.5cm) wide 73 A VICTORIAN EBONY SARCOPHAGUS SHAPED TEA CADDY, with beaded borders and brass acanthus leaf capped end ring handles, the interior with two lidded compartments, 9" (22.8cm) wide (a.f.) 74 PAIR OF ANTIQUE STYLE TOLE-WARE TEA CANISTERS, cylindrical form with pull-off domed covers, gilt printed with chinoiserie panels and borders on black grounds, 16 1/2" (41.9cm) high (2) 75 LARGE PAIR OF STAG HORNS WITH SKULL, 40" (101.6cm) high overall 76 REGENCY PERIOD ROSEWOOD BRASS BOUND AND FLORAL SCROLLWORK INLAID WRITING BOX WITH FITTED INTERIOR 77 A ROSEWOOD MOTHER OF PEARL AND METAL INLAID JEWELLERY BOX, oblong form, with metal stringing and mother of pearl disks inlaid to the lid and front, the interior with pink silk lined lift out tray with compartments, 11 ¾" x 8 ¾" (29.8cm x 22.2cm)

6 78 EIGHTEENTH CENTURY STYLE MOULDED GILT FRAMED PIER MIRROR, the oblong plate, outlined with slender plates, beneath an arch top with shell cresting, 49 1/2" x 25 1/2" (125.7cm x 64.8cm) 79 ROCOCO STYLE FIVE LIGHT CAST BRASS WALL LIGHT the cartouche shaped back plate issuing five scroll arms with pearl shaped drip pans, 16 1/2" (41.9cm) high, together with a DRESSING TABLE SWING MIRROR with oval plate, in similar taste, 13" (33cm) high (2) 80 VICTORIAN GILT GESSO WALL MIRROR in the Georgian revival taste, the oval is bevel edged plate within a moulded frame with ribbon and Fleur d`lys cresting, issuing bell flower swags, tied by a pair of flaming torch pattern side columns, 33" x 39" (83.8cm x 99cm), gilding refreshed and in need of atte 81 GEORGIAN STYLE LINE INLAID MAHOGANY TOILET MIRROR, the oval plate in a moulded frame with scroll supports, above a bow fronted base with three short drawers, fitted with embossed brass pull handles and raised on bracket feet, 19 1/2" (49.6cm) high, 22" (55.9cm) wide 82 EARLY NINETEENTH CENTURY INLAID MAHOGANY TOILET MIRROR, the oval plate in a crossbanded frame with scroll supports, above a bow fronted base with three short drawers, the end two fitted with brass drop handles, raised on bracket feet, 26" (66cm) high, 18 1/2" (47cm) wide 83 MODERN OXIDISED METAL EIGHT LIGHT BIRDCAGE ELECTROLIER, typical form with cut glass drops, 36" (91.4cm) drop 84 MODERN OXIDISED METAL SIX LIGHT BIRDCAGE ELECTROLIER, typical form with cut glass drops, 36" (91.4cm) drop 85 A PATINATED SPELTER FIGURAL ELECTRIC TABLE LAMP, in the form of a BACCHANTE HOLDING ALOFT A TORCH WITH AN ORANGE FROSTED GLASS FLAME SHADE, a gilt eagle at her feet, on a stepped circular painted black wood base, 30" (76.2cm) high (a.f. damage and repair to raised arm) 86 A REGENCY STYLE GILTWOOD AND GESSO OVAL WALL MIRROR having an inner ribbon tied reeded moulding joined with outer cavetto frame having gadrooned and beaded edging, by eight radiating fan patina, 44 1/2" long 30 1/2" high 87 A 20TH CENTURY GOOD QUALITY `ANTIQUED` REPRODUCTION EARLY GEORGIAN STYLE VERTICAL WALL MIRROR, the walnut frame parcel gilt with a floral reverse-painted glass panel above the mirror plate, the frame with carved pendant drapery flanking the mirror and surmounted by a broken triangular arch pediment 88 EDWARDIAN MAHOGANY AND PARCEL GILT OVERMANTEL MIRROR, in the George II style, the bevel edged oblong plate within a moulded frame with ho-ho bird and fret-cut scroll cresting and with scroll pierced side pieces to the base, 26" x 42 1/2" (66cm x 108cm) 89 GEORGE II STYLE INLAID MAHOGANY AND PARCEL GILT WALL MIRROR, the oblong, bevel edged plate, within a moulded frame with ho-ho bird pierced cresting and oval shell inlay to the base, 36" x 21" (91.4cm x 53.5cm) 90 NINETEENTH CENTURY MAHOGANY BOXWOOD STRUNG BOW FRONT TOILET MIRROR, the rectangular plate suspended between reeded uprights, the base fitted with three small drawers, on bracket feet, 20 1/2" wide and ANOTHER SMALLER TOILET MIRROR (2) 91 GEORGE II STYLE MAHOGANY AND PARCEL GILT WALL MIRROR, the oblong plate within a moulded frame with ho-ho bird pierced cresting, 32 1/2" x 17 1/4" (82.5cm x 43.8cm) 92 CHIPPENDALE STYLE PIERCED GILT WALL MIRROR, in the rococo taste, the rounded oblong plate, within a moulded frame with floral and `C` scroll pierced outline, 42" x 23" (106.7cm x 58.4cm)

7 94 NINETEENTH CENTURY LINE INLAID AND FIGURED MAHOGANY TOILET MIRROR, the oblong plate in a moulded cross grain frame with turned supports, above an oblong base with shaped front and three conforming short drawers, the end two fitted with turned bone knobs, raised on turned feet, 24" (61cm) high, 23" ( 95 CARVED AND GILTWOOD GILTWOOD FLORENTINE WALL MIRROR, the oblong, bevel edged plate within scroll and shell carved openwork frame with scrollwork, cresting, 54" x 38" (137.2cm x 96.5cm) 96 LATE NINETEENTH/EARLY TWENTIETH CENTURY VIOLIN, labelled Francesco Ruggeri dett il per in Cermona l`anno 16 (75)? having one piece 14 1/8" back, in CASE WITH BOW INSCRIBED VUILLAUME a PARIS 97 SUZUKI, JAPAN SIX STRING ACOUSTIC GUITAR, model No having Tonbridge type inlay to sound hole head and stop, the finger board with 19 frets, 39 3/8" (100cm) long in plush lined case 98 STEYR AUSTRIA `MUSICA` GILT BRASS TRUMPET, No in plush lined and fitted case with mouth piece 99 SELMER U.S.A. `BUNDY` FIVE PIECE RESONITE CLARINET, NO , with plated metal keys and mounts, 26 1/4" long, little used in black plush lined case 100 AN UNBRANDED TWENTIETH CENTURY VIOLIN, with 14" two part back, in case with bow 101 FREMIELIO SMALL SIZE PIANO ACCORDION, with jewelled and marble effect ornate case, having 25 keys in total to keyboard and 12 buttons 102 HERBERT H. SHETHER, TWENTIETH CENTURY VIOLA WITH TWO PART 16" BLACK, with label `Made by H.H. Shether, Canterbury, Kent 1987`, signed Herbert Shether and a case with canvas cover 103 PROBABLY GERMAN TWENTIETH CENTURY 1/2 SIZE VIOLIN, with 12" two piece back 104 LACHENAL, LATE NINETEENTH CENTURY CONCERTINA, in restored condition with ten right hand and eleven hand ivory buttons, labelled and numbered 74216, 7" diameter in black paper clad hexagonal box 105 TWENTIETH CENTURY LEATHER CASED BANJO, by The Cammeyer Music and Manufacturing Co., 3 Swallow Street, London, Grade 1, the case crossbanded in tulipwood, mother o`pearl inlaid between frets, 37" long 106 YAMAHA MODERN ENGRAVED AND GILT METAL TENOR SAXAPHONE, inscribed Yamaha Japan YTS-62 No (a small dent and minor corrosion) with Otto Link (USA) `Super` Tone Master mouth piece in blue plush lined and fitted Yamaha brown leather effect case with selection of reeds 107 YAMAHA MODERN ENGRAVED AND GILT METAL ALTO SAXOPHONE, inscribed Yamaha Japan YAS-62 No with Otto Link (USA) `Super` Tone Master mouth piece (good overall condition) in Yamaha black synthetic fabric and plush lined case 108 YAMAHA MODERN ENGRAVED AND GILT METAL SOPRANO SAXOPHONE, inscribed Yamaha Japan YSS-475 No with Yamaha and Selmer mouth pieces (almost unused condition) in Yamaha black synthetic fabric and plush lined case with support strap 109 YAHAMA CIRCA 2007 FOUR PIECE `CUSTOM` Bb CLARINET, Grenadilla wood and plated metal inscribed Custom - Yamaha CX No (good condition) in plush lined and fitted textured black composition case with original purchase receipt and owners booklet

8 110 AN EARLY TWENTIETH CENTURY VIOLIN COPY OF A GUARNERI, bears label and having 14 3/16" two piece back IN CASE with an ebonised wood bow 111 EARLY TWENTIETH CENTURY SMALL SIZE VIOLET, having 13 1/8" two piece back in case, with a bow and a LYRE SHAPED BRASS MUSIC CLIP on part of rod support, 4 3/4" high together with EARLY TWENTIETH CENTURY VIOLIN WITH 14" TWO PIECE BACK, lacking finger board and (a.f.) in ebonised wood case (a.f.) 112 GOOD NINETEENTH CENTURY VIOLIN with later replacement label `Januarius Gaglianus - Alumnus Antonii Stradivarii fecit Neapoli Ae 1770 with 14 1/4" two piece birds eye maple back and sides (some repair to back) with bow in case 113 INTERESTING EIGHTEENTH CENTURY ITALIAN VIOLIN, with partly indistinct hand written possibly repairers label " ? Montagnana Venezia 1791`, having 14 1/8" two piece back, in case with bow 114 MICHEL ANGE GANINI - LATE NINETEENTH/EARLY TWENTIETH CENTURY VIOLIN, with 14 1/4" one piece back in case with BOW 115 FRENCH EARLY TWENTIETH CENTURY VIOLIN, with 13 5/8" one piece back, labelled `Copie de Antonius Stradivarius-Faciebat Anno 1721` TOGETHER WITH BOW, TUNING FORK ETC. IN CASE 116 MODERN BOOSEY AND HAWKES `EXCELSIOR` CHILD`S VIOLON CELLO manufactured in Czechoslovakia and having one piece 25 1/2" back together with BOW IN FABRIC CASE EST ALLISON, LONDON, MAHOGANY BABY GRAND PIANOFORTE, iron framed and overstrung, on square tapering legs, 4` long 118 BARRATTS OF MANCHESTER, SILVER PLATED CORNET, in case, with tutorial book 119 METRONOME in mahogany case 120 BURNS, LONDON HAND CRAFTED `HANK MARVIN` LIMITED EDITION SIX STRING ELECTRIC GUITAR, being a 40th anniversary (2004) replica of instrument supplied to the Shadows 1964, with white body having simulated tortoiseshell scratch-boards, and metal plate with facsimile signature to the neck with rosewood f 120A MARTIN COLETTI (MUNCHEN) LABELLED ACOUSTIC GUITAR, model No. 2253, in associated case 121 C. F. MARTIN & CO. USA SIX STRING ACOUSTIC GUITAR, the interior framework impressed `C. F. Martin & Co HD ` the body with chevron pattern inlaid border, burr wood effect applied scratch board, 40 3/4" (103.5) long overall in C. F. Martin green plush lined hard plastic case 122 GIBSON CLASSIC ELECTRIC ACOUSTIC SIX STRING GUITAR with trapeze tail, the reverse of the head numbered for 1964/5 and having original interior oval paper label `Gibson INC Kalamazoo, Michigan, USA`, the finger board with 22 frets and with overall simulated ivory applied edging, 40 1/2" long i 123 AVIA PRO II SIX STRING ELECTRIC ACOUSTIC GUITAR MODEL ES with trapeze tail and having 20 fret mother of pearl inlaid finger board and all with simulated ivory applied edging, the back of the head numbered and with metallic paper label `made in Japan` and with original internal paper la 124 HARMONY `SOVEREIGN` SIX STRING ACOUSTIC GUITAR MODEL H6561 having mother of pearl disc inlaid 20 fret finger board and all with simulated ivory applied edging, original internal paper label, 41 1/2" (105.4cm) long overall in black plush lined hard black plastic case

9 125 LEVIN GUITARS SWEDEN, TWELVE STRING ACOUSTIC GUITAR MODEL No W12-38 having mother of pearl disc inlaid 19 fret finger board, the sound hole with two rings of chevron pattern inlay, internal paper label with manufacturing No , 41 3/4" (103.5cm) long overall, in orange plush lined hard plastic c 126 YAMAHA, JAPAN SIX STRING ACOUSTIC GUITAR MODEL No FG-401 having mother of pearl disc inlaid 20 fret finger board, the body with ebony coloured applied edging and string inlay, internal oval paper label, 40 3/4" (103.5cm) long overall, in green baize lined textured black plastic case (as found) 127 OZARK KOREA SIX STRING ACOUSTIC `RESONATOR` GUITAR WITH PLATED METAL BODY, having rosewood finger board with mother of pearl and abalone tablet inlaid 19 fret finger board, the body with circular pierced sound board and `f` holes, 39" (99cm) long overall 128 SAGA MUSICAL INSTRUMENTS - SAN FRANCISCO `KENTUCKY` 8 STRING MANDOLIN, the pear shaped body with `f` holes and attached black plastic scratch board, the 21 fret finger board with mother of pearl disc inlay and all with applied simulated ivory edging, with internal gilt paper label style No KM-160 `S 129 FENDER AFFINITY SERIES `SQUIER TELE` SIX STRING ELECTRIC GUITAR with solid blond hardwood body (some damage) with chromed metal fittings and cream plastic scratch board, mother of pearl disc inlaid 21 fret finger board, back with applied chrome plate impressed No YN made in China, 39" (99.1c 130 VOX `VALVETRONIX` AD50VT PORTABLE AMPLIFIER with eleven functions and selection of eleven effects, black fabric effect composition case with carry handle 131 KAY FIVE STRING BANJO the skin retained with chromium plate rim held in position with thirty adjustable vertical rods, 11 1/2" (29.2cm) diameter, the stained wood body with impressed image of a displayed eagle, 13" (33cm) diameter, the finger board with mother of pearl disc inlay and 22 frets, 38 1/ 132 JOHN GREY & SONS LONDON FIVE STRING BANJO the skin retained with chromium plated rim and twenty two adjustable vertical rods, 11 1/2" (29.2cm) diameter with open back, long finger board having mother of pearl disc inlay and 25 frets, 43" (109.2cm) long, the reverse of neck inscribed `Made in England 133 THE WINDSOR `POPULAR` FOUR STRING BANJO the skin (damaged) retained with chromium plated rim secured to the chromium plated body with twenty eight vertical rods, 11" (28cm) diameter with open back bearing maker`s label, the finger board with mother of pearl disc inlay and 19 frets, 31 1/2" (80cm) lo 134 UNBRANDED 20th CENTURY EIGHT STRING MANDOLIN having tear shaped body, mother of pearl disc inlaid finger board with 18 frets, 24 1/2" (62.3cm) long 135 IMPRESSIVE VICTORIAN WHITE PAINTED CAST IRON GARDEN URN ON STAND, shallow, semi lobed form with egg and dart border and spreading circular foot, raised on a stepped square, plinth base, 49 1/2" (125.7cm) high, 37" (94cm) diameter 136 AN INTERESTING AGED CARVED STONE GARGOYLE, modelled as a crouching winged mythical beast, 11 1/2" (29.2cm) high, 20" x 9" (50.8cm x 22.9cm) overall 137 ANTIQUE THREE PART CARVED STONE GARDEN PEDESTAL, the circular top with petal shaped border above a tulip carved column and raised on a moulded circular foot, 41 1/2" (105.5cm) high, 22" (55.9cm) diameter, the centre of the top with drilled holes, possibly for a sundial 138 PAIR OF CAST IRON TWO HANDLED PEDESTAL GARDEN URNS AND BASES, of part fluted campana form with egg and dart border, foliate scroll bands and lion mask capped angular loop handles, on square bases and the square tapering pedestals, 35" (89cm) high, 19" (48.3cm) diameter (2)

10 139 PAIR OF TWO HANDLED COMPOSITION STONE PEDESTAL GARDEN URNS, parted fluted campana form with egg and dart border and mask capped moulded handles, raised on a square pedestal base, 31" (78.7cm) high, 25 1/2" (64.8cm) diameter (2) 140 PAIR OF COMPOSITION STONE PEDESTAL FLOWER VASES ON PEDESTAL BASES, each with wrythen moulded border above acanthus leaves, conforming pedestal and moulded square plinths with inset floral panels, 36" (91.5cm) high, 21" (53.3cm) diameter (2) 141 ANTIQUE CARVED OAK COFFER, the oblong moulded three panel top above a three panel front carved with lozenge shaped panels and lunette enclosed by a lunette carved top rail and scale carved uprights, raised on feet, 25 1/2" (64.8cm) high, 42" x 19 1/2" (106.7 x 49.5cm) TH CENTURY OAK TWO PART CHEST OF DRAWERS, the oblong moulded top above four long, pine lined drawers, with geometric moulding and brass drop handles, raised on square feet, 41"x (104.2cm) high, 41 1/2" x 22 1/2" (105.4 x 57.2cm) 143 LATE SEVENTEENTH CENTURY CARVED OAK COFFER, the four panelled top above a three panelled front, carved with lozenge motifs beneath a stylised lunette carved frieze with lock plate, raised on stile legs, 27 3/4" (70.5cm) high, 57" x 23" (144.8cm x 58.5cm) 144 SEVENTEENTH CENTURY OAK SINGLE CHAIR, the scroll moulded arched top rail with floral pierced motif, above an arched, panelled solid back, flanked by turned uprights over a panelled solid seat (split), and raised on block and turned front legs tied by a floral and scroll carved arch top stretcher and 145 EIGHTEENTH CENTURY WELSH OAK DRESSER, the moulded oblong top surmounted by a three shelf plate rack with boarded back and moulded cornice, above three frieze drawers fitted with brass drop handles and raised on square chamferred supports tied by a pot shelf, 79" (196.7cm) high, 66 1/2" (169cm) wide 146 LATE EIGHTEENTH CENTURY CARVED OAK CHEST, the hinged and moulded oblong top above a panel carved with mythical beasts, over a false drawer and two graduated drawers, fitted with swan neck brass handles and raised on shaped bracket feet, 38" (96.5cm) high, 51" x 24" (129.5 x 61cm) 147 LATE EIGHTEENTH/EARLY NINETEENTH CENTURY OAK WRITING TABLE, the moulded oblong top above a long frieze drawer, oak lined and fitted with brass swan neck handle, raised on turned legs and bun feet, tied by a wavy cross stretcher, 27 1/2" (69.9cm) high, 26 1/2" x 18 3/4" (67.3cm x 47.6cm) 148 LATE VICTORIAN CARVED OAK WIND-OUT EXTENDING DINING TABLE, with two extra leaves, in the Elizabethan taste, the rounded oblong top with leaf carved border, above a plain frieze and raised on bulbous turned and carved supports with bun feet, 29 1/2" (75cm) high, 48" (122cm) wide, 60" - 96" (152.4cm ANTIQUE AND LATER CARVED OAK DOWER CHEST, the part hinged three plank top with gadrooned carved edge above a front with four scroll carved fielded panels and pair of drawers below fitted with brass handles, in stylised floral and meandering vine carved rails and raised on stile feet, 32 1/2" (82.6cm 150 ARTS AND CRAFTS OAK BOOKCASE, the moulded cornice above a pair of glazed cupboard doors, enclosing three adjustable shelves to the interior, the advanced lower section with moulded oblong top above a pair of frieze drawers, fitted with later brass swan neck handles and a pair of panelled cupboard do 151 GOOD QUALITY VICTORIAN CARVED OAK PRIE DEUX CHAIR, the top rail carved with central roundal depicting a sheep and cross, enclosed by scrolling foliage and flanked by a pair of angels kneeling in prayer, above an arch top padded back panel, flanked by turned uprights with spiralling foliage and corin

11 153 GOOD QUALITY ANTIQUE CARVED MAHOGANY TEA TABLE, the fold over oblong top of serpentine outline, with egg and dart type edge, carved in high relief, above a deep, plain frieze and raised on square tapering legs with spade feet, 29" (73.7cm) high, 36 1/2" (92.7cm) wide 154 VICTORIAN FOUR FOLD SCRAP SCREEN, 69 1/2" (176.5cm) high, each section 20 1/2" (52cm) wide 155 EARLY NINETEENTH CENTURY INLAID FIGURED MAHOGANY BOW FRONT CORNER CUPBOARD, the moulded cornice above a pair of flame cut cupboard doors with bone escutcheons and half round brass fillet, enclosing three fixed shelves to the green painted interior, 46 1/4" (117.5cm) high, 32 1/2" (82.5cm) wide 156 EARLY 19TH CENTURY BOXWOOD LINE INLAID MAHOGANY FOLD OVER TEA TABLE, the rounded oblong top above a flame cut frieze and raised on square, slightly tapering legs, 29 1/2" (75cm) high, 36" x 17 1/2" (91.4cm x 44.5cm) one front leg a/f 157 GEORGE III MAHOGANY BUREAU, typical form, the fall front enclosing pigeon holes and short drawers, flanking the central small door, over two short and three long graduated and cockbeaded drawers fitted with brass swan neck handles, raised on ogee bracket feet, 42 1/4" (107.3cm) high, 45 3/4" (116.2c 158 GEORGIAN AND LATER COMPOSITE MAHOGANY SIDE CABINET, the oblong cross banded top above a pair of cupboard doors and a pair of long cockbeaded drawers, fitted with cast brass handles and escutcheon plates, raised on cabriole legs with claw and ball feet, 43" (109.2cm) high, 27" x 18" (68.6 x 45.7cm) 159 REGENCY MAHOGANY CARD TABLE, the oblong flap top having quadrant corners, baize lined interior, on curved `U` shaped column, on platform and quartette `C` scroll supports with brass paw feet and castors, 2`11" wide 161 AN EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID BOW FRONTED CORNER CUPBOARD, the moulded cornice above a frieze inlaid with three oval fans, over a pair of figured mahogany cupboard doors, with boxwood stringing and exposed brass H hinges, enclosing four shelves and three spice draws to the 162 GEORGE III FIGURED MAHOGANY LINEN PRESS, the dentil moulded cornice above a pair of flame cut cupboard doors, enclosing three slides to the interior, the lower section with two short and two long graduated and cockbeaded drawers, fitted with brass swan neck handles and raised on tall bracket feet, GEORGE III MAHOGANY TRIPOD OCCASIONAL TABLE, the circular top (cracked) above a ring turned column and downswept supports with brass pad castors, 27 1/4" (69.3cm) high, 19 3/4" (50.2cm) diameter 164 GEORGE III MAHOGANY BOW FRONT CORNER CUPBOARD, the moulded cornice above a pair of doors with exposed brass `H` hinges, enclosing three fixed shelves to the interior, 41 1/4" (104.8cm) high, 27 1/4" (69.2cm) wide 165 A NINETEENTH CENTURY MAHOGANY TILT TOP OCCASIONAL TABLE, the circular top above a barge shaped turned and part fluted column, with three down swept feet, 31" (78.7cm) diameter, 27 ½" (69.8cm) high 166 EARLY NINETEENTH CENTURY FIGURED AND CARVED MAHOGANY PEDESTAL WORK TABLE, the frame cut, canted oblong top with concave front, enclosing an interior fitted with eight lidded compartments, above scroll supports enclosing an ogee moulded basket, over a carved baluster short column with conforming coll 167 LATE VICTORIAN MAHOGANY DRESSING TABLE, the ovolo moulded top above two frieze drawers on turned and fluted fronted supports and rear flat pilasters united by a basal shelf, 36 1/2" (92cm) wide 168 LATE VICTORIAN BRASS DOUBLE BEDSTEAD, the cylindrical uprights enclosing square sections panels and turnings, 54 1/2" (138.5cm) wide, the headboard, 60" (152.4cm) high, two foot board, 49" (124.5cm) high, including the later castors, 81" (25.8cm) long overall, the headboard with vacant space to cent

12 169 LATE GEORGIAN LINE INLAID MAHOGANY PEMBROKE TABLE, typical form, the end drawer with drawer with green baize lined interior and brass ring handles with embossed back ring handles with embossed back plates, raised on square tapering legs with brass castors, 28" (71.1cm) high, 42" (106.7cm) long, 25" 170 UNUSUAL EDWARDIAN MAHOGANY TAMBOUR FRONTED COAL SCUTTLE, with lidded compartments, heavy cast brass side handles and cast brass claw and ball feet, 17 1/2" (44.5cm) high, 18 1/2" (47cm) wide 171 GILLOWS OF LANCASTER CUSTOM MADE ANGLE OR CORNER SETTEE ON MAHOGANY LEGS, the `L` shaped buttoned back above a conforming stuff over seat with rounded forecorner, covered in fringed old gold plush and raised on turned front supports with brass castors 33 1/2" (85.1cm) high, 42" (106.7cm) long, 31 1/ 172 PAIR OF EARLY VICTORIAN UPHOLSTERED PRIE-DIEU CHAIRS, on beech simulated rosewood turned forelegs and square section outset rear legs, one with replaced castors to the forelegs, one retaining the original brass bucket castors 173 VICTORIAN MARBLE TOPPED BURR WALNUTWOOD MIRROR BACK CHIFFONIER, the arched plate in a moulded show wood frame, with meandering vines and scroll carved cresting, the lower section with moulded white veined marble top above a shaped frieze and mirror glazed central cupboard door, flanked by carved cor 174 NINETEENTH CENTURY CARVED WALNUTWOOD LOW FOOTSTOOL, the deep buttoned, square drop in padded top, covered in pale gold plush, enclosed within a moulded show-wood frame and raised on scroll capped paw feet, 7 1/2" (18.4cm) high, 20" x 20" (50.8cm x 50.8cm) 175 STAINED BEECH LOW FOOTSTOOL, the oblong padded top covered in floral and blue needlework, raised on four cabriole supports, 8" (20.3cm) high, 18" x 10 1/2" (45.7cm x 26.7cm) 176 A SET OF EIGHT GOOD QUALITY LATE NINETEENTH CENTURY CARVED MAHOGANY SINGLE DINING CHAIRS, each with foliate carved deep arched top rail above padded back, galleried lower rail turned uprights and flat fronted, close studded and stuff over sear, covered in brown leather, raised on foliate carved squa 177 VICTORIAN MAHOGANY LIBRARY BOOKCASE, the moulded cornice above a pair of glazed cupboard doors with four adjustable shelves to the interior, above an advanced lower section with a pair of flame cut panelled cupboard doors, rounded forecorners and plinth base, 94 1/2" (240cm) high, 54 1/2" (138.5cm) 178 EDWARDIAN CROSSBANDED MAHOGANY BUREAU BOOKCASE, the dentil moulded cornice above a crossbanded frieze and pair of 13 panel astragal glazed cupboard doors, enclosing three adjustable shelves to the polished interior, the lower section with crossbanded sloping front, enclosing pigeon holes and short d 179 LATE 19TH/EARLY 20TH CENTURY CHINESE CARVED HARDWOOD RECTANGULAR JARDINIERE STAND with two shelves under marble inset top 32" (81cm) high 180 A 19TH CENTURY BERLIN WOOLWORK AND BRASS FACE SCREEN the banner shaped floral pattern panel on telescopic table top brass column with ecclesiastical/gothic embossed decoration to weighted circular foot, 15 3/4" (40cm) high closed down 181 VICTORIAN MAHOGANY WIND-OUT EXTENDING DINING with extra leaf and a SET OF FIVE VICTORIAN MAHOGANY SINGLE DINING CHAIRS, the dining table with moulded, rounded oblong top and fluted and turned legs with brown pot castors, 29" (73.6cm) high, 46" (116.8cm) wide, 56" (142.2cm) long, 71" (180.4cm) long, 182 GEORGE MAHOGANY BOW FRONTED CORNER CUPBOARD, the moulded cornice cupboard, the moulded cornice above a blind fret carved frieze and pair of cupboard doors fitted with exposed brass `H` hinges and escutcheons and flanked by stop fluted pilasters, 43 1/2" (110.3cm) high, 29 1/2" (75cm) wide

13 183 NINETEENTH CENTURY FRENCH CARVED GILTWOOD GENTLEMAN`S OPEN ARMCHAIR, the waisted padded back in moulded show-wood frame with shell and floral cresting, above a pair of outswept arms with elbow pads and scroll moulded supports, enclosing a generous serpentine fronted seat, covered in close studded he 185 VICTORIAN MAHOGANY WIND-OUT DINING TABLE, with two extra leaves, the rounded rectangular top above a deep frieze, raised on turned legs with brass castors, 28 1/2" (72.4cm) high, 48" (122cm) wide, 60" (152.5cm) long, 94 1/2" (240cm) long, extended 186 VICTORIAN EBONISED AND GILT METAL MOTHER O`PEARL AND ROSEWOOD MARQUETRY INLAID TABLE TOP LIQUEUR CABINET, the lift up slightly domed top and serpentine front enclosing a three tier lift out tray with gilt cast handle, housing a set of four decanters and stoppers and a PART SET OF NINE SMALL STEMMED 188 EARLY VICTORIAN MAHOGANY PEDESTAL FOLD-OVER CARD TABLE, the rounded oblong swivel top with green baize lined interior, above floral carvings (a.f.) and turned side rails to the frieze over a tapering octagonal column with turned collar and raised on a quatrefoil base with turned cup feet and brass c 189 VICTORIAN MARQUETRY INLAID FIGURED WALNUTWOOD DAVENPORT DESK, the upper section with lidded stationary compartment, brown leather inset slope and two pigeon holes and central drawer to the interior, above a panelled front, flanked by a four drawers and four faux drawers, all fitted with turned knobs 190 ITALIAN WALNUT AND GREEN PAINTED DEMI LUNE CHEST OF DRAWERS, THE SHAPED TOP WITH LOW BACK ABOVE THREE MOULDED DRAWERS, flanked by part fluted uprights and panels raised on turned and part fluted supports tied by an apron with central floral painted tablet, 36" (91.4cm) high, 55 1/2" (141cm) wide, TO 191 W. WHITELEY, LONDON, LATE VICTORIAN CARVED MAHOGANY DISPLAY CABINET, the back with blind fret carved frieze above two bevel edged mirrors and shelf with scroll supports, flanked by a pair of mirrors and lattice pierced panels, the lower section with bow fronted blind fret carved drawer above an open 192 MODERN ORIENTAL BLACK LACQUERED AND PAINTED DISPLAY CABINET, hexagonal form, the moulded cornice above bevel edged glass panels and pair of doors, enclosing two adjustable glass shelves to the electric interior, above a conforming lower section with panels and a pair of cupboard doors, the whole dec 193 VERNIS MARTIN STYLE MARBLE TOP AND GILT METAL MOUNTED BLONDWOOD SIDE CABINET, the bow fronted green veined marble top above a pair of frieze drawers and pair of cupboard doors, printed and painted with a romantic scene, flanked by a pair of conforming side panels decorated with river landscapes and 194 MODERN MAHOGANY REVOLVING BOOKCASE OF TWO TIERS, with initialled brass cartouche to the top, containing a set of 54 volumes of Encyclopaedia Britannica - Great Works of the Western World, 25 1/4" (64.1cm) square `s SIBAST NO. 8 `The Soren` TEAK CHAIR, with stick back and padded seat, covered in pale gold plush, bears label, TOGETHER WITH A SIMILAR DESIGN SINGLE PEDESTAL DESK of three drawers, with oblong top over an open shelf above the pedestal, another short shelf from the base of the pedestal, enclos 196 AFTER THE DESIGN BY CHARLES AND RAY EAMES, No. 670 LAMINATE AND BLACK LEATHER EASY ARMCHAIR AND THE MATCHING FOOTSTOOL, No. 671 (2) both buttons missing to the seats 197 SET OF EIGHT (6 + 2) LATE NINETEENTH CENTURY/ EARLY TWENTIETH CENTURY CHIPPENDALE REVIVAL CARVED MAHOGANY DINING CHAIRS, each with leaf capped top rail above ornate perched splat and moulded uprights, over a flat fronted padded seat covered in studded green leather and raised on leaf capped cabriole

14 198 PAIR OF LATE NINETEENTH/EARLY TWENTIETH CENTURY CARVED MAHOGANY TABOURET FOOTSTOOLS, each of serpentine outline with padded top, covered in green floral fabric and raised on moulded cabriole supports, 6" (15.2cm) high, 13 1/2" x 11 1/2" (34.3cm x 29.2cm) (2) 199 EDWARDIAN INLAID MAHOGANY SEWING TABLE, the hinged oblong top of serpentine inlay with leaf and berry inlaid central oval panel, enclosing a compartmented interior, one lidded and tapering oblong basket covered in blue floral fabric, over a ribbon tied bell flower frieze and raised on square taperin 200 GOOD QUALITY REGENCY REPRODUCTION INLAID MAHOGANY MATCHED DINING ROOM SUITE OF 13 PIECES, COMPRISING; TWIN PEDESTAL DINING TABLE, with diaper banded border and two loose leaves, 29 1/2" (75cm) high, 36" (91.5cm) wide, 62" (157.5cm) long, 97 1/2" (247.7cm) extended MATCHING SET OF TEN DINING CHAIRS ( 201 FRENCH STYLE LINE INLAID MAHOGANY, SATINWOOD AND ROSEWOOD OCCASIONAL TABLE, of cylindrical form with crossbanded top above three short drawers with brass pull handles raised on gilt metal capped slender square section cabriole legs with sabots, 27 1/2" (69.8cm) high, 12 1/2" (31.8cm) diameter 202 LOUIS XVI STYLE LINE INLAID MAHOGANY WRITING TABLE, the oblong top of serpentine outline with gilt tooled green leather insert and brass banded edge, above three drawers frieze drawers with scroll cast loop handles and raised on gilt metal east square cabriole legs with sabots, 31" (78.8cm) high, LOUIS XVI STYLE WALNUTWOOD AND ROSEWOOD CROSSBANDED BOMBE SHAPE WRITING TABLE, the moulded oblong top of serpentine outline with gilt tooled dark blue leather insert, above a pair of frieze drawers with scroll cast loop handles, raised on square cabriole legs with gilt metal sabots, 30" (76.2cm) hig 204 MODERN REPRODUCTION MAHOGANY BREAKFRONTED BOOKCASE DISPLAY CABINET, the dentil moulded cornice above an advanced pair of thirteen panel astragal glazed cupboard doors, flanked by a matching pair of doors, enclosing; short adjustable shelves to the mirror back and polished interior, the advanced lowe 205 EARLY 20TH CENTURY BERICK FURNITURE BURR WALNUT WRITING DESK IN THE QUEEN ANNE STYLE, the moulded oblong top with shaped front and inset gilt round blue leather surface, above a shaped central drawer, flanked by the pair of short drawers, mahogany lined and fitted with pierced brass handles, raised 206 GOOD QUALITY EARLY 20TH CENTURY GEORGIAN STYLE CARVED MAHOGANY AND BEECH THREE PIECE SUITE BY BERESFORD & HICKS, LONDON, comprising; a three seater scroll arm settee with padded back and flat fronted stuff over seat, raised on acanthus capped cabriole supports with claw and ball feet, tied by an aca 207 BIEDERMEIER STYLE 20TH CENTURY FIGURED MAHOGANY WRITING TABLE, the flame cut rounded oblong top with serpentine front, above a long frieze drawer, pine lined and fitted with brass pull handles, raised on turned tapering legs, extended, 30 3/4" (78.1cm) high, 37" x 24 1/2" (94cm x 62.3cm) 208 SAMUEL CALVERT ( ) OIL PAINTING ON BOARD Coastal scene busy with fishing boats in choppy seas 11½" x 10" (29.2cm x 25.4cm) 209 HENRY PILLEAU ( ) OIL PAINTING ON CANVAS Middle Eastern street scene with numerous figures Monogrammed and dated " x 17½" (30.5cm x 44.5cm) crazing 210 GIROLAMO GIANNI ( ) OIL PAINTING ON CANVAS PANORAMIC SEASCAPE With warship steaming into Valetta Harbour and a British Longboat flying an Ensign in the mid foreground Signed and dated " x 40" (35.6cm x 101.6cm) 211 THOMAS COWPER (fl ) OIL PAINTING ON PANEL `Waiting` Signed and dated 1894 lower left, titled on the gold mount of the glazed frame 13 1/4" x 9" (33.5cm x 23cm)

15 212 BRITISH SCHOOL (nineteenth century) OIL PAINTING ON MILLBOARD LAID DOWN ON CANVAS A market scene in a Belgian town 11 1/4" x 9 1/4" (28.5cm x 23.5cm) 213 T. KLEUDJEN (German nineteenth century) OIL PAINTING ON CANVAS Shipping off the Italian Ligurian Coast of Bordighera signed and inscribed `Bordighera` lower left 22" x 32" (56cm x 81cm) 214 JOHN H. THOMPSON (nineteenth century) OIL PAINTING ON MILLBOARD `From the Moors`, a man on a donkey with dead game, a donkey foal and dog nearby signed and dated 1870 lower left signed, inscribed and dated 1870 verso 9" x 11" (23cm x 28cm) unframed 215 LARGE LATE NINETEENTH CENTURY OIL PAINTING (BRITISH SCHOOL) Moorland landscape at sunrise, river in foreground in original gilt gesso frame title verso `Llanberis Pass` 18" x 36" (46cm x 91.5cm) 216 R. GALLON ( ) PAIR OF OIL PAINTINGS Lakeland landscapes with cattle watering inscribed to frame verso 13 1/2" x 19 1/2" (34.3cm x 49.5cm) 217 POSSIBLY HARRY WATSON ( ) OIL PAINTING ON CANVAS Three children harvesting Unsigned 22 ¼" x 19 ½" (56.5cm x 49.5cm) (Study of children verso) 218 ALEXIS DE LEEUW (Belgian Fl ) OIL PAINTING ON CANVAS Winter landscape with a woodcutter leading a team of three horses pulling a felled tree upon a sleigh signed lower left woodland beyond 30" x 50" (76cm x 127cm) 220 J. HARVEY OIL PAINTING Pointer dogs in a landscape Signed lower right 6 3/4" x 9" (17cm x 23cm) EST HUTCHINSON PASTEL DRAWING `Ballet Dancer` signed 25" x 18" (63.5 x 46cm) 222 JOHN BATES NOEL (f.l ) OIL PAINTING ON RELINE CANVAS Farm buildings with a dove cote, chickens in the foreground, a figure and cattle beyond signed lower left, 16" x 24" (40.5cm x 61cm) (a small amount of flanking paint) 223 JOHN BATES NOEL (f ) OIL PAINTING ON CANVAS `After Rain - North Wales`, Signed lower left, inscribed verso 10" x 14" (25.5cm x 35.5cm) 224 ASCRIBED TO SALVATORE ROSA ( ) OIL PAINTING ON RE-LINED CANVAS `Temptation of Christ` the Saviour seated in a rocky landscape, a figure of the Devil standing before him, Artist`s name on old type written label verso 17" x 21" *43cm x 53.5cm) Contained in a late eighteenth century English gil 225 JOSEPH KNIGHT, R.E., R.I., R.O.I., ( ) OIL PAINTING ON BOARD `In a sheltered Vase` Signed and dated 1903 lower left, inscribed on artist`s label verso, numbered 5, also with printed label `Manchester `79` 7 1/4" x 9 1/2" (18.5cm x 24cm) in original glazed gilt frame 226 JOSEPH KNIGHT, R.E., R.I., R.O.I., ( ) OIL PAINTING ON BOARD Landscape with sheep grazing Signed and dated 1903 lower left 9 1/4" x 13" (23.5cm x 33cm) In original glazed gilt frame 227 JOSEPH KNIGHT, R.E., R.I., R.O.I., ( ) OIL PAINTING ON BOARD `Moonlight`, a landscape with sheep grazing Signed and dated 1900 lower left, inscribed on artists label verso, also with printed label `Manchester `77` 10 1/2" x 14 1/4" (26.5cm x 36cm) In original glazed gilt frame 228 BYRON COOPER ( ) OIL ON CANVAS `The Narrows, Kyles of Bute` signed and titled verso 17 3/4" x 23 1/2" (45.1 x 59.7 cm) EST