ACRYLA GOUACHE SET CONTENTS D403 D401 D410 D411 D414 D416 D418 X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X

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1 RYL GOUHE cryla Gouache is an ideal medium available to the artist, designer, illustrator and student. cryla Gouache has 102 highly pigmented colors, including 10 metallic and 4 luminous finishes, in an acryl resin which will dry to the same smooth mat finish as does the Holbein Designers Gouache in gum arabic. cryla Gouache moves, reacts, blends and feels like traditional gouache, but is effectively waterproof once fully dry. It is rated for light-fastness, adapted to the Munsell color standard for hue, value and chroma and is made from the purest pigments available. cryla Gouache may be used as a successful ground that will not contaminate over painted layers. It will not shift in color tone from liquid to dried color. Hence, what you see wet is what you get when dry. cryla Gouache does not have as fragile a surface as traditional gouache in gum arabic and is compatible with all other water soluble media regardless of origin. n ideal medium for hobbyists and bird carvers as well. SET ONTENTS B D E F G D403 D401 D410 D411 D414 D416 D418 D403 () 11 olors in 10ml Tubes and 2 Whites in Plastic ase D433 Same as D403 but with Ruler, 3 Brushes and Guide. D411 (D) Master Set of 12 olors: 11 olors in 20ml Tubes 1 White in 40ml Tube D401 (B) Study Set of 12 olors in 10ml Tubes D410 () Lesson Set of 12 olors in 20ml Tubes D414(E) Set of 18 olors in 20ml Tubes D416(F) Set of 24 olors in 20ml Tubes D418(G) Set of 36 olors in 20ml Tubes D434 Full Set of 102 olors in 20ml Tubes Blue Green Blue Violet Burnt Sienna Burnt Umber armine erulean Blue obalt Blue Deep Yellow Emerald Green Green Jet Black Leaf Green Lemon Yellow Light Green Light Yellow Magenta Navy Blue Neutral Grey #2 Opera Orange Prussian Blue Pure Red Red Violet Rose Sap Green Scarlet Shell Pink Sky Blue Titanium White Turquoise Blue Ultramarine Blue Ultramarine Deep Violet Viridian Wine Red Yellow Ochre 27

2 HOLBEIN RYL GOUHE vailable in 20ml tubes. hinese White (D852), Titanium White (D851), Jet Black (D836), Lamp Black (D837) also available in 40ml tubes. D001 rimson primary D014 Pale Peach D043 Beige D064 Viridian D094 erulean Blue D101 Misty Blue D007 Wine Red D035 Orange D042 Ivory White D066 Sap Green D093 obalt Blue D114 Blue Violet D002 armine D036 Orange Yellow D044 Mustard D063 Deep Green D091 Ultramarine Blue primary D111 Violet D009 Pure Red D038 Jaune Brillant D065 Olive D075 Pale Lime D092 Ultramarine Deep D112 Deep Violet D003 Scarlet D041 Flesh D070 Leaf Green D076 Pale Mint D098 Navy Blue D113 Red Violet D012 Vermilion D031 Yellow D062 Light Green D073 Mint Green D105 Prussian Blue D115 Magenta D004 Opera D033 Deep Yellow D068 obalt Green D069 Ice Green D102 Horizon Blue D006 Rose D005 Pink D032 Light Yellow D067 Emerald Green D074 Misty Green D104 Pale qua D119 Rose Violet D010 oral Red D034 Lemon Yellow primary D061 Green D096 Peacock Blue D099 qua Blue D117 Deep Magenta D013 Pale Pink D037 ream Yellow D071 Grass Green D095 Turquoise Blue D100 Light Blue D118 Lilac D011 Shell Pink D040 Naples Yellow D072 Blue Green D097 Sky Blue D103 Smalt Blue D116 Light Magenta NOTE: olors are only as accurate as commercial printing techniques will permit. 28

3 Munsell Value Rating D008 osmos Pink D120 Pale Lavender D121 Pale Lilac D155 sh Rose D156 sh Yellow D157 sh Green D158 sh Blue D134 Light Red Bright D131 Burnt Sienna D138 Raw Sienna D039 Yellow Ochre D133 Burnt Umber D132 Raw Umber D135 Sepia D151/851 Titanium White D152/852 hinese White D161 Neutral Grey #1 D162 Neutral Grey #2 D163 Neutral Grey #3 D164 Neutral Grey #4 D137/837 Lamp Black D136/836 Jet Black D171 Gold D181 Pale Gold D172 Silver D173 Bronze D195 Luminous Red D196 Luminous Orange D197 Luminous Lemon D198 Luminous Green D182 Metallic Red D183 Metallic Yellow D184 Metallic Green D185 Metallic Blue D186 Metallic Violet D187 Metallic White PERMNENY RTING: bsolutely permanent Permanent Moderately durable Fugitive colors No mark Not rated, Series of Price D001 rimson 10RP 3.5/10.5 D002 armine 4R 4.0/13.0 D003 Scarlet 7R 4.5/14.0 D004 Opera 7RP 5.5/18.5 D005 Pink 4RP 7.0/15.0 D006 Rose 6RP 3.5/12.5 D007 Wine Red 4R 3.0/8.0 D008 osmos Pink 4RP 5.5/11.0 D009 Pure Red 6R 4.0/13.0 D010 oral Red 5R 6.5/10.5 D011 Shell Pink 7R 8.5/4.5 D012 Vermilion 8R 4.5/13.0 D013 Pale Pink 8RP 8.5/4.0 D014 Pale Peach 3YR 9.0/3.0 D031 Yellow 2Y 8.0/13.5 D032 Light Yellow 5Y 8.5/13.0 D033 Deep Yellow 8YR 8.0/13.5 D034 Lemon Yellow 9Y 9.0/11.5 D035 Orange 10R 5.5/14.0 D036 Orange Yellow 4YR 7.0/14.0 D037 ream Yellow 5Y 9.0/6.5 D038 Jaune Brillant 3YR 7.5/6.5 D039 Yellow Ochre 10YR 6.5/8.0 D040 Naples Yellow 2Y 8.5/6.0 D041 Flesh 8YR 8.5/4.5 D042 Ivory White 5Y 9.0/2.0 D043 Beige 2Y 8.5/2.5 D044 Mustard 4Y 7.5/10.0 D061 Green 3G 4.5/10.0 D062 Light Green 9GY 6.0/13.0 D063 Deep Green 3G 3.5/5.5 D064 Viridian 5BG 3.5/6.5 D065 Olive 5Y 5.5/6.5 D066 Sap Green 6GY 3.5/4.5 D067 Emerald Green 5G 6.0/9.5 D068 obalt Green 3G 5.0/10.5 D069 Ice Green 5BG 7.5/6.0 D070 Leaf Green 3GY 8.5/12.0 D071 Grass Green 9G 4.5/9.5 D072 Blue Green 5BG 4.0/8.0 D073 Mint Green 2G 7.5/5.0 D074 Misty Green 5GY 7.5/1.5 D075 Pale Lime 5GY 9.0/5.0 D076 Pale Mint 3G 9.0/4.0 D091 Ultramarine Blue 6PB 3.5/16.0 D092 Ultramarine Deep 7PB 2.5/16.5 D093 obalt Blue 3PB 3.5/10.5 D094 erulean Blue 2PB 4.5/11.0 D095 Turquoise Blue 5B 4.0/7.5 D096 Peacock Blue 10BG 4.0/7.0 D097 Sky Blue 10B 3.5/9.5 D098 Navy Blue 3PB 2.5/6.5 D099 qua Blue 9B 7.0/8.0 D100 Light Blue 3PB 6.5/9.0 D101 Misty Blue 3PB 8.0/2.5 D102 Horizon Blue 5B 7.5/7.0 D103 Smalt Blue 6PB 5.0/12.5 D104 Pale qua 1B 8.0/4.0 D105 Prussian Blue 7PB 2.0/5.5 D111 Violet 2P 2.5/12.5 D112 Deep Violet 9PB 2.0/5.0 D113 Red Violet 7P 3.0/13.5 D114 Blue Violet 9PB 2.5/12.5 D115 Magenta 1RP 3.5/14.0 D116 Light Magenta 6RP 7.0/8.0 D117 Deep Magenta 6RP 2.5/5.5 D118 Lilac 9PB 6.5/7.5 D119 Rose Violet 6RP 3.5/11.0 D120 Pale Lavender 7PB 8.0/5.0 D121 Pale Lilac 7P 8.0/6.0 D131 Burnt Sienna 10R 4.0/7.5 D132 Raw Umber 10YR 3.5/2.0 D133 Burnt Umber 5YR 3.0/2.0 D134 Light Red Bright 8R 4.5/9.5 D135 Sepia 8YR 2.5/1.0 D138 Raw Sienna 7YR 5.5/6.5 D155 sh Rose 8R 5.5/3.0 D156 sh Yellow 3Y 6.0/3.5 D157 sh Green 8.5G 5.5/2.5 D158 sh Blue 3PB 4.5/4.0 D136 Jet Black N=1.5 D137 Lamp Black N=1.5 D151 Titanium White N=9.5 D152 hinese White N=9.0 D161 Neutral Grey #1 N=8.5 D162 Neutral Grey #2 N=7.5 D163 Neutral Grey #3 N=5.5 D164 Neutral Grey #4 N=4.0 D171 Gold D172 Silver D173 Bronze D181 Pale Gold D182 Metallic Red D183 Metallic Yellow D184 Metallic Green D185 Metallic Blue D186 Metallic Violet D187 Metallic White D195 Luminous Red D196 Luminous Orange D197 Luminous Lemon D198 Luminous Green 29

4 RYL RYLI Holbein color laboratories developed their cryla crylic, crylic olored Gesso and Liquid crylic eroflash to the same exacting standards applied to its other professional grade material. Indeed all three lines are considered to be the finest available anywhere. Manufactured in a vacuum, Holbein cryla crylic offers 78 colors with a high pigment density and uniform viscosity. The line is rated for transparency and opacity in a pure acryl resin which provides universal compatibility with all other water based media. One of the most exceptional colors is Pearl Sparkle, a universal pearlizing agent for all water based media. Unique colors, high pigment load, intense fluorescents and the most delicate shades of pearl colors industry-wide will please the most discriminating acrylic artist. Holbein rtists cryla crylic ranks as one of the world s finest. SET ONTENTS 901 Set of 12 Tubes 10ml 910 Set of 12 Tubes 20ml hapel Rose Flame Red Light Yellow Yellow Ochre Middle Green Oriental Green Oriental Blue Ultramarine Blue Burnt Sienna Violet Mars Black Titanium White 912 Set of 12 Same colors as 910 but with 11 colors 20ml tubes Titanium White 40ml tube 922 Set of all 78 olors in 20ml tube 913 Set of 18 Tubes 20ml hapel Rose Flame Red admium Red Middle Yellow admium Yellow Light admium Yellow Orange Yellow Ochre Oriental Green admium Green Light admium Green Middle obalt Blue Ultramarine Blue Oriental Blue Violet Burnt Sienna Burnt Umber Mars Black Titanium White 915 Set of 24 Tubes 20ml Same colors as 913 plus: lps Red Peacock Blue Marigold obalt Green Raw Sienna Raw Umber 30

5 HOLBEIN RTISTS RYL RYLI POLYMER EMULSION OLOR vailable in 40ml tubes 201 lps Red semi-transparent 229 B Naples Yellow semi-opaque 270 B Manganese Blue Nova transparent 305 Red Ochre opaque 347 Pearl Green 202 B hapel Rose semi-transparent 226 Yellow Ochre opaque 260 D erulean Blue semi-transparent 308 Light Brown semi-opaque 348 Pearl Blue 203 B Flame Red semi-transparent 227 Greenish Yellow semi-transparent 261 D obalt Blue semi-opaque 309 Dark Brown opaque B 360 Luminous Violet 204 B Orange Red semi-transparent 243 admium Green Light opaque 262 Ultramarine Blue semi-transparent 306 Mars Black opaque 361 Luminous Rose 205 admium Red Light semi-opaque 244 admium Green Middle opaque 263 B Katsura Blue semi-transparent 307 Lamp Black opaque 362 Luminous Opera 206 admium Red Middle opaque 245 admium Green Deep opaque 264 B Oriental Blue semi-opaque 330 Grey - V5 opaque 363 Luminous Red 207 admium Red Purple opaque 250 B Middle Green semi-opaque 265 B Peacock Blue semi-opaque 331 Grey of Grey (V-7) opaque 364 Luminous Orange 208 B ompose Rose opaque 240 B Oriental Green semi-transparent 280 B Violet semi-opaque 320 Titanium White opaque 365 Luminous Yellow 209 Brilliant Pink opaque B 241 Hooker's Green semi-opaque 281 Bordeaux Red semi-transparent 321 Zinc White semi-opaque 366 Luminous Lemon 222 B Marigold transparent 248 B Bamboo Green semi-transparent 282 Mars Violet opaque 341 Pearl Gold 367 Luminous Green 221 B Yellow transparent 242 canthus Green opaque 283 B ompose Violet opaque 349 Pearl Silver 220 B Lemon transparent 228 B Light Yellow semi-transparent 223 admium Yellow Light semi-opaque 224 admium Yellow Middle semi-opaque 225 admium Yellow Orange opaque 230 B Jaune Brillant opaque 246 D obalt Green opaque 247 D yprus Green opaque 249 B ompose Green opaque 269 qua Blue opaque B 267 B ompose Blue #1 opaque 268 B ompose Blue #2 opaque 284 B ompose Bordeaux opaque 285 Rose Violet transparent 301 Burnt Sienna opaque 302 Burnt Umber opaque 303 Raw Sienna semi-transparent 304 Raw Umber opaque 342 Pearl opper 340 Pearl White 343 Pearl Sparkle 344 Pearl Pink 345 Pearl Red 346 Pearl Yellow Titanium White also available in: 110ml Tubes ml Tubes 520 MEDIUMS 735 Modeling Paste 330ml 761 Gloss Medium 180ml 766 rystal Varnish 180ml 736 Gel Medium 330ml 762 Mat Medium 180ml M3T Gel Medium 40ml PERMNENY RTING: bsolutely permanent Permanent Moderately durable No mark Not rated, B,, D Series of Price NOTE: olors are only as accurate as commercial printing techniques will permit. 31

6 HOLBEIN RYL OLOR GESSO vailable in 330ml Jars 851 armine E Professional fine and decorative artist paint for finishing and under-painting. Finishing to a mat surface, Holbein Gesso is the ultimate versatile medium. Mixing perfectly with each other and/or a super-white gesso in smooth, medium, coarse and super coarse texture, these paints may be over-painted when necessary with water base color, pastel and oil base colors. The grounds may be paper, cloth, canvas, wood, stone, concrete, etc. They do not work well on oil-primed canvas, other oil surfaces or plated metal without special priming. These paints have a heavier viscosity than most liquid acrylics but may be smoothed by adding up to 15% water. Mix thoroughly before use. Remember, if you are using good quality paints, don t skimp by buying an inferior gesso. This is the base of your painting and will determine the quality of the successive layers. Because of the high quality of the pigments, Holbein Gesso can be used as a painting medium by itself. 864 Violet G 852 Orange G Made with high chroma light-fast artist pigment. Thick, creamy consistency. Superb coverage, great opacity. 855 Yellow Ochre D 853 Jaune Brillant E 865 Raw Umber D 854 Yellow G 866 Red Ochre D 856 Lemon Yellow E 867 Burnt Umber D 857 Light Green G 868 Grey V-5 D 858 Green E 869 Grey V-7 D 859 Terre Verte D 873 Bronze H 861 Navy Blue E 874 Silver H 862 E obalt Blue (Hue) 875 Gold H 863 E erulean Blue (Hue) 734 Black D NOTE: olors are only as accurate as commercial printing techniques will permit. Set of 12-50ml Jars Item # Holbein cryla olor Gesso armine Yellow Yellow Ochre Green Terre Verte obalt Blue (Hue) erulean Blue (Hue) Red Ochre Burnt Umber Grey V-7 Gold Black PERMNENY RTING bsolutely permanent Permanent Moderately durable Not durable 32

7 RYL GESSO WHITES IN 330ML ND 1L JRS 717, , , , 737 SMOOTH MEDIUM ORSE SUPER ORSE Painting on Paper Gesso may be painted directly onto illustration board or heavier stock or on paper which has been dampened and stretched. To reinforce the paper ground, paint first with a gloss medium. Painting on oncrete If the surface is very uneven, it may be necessary to fill with modelling clay. oncrete contains alkali and should be primed with the same solution as is used for thin cloth before painting. Painting on loth Mount fabric on stretcher strips, then prime the surface as follows. For 1 meter of thick cloth, coat twice with a solution of 400ml of gloss medium and 100ml of water. For 1 meter of thin cloth, coat twice with a solution of 250ml gloss medium and 60ml water. Painting on Wood oat 2 or 3 times to remove grain pattern. Otherwise once will be satisfactory. prime coat of gloss medium first will inhibit subsequent color penetration. Painting on Metal and Plastic Thinner Gesso is suitable. No priming is necessary but a coat of metal primer may improve adhesion. Gesso will not adhere to polyethylene. Painting on Leather thin coat of Gesso will be suitable. Priming is not normally necessary but waxed surfaces should be avoided. Painting on Glass or eramic One coat of Gesso is sufficient. glass primer may improve adhesion but no other priming procedure is necessary. panel from the 28' x 8' mural KITE-DY FNTSY" in Holbein lightfast, heavy-bodied cryla Gesso by Edward Peter Hopper 33

8 IRBRUSH OLOR Liquid crylic olor Light fast Permanent Water-soluble popular medium with - airbrush illustrators - designers - artists - carvers 22 transparent and 28 opaque colors in 35ml containers. White and Black also available in 100ml containers. PROFESSIONL QULITY OLOR OF EEPTIONL BRILLINE ND PERMNENE FOR IRBRUSH, TEHNIL PEN ND BRUSH eroflash contains high density pigments ground to fine-grain size to 0.004mm in an acrylic resin manufactured to the uniform viscosity most suitable for airbrush use. The result is a deep clear color of non-toxic archival permanence that will not clog even a 0.1mm aperture. eroflash utilizes a pure water soluble acryl, not an acryl emulsion, which insures no change in color tone from liquid to dried color. eroflash will not separate in the airbrush, insuring a constant even spray and it dries readily on any surface. Packaged in a convenient one-touch container, eroflash should be shaken well before use and may be mixed freely with other water based colors. Use of a mask and a well ventilated area is recommended for all airbrush use. TRNSPRENT OLORS E001 Magenta E012 Yellow E023 Viridian E033 Ultramarine E051 Burnt Sienna E002 armine E003 Scarlet E013 Lemon Yellow E020 Light Green E024 Blue Green E030 Turquoise E040 Blue Violet E041 Violet E053 Sepia OPQUE E010 Orange E011 Deep Yellow E021 May Green E022 Moss Green E031 erulean Blue E032 obalt Blue E042 Red Violet E050 Burnt Umber Lightfastness Rating Permanent Moderately permanent Not durable E071 Magenta E077 Violet E084 Lilac E065 Grey No. 5 E096 Luminous Red E072 Scarlet E073 Deep Yellow E078 Brown E080 Brilliant Pink E085 obalt Violet E061 Grey No. 9 E066 Grey No. 4 E060 White E097 Luminous Orange E098 Luminous Lemon E074 Yellow Ochre E081 Jaune Brillant E062 Grey No. 8 E067 Black E099 Luminous Green E075 Viridian E076 erulean Blue E082 Emerald Green E083 ompose Blue E063 Grey No. 7 E064 Grey No. 6 E094 Luminous Rose E095 Luminous Opera NOTE: olors are only as accurate as commercial printing techniques will permit. 34

9 HOLBEIN EROFLSH IRBRUSH OLOR (LIQUID RYLI) REF. NO. OLOR NO. OLOR NME TRNSPRENT OLORS E001 1 Magenta 7RP 4.3/14.3 E002 2 armine 2R 4.7/ E003 3 Scarlet 6R 5.0/13.6 E Orange 1.5YR 5.7/14.5 E Deep Yellow 3Y 8.1/13.0 E Yellow 6Y 8.5/12.5 E Lemon Yellow 10Y 8.9/11.5 E Light Green 6GY 7.8/12.0 E May Green 8.5GY 6.0/11.0 E Moss Green 8GY 3.3/5.1 E Viridian 10G 4.7/11.1 E Blue Green 8BG 4.5/9.3 E Turquoise Blue 7.5B 3.5/9.7 E erulean Blue 2.5PB 3.9/14.0 E obalt Blue 5.5PB 3.3/15.0 E Ultramarine 7.5PB 3.5/17.0 E Blue Violet 8PB 2.1/14.0 E Violet 1P 2.4/14.0 E Red Violet 1.5RP 3.4/11.2 E Burnt Umber 2.5YR 3.8/6.5 E Burnt Sienna 2R 5.2/9.9 E Sepia 5Y 2.4/2.1 OPQUE OLORS MUNSELL NUMERIL VLUE E Opaque Magenta 8.5RP 4.4/12.0 E Opaque Scarlet 6R 4.6/13.1 E Opaque Deep Yellow 2.5Y 8.0/13.0 E Opaque Yellow Ochre 10YR 6.8/9.3 E Opaque Viridian 1BG 4.3/6.5 E Opaque erulean Blue 5PB 3.7/11.1 E Opaque Violet 2.5P 3.4/9.2 E Opaque Brown 8.5R 4.6/7.4 E Opaque Brilliant Pink 4RP 7.0/8.3 E Opaque Jaune Brillant 5YR 7.6/6.0 E Opaque Emerald Green 5G 7.3/7.3 E Opaque ompose Blue 10B 6.8/8.5 E Opaque Lilac 10PB 6.8/7.5 E Opaque obalt Violet 2.5P 4.4/12.5 E White V9.2 E Grey No. 9 V9 E Grey No. 8 V8 E Grey No. 7 V7 E Grey No. 6 V6 E Grey No. 5 V5 E Grey No. 4 V4 E Black V1.8 E Luminous Rose E Luminous Opera E Luminous Red E Luminous Orange E Luminous Lemon E Luminous Green E201 0 olorless EROFLSH components are water soluble acrylic resin and pigments. Light resistance has been determined by film coated 10 times with an airbrush and measured with a standard fade meter. E201 olorless is a thinning agent used exclusively for eroflash where increased transparency is desired. It may be sprayed alone to adjust the luster of dried color. In 100ml Bottles (packed 3/box): E160 White E167 Black E210 olorless ON MUNSELL S OLOR SYSTEM: Each eroflash color is meaured with a spectrophotometer and the result is indicated on the label. "POWER" by Dru Blair 24" x 36" eroflash on acid-free Strathmore Museum Mounting Board 35

10 RTISTS QULITY SOFT PSTELS Using a unique manufacturing process, Holbein has developed an exceptional range of artist quality soft pastels which, while eliminating many infrequently used light colors, offers a greater soft powder richness in covering and blending power than competitive products. The manufacturing process is entirely computerized and is mechanized from inception to final product. In the final stages of production, the computer lens scans every stick in order to guarantee even distribution of pigment. This ensures a predictably constant hue for use in sketching, undercoating and finished work. Each stick is made in a square shape for working versatility, whether with the flat sides or the sharp edges. In set form, each stick has its own numbered space for the artist s convenience. Softness, pigment purity, size and shape and method of packaging have been widely acclaimed by working pastelists. vailable in: Open Stock-1570-S 144 colors packed 6 sticks per box. Sets (in ardboard Box) 1570-P144 Set of 144 pastels 1570-P72 Set of 72 pastels 1570-P48 Set of 48 pastels P Set of 48 pastels (Portrait Selection) L Set of 48 pastels (Landscape Selection) 1570-P36 Set of 36 pastels 1570-P24 Set of 24 pastels 1570-P12 Set of 12 pastels 1570-Port John Elliot Portrait Set of 24 Holbein Soft Pastels are ideal for use on Sabretooth sanded papers, Holbein pastel and universal drawing papers and on Strathmore charcoal and pastel papers. Sets (in wooden case) Set of 144 pastels Set of 72 pastels STUMPS /4" x 6" /16" x 6" /16" x 6" /16" x 6" /8" x 6" /8" x 6-7/8" TORTILLONS /4" x 3" 1570-H METL HOLDER for rtists Soft Pastels SNDPPER PD Plastic Handle 6 sheets 180 mesh 1 sheet 80 mesh 36

11 HOLBEIN RTISTS QULITY SOFT PSTELS 1 White 25 Light Ochre 49 Yellow III 73 Ultramarine III 97 obalt Blue III 121 Olive I 2 Gray III 26 Yellow Ochre III 50 Lemon Yellow II 74 Ultramarine II 98 obalt Blue II 122 Olive II 3 ool Gray III 27 Yellow Ochre II 51 Lemon Yellow I 75 Ultramarine I 99 obalt Blue I 123 Olive III 4 Gray II 28 Yellow Ochre I 52 Yellow II 76 Violet I 100 Prussian Blue I 124 Olive Green 5 ool Gray II 29 Olive Brown I 53 Yellow I 77 Violet II 101 Prussian Blue II 125 Yellow Green Light 6 Dark Gray III 30 Olive Brown II 54 hrome Yellow II 78 Violet III 102 Prussian Blue III 126 Yellow Green 7 Gray 31 Olive Brown III 55 hrome Yellow I 79 Magenta 103 Indigo I 127 Moss Green 8 Dark Gray II 32 Olive Brown Dark I 56 Naples Yellow III 80 Lavender I 104 Indigo II 128 Grass Green 9 ool Gray I 33 Olive Brown Dark II 57 Naples Yellow I 81 Lavender III 105 Indigo III 129 Pale Green 10 Yellow Gray II 34 Olive Brown Dark III 58 Naples Yellow II 82 Red Purple III 106 Blue Gray I 130 Emerald Green 11 Yellow Gray I 35 Pale Brown III 59 Yellow Orange III 83 Red Purple II 107 Blue Gray II 131 Dark Green 12 Dark Gray 36 Pale Brown II 60 Yellow Orange II 84 Red Purple I 108 Blue Gray III 132 Green Gray 13 Black I 37 Pale Brown I 61 Yellow Orange I 85 Pink I 109 Light Blue III 133 Focus Green 14 Black II 38 English Red II 62 Orange II 86 Pink II 110 Light Blue II 134 obalt Green 15 Old Gray Rose I 39 English Red I 63 Orange I 87 Pink III 111 Light Blue I 135 obalt Green Light 16 Old Gray Rose II 40 Raw Sienna III 64 Vermilion I 88 Old Rose III 112 Turquoise Blue I 136 Foggy Green III 17 Old Gray Rose III 41 Raw Sienna II 65 Vermilion II 89 Old Rose I 113 Turquoise Blue II 137 Foggy Green II 18 Vandyke Brown III 42 Raw Sienna I 66 Vermilion III 90 armine 114 erulean Blue I 138 Foggy Green I 19 Vandyke Brown II 43 Burnt Sienna III 67 Fresh Pink I 91 rimson III 115 erulean Blue II 139 Deep Green III 20 Vandyke Brown I 44 Burnt Sienna II 68 Fresh Pink II 92 rimson II 116 ompose Green I 140 Deep Green II 21 Burnt Umber IV 45 Burnt Sienna I 69 Fresh Pink III 93 rimson I 117 ompose Green II 141 Deep Green I 22 Burnt Umber III 46 Grayish Brown III 70 Scarlet III 94 Permanent Red III 118 ompose Green III 142 Viridian 23 Burnt Umber II 47 Grayish Brown II 71 Scarlet II 95 Permanent Red II 119 Ultramarine Blue 143 Blue Green II 24 Burnt Umber I 48 Grayish Brown I 72 Scarlet I 96 Permanent Red I 120 Ultramarine Blue Light 144 Blue Green I Square Type Pastels: 5/16 (8mm) square x 2 (51mm) long PERMNENY RTING: bsolutely permenant Permenant Moderately durable No mark Not rated NOTE: olors are only as accurate as commercial printing techniques will permit. 37

12 RTISTS QULITY OIL PSTELS This unique artists quality oil pastel has a superb range of 225 brilliant shades that offers a versatile medium whether used by the pastelist for finished art work or the water or oil colorist for sketching convenience. The Holbein rtists Oil Pastel feels and moves like a fine chalk pastel. Easy to handle, blend and clean, it will not readily break or crumble and may be used on virtually any surface. 225 Shades in 45 olors (5 shades per color) vailable in boxes of one stick each of the 5 shades of one color or in boxes of 5 sticks of one shade of one color. U Hansa Yellow 5B1-5 hrome Yellow 51-5 ntique Yellow ntique Orange 10B1-5 Vermilion Scarlet Permanent Red 13E1-5 armine 13F1-5 rimson 13G1-5 Rose Pink Purple 20B1-5 Magenta Blue Violet 20F1-5 Red Violet Oxide Yellow 26B1-5 Raw Umber Raw Sienna 26D1-5 English Red 26E1-5 Vandyke Brown 26F1-5 Burnt Sienna 26G1-5 Venetian Red 26H1-5 Red Ochre 26K1-5 Burnt Umber 26L1-5 Indian Red Non-olor No. 1 32B1-5 Non-olor No Warm Gray 38B1-5 obalt Blue Ultramarine Blue 38D1-5 Prussian Blue 38E1-5 Indigo 38F1-5 erulean Blue 38G1-5 Ultramarine Light 38J1-5 Sky Blue Emerald Green 45B1-5 Permanent Green Turquoise Green 45D1-5 Deep Green 45E1-5 Olive Green 45F1-5 Oxide of Olive 45G1-5 May Green 45H1-5 Focus Green 45J1-5 Viridian 45K1-5 Foggy Green 45L1-5 Sap Green 1247-H Metal Holder for artist oil pastels Sets in ardboard Boxes 1247-U681 Set of 15 colors 1247-U684 Set of 25 colors 1247-U686 Set of 40 colors 1247-Landscape Set of 25 colors 1247-Portrait Set of 25 colors Sets in Finished Hardwood Boxes No Set of 225 colors No Set of 150 colors No Set of 100 colors No Set of 50 colors

13 HOLBEIN RTISTS QULITY OIL PSTELS Endorsed by the Oil Pastel ssociation of merica (OP), the Holbein artist quality oil pastel is without equal. Made by the Buncho orporation under contract for Holbein, the pastels are the culmination of over 60 years of research, development and manufacturing expertise in the oil pastel field. They are manufactured to offer a buttery consistency that blends without effort to allow the artist the control of the finest quality soft pastel. The manufacturing process is entirely automated. Each stick in the 225 color range offers uniformity of color dispersion and each handles evenly and cleanly without stickiness. Once down, they provide excellent surface stability. Because of the wax content and highly refined mineral oil, they will never harden completely. The manufacturer recommends that no attempt be made to fix the surface. It is unnecessary and will only detract from the vigor of the artist pigments. Because of the materials used, the pastels may be applied to almost any ground. They are used extensively over acrylic and oil color and, unlike oil pastels that use vegetable oil, rtists Oil Pastels are inert once down and will not dry out or crack. Finished works of fine art are usually mounted under glass. Truly a wonderful medium offering optimum permanence without health risk. They are rated as requiring no health label in accordance with the STM D-4236 health standard. HOLBEIN RTISTS QULITY OIL PSTELS - MUNSELL RTINGS Hansa Yellow 9.1Y 9.0/ GY 9.2/ GY 9.3/ GY 9.3/ GY 9.4/3.4 5B hrome Yellow 4.4Y 8.7/ Y 8.9/ Y 9.1/ Y 9.2/ Y 9.3/4.1 5 ntique Yellow 7.1YR 7.6/ Y 7.9/ YR 8.2/ Y 8.6/ Y 8.8/ ntique Orange 0.4YR 6.4/ YR 6.6/ YR 7.3/ YR 7.9/ YR 8.3/5.9 10B Vermilion 8.3R 5.6/ R 6.0/ R 6.6/ R 7.2/ R 7.7/ Scarlet 6.4R 5.0/ R 5.6/ R 6.7/ RP 7.5/ RP 8.5/ Permanent Red 6.3R 4.2/ R 4.7/ R 5.5/ RP 6.3/ RP 7.2/8.2 13E armine 4.1R 4.1/ R 4.5/ RP5.5/ RP 6.2/ RP 7.4/8.7 13F rimson 0.6R 3.8/ RP 4.3/ RP5.1/ RP 5.9/ RP 6.8/9.5 13G Rose Pink 8.8RP4.7/ RP 5.3/ RP 6.1/ RP 6.6/ RP 7.5/ Purple 7.6RP 3.7/ RP 4.5/ RP 5.1/ RP 6.0/ RP 6.9/7.9 20B Magenta 3.7RP 2.8/ RP 3.5/ RP 4.5/ P 5.4/ P 6.5/ Blue Violet 9.6PB 2.6/ PB 3.4/ PB 4.4/ P 5.3/ P 6.2/9.0 20F Red Violet 1.4P 2.8/ P 3.7/ P 4.6/ P 5.6/ P 6.5/ Oxide Yellow 2.4Y 7.2/ Y 7.5/ Y 8.1/ Y 8.4/ Y 8.8/4.2 26B Raw Umber 5.4YR 5.1/ YR 5.6/ YR 6.5/ YR 7.3/ Y 7.9/ Raw Sienna 3.5YR 5.1/ YR 6.0/ YR 6.9/ YR 7.6/ YR 8.2/3.8 26D English Red 8.1R 3.9/ R 4.4/ R 5.2/ R 6.2/ R 7.2/4.9 26E Vandyke Brown 0.1YR 3.0/ R 3.6/ R 4.5/ R 5.6/ RP 6.7/2.3 26F Burnt Sienna 0.4YR 4.1/ YR 4.3/ YR 5.1/ YR 6.0/ YR 6.7/5.6 26G Venetian Red 8.8R 3.7/ R 4.1/ R 4.8/ R 5.7/ R 6.7/5.1 26H Red Ochre 7.5R 4.0/ R 4.5/ R 5.4/ R 6.4/ R 7.2/6.5 26K Burnt Umber 3.7YR 3.6/ YR 4.3/ YR 5.3/ YR 6.5/ YR 7.4/2.0 26L Indian Red 2.6R 3.6/ R 4.2/ RP 5.1/ RP 6.2/ RP 6.7/ Non-olor #1 N 2.0 N 3.0 N 3.9 N 4.8 N B Non-olor #2 N 4.2 N 5.2 N 6.1 N 7.0 N Warm Gray 3.5YR 4.7/ YR 5.6/ YR 6.5/ YR 7.2/ YR 7.9/0.6 38B obalt Blue 5.4PB 3.6/ PB 4.5/ PB 5.6/ PB 6.6/ PB 7.1/ Ultramarine Blue 7.0PB 3.3/ PB 4.0/ PB 4.7/ PB 5.7/ PB 6.5/9.5 38D Prussian Blue 6.3PB 2.7/ PB 3.3/ PB 4.3/ PB 5.2/ PB 6.2/9.1 38E Indigo 7.5PB 2.0/ PB 2.5/ PB 3.6/ PB 4.8/ PB 5.9/6.8 38F erulean Blue 8.6B 3.6/ B 4.4/ B 5.4/ B 6.2/ B 7.0/6.8 38G Ultramarine Blue Light 7.7PB 3.8/ PB 4.4/ PB 5.1/ PB 6.1/ PB 6.9/8.2 38J Sky Blue 1.2PB 4.6/ B 5.6/ B 6.4/ B 7.1/ B 7.8/ Emerald Green 8.2G 5.5/ G 6.4/ G 6.8/ BG 7.5/ BG 8.1/6.1 45B Permanent Green 0.9G 5.6/ G 6.6/ G 7.3/ GY 8.1/ GY 8.4/ Turquoise Green 1.2B 3.0/ B 4.1/ B 5.1/ B 5.9/ B 6.8/4.7 45D Deep Green 8.9G 2.8/ G 3.8/ BG 4.8/ BG 5.7/ BG 6.8/4.7 45E Olive Green 6.3GY 4.8/ GY 5.9/ GY 6.6/ GY 7.3/ GY 7.9/4.2 45F Oxide of Olive 3.7GY 4.8/ GY 6.0/ GY 6.8/ GY 7.6/ GY 8.3/4.0 45G May Green 1.8G 5.1/ G 6.0/ G 6.9/ G 7.6/ G 8.2/5.8 45H Focus Green 5.1G 3.9/ G 4.8/ G 5.9/ G 6.6/ G 7.5/7.1 45J Viridian 2.6BG 3.8/ BG 4.8/ BG 5.6/ BG 6.4/ BG 7.2/6.9 45K Foggy Green 5.6G 5.1/ G 5.8/ G 6.7/ G 7.5/ G 8.2/3.6 45L Sap Green 1.0G 4.1/ G 5.2/ G 6.2/ G 7.0/ G 7.7/3.5 Not durable Moderately durable Permanent Lightfastness ratings are determined by internationally recognized standards of artificial exposure to ultra-violet light measured by spectrophotometer. One star means that there is a color shift, not always apparent to the naked eye, prior to 30 years under normal indoor light. Two stars means shift occurs between 30 and 60 years and three stars means shift takes longer than 60 years. 39

14 HOLBEIN RTISTS QULITY OIL PSTELS Unique to the rtists Quality Oil Pastel is the system of a 45-color palette, each provided in 5 matching degrees of value. The entire system greatly simplifies artist recognition and selection of color and color value across the full palette. Manufactured to exacting standards of quality control, Holbein rtists Oil Pastels are packed 5 sticks per plastic case and may be ordered in a 5-shade spectrum or by individual color - 1, 2, 3, 4, 5 (See 5) - from darkest to lightest. Black is then 32-1 and White is Like all Holbein color products, rtists Oil Pastels are manufactured to the Munsell color standard for hue, value and chroma. Square Type Pastels: 3/8" (9mm) square x 2-3/4" (70mm) long This color chart is reproduced by four color process only. 40

15 DEMI OIL PSTELS Holbein cademic Oil Pastels are a quality product superior to any oil pastel on the market other than the Holbein rtists Oil Pastels. Made in Japan, not Taiwan, Korea, hina or elsewhere, the cademic Oil Pastel is a smooth even-pigmented pastel without hard spots or bubbles. Brilliant, easy to handle, blend and clean. Oil pastel does not readily break and can be used on virtually any surface. Ideal for quick sketching and student use. Oversized sticks 13/32" (11mm) x 2-3/4" (69mm) in 48 colors to 48 Open stock -10 sticks/ box 1246-L12 Set of 12 assorted colors 1246-L16 Set of 16 assorted colors 1246-L24 Set of 24 assorted colors 1246-L36 Set of 36 assorted colors 1246-L48 Set of 48 assorted colors 1 White 2 Yellow 3 Flesh Pink 4 Pale Orange 5 hrome Yellow 6 Salmon Pink 7 Orange Yellow 8 Yellow Orange 9 Orange No Orange No Vermilion 12 Scarlet 13 Red 14 rimson Lake 15 Deep Madder 16 Rose Pink 17 armine Madder 18 Rose Madder 19 Grey Rose 20 Violet 21 Naples Yellow 22 Pale Ochre 23 Pale Brown 24 Ochre 25 Burnt Sienna 26 Brown 27 Red Brown 28 Burnt Umber 29 Vandyke Brown 30 Dark Brown 31 Black 32 Grey 33 Dark Grey 34 Yellow Grey 35 Light Blue 36 Pale Blue 37 Sky Blue 38 Blue 39 Ultramarine Blue 40 Prussian Blue 41 Pale Green 42 obalt Green 43 Yellow Green 44 Grass Green 45 Green 46 Grey Green 47 Olive 48 Deep Green NOTE: olors are only as accurate as commercial printing techniques will permit. 41

16 GLITTER paint From ustralia, a superb non-toxic GLITTER PINT for decorative use by the young and the not so young... Eight brilliant colors, with the heaviest concentration of glitter in the industry. They can be used alone or mixed to pearlize other water base paint products. Glitter is uniquely suspended in an acrylic resin. Glitter Paint is available in two sizes - 7 oz (210ml) 16 oz (500ml) Blue Gold Green Krystal Pink Purple Red Silver G8 Sturdy plastic palette holds 8 colors Set of 8 colors in 125ml jars. Painting done with Holbein Designer Gouache mixed with Glitter Paint. 42

17 RTISTS DRY MEDIUMS ERTIN MIING TEHNIQUES Water Bath When heating solutions, it is best to use a double boiler to ensure that the solution is not directly on the heat source. How to use Glue glue solution is made by mixing glue and water. The quantity of glue will vary depending upon application but always use as little glue as possible, dilute and apply thinly. Description: Medium density, mix 1000g water and 100g glue. Place glue in water and permit to stand for twelve hours. Using a water bath, dissolve fully bringing solution temperature to not more than 80 O. Undissolved glue or dirt particles can be filtered out with gauze. Glue which is dissolved fully in cold water loses waterproof properties and the solution will lose adhesive qualities if dissolved at prolonged heat above 80 O. Use of Glue Solution to prepare cloth or other surface for painting Pre-coat: To fill holes or fill out surface of linen, pre-coat evenly, using wooden spatula or squeegee, while solution is around 60 O. Painting Surface: Once the pre-coat is no longer sticky to the touch, apply the second coat thinly while the solution is hot. anvas should be dried horizontally in a well ventilated and relatively cool area. void sun or any direct heat source which may cause uneven drying and resulting surface cracks. How to use Meudon and Zinc White in preparing and applying non-oily undercoating which has absorbent qualities Solution #1 Mix 100g water, 10g glue and 40g Meudon in a glass jar or can and let stand for 12 hours. Then dissolve solution in water bath by stirring at 60 O -70 O. Filter impurities. The resulting undercoat can then be applied to the glue prepared surface in two coats, the first by brush (a flat hake brush is best), then smoothed with a wooden spatula and the second thinly with a hake brush. Resulting surface is suitable for both oil and tempera. Solution #2 Semi-absorbent undercoat. Glue solution g to 1000g water. Meudon g and Zinc White g. Place in jar or can, heat using water bath. Mix vigorously at 60 O -70 O adding slowly up to 40g Sun-Thickened Linseed Oil. dd water slowly while stirring until solution is like mayonnaise. This undercoat solution can then be applied to the prepared surface in two coats. If the pre-coat is too smooth, sand lightly to roughen the surface. Both coatings of the undercoat paint should be evenly applied using a wooden spatula. Egg Tempera Mediums White of one egg to equal parts of Dammar Varnish and Sun-Thickened Linseed Oil. The ratio of varnish and oil may be altered as required. If only Dammar Varnish is used, then the medium will be low in oil and the tempera will be more like Fresco painting. Mix Dammar Varnish and Sun-Thickened Linseed Oil in a jar and shake vigorously. Separate white of the egg from yolk and remove any opaque white traces. Stir the egg white vigorously before adding to varnish and oil. Water may be added as required. Double the water for a matte finish. Dammar Varnish 2-3 parts turpentine to one part Dammar gum by weight. Weigh turpentine and place in glass jar. Place Dammar gum in a gauze and place in turpentine. reation of a solution may take up to 3 days and may be accelerated by pressing gauze-covered gum with a glass probe. asein Varnish (asein is perishable and hence antiseptic agents should be added to preserve solutions.) Solution #1 Place 30g casein in 150g water and let stand for 12 hours. Heat in water bath to 60 O and stir in 6cc ammonia. Bring up to 90 O, then remove and seal container. Solution #2 dd 125g water to 50g casein, heat to 60 O and stir in 15g calcium carbonate ammonia (after dissolving in a little water in advance). dd 125g water to thickened mixture, stir and seal. NOTE: mmonia can be toxic. For further information and instruction on pigments and mediums, consult Ralph Mayer s "rtist s Handbook". 43

18 HOLBEIN RTISTS PIGMENTS Bees Wax - No. PG501 (90g Jar) Used as a universal wax in paintings from ancient times, Bees Wax is a protective agent offering durability to a painting. It can be used to coat the surface of a painting and because it dissolves easily, it can be used as a semi-gloss medium and as an adhesive agent to back canvas when mixed with a small quantity of Dammar Gum. Melting point 62 o -64 o. Dammar Gum - No. PG503 (100g Jar) soft, natural white resin which dissolves easily at normal temperatures in spirits of turpentine or petroleum. It dissolves in drying oil by heating. Offering a glossy light-colored film, it can be used as a medium for oil color and as an agent in varnish, tempera and adhesives. Melting point 160 o -170 o. Softening point 75 o -100 o. Gum rabic - No. PG507 (130g Jar) In powdered form, easily dissolved in water, Gum rabic is a primary medium for water-based colors. Heat water to dissolve - 10% to water for opaque color, 30% for transparent water color. Quality of the solution will be improved by adding just a little glycerin. Rabbit Glue - No. PG509 (130g Jar) Made from French rabbit skin, Holbein glue is the finest available. Traditionally, pigment particles used in Japanese paintings tend to be rough by design. s a result, techniques of blending glues are of great importance to color brilliance and permanence on the painting surface. In powder form and easily dissolved, Holbein Rabbit Glue offers excellent adhesion and viscosity and is water-proof. It should be used in small quantities only. Its adhesive strength is dissipated with prolonged heating. Glue may be used as well for protecting and undercoating the surface or back of canvas, wood, paper, cloth, etc. Lithopone - No. PG407 (170g Jar) Used as a water color undercoating, Lithopone is compatible with water, is non-toxic, very white, has excellent hiding power and is resistant to alkali and hydrogen sulphite. Non-resistant to acid and acidic gases, 30% zinc sulfide, 70% barium sulfate. Gesso Bologna - No. PG471 (1kg) Produced in Italy, Bologna plastic from Holbein is free from calcium carbonate removed by special process. n absorptive ground for oil and most suitable for tempera and gold ground tempera, the plastic, which is gypsum (calcium sulfate dehydrate) is mixed with glue to prepare the gesso undercoat for application to a board or other appropriate surface. asein - No. PG511 (110g Jar) milk casein with excellent moisture resistant and adhesive qualities, asein in solution is perishable. pplies smoothly in comparison to glue, the resulting coated film is hard but fragile. omposition: protein 86.5%, fat 1.7%, less than 1%, water 10%, ph 4.5%. lumina White - No. PG401 (60g Jar) Used primarily with pigments in oil colors. white powder which becomes semi-transparent when mixed with oily mediums. Used to lighten natural pigment color without damaging consistency. Meudon - No. PG403 (190g Jar) Finished Work Meudon - No. PG405 (150g Jar) Undercoat Natural plaster used to give body to absorbent undercoating materials, PG403 is a fine particle white material offering strong adhesion for finishing. PG405 is darker in color with coarse particles for undercoating. Meudon should be coated thinly after mixing with casein or glue. Pinene - No. PG520 (180ml Jar) The primary component of turpentine, extracted and refined. diluted solution for painting mediums used to dissolve natural resins, oils, fats, wax. Dries more quickly than turpentine. GS1 Glass grinding slab suitable for grinding pigments and mediums. GM1 Hand-made glass grinding muller with polished grinding surface for use with GS1, in wood box. Egg Tempera Egg Mediums Water Fresco asein Tempera asein Varnish crylic Mediums crylic olors Oil olors Poppy Linseed Glue Solution Japanese Paintings onte rabic Gum lkyd Resin lkyd olors onte Tracant Gum rabic Varnish thick Transparent Watercolor Sumi Ink Glue thin Gouache Poster olors rayon raypas Oil pastel Waxes Venetian- Turpentine Dammar Varnish Drying-Oils Resin olors Low Viscosity Synthetic Resin Mediums nimation olors 44