PART I: The Teaching of Music
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1 Table of Contents Acknowledgments xiii PART I: The Teaching of Music CHAPTER 1 RECRUITMENT AND REHEARSAL STRATEGIES FOR THE BEGINNING JAZZ ENSEMBLE Dean Sorenson Introduction Instrumentation Instrumental Balance Jazz Ensemble Performance Practice Jazz Ensemble Score Interpretation Setting Up the Ensemble The Jazz Ensemble Conductor The First Rehearsal Improvisation and Solos in the Context of the Rehearsal Conclusion CHAPTER 2 SCHEDULING OPTIONS FOR THE BEGINNING JAZZ ENSEMBLE Roosevelt Griffin A Different Approach to Jazz Rehearsals: Think Long Term Weekly Rehearsal Schedule Two for One A Culture for Success Improvisation and Beginning Jazz Band CHAPTER 3 BEGINNING JAZZ ENSEMBLE INSTRUMENTATION Rob Parton and Willis Rapp THE JAZZ ENSEMBLE WIND SECTION Rob Parton 1. Jazz Ensemble Set-Up Doubling of Parts Woodwind Doubles Auditions Performances
2 6. Sound Reinforcement Chair Responsibilities Equipment THE JAZZ ENSEMBLE RHYTHM SECTION Willis Rapp Instrumentation Rhythm Section Set-Ups Rhythm Section Responsibilities Sectional Rehearsals Comping Listening to Jazz The Vibraphone Information on Specific Rhythm Section Instruments JAZZ PIANO IN THE RHYTHM SECTION James Sullivan Jazz Chord Symbols: Spell and Identify Chord Voicings for the Jazz Piano The ii V I Progression Use of Identical Voicings Additional Thoughts on Voicing Voicing Resources Common Rhythms for Jazz Piano Used in Comping Directed Listening Exercises Jazz Piano In Summary GUITAR IN THE RHYTHM SECTION David Cullen Selecting a Guitar for Jazz Ensemble Basic Jazz Guitar Fretboard Knowledge Basic Jazz Guitar Chord Forms Interpreting Rhythm Guitar Parts in the Jazz Ensemble Comping. 73 Soloing Ideas Establishing Eye Contact with Rhythm Section Members Overall Volume within the Rhythm Section Jazz Guitar...In Summary vi
3 BASS IN THE RHYTHM SECTION Peter Paulsen Bass Equipment Jazz Harmony and the Bassist Constructing Bass Lines Using Stepwise Motion Using Arpeggios Using Added Rhythmic Activity The 12-Bar Blues Listening Directed Listening Exercises DRUM SET IN THE RHYTHM SECTION Willis Rapp Selecting a Drum Set for the Jazz Ensemble Drum Set Tuning Cymbal Selection Stick Selection Percussion Basics for Time Keeping, Filling, and Accompanying 96 Basic Drum Technique Hi-Hat Technique Ride Cymbal Technique Crash Cymbal Technique Ride Cymbal Rhythms Brushes Full Ensemble Articulations on the Drum Set Filling on the Drum Set Avoiding Inner Measure Rushing Soloing on the Drum Set Shuffle Rhythm Bossa Nova Rhythm Listening to Rhythm Sections CHAPTER 4 BASIC JAZZ ARTICULATIONS FOR BEGINNING JAZZ BAND. 109 Ronald Carter Teaching Jazz Using the Vocal Tradition Clark Terry Clark Terry s Basic Concept of Doodle Tonguing (as I heard it) 110 Combining Doodle Tonguing with Basic Jazz Articulation Syllables vii
4 Syllables for Common Jazz Swing Phrases for Young Jazz Students Syllables for a Select Group of Jazz Standards Recommended for Younger Students Concepts for Teaching the Swing Feel to Beginning Students. 117 Concepts for Teaching the Duple Feel for Latin, Rock, and Funk Styles in Jazz CHAPTER 5 BEGINNING JAZZ IMPROVISATION Brian Logan Swing Eighth Notes vs. Straight Eighth Notes Jazz Improvisation Suggestions: Pianists and Bassists Jazz Improvisation Suggestions: Drummers The Blues The Blues Scale Rhythm: Call and Response Improvising with the Blues Scale Playing Fours with a Partner Beyond the Bb Blues Scale Listening and Playing with Some Jazz Greats Blues Scales vs. Blues Changes Singing Ear Training Development Listening What s Next? CHAPTER 6 SELECTED RESOURCES Ben Huntoon Belwin Music (Alfred Music) C.L. Barnhouse Company Hal Leonard Corporation The FJH Music Company, Inc Kendor Music Doug Beach Music (Kendor) Neil A. Kjos Music Company Sher Music Jazz Education Resources Other Music Education Resources viii
5 PART II: Conductor as Teacher Teacher Resource Guides GRADE 1: Gospel Carl Strommen. 177 Gospel Blues Jeff Darrohn. 184 Milestones Miles Davis/arr. Paul Murtha. 188 Poco Loco Carl Strommen. 195 Summertime Geroge Gershwin/arr. Richard DeRosa. 202 The Chicken Alfred Ellis/arr. Michael Story. 208 Watermelon Man Herbie Hancock/John Edmondson. 214 GRADE 1.5: Afro Blue Mongo Santamaria/arr. Michael Sweeney. 223 Dance Big un Dance Ralph Ford. 230 Done Deal Ken Harris. 236 El Ritmo de Vida Robert Washut. 241 Embraceable You George Gershwin/arr. Mike Lewis. 248 Front Burner (simplified) Sammy Nestico. 255 Moanin Bobby Timmons/arr. Michael Sweeney. 263 Sing, Sing, Sing Louis Prima/arr. Vince Gassi. 269 Take the A Train Billy Strayhorn/arr. Vince Gassi. 278 The Creeper Neal Hefti/arr. Roy Phillippe. 285 Work Song Nat Adderley/arr. Terry White. 292 GRADE 2: A Child Is Born Thad Jones. 301 A Night in Tunisia Dizzy Gillespie/arr. Michael Sweeney. 307 Aftershock Larry Barton. 313 Agua de Beber (Water to Drink).... Antonio Carlos Jobim/arr. John Berry. 319 April in Paris Vernon Duke/E.Y. Harburg/arr. Rick Stitzel. 324 Blue Bossa Kenny Dorham/arr. Michael Sweeney. 330 Blue Monk Thelonious Monk/arr. Michael Sweeney. 338 Blues in Hoss Flat Frank Foster/arr. Mark Taylor. 349 Bottom Line Blues Jon Phelps (Jeff Jarvis). 355 Chameleon Herbie Hancock/arr. Michael Sweeney. 359 Flight of the Foo Birds Neal Hefti/arr. Roy Phillippe. 367 Katy-Do Benny Carter. 376 Libertango Astor Piazzolla/arr. Paul Murtha. 382 Li l Darlin Neal Hefti. 391 Mercy, Mercy, Mercy Josef Zawinul/arr. Robert Woods. 399 Opus in Chartreuse Gene Roland/arr. Paul Murtha. 406 Round Midnight Thelonious Monk/arr. Mike Smukal. 414 ix
6 St. James Infirmary Joe Primrose/arr. Mike Kamuf. 425 The Blues Walk Clifford Brown/arr. Paul Murtha. 432 GRADE 2.5: Bag s Groove Milt Jackson/arr. Mark Taylor. 441 Blue Note Special Mike Tomaro. 450 Cantaloupe Island Herbie Hancock/arr. Mike Kamuf. 456 For Lena and Lennie Quincy Jones/arr. Mark Taylor. 463 Georgia on My Mind Hoagy Carmichael/arr. Mark Taylor. 471 Isfahan Duke Ellington/Billy Strayhorn/transcr. David Berger. 477 Meetin Time Benny Carter. 483 Miss Missouri Benny Carter. 487 Oclupaca Duke Ellington/arr. David Berger. 495 Running of the Bulls Doug Beach/George Shutack. 500 The Woogie Wycliffe Gordon. 505 Tiger of San Pedro John LaBarbera/arr. Paul Lavender. 514 GRADE 3: Creole Love Call Duke Ellington/arr. Mark Taylor. 523 Cute Neal Hefti/arr. Alan Glasscock. 531 In a Mellow Tone Duke Ellington/arr. Mark Taylor. 537 Indiana (Back Home Again In) James Hanley/arr. John Berry. 544 It Only Happens Every Time Thad Jones/arr. Mike Carubia. 549 Jeep s Blues Duke Ellington/Johnny Hodges/transcr. David Berger. 558 One O Clock Jump Count Basie/arr. Mark Taylor. 566 Sugar Stanley Turrentine/arr. Mark Taylor. 574 Topsy Edgar Battle/Eddie Durham/arr. John Berry. 581 GRADE 3.5: Blue Five Jive Benny Carter. 589 Blues March Benny Golson/arr. Dave Mills. 595 Tow Away Zone Thad Jones/arr. Mike Carubia. 602 Index by Title and Composer for Teaching Music through Performance in Jazz, Volumes 1 2, and in Jazz for Beginning Ensembles Index by Title and Publisher for Index by Composer, Arranger, or Transcriber for Index by Title and Composer for x
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