Cobalt & Sunflower. by Kingslan & Gibilisco Studio

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1 Cobalt & Sunflower by Kingslan & Gibilisco Studio

2 Cobalt and Sunflower - Page 2

3 Preparation Surface: Available from Kingslan & Gibilisco at Cobalt and Sunflower With a fine pored roller brush, prepare the board with 3 coats of DecoArt Dove Gray. Sand the paint between coats 2 and 3. Do not sand the final coat of paint so as to retain the eggshell type finish. Trace Trace the design in pencil. The vase must be checked for symmetry. With pencil sides out, fold the containers in half to assure that both sides match. Erase the side that appears less correct and use the opposite side to retrace. The organic objects are asymmetrical therefore it is not necessary to prove these objects for symmetry. Transfer #1 Tear or cut a small hole in the tracing paper. Place a piece of tape over this hole, sticky side down. Slip graphite behind the tracing paper. Transfer the design. A Few Gentle Reminders: Review DVD: Tips & Techniques of a Master Review Proving a design prior to transferring Apply thin coats of paint two applications rather than one thick coat. Don t rush. Build the foundation of the painting well and the final development will be easier and more effective. A color is neither right nor wrong in itself. It is how it is used that determines if it is correct. Always test your value within the context of your painting. Palette right does not mean picture perfect. Only judge in relationship to the painting. Color is a partnership with its surroundings. Develop objects in the following order: Form is the first consideration based on right hand light source. Decorations, characteristics, markings Harmony adjustments - glazes, accents, tints Dimensional adjustments - Values, hues, and intensities Texture. Shines and Shadows are last. Allow the painting to cure in the mind and eye for a few weeks before applying the final varnish. Until the fat varnish is applied, adjustments may be made. Cobalt and Sunflower - Page 3

4 Palette Set up and mixing The original piece was painted with Genesis Heat Set Oils. There is a conversion chart included if you care to use traditional oils. TW: Titanium White Y: Genesis Yellow R: Genesis Red O: Orange (or mix R + Y) QC: Quinacridone Crimson UB: Ultramarine Blue RS: Raw Sienna BU: Burnt Umber Blk: Mars or Carbon Black PB: Pthalo Blue 05 Set of Grays: Values of Gray Mixes: Violet: Warm White: UB + QC TW + a small amount of Y How to use the codes on the value placement guides Each object is placed using 1, 2 or 3 steps. The first step is the form, the second and third are embellishments. The codes for the values are:... = Light (L) and/or building up to Highlight (HL) /////// = High Dark (HD) and/or going down to Dark (D) xxxxxxx= Low Dark (LD) blank = Medium (M) Value Placement Guide These guides are illustrated throughout this lessons and will show how to create the form of each object. The light source is from the upper right, slightly in front. The light areas will be on the right and above the center line. The dark areas will be on the left and become gradually darker as the object recedes from the light. Mixing Formulas Formulae for mixing is given throughout this lesson. You will find that the mixes for the hue are given first. This is followed by a colour that will raise or lower the value. Once the value and colour are mixed, the next addition usually is meant to either brighten or dull the colour. Finally, a colour may need to be mixed into the pile that will adjust the temperature. Abbreviation Archival Winsor & Newton Genesis W Soft Titanium White Titanium White White Y Cadmium Yellow Mid Cadmium Yellow Pale Genesis Yellow R Cadmium Scarlet Bright Red Genesis Red QC or RV Permanent Alizarine Alizarin Crimson Quinacridone Crimson UB Ultramarine Blue Ultramarine Blue Ultramarine Blue BU Burnt Umber + R Burnt Umber Burnt Umber RS Raw Sienna Raw Sienna Raw Sienna Blk Mars Black Ivory Black Carbon Black PB Cerulean Blue Cerulean Blue Pthalo Blue 5 NY Naples Yellow Naples Yellow RS + TW + Y OG Olive Green Olive Green RS + UB + BU BC or PM Purple Madder Alizarin Purple Madder RV or QC + Blk PG Pthalo Yellow Green Cadmium Green Pale UB + Y + W Cobalt and Sunflower - Page 4

5 Painting Overview This painting is an eye level still life with an upper right hand light source. The light is coming from slightly in front. Due to the eye level, all elliptical openings on the cylinder shaped objects appear straight. The top of any of the objects is not visible. Each object will have the light in the upper one-fourth due to the upper right light source. All dark sections will be left of center. There are three stages of development. The painting must be dry after each stage is completed. The first stage is the creation of form. Each object is created disregarding other influences such as details, texture, cast shadows or final shines. The second stage is the addition of the details. In the final stage, all additional layers are transparent. Added in the final stage is reflected colour, shines, reflected light and cast shadows. Stage One Sunflower Mix the following: Medium: Light: Dark: Center: Medium: Light: Dark: Y + RS + TW Medium + TW + Y Medium + BU + a small amount of QC (form only - do not add pollen dots) BU + R Medium + RS + TW Medium + BU + Black Using a #8 filbert lay in the values as indicated on the value placement guide. Review codes and procedure from page 2. Leaf Medium: Light: Dark: Y + Black + TW Medium + Y +TW Medium + Black Cloth Base the cloth with TW + RS. Cobalt and Sunflower - Page 5

6 Cobalt Blue Glass 1. Glaze the glass with Ultramarine Blue. This paint is already transparent so do not use Glazing Gel unless the paint will not move. This should appear very solid. 2. With Light Gray (Value 08), add the primary shine in the front of the glass. Start the shine with the gray. This shine should appear transparent. Next add a stronger shine with WW. This shows where the light is striking the glass directly. Add a value change within this shine with the WW. This shine is the lightest at the top of the glass and lessens as it moves down the front of the glass. It is widest at the top of the glass and narrows as it moves down the front of the glass. 3. With Blue Tint (PB + TW), add the pass through light on the lower left of the glass. This shows where the light is passing through the glass 4. Coming in from the outside left edge, add BT lights that show the thickness of the glass. 5. Coming in from the outside right edge, add WW lights that show the thickness of the glass. 6. Up the center of the glass, a very vague BT shines to show the front plane of the glass. 7. With Dark Green add the stem. Pull shines, reflected color, etc back over the stem if necessary. 8. Add Y and Medium Value Green (reference photo copy) as reflected color. 9. Repeat above steps if necessary for reinforcement. The piece may be dried prior to reinforcing. Cobalt and Sunflower - Page 6

7 Stage Two Sunflower, Center and Leaf Reinforce the lights on the sunflower with TW + Y. Inside of this light place WW if a light look is desired. Caution: This new light must be contained within the original light that was developed in stage one. If it goes onto the medium value, it could appear milky or chalky. Reinforce the darks (especially the points of the triangle) on the sunflower with QC + UB. Caution: This new dark must be contained within the original dark that was developed in stage one. If it goes onto the medium value, it could appear dirty. Finish up Work Background If desired, repaint background with a mixture of TW + a very small amount of PB. This will clean up messy edges and if give a uniform appearance to the piece. Varnish Recommended varnishes are either JW Varnish or Final Coat. Follow manufacturer s instructions. Frame Stain the frame with a color of your choice. The sample frame was White Washed using MinWax White Wash Stain. Add a turning color of R where the medium and dark merge. This will create a look of warmth and vitality in your flower. This should appear transparent as the goal is to change the warmth/temperature of the flower not the value. On the center, add pollen dots with the Dark Center value. Cobalt and Sunflower - Page 7

8 Cobalt and Sunflower - Page 8

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