Complete Lesson Catalog April 2, 2008

Transcription

1 Complete Lesson Catalog April 2, 2008

2 Instrument: Bass As of: Apr 02, 2008 Style: Absolute Beginner-Bass Choosing a Bass Grado, Alfredo Kuffner, Chris Parts of the Bass Grado, Alfredo Kuffner, Chris Tuning Grado, Alfredo Kuffner, Chris Right Hand Technique Grado, Alfredo Kuffner, Chris Left Hand, Intro to TAB Grado, Alfredo Kuffner, Chris String Crossing and Fretted Notes Grado, Alfredo Kuffner, Chris Staff, Bass Clef, Musical Alphabet Grado, Alfredo Kuffner, Chris Notes on the E String Grado, Alfredo Kuffner, Chris Note Values and Time Signatures Grado, Alfredo Kuffner, Chris The Sharp Sign and the Flat Sign Grado, Alfredo Kuffner, Chris Notes Up to the 5th Fret of the E String Grado, Alfredo Kuffner, Chris Notes on the A String Grado, Alfredo Kuffner, Chris Notes on D String Grado, Alfredo Kuffner, Chris Notes on G String Grado, Alfredo Kuffner, Chris C Major C-D-E-F-G Grado, Alfredo Kuffner, Chris Eighth-Note Notation Grado, Alfredo Kuffner, Chris Combining Eighth, Quarter, Half and Whole Notes Grado, Alfredo Kuffner, Chris Playing the Root Grado, Alfredo Kuffner, Chris Playing Root-Fifth Grado, Alfredo Kuffner, Chris Major Triads: Root-3rd-5th Grado, Alfredo Kuffner, Chris Putting It All Together Grado, Alfredo Kuffner, Chris Identifying the Bass Drum Grado, Alfredo Kuffner, Chris Playing Quarter-Note Patterns Grado, Alfredo Kuffner, Chris E, F, F#, G, G# Grado, Alfredo Kuffner, Chris A, Bb, B, C, C#, D Grado, Alfredo Kuffner, Chris Relative Tuning Grado, Alfredo Kuffner, Chris Style: Jazz Level: 02-Beginner Early Introduction to the Cycle of Fifths Introduction to Flat Keys Introduction to Sharp Keys Time Signatures Introduction to Jazz Time and Feel Relative Tuning One- and Two-Finger Right-Hand Technique Posture and Breathing Scale Construction and Formula C/G One-Octave Major Scale F/B-Flat One-Octave Major Scale E/A One-Octave Major Scale F-Sharp/B One-Octave Major Scale Ferguson, Tim Ferguson, Tim Ferguson, Tim Ferguson, Tim Ferguson, Tim Ferguson, Tim Ferguson, Tim Ferguson, Tim Ferguson, Tim Ferguson, Tim Ferguson, Tim Ferguson, Tim Ferguson, Tim Page 1 of 42

3 Instrument: Bass Style: Jazz Level: 02-Beginner Early A-Flat One-Octave Major Scale One-Octave Movable Major Scale Patterns Major Scales in Closed Position Around Cycle of Fifths Unisons, Octaves and Perfect Intervals Major and Minor Intervals Augmented and Diminished Intervals Major, Minor, Diminished, and Augmented Triads Explained Introduction to Diatonic Harmony Style: Rock Level: 02-Beginner-Early Ferguson, Tim Ferguson, Tim Ferguson, Tim Ferguson, Tim Ferguson, Tim Ferguson, Tim Ferguson, Tim Ferguson, Tim Playing the Major Scale Walton, Tracy Hearing Scale Degrees 1-4 Walton, Tracy Hearing Scale Degrees 5-8 Walton, Tracy Diatonic Intervals Walton, Tracy Major Triad Walton, Tracy Introducing the F Triad Walton, Tracy Introducing the Sixteenth Note Walton, Tracy Sixteenth-Note Groove Walton, Tracy Sixteenth-Note Chord-Tone Groove Walton, Tracy Larger Intervals with Sixteenth-Note Patterns Walton, Tracy Playing with a Pick -- Getting a Sound Walton, Tracy Alternate Picking with Eighth Notes Walton, Tracy Alternate Picking with Sixteenth Notes Walton, Tracy Additional Major Scale Fingerings Walton, Tracy Groove with All Three Fingerings Walton, Tracy Additional Major Triad Fingerings Walton, Tracy Three-Chord Tune Walton, Tracy The Slide Technique Walton, Tracy Three-Chord Tune with Slides Walton, Tracy Groove Using Sixteenth Notes Walton, Tracy Level: 03-Beginner-Proficient The Natural Minor Scale Closed Fingering of Natural Minor Minor Triads Closed Minor Triad Fingering Eighth-Note Triplets Major Pentatonic Blues with Major Pentatonic Pattern Closed Fingering of Minor Pentatonic Scale Swing Eighths The Shuffle Page 2 of 42

4 Instrument: Bass Style: Rock Additional Fingerings of Major Pentatonic Multi-Chord Major Pentatonic Groove Additional Fingerings for the Minor Pentatonic Two Octave Major Scale Ray, Sharon Two Octave Minor Scale Ray, Sharon Two Octave Major Pentatonic Ray, Sharon Two Octave Minor Pentatonic Ray, Sharon Three-Quarter Time Three-Quarter Groove Ray, Sharon Ray, Sharon Introduction to Dotted Whole, Half and Quarter Notes Walton, Tracy Ray, Sharon Introducing the Bo Diddley Groove Walton, Tracy Ray, Sharon Dotted Eighths Walton, Tracy Ray, Sharon Funk Groove Walton, Tracy Ray, Sharon Diatonic Construction on a I-IV-V Walton, Tracy Ray, Sharon Two New Keys Walton, Tracy Ray, Sharon Scale Approach Walton, Tracy Ray, Sharon Chromatic Approach Walton, Tracy Ray, Sharon Blues Groove with Chromatic Approaches Walton, Tracy Ray, Sharon Reggae Groove Walton, Tracy Ray, Sharon Diminished and Augmented Triads Walton, Tracy Ray, Sharon Diminished and Augmented Intervals Walton, Tracy Ray, Sharon Wrapping it Up Walton, Tracy Ray, Sharon Level: 06-Intermediate-Proficient The Blues Scale Additional Blues Scale Fingerings Grooves in the Style of Led Zeppelin The Mixolydian Mode Boogie Bassline The ii, iii, vi and vii Chords The I-vi-IV-V Progression The I-iii-vi-ii-V Progression Dominant 7 Chords Dominant 7 Chord Basslines The Tie Ties with Eighth Notes Ties with Sixteenth Notes Sixteenth-Note Rests Sixteenth-Note Exercises Pick Technique Left-Hand Muting Basic Building Page 3 of 42 Walton, Tracy Walton, Tracy Walton, Tracy Walton, Tracy Walton, Tracy Walton, Tracy Walton, Tracy Walton, Tracy Walton, Tracy Walton, Tracy Walton, Tracy Walton, Tracy Walton, Tracy Walton, Tracy Walton, Tracy Walton, Tracy Walton, Tracy Walton, Tracy

5 Instrument: Bass Style: Rock Level: 07-Intermediate-Accomplished Altered Blues Scale Quarter-Note Triplet Level: 08-Advanced-Early Walton, Tracy Walton, Tracy Diatonic Modes Kuffner, Chris Scharfglass, Matt Parallel Modes Kuffner, Chris Scharfglass, Matt Minor 7th Flat-5 Kuffner, Chris Scharfglass, Matt Diminished 7 Chord Kuffner, Chris Scharfglass, Matt Diatonic 7 Chords Kuffner, Chris Scharfglass, Matt Tune with 7 Chords Kuffner, Chris Scharfglass, Matt 7 Chords and Passing Tones Kuffner, Chris Scharfglass, Matt Phrygian Basslines Kuffner, Chris Scharfglass, Matt Lydian Basslines Kuffner, Chris Scharfglass, Matt Locrian Basslines Kuffner, Chris Scharfglass, Matt Slap Technique Kuffner, Chris Scharfglass, Matt The Pop and Muted Notes Kuffner, Chris Scharfglass, Matt Using Hammer-Ons and Pull-Offs Kuffner, Chris Scharfglass, Matt Slap and Pop Lines Kuffner, Chris Scharfglass, Matt Bass Groove with Sixteenth Notes and Muting Kuffner, Chris Scharfglass, Matt Bass Grooves Using Eighth-Note Triplets Kuffner, Chris Scharfglass, Matt Flea Kuffner, Chris Scharfglass, Matt Half-Note Triplets Kuffner, Chris Scharfglass, Matt Half-Note Triplet Groove Kuffner, Chris Scharfglass, Matt Rhythm Monster Kuffner, Chris Scharfglass, Matt Slap and Pop Kuffner, Chris Scharfglass, Matt Level: 09-Advanced Proficient Descending Lines Pedal Tones Common Tone Lines 11ths and 13ths Level: 09-Advanced-Proficient 6ths and Sus Chords Compound Intervals and 9ths Kuffner, Chris Kuffner, Chris Kuffner, Chris Kuffner, Chris Kuffner, Chris Kuffner, Chris 5/4 Time Kuffner, Chris 7/4 and 7/8 Time Kuffner, Chris 11/8 Time Kuffner, Chris 9/8 Time Kuffner, Chris Level: 10-Advanced-Accomplished The Harmonic Minor Scale Altered Chords Introduction to Harmonics Playing Chord Voicings with Harmonics Major Triads Page 4 of 42

6 Instrument: Bass Style: Rock Level: 10-Advanced-Accomplished Minor Triads Dominant 7th Chords Minor 7th Chords Major 7th Chords Sixteenth-Note Triplet Sixteenth-Note Triplet Groove James Jamerson Duck Dunn Tapping Slap-Hammer-Slap-Pop Pattern Slap-Hammer-Pop Hendrix Groove Slap and Pop Instrument: Drums Style: Absolute Beginner-Drums Parts of the Drumset Setting Up the Drumset Introduction to Drumsticks Tuning the Drumset Lines, Spaces and Note Values Drumset Notation Reading Rests Introduction to Eighth-Note Reading Exercises Introduction to Sixteenth-Note Reading and Exercises Single-Stroke Roll Double-Stroke Roll Short Roll Rudiments Accents Paradiddles How to Practice Bass Drum and Hi-Hat Technique Quarter-Note Beats Eighth-Note Beats More Advanced Eighth-Note Beats Sixteenth-Note Beats More Advanced Sixteenth-Note Beats More Practice Tips Drumset Sound Possibilities Two and Four Measure Phrases Page 5 of 42

7 Instrument: Drums Style: Absolute Beginner-Drums One-Beat Fills Two-Beat Fills Four-Beat Fills Basic Motions Around the Set Hand and Foot Combinations Style: Handrum Tuning, Posture, and Basic Playing Techniques Setup Basics, Open and Edge Tones Combining Bass, Open, and Slap Tones Muted Edge and Thumb/Finger Combination Hand-Finger Strokes Introduced and Rumba Columbia Traditional Afro-Cuban 6/8 Patterns The Marcha Pattern (The Rumba Columbia Revisited) Traditional Salsa Patterns Salsa Patterns: Mambo and Songo For Two Drums Other Caribbean/South American Patterns Rumba Guaganco (Tumbao and Segunda) Advanced and Alternative Techniques and Rhythms Carribean Rhythms: The Calypso and the Merengue Contemporary Three-Drum Patterns Mano Secreto (Secret Hand) Technique The Caxixi and the Cabasa The Clave and the Agogo The Dundun The Djembe: Bass Tone and Open Tone The Djembe: Slap Tone Introduced Traditional Dundun and Djembe Patterns: Part 1 Traditional Dundun and Djembe Patterns: Part 2 Traditional Dundun and Djembe Patterns: Part 3 Traditional Dundun and Djembe Patterns: Part 4 Developing Percussion Actions and Skills The Maraca and the Shaker The Tambourine The Triangle Instrument: Guitar Style: Absolute Beginner-Acoustic Guitar How to Buy a Guitar Manzi, Lou Parts of the Guitar Manzi, Lou Page 6 of 42

8 Style: Absolute Beginner-Acoustic Guitar How to Hold the Guitar Manzi, Lou Tuning Manzi, Lou The Right Hand Manzi, Lou The Left Hand Manzi, Lou Chord Diagrams, One-Finger Chords, and Slash Notation Manzi, Lou The One-Finger G7 Chord and 3/4 Time Manzi, Lou The C and D7 Chords Manzi, Lou The Full A Minor and E Minor Chords Manzi, Lou Tablature Manzi, Lou Fun Licks Manzi, Lou Pitch Manzi, Lou Notes on the 1st String Manzi, Lou Time: Rhythms, Beats, and Measures Manzi, Lou Notes on the 2nd String Manzi, Lou Rests Manzi, Lou Notes on the 3rd String Manzi, Lou Notes on the 4th String Manzi, Lou Notes on the 5th String Manzi, Lou Notes on the 6th String Manzi, Lou Introduction to Rhythmic Notation Manzi, Lou The Full G and C Chords Manzi, Lou A, D, and E Chords Manzi, Lou A7 and E7 Chords Manzi, Lou Relative Tuning Manzi, Lou Introduction to Fingerstyle Manzi, Lou Style: Absolute Beginner-Electric Guitar How to Buy a Guitar Manzi, Lou Parts of the Guitar Manzi, Lou How to Hold the Guitar Manzi, Lou Tuning Manzi, Lou The Right Hand Manzi, Lou The Left Hand Manzi, Lou Chords and Chord Diagrams Manzi, Lou The One-Finger G7 Manzi, Lou C and D7 Manzi, Lou Amin and Emin Manzi, Lou Style: Absolute Beginner-Guitar How to Buy a Guitar Manzi, Lou The Parts of a Guitar Manzi, Lou How to Hold a Guitar Manzi, Lou Page 7 of 42

9 Style: Absolute Beginner-Guitar Tuning Manzi, Lou Basic Right Hand Techniques Manzi, Lou Basic Left Hand Techniques Manzi, Lou Chord Diagrams/One-Finger Chords/Slash Notation Manzi, Lou The One-Finger G7 Chord and 3/4 Time Manzi, Lou The C and D7 Manzi, Lou The Full A Minor and E Minor Chords Manzi, Lou Tablature Manzi, Lou Fun Licks Manzi, Lou Pitch Manzi, Lou Notes on 1st String (E, F, G) Manzi, Lou Time Manzi, Lou Notes on the 2nd String Manzi, Lou Rests Manzi, Lou Notes on the 3rd String Manzi, Lou Notes on the 4th String Manzi, Lou Notes on the 5th String Manzi, Lou Notes on the 6th String Manzi, Lou Introducing Rhythmic Notation Manzi, Lou G and C Manzi, Lou A, D and E Chords Manzi, Lou A7 and E7 Manzi, Lou Cool Chord Exercises Manzi, Lou Relative Tuning Manzi, Lou Introduction to Fingerstyle Manzi, Lou Two-Note Shuffle Manzi, Lou Improvisation Manzi, Lou Style: Acoustic Level: 02-Beginner-Early Chord Switching Tips and Review Johnson, Pat Introducing G7 and Dmin Johnson, Pat Introducing Eighth-Note Strumming Johnson, Pat More Strums Mixing Quarters and Eighths Johnson, Pat The Bass-Note Strumming Pattern Johnson, Pat The Chromatic Scale Johnson, Pat The C Major Scale Johnson, Pat Eighth Notes and Alternate Picking Johnson, Pat Eighth Note Rest, Whole and Half Note Rest Review Johnson, Pat Improvisation with the C Major Scale Introduction to Fingerstyle Johnson, Pat P-I-M-A Arpeggio Pattern Johnson, Pat P-I-M-A-M-I Arpeggio Pattern Johnson, Pat Page 8 of 42

10 Style: Acoustic Level: 03-Beginner-Proficient Chromatic Warm-Ups Johnson, Pat Introducing B7 and C7 Johnson, Pat Slash Chords Johnson, Pat Ties and Syncopated Strumming Johnson, Pat Bass Note Strum Syncopation in the Style of Bob Dylan Johnson, Pat Reading F-sharp Notes, Natural Signs and Ties Reading B-Flat, 3/4 Time and Dotted-Halves Introducing Pinches Johnson, Pat Intro to Triad Spelling Cataldo, Tomas Manzi, Lou Arpeggiating Chords with a Pick Howard, Paul Manzi, Lou Triad Arpeggio Bass Lines Howard, Paul Manzi, Lou Playing and reading in D Howard, Paul Manzi, Lou Mute Strokes, Percussive Sounds and Backbeat Howard, Paul Manzi, Lou Split Strumming Howard, Paul Manzi, Lou Hybrid Picking Howard, Paul Manzi, Lou Strumming with No Pick Howard, Paul Manzi, Lou Travis Patterns Leading from the m Finger Howard, Paul Manzi, Lou Travis Patterns Leading from the a Finger Howard, Paul Manzi, Lou Travis Picking with Swing Eighths Howard, Paul Manzi, Lou Intro with Tuning Notes, Strumming, and Fingerstyle Howard, Paul Manzi, Lou Level: 06-Intermediate Proficient A Tune with Travis Picking Level: 06-Intermediate-Proficient Howard, Paul Augmented and Diminished Chords Cataldo, Tomas Manzi, Lou Major, Minor and Dominant 7th Chords Cataldo, Tomas Manzi, Lou Adding Color Tones: 6 and 9 Cataldo, Tomas Manzi, Lou Sus2 and Sus4 Chords Cataldo, Tomas Manzi, Lou Building Triads on Each Scale Degree Cataldo, Tomas Manzi, Lou The Primary Chords: I-IV-V Cataldo, Tomas Manzi, Lou Adding 7ths Cataldo, Tomas Manzi, Lou The Relative Minor Scale Cataldo, Tomas Manzi, Lou Primary Chords in Relative Minor Cataldo, Tomas Manzi, Lou Three-Finger Power Chords Cataldo, Tomas Manzi, Lou Movable Blues Shuffle Cataldo, Tomas Manzi, Lou E-Form Barre Chords Cataldo, Tomas Manzi, Lou A-Form Barre Chords Cataldo, Tomas Manzi, Lou Barre Chord Review - Switching Howard, Paul Manzi, Lou Closed-Position Major Scale Cataldo, Tomas Manzi, Lou Closed-Position Minor Scales Cataldo, Tomas Manzi, Lou Review Minor Pentatonic Scale Cataldo, Tomas Manzi, Lou The Blues Scale Cataldo, Tomas Manzi, Lou Page 9 of 42

11 Style: Acoustic Level: 06-Intermediate-Proficient Major Pentatonic Scale Cataldo, Tomas Manzi, Lou Barre Chords and Left-Hand Muting Cataldo, Tomas Manzi, Lou Funk Strumming Cataldo, Tomas Manzi, Lou Bo Diddley Strum Using Sixteenth Notes Level: 07-Intermediate-Accomplished Manzi, Lou Natural Harmonics Howard, Paul Manzi, Lou Tuning with Harmonics Howard, Paul Manzi, Lou Root Six Moveable 7 Chords - Strings 6,4,3,2 Howard, Paul Manzi, Lou 7 Chords - Strings 5, 4, 3, 2 Howard, Paul Manzi, Lou Swing Rhythms Howard, Paul Manzi, Lou Swing Rhythms with Movable 7 Chord Forms Howard, Paul Manzi, Lou Improvising Using Minor and Major Pentatonic Hybrid Blues Scale Bends Slides, Grace Notes, and Combined Slurs Extending the Minor Pentatonic Sliding Major Pentatonic Combining or Switching Manzi, Lou Manzi, Lou Manzi, Lou Manzi, Lou Manzi, Lou Manzi, Lou Manzi, Lou Open G Tuning and Basic Chords Marciano, Larry More Chords and Basic Scales Marciano, Larry Open G: Practical Application and Rocking Out Marciano, Larry Tuning to Open D and Intro to Basic Chords Marciano, Larry More Chords and Basic Scales Marciano, Larry Feature Tune Marciano, Larry Tuning and Introduction to Basic Chords Marciano, Larry More Chords and Basic Scales Marciano, Larry Feature Tunes Marciano, Larry Tuning and Introduction to Some Basic Chords Marciano, Larry More Chords and Basic Scales Marciano, Larry The Southwind: An Irish Tune in DADGAD Level: 08-Advanced-Early Intro to Harmonics Techniques Marciano, Larry 5/4 and 7/4 Marciano, Larry Strings 1-2-3: Major and Minor Triad Inversions Marciano, Larry Strings 2,3,4--Major and Minor Triads Marciano, Larry Strings 3,4,5 and 4,5,6--Major and Minor Marciano, Larry Combine All Major Forms - C,A,G,E,D Marciano, Larry Intro to Mode Derivation and Names Marciano, Larry Aeolian Scale and Chord Progressions Marciano, Larry Mixolydian Scale and Chord Progressions Marciano, Larry Dorian Marciano, Larry Phrygian Scale and Chord Progressions Marciano, Larry Page 10 of 42

12 Style: Acoustic Level: 08-Advanced-Early Lydian and Locrian Marciano, Larry Identify Melody and Simple Chords Marciano, Larry Tune, Melody and Backup Marciano, Larry Lead-Backup Style Marciano, Larry Melodic-Lead Style Marciano, Larry Improvised Lead Style Marciano, Larry Harmonizing a Melody in Open G Marciano, Larry Level: 09-Advanced-Proficient Exploring 9 Chords: Major, Minor, Dominant, and Altered- Dominant Exploring 11 and 13 Chords Dominant 7 Progressions, Altered Chords, and Approach Slides Add Melodic and Bluesy Fills to Groove Hendrix/Curtis Mayfield Style Part 1 Hendrix/Curtis Mayfield Style Part 2 Harmonic Minor Scale and Chords Melodic Minor Scale and Chords Arranging Melody from Part I with Bass and Chords Arranging a New Melody in a Second Voice Delta Blues Style Tune Piece Using 3rds, 6ths, and 10ths Carter Family Style Adding an Upstroke to the Boom-Chick: Boom-a-chick-a Style: Acoustic Absolute Beginner Marciano, Larry Marciano, Larry Marciano, Larry Marciano, Larry Marciano, Larry Marciano, Larry Marciano, Larry Marciano, Larry Marciano, Larry Marciano, Larry Marciano, Larry Marciano, Larry Marciano, Larry Marciano, Larry Cool Chord Exercises Manzi, Lou Two-Note Shuffle Manzi, Lou Improvising with the A Minor Pentatonic Manzi, Lou Style: Bending Finger-Bending Boot Camp Precision Bending Level: 06-Intermediate-Proficient Bending Quarter-Tone Bends Double-Stop Bends Level: 07-Intermediate-Accomplished Bending Multi-Note Bends Bends with Right Hand Tapping Technique Cool and Refreshing Bending Ideas Level: 08-Advanced-Early Four More Kinds of Bends Multi-Target Bends Jacobson, Harry Jacobson, Harry Jacobson, Harry Jacobson, Harry Jacobson, Harry Jacobson, Harry Jacobson, Harry Jacobson, Harry Jacobson, Harry Page 11 of 42

13 Style: Bending Level: 08-Advanced-Early Applying Vibrato to a Bent Note Style: Blues Level: 02-Beginner-Early Jacobson, Harry Construction of Major Scale on One String Chavez, Reggie Numbering Scale Degrees Chavez, Reggie The Sound of the Blues - G7, C7 and D7 Bennett, Alan Smith, Scott A. 12-Bar Blues in G Bennett, Alan Smith, Scott A. Open A7 McCumber, Dennis Smith, Scott A. The Open E7 Chord McCumber, Dennis Smith, Scott A. Introducing Two-Note Chords (I-IV-V in A) Chavez, Reggie Left-Hand Technique & Straight-Eighth Notes Chavez, Reggie Play a 12-Bar Blues in A Chavez, Reggie The A5 & A6 Diads Chavez, Reggie Using Diads over a 12-Bar Blues in A Chavez, Reggie The Dotted-Eighth-Sixteenth Pattern Bennett, Alan Smith, Scott A. I-IV-V in A over the Shuffle Pattern Bennett, Alan Smith, Scott A. Open B7 & I-IV-V in E Chavez, Reggie 12-Bar Blues in E (Folk Style) Chavez, Reggie The E5, E6 & E7 Diads in E Chavez, Reggie Left-Hand Technique: Muting Strings Chavez, Reggie The Walk-Up Between the I & IV Chords Chavez, Reggie The Triplet and Swing Eighth Notes Bennett, Alan Smith, Scott A. I-IV-V in E Using the Swing-Eighth Rhythm Bennett, Alan Smith, Scott A. The Boogie Pattern in E (One-Chord Vamp) Bennett, Alan Smith, Scott A. Transposing Bennett, Alan Smith, Scott A. Boogie Pattern over a 12-Bar Blues in E Bennett, Alan Smith, Scott A. Transpose the 12-Bar Boogie to G Bennett, Alan Smith, Scott A. Level: 03-Beginner-Proficient Introducing the Major Pentatonic Scale Chavez, Reggie Introducing the Minor Pentatonic Scale Chavez, Reggie The Blues Scale Chavez, Reggie E-Shaped Barres, Root 6: A Major McCumber, Dennis Smith, Scott A. A-Shaped Barres, Root 5: A Major McCumber, Dennis Smith, Scott A. Standard I-IV-V Progression McCumber, Dennis Smith, Scott A. Solo Construction Over A7: I-IV-V McCumber, Dennis Smith, Scott A. Minor and Minor 7 Chords McCumber, Dennis Smith, Scott A. Standard Minor I-IV-V Progression McCumber, Dennis Smith, Scott A. E Minor Pentatonic to the Fifth Position McCumber, Dennis Smith, Scott A. Building a 12-Bar Solo McCumber, Dennis Smith, Scott A. Bending and the A Minor Pentatonic Scale McCumber, Dennis Smith, Scott A. Half-Step Bends McCumber, Dennis Smith, Scott A. Solo Construction Smith, Scott A. Page 12 of 42

14 Style: Blues Level: 03-Beginner-Proficient Trills Bennett, Alan Smith, Scott A. Return Bend to Pull-off Bennett, Alan Smith, Scott A. Forward Rake Bennett, Alan Smith, Scott A. Basic Phrasing Using the Top Three Strings Smith, Scott A. Simple Slide Exercises Smith, Scott A. Solo Combining 1st and 2nd Boxes Boye, David Smith, Scott A. 1st Box in 2nd Position Boye, David Smith, Scott A. 2nd Box in 4th Position Boye, David Smith, Scott A. Major Pentatonic Versus Minor Pentatonic Boye, David Smith, Scott A. Introduction to Overlapping Boxes (Mix Maj/Min Pentatonic) Boye, David Smith, Scott A. Phrasing Boye, David Smith, Scott A. Theory of 3rds Boye, David Smith, Scott A. Theory of 6ths Boye, David Smith, Scott A. Rhythm Patterns with 3rds and 6ths Boye, David Smith, Scott A. Soloing with 3rds and 6ths Boye, David Smith, Scott A. Riffs that Built the Blues: Classic Riff Examples McCumber, Dennis Smith, Scott A. Introduction to Slide Boye, David Smith, Scott A. Solo over a Minor I-IV-V Progression Boye, David Smith, Scott A. A Minor Pentatonic and A Blues Scale Boye, David Smith, Scott A. The Boogie Grind: 2-Finger A5/A6 in Closed Position McCumber, Dennis Smith, Scott A. Double Stops McCumber, Dennis Smith, Scott A. Turnarounds McCumber, Dennis Smith, Scott A. Everything Plus the Kitchen Sink-Solo Construction McCumber, Dennis Smith, Scott A. New Key-C7 (6th-String Root) McCumber, Dennis Smith, Scott A. 12-Bar Blues in C (5th-String Root) Boye, David Smith, Scott A. 12/8 Blues in C Minor, 6th-String Root McCumber, Dennis Smith, Scott A. 12-Bar Blues in C Minor (5th-String Root) Boye, David Smith, Scott A. Major Pentatonic: Boxes 3, 4 and 5 McCumber, Dennis Smith, Scott A. Position Switching Through All Five Boxes McCumber, Dennis Smith, Scott A. Developing Bending Feel and Ear Boye, David Smith, Scott A. Getting More Boogie to the Gallon--Two-String Chords McCumber, Dennis Smith, Scott A. Closed Position in C: 6th-String Root McCumber, Dennis Smith, Scott A. Combining Open and Closed Position Boogie Patterns McCumber, Dennis Smith, Scott A. Introducing 9 Chords in E McCumber, Dennis Smith, Scott A. A Shuffle and 9 Chords Boye, David Smith, Scott A. Riff-Based Blues with 9-Chord Turnarounds Boye, David Smith, Scott A. 12/8 Blues in A McCumber, Dennis Smith, Scott A. A Darker Shade of Blue McCumber, Dennis Smith, Scott A. Standard Turnaround (I-IV-I-V) Smith, Scott A. Augmented Chord Replaces Last V Chord Smith, Scott A. Page 13 of 42

15 Style: Blues Strumming Dziuba, Mark Smith, Matt Minor-Key Shuffle Level: 06-Intermediate-Proficient Dziuba, Mark The 8-Bar Blues Dziuba, Mark Smith, Matt In-the-Style-of [The Thrill is Gone] Dziuba, Mark Smith, Matt In-the-Style-of [They Call It Stormy Monday] Dziuba, Mark Smith, Matt Fourth-String Root 9 Chords Dziuba, Mark Smith, Matt Level: 07-Intermediate-Accomplished Minor Line Cliche Dziuba, Mark Smith, Matt The Charleston Rhythm Dziuba, Mark Smith, Matt The Upbeat Shuffle Rhythm Dziuba, Mark Smith, Matt Advanced Boogie Patterns Smith, Matt Root-6 Chords Dziuba, Mark Smith, Matt 6 and 9 Chords on the Top Three Strings Dziuba, Mark Smith, Matt Single-Chord Boogie: Style of John Lee Hooker Eight-Bar Blues 16-Bar Blues Gospel Blues with a B Section Rhythm Changes Eighth-Note Shuffle Clave Beat: The Bo Diddley Rhythm New Orleans Style Rhumba Speed Riffs and Repeating Licks Targeting Chord Tones Call and Response Fills Between Vocals Pinch (Artificial) Harmonics Explained Rakes Texas Power Rhythm Dominant 7 Sharp-9 Altered Dominant Chords: 7 Flat-9 and 7 Sharp-5 Diminished 7th Chords Dominant 9th Chords Adding 11 and 13 Level: 08-Advanced-Early Slone, Eric Slone, Eric Slone, Eric Slone, Eric Slone, Eric Slone, Eric Slone, Eric Slone, Eric Slone, Eric Slone, Eric Slone, Eric Slone, Eric Slone, Eric Slone, Eric Slone, Eric Slone, Eric Slone, Eric Slone, Eric Slone, Eric Slone, Eric Slone, Eric A7 Root-6 Arpeggio Barker, Jonathan Smith, Matt D7 Root-5 Arpeggio Barker, Jonathan Smith, Matt E7 Root-5 Arpeggio Barker, Jonathan Smith, Matt A7 Arpeggio 5th String Barker, Jonathan Smith, Matt D7 Arpeggio 4th (Or 6th) String Barker, Jonathan Smith, Matt E7 Arpeggio 4th (Or 6th) String Barker, Jonathan Smith, Matt Page 14 of 42

16 Style: Blues Level: 08-Advanced-Early Mixing Arpeggio Fingerings In The Key Of A (Dom7) Barker, Jonathan Smith, Matt Introducing The Minor 7 Arpeggio Barker, Jonathan Smith, Matt Show 6/4 Fingerings For Minor 7 Arpeggio Barker, Jonathan Smith, Matt 8-Bar Blues Barker, Jonathan Smith, Matt Ionian Mode, Major Scale, Key Of G Barker, Jonathan Smith, Matt D Mixolydian Barker, Jonathan Smith, Matt E Aeolian Barker, Jonathan Smith, Matt Mixolydian Mode & Dom7 & Dom7-Type Chords Barker, Jonathan Smith, Matt Finger-Shifting Methods Through Major & Minor Pentatonics Barker, Jonathan Smith, Matt Level: 09-Advanced-Proficient Construction of an Inversion (3rd in the Bass) Barker, Jonathan Hendrix Chord Inversion Barker, Jonathan Smith, Matt R&B Inversions Barker, Jonathan Smith, Matt Sixteenth-Note Rhythm Barker, Jonathan Smith, Matt Style: Chop Shop Getting the Most Out of Daily Practice Mastering the Fretboard The Chord-Tone Approach Rhythms and Grooves Moving One Note in a Chord Funky Rhythm Fills Creating Chord Fills over a Minor Chord Open D Tuning Travis Picking in Open D Tuning Five Open Tunings for the Price of One The Secret Country Blues Diagram DADGAD Tuning DADGAD Tuning In Celtic Music Indian DADGAD Slide Guitar Techniques Hawaiian Slide Guitar I Hawaiian Slide Guitar II Level: 06-Intermediate-Proficient Harp Scales Creative Guitar Harmonics Words To Live By Style: Classical Basic Terminology, Positioning and Technique Basic Left-Hand Techniques Rest-Stroke, Unprepared Strokes: Beethoven (Right Hand) Page 15 of 42 Smith, Matt Smith, Matt Smith, Matt Smith, Matt Smith, Matt Smith, Matt Smith, Matt Smith, Matt Smith, Matt Smith, Matt Smith, Matt Smith, Matt Smith, Matt Smith, Matt Smith, Matt Smith, Matt Smith, Matt Smith, Matt Smith, Matt Smith, Matt Masters, Martha Masters, Martha Masters, Martha

17 Style: Classical Introducing Dynamics Introducing Free Stroke The Right-Hand Thumb: J.S. Bach Introducing Chords: Diabelli (Right-Hand) Ascending Arpeggios: Carulli (Right-Hand) Right-Hand String Crossing: Sor Left-Hand Shifts: Sor Good Study Habits Combining Right-Hand String Crossing & Left-Hand Shifts Descending Apeggios: Spanish Romance Combining Finger Rest-Strokes with Thumb Free Stroke Combining Rest Strokes & Free Strokes in Fingers Slurs (Hammer-Ons & Pull-Offs): Carcassi Introducing Tremolo (Right Hand) Thumb Rest-Stroke (Right Hand) Interpretation: Using Color (Right-Hand) Right-Hand Speed Development Style: Electric Absolute Beginner Masters, Martha Masters, Martha Masters, Martha Masters, Martha Masters, Martha Masters, Martha Masters, Martha Masters, Martha Masters, Martha Masters, Martha Masters, Martha Masters, Martha Masters, Martha Masters, Martha Masters, Martha Masters, Martha Masters, Martha Tablature Manzi, Lou Fun Licks Manzi, Lou Pitch Manzi, Lou Notes on the 1st String Manzi, Lou Time: Rhythms, Beats, and Measures Manzi, Lou Notes on the 2nd String Manzi, Lou Rests Manzi, Lou Notes on the 3rd String Manzi, Lou Notes on the 4th String Manzi, Lou Notes on the 5th String Manzi, Lou Notes on the 6th String Manzi, Lou Introduction to Rhythmic Notation Manzi, Lou The Full G and C Chords Manzi, Lou A, D, and E Chords Manzi, Lou A7 and E7 Manzi, Lou Cool Chord Exercises Manzi, Lou Relative Tuning Manzi, Lou Introduction to Fingerstyle Manzi, Lou Two-Note Shuffle Manzi, Lou Improvising with the A Minor Pentatonic Manzi, Lou Style: Fingerstyle Level: 03-Beginner-Proficient Basic Terminology, Positioning and Technique Page 16 of 42

18 Style: Fingerstyle Level: 03-Beginner-Proficient Basic Terminology and Arpeggios Fingerpicks and Fingernails Plucking Strings Simultaneously Alternating Thumb and Fingers in 3/4 Time p-i-m-a-m-i Picking Patterns in 4/4 Spanish Romance Rock-Style Fingerpicking Pattern Patterns and Descending Basslines Playing In 3/4 Time Alternate Bass Pattern Travis Picking Playing Bass Notes on the 4th & 3rd Strings Drone Bass and the Blues Level: 06-Intermediate-Proficient Drone Bass and the Blues II Alternating Bass and Melody Introducing Syncopation Travis Pattern with a More Complex Melody Hammer-Ons & Pull-Offs Level: 07-Intermediate-Accomplished Slides and Bends A Classical Guitar Piece by Aguado Fun Riffs The Bossa Nova Rhythm Chord Melody Drop-D Tuning Open G Tuning Open D Tuning Fingerstyle Warmups Review of Fingerstyle Patterns Style: Jazz Level: 02-Beginner-Early The Major Scale on One String Monaco, Amanda One-Octave C Major Scale in Open and 2nd Positions Monaco, Amanda One-Octave C Major Scale in 5th, 7th, & 10th Positions Monaco, Amanda Using Major Scales Not Starting on the Root and Accidentals Monaco, Amanda Introduction to Key Signatures Monaco, Amanda Intervals on One String Monaco, Amanda Unisons, 2nds, and 3rds Monaco, Amanda Page 17 of 42

19 Style: Jazz Level: 02-Beginner-Early 4ths and 5ths Monaco, Amanda 6ths, 7ths, and Octaves Monaco, Amanda Introduction to Triads Monaco, Amanda Diminished and Augmented Triads Monaco, Amanda Intro to Major Barre Chords Monaco, Amanda Intro to Minor Barre Chords Monaco, Amanda Basic Progressions Monaco, Amanda Root-Position Major Triad Arpeggios Monaco, Amanda Root-Position Minor Triad Arpeggios Monaco, Amanda Diminished Triad Arpeggios Monaco, Amanda Augmented Triad Arpeggios Monaco, Amanda Standard Subdivision of the Beat Monaco, Amanda Introducing Four-to-the-Bar Comping Monaco, Amanda Introducing the Charleston Rhythm Monaco, Amanda Introduction to Basic Blues Progression with Triads Monaco, Amanda Pentatonic Solo Over a Blues Progression Hand Position with Exercises Finger Designation with Exercises A Simple Fingerstyle Piece Level: 03-Beginner-Proficient Two Octave Major Scale, Single Position Monaco, Amanda Two-Octave Fingerings Monaco, Amanda More Fingerings Major Scale Fingerings Cycle of 4ths Interval Inversion Interval Inversion Application Ties and Dotted Note Values Shuffle Comping Techniques Intro to Triple Meter Waltz Comping Techniques Using Major Scales to Solo over Triads Using Arpeggios to Solo over Triads Combining Major Scales and Arpeggios over Triads Using Target Tones Phrasing Techniques Using Repetition Monaco, Amanda Review First Pentatonic Pattern Monaco, Amanda Introducing Two Pentatonic Patterns Monaco, Amanda Two More Pentatonic Fingerings Monaco, Amanda Pentatonic Scale Patterns Pentatonic Improvisation Techniques Basic Blues Progression Monaco, Amanda Page 18 of 42

20 Style: Jazz Level: 03-Beginner-Proficient Introducing the Blues Scale Monaco, Amanda Blues Scale Continued Monaco, Amanda Blues Scale Patterns 4 and 5 Monaco, Amanda Call-and-Response Technique Monaco, Amanda Blues Scale Patterns and Licks Construction and Theory of the Relative Minor Scale Continued Fingerstyle Exercises Fingerstyle Shuffle Comping Patterns Waltz Comping Patterns Construction of Major 7 Chords Monaco, Amanda Construction of Minor 7th Chords Monaco, Amanda Construction of Dominant 7 Chords Monaco, Amanda Constructing Minor-7-Flat-5 Chords Monaco, Amanda Constructing Diminished-7 Chords Monaco, Amanda Major Scale: Patterns and Licks Applied Monaco, Amanda Basic Blues Progression with Seventh Chords Monaco, Amanda Blues Scale: Patterns and Licks Monaco, Amanda Introducing the Clave Monaco, Amanda Basic Samba and Bossa Nova Comping Patterns Monaco, Amanda Ionian Mode: Theory and Fingerings Monaco, Amanda Dorian Mode: Theory and Fingerings Monaco, Amanda Mixolydian Mode: Theory and Fingerings Monaco, Amanda Modal Improvisation Overview Monaco, Amanda Improvising with the Ionian Mode Monaco, Amanda Improvising with the Dorian Mode Monaco, Amanda Improvising with the Mixolydian Mode Monaco, Amanda Major 7 Arpeggios Dziuba, Mark Minor 7 Arpeggios Dziuba, Mark Dominant 7th Arpeggios Dziuba, Mark Swing Comping Patterns Dziuba, Mark Construction and Diatonic Harmony Dziuba, Mark The Anatomy of a Lick Dziuba, Mark Using Target Tones Dziuba, Mark Neighbor Tones Dziuba, Mark Minor Blues Introduction Dziuba, Mark Identifying Chord Tones in a Melody Dziuba, Mark Harmonizing a Melody I Dziuba, Mark Level: 06-Intermediate-Proficient Maj 7 Chord Diatonic Extensions Dziuba, Mark Minor 7 Chord Diatonic Extensions (9, 11, 13) Dziuba, Mark Page 19 of 42

21 Style: Jazz Level: 06-Intermediate-Proficient Dominant 7 Chord Diatonic Extensions (9, 11, 13) Dziuba, Mark Emphasizing Dorian Modal Flavor Dziuba, Mark Emphasizing Mixolydian Modal Flavor Dziuba, Mark Construction of the Harmonic Minor Scale Dziuba, Mark One Octave Fingerings of the Harmonic Minor Scale Dziuba, Mark Two-Octave Fingerings of the Harmonic Minor Scale Dziuba, Mark Combining Upper And Lower Neighbor Tones Dziuba, Mark Drop 2 Voicings And 4 String Combinations (5432) (5321) Dziuba, Mark Intros (Lesson 2) Dziuba, Mark Turnarounds (Lesson 2) Dziuba, Mark Endings (Lesson 2) Dziuba, Mark Level: 07-Intermediate-Accomplished Modal Planing Dziuba, Mark Construction of the Melodic Minor Scale Dziuba, Mark One Octave Fingerings Of The Melodic Minor Scale Dziuba, Mark Two-Octave Fingerings of the Melodic Minor Scale Dziuba, Mark Level: 08-Advanced-Early Diminished Scales One-Octave Fingerings for the Whole-Half Diminished Scale Two-Octave Fingerings for the Whole-Half Diminished Scale Three-Octave Fingering for the Whole-Half Diminished Scale One-Octave Fingerings for the Half-Whole Diminished Scale Two-Octave Fingerings for the Half-Whole Diminished Scale Three-Octave Fingerings for the Half-Whole Diminished Scale One-Octave Diminished Arpeggios Two-Octave Diminished Chord Arpeggios Three-Octave Diminished Chord Arpeggios The Dim7 Chord: Definition, Function, and Voicings Harmonic and Melodic Duplication of Dim7 Chords Extended and Altered Chords Diminished Phrases The Whole Tone Scale One-Octave Fingerings for the Whole Tone Scale Two-Octave Fingerings for the Whole Tone Scale Three-Octave Fingerings for the Whole Tone Scale Application of the Whole Tone Scale Whole Tone Phrases Harmonic Minor Derivation Harmonic Minor Scale Usage The Modes of the Harmonic Minor Scale Dorian b2b5 or Locrian Natural 6 Application Ionian Augmented Page 20 of 42

22 Style: Jazz Level: 08-Advanced-Early Ionian Augmented Application Dorian #4 (or Lydian b3b7) Dorian #4 (or Lydian b3b7) Application Phrygian Dominant (or Mixolydian b2b6) Phrygian Dominant (or Mixolydian b2b6) Application Comping with Walking Bass Lines I Walking Bass and Minor Chords Walking Bass & Chords III Walking Bass & Chords IV Walking Bass & Chords V Artificial Harmonics I Artificial Harmonics II Artificial Harmonics III Diminished Scales Diminished Scales II Diminished Scales III The Whole Tone Scale Chord Melody I Chord Melody II Improvising and Arranging the Harmonization of Melodies Improvising Melodies Without Full Chords Ways To Vary Your Sound When Playing Solo Jazz Guitar Solo Guitar Improvisation A Cool Way To Think About Major Scales and Improvisation Jazz Blues Playing Songs With Walking Bass Lines Level: 09-Advanced-Proficient Inner Voice Movement (Lesson 2) Dziuba, Mark Symmetrical Movement Dziuba, Mark Style: Kids Preparing to Play Manzi, Lou Reading Music, the G Chord, and Notes on the 1st String Manzi, Lou Quarter Notes and the C Chord Manzi, Lou The G7 Chord and Notes on the 2nd String Manzi, Lou Half Notes, Rests, and the Two-Finger C Chord Manzi, Lou Whole Notes, Whole Rests, and the D7 Chord Manzi, Lou Tablature, Notes on the 3rd String, and a Rock Song Manzi, Lou Sound Effects and a Beethoven Tune Manzi, Lou Power Chords and a Rock Tune Manzi, Lou Dotted Notes and a Power Chord Progression Manzi, Lou The E Minor Chord, Songs, and Notes on the 4th String Manzi, Lou Page 21 of 42

23 Style: Kids New Strumming Patterns Manzi, Lou Double Stops and 3/4 Time Manzi, Lou Rock Guitar Riffs, New Strum, and Notes on the 5th String Manzi, Lou The E7 and A7 Chords, New Strum, and a Tune Manzi, Lou The E Chord, Rock Riff, and Songs Manzi, Lou Boogie Woogie Melody and the A Minor Chord Manzi, Lou Notes on the 6th String and the 12-Bar Blues Manzi, Lou The D Chord and a New Strumming Pattern Manzi, Lou The A Chord and Review Manzi, Lou Style: Rock Level: 02-Beginner-Early Introduction to the Electric Guitar and Amplifiers Agresta, Ralph Unisons and Octaves on the Guitar Agresta, Ralph Linear Major Scale & Natural Notes of the 6th String Agresta, Ralph Introduction to Eighth Notes Agresta, Ralph Octaves, 5ths, and Power Chords Agresta, Ralph The Natural Notes of the 5th String Agresta, Ralph More Chords Agresta, Ralph Chords Continued Agresta, Ralph Open-Position Minor Pentatonic Agresta, Ralph Introduction to Hammer-ons/Pull-offs Agresta, Ralph Introduction to Vibrato Techniques Agresta, Ralph Introduction to Bending (3rd Finger Only) Agresta, Ralph Introduction to Sliding Agresta, Ralph Applying Techniques to Solos I Agresta, Ralph Applying Techniques to Solos II Agresta, Ralph Level: 03-Beginner-Proficient The Chromatic Notes of the 5th and 6th Strings Quick, Tim Hartwell, Geoff Closed Position A Minor Pentatonic Quick, Tim Hartwell, Geoff Moving the Pentatonic Scale to Other Keys Quick, Tim Hartwell, Geoff Palm-Muting Techniques with Power Chords Quick, Tim Hartwell, Geoff Alternate Picking Using Sixteenth Notes Quick, Tim Hartwell, Geoff Hammer-On and Pull-Off Techniques Using the Minor Pentatonic Scale Quick, Tim Hartwell, Geoff Combining Slides and Bends Quick, Tim Hartwell, Geoff Open Position Progressions 1 Quick, Tim Hartwell, Geoff Soloing over the E, A, B7 Progression Quick, Tim Hartwell, Geoff Open Position Progressions 2 Quick, Tim Hartwell, Geoff More E Minor Chord Progressions Quick, Tim Hartwell, Geoff Open-Position Progressions III Quick, Tim Hartwell, Geoff Simple Concepts For Improvisation I Quick, Tim Hartwell, Geoff Open-Position Progressions IV Quick, Tim Hartwell, Geoff Page 22 of 42

24 Style: Rock Level: 03-Beginner-Proficient Simple Concepts for Improvisation II Quick, Tim Hartwell, Geoff Open Position Progressions 5 Quick, Tim Hartwell, Geoff Soloing over the C7-F7 progression Quick, Tim Hartwell, Geoff Strumming Syncopation Nolan, Alex Howard, Paul Root-6 Forms Nolan, Alex Howard, Paul Root-5 Movable Chord Forms Nolan, Alex Howard, Paul Cool Progressions Using Movable Chords Nolan, Alex Howard, Paul Movable Major Scales Nolan, Alex Howard, Paul Soloing Over A Simple Major Vamp Using Moveable Major Scales Nolan, Alex Howard, Paul Connecting Minor Pentatonic Boxes 1 and 5 Nolan, Alex Howard, Paul Minor Pentatonic Boxes 1, 5 and 2 Nolan, Alex Howard, Paul Connecting Boxes 3, 4 and 5 Nolan, Alex Howard, Paul Adding the Flat-5 Nolan, Alex Howard, Paul Minor Pentatonic Scale System 5 Nolan, Alex Howard, Paul The Major Pentatonic Scale Nolan, Alex Howard, Paul Expanding Pentatonic Major Nolan, Alex Howard, Paul Combining Major and Minor Pentatonic Nolan, Alex Howard, Paul Sliding Power Chords and Root-4 Forms Nolan, Alex Howard, Paul Open E and A Pedal Tones with Power Chords Nolan, Alex Howard, Paul Chord Embellishments Nolan, Alex Howard, Paul Introduction to Left-Hand Damping Riley, Glenn Quick, Tim Exercises Using Common Chords Riley, Glenn Quick, Tim Developing Bending Technique Nolan, Alex Howard, Paul More Advanced Hammer-ons and Pull-offs Nolan, Alex Howard, Paul Combining Bending and Vibrato Nolan, Alex Howard, Paul Choosing the Right Strings and Pick Riley, Glenn Peretz, Jeff Constructing Diatonic Intervals and Tuning with Harmonics Riley, Glenn Applying Diatonic Intervals Riley, Glenn Peretz, Jeff Introduction to Major Triads Riley, Glenn Quick, Tim Introduction to Minor Triads Riley, Glenn Quick, Tim Introducing the Major Scale and Modes Riley, Glenn Peretz, Jeff Creating Ionian Lick, Riffs and Runs Riley, Glenn Peretz, Jeff Introduction to the Mixolydian Mode Riley, Glenn Quick, Tim Creating Mixolydian Licks, Riffs, and Runs Riley, Glenn Quick, Tim Using Ionian and Mixolydian Phrases Riley, Glenn Quick, Tim Major Triad Arpeggio Forms Riley, Glenn Quick, Tim Soloing with Modes Riley, Glenn Quick, Tim Developing Technical Skills Riley, Glenn Peretz, Jeff Legato I Riley, Glenn Peretz, Jeff Page 23 of 42

25 Style: Rock Vibrato I Riley, Glenn Quick, Tim Strumming Logic I Riley, Glenn Quick, Tim Triplets Riley, Glenn Quick, Tim Swing Eighths Riley, Glenn Quick, Tim Fingerstyle II Riley, Glenn Quick, Tim Pattern Playing I Riley, Glenn Peretz, Jeff Tremolo, Tapping with One Finger, and Pinch Harmonics Riley, Glenn Quick, Tim Sweep Picking I Riley, Glenn Quick, Tim Introduce Natural Minor Scale/Aeolian Riley, Glenn Peretz, Jeff Creating Aeolian Licks, Riffs and Runs Riley, Glenn Peretz, Jeff Introducing the Dorian Mode Riley, Glenn Quick, Tim Creating Dorian Licks, Riffs and Runs Riley, Glenn Quick, Tim Using Aeolian & Dorian Phrases Riley, Glenn Quick, Tim Minor Triad Arpeggio Forms Riley, Glenn Quick, Tim Soloing with Minor Modes Riley, Glenn Quick, Tim Guitaristic Chords Riley, Glenn Peretz, Jeff Hendrix Fills 1 Riley, Glenn Peretz, Jeff Movable Chords on the E/A String II Riley, Glenn Quick, Tim Movable Chords on the E/A String III Riley, Glenn Quick, Tim Cool Progressions Using Movable 7 Chords Riley, Glenn Quick, Tim Level: 06-Intermediate-Proficient Compare Ionian Scale to Mixolydian Mode Gregoire, Joel Meeker, Jared Expanded Fingerings for the Ionian Scale & Mixolydian Mode Gregoire, Joel Meeker, Jared Using Ionian & Mixolydian In Musical Context Gregoire, Joel Meeker, Jared Improvising Using Ionian & Mixolydian Modes Gregoire, Joel Meeker, Jared Major Triad Arpeggio Form Gregoire, Joel Meeker, Jared Bending with Vibrato Gregoire, Joel Meeker, Jared Legato II Gregoire, Joel Meeker, Jared Vibrato II Gregoire, Joel Meeker, Jared Strumming Logic II Gregoire, Joel Meeker, Jared Fingerstyle III Gregoire, Joel Meeker, Jared Pattern Playing II Gregoire, Joel Meeker, Jared Phrase Construction II Gregoire, Joel Meeker, Jared Advanced One-Finger Tapping Gregoire, Joel Meeker, Jared Sweep Picking II Gregoire, Joel Meeker, Jared Aeolian Mode Expanded Fingerings Gregoire, Joel Meeker, Jared Dorian Mode with Expanded Fingerings Plus Licks Steiger, Ken Martone, Dave Compare Aeolian to Dorian Steiger, Ken Martone, Dave Using Aeolian and Dorian in a Musical Context Steiger, Ken Martone, Dave Minor Triad Arpeggio Form Steiger, Ken Martone, Dave Guitaristic Chords II Steiger, Ken Martone, Dave Hendrix Fills II Steiger, Ken Martone, Dave Page 24 of 42

26 Style: Rock Level: 06-Intermediate-Proficient Intro to Diminished 7th Chords/Connecting Chords Using Steiger, Ken Martone, Dave Diminished Chords Triadic Arpeggios Through Key (Extend To 2 Octave) Riley, Glenn Peretz, Jeff 7th Chord Arpeggios (2-Octave) Riley, Glenn Peretz, Jeff 7th Chord Arpeggios (2-Octave) Riley, Glenn Peretz, Jeff Level: 07-Intermediate-Accomplished Creating Vamps Using 3rds Over Pedal Notes Steiger, Ken Martone, Dave Movable 6ths Patterns Steiger, Ken Martone, Dave Harmonizing the Major Scale with Diatonic Triads Steiger, Ken Martone, Dave Ionian and Dorian Modes Steiger, Ken Martone, Dave Advanced Fingerings of Scales and Modes I Steiger, Ken Phrygian and Lydian Modes Steiger, Ken Martone, Dave Advanced Dorian Fingerings Steiger, Ken Mixolydian and Aeolian Modes Steiger, Ken Martone, Dave Five-Note-Per-String Phrygian Steiger, Ken Locrian Mode Steiger, Ken Martone, Dave Using Trills inside of C Lydian Steiger, Ken New Ways of Playing the Major Pentatonic Scale Steiger, Ken Martone, Dave Combining Major and Minor Pentatonic II Meeker, Jared Bending with Vibrato II Steiger, Ken Meeker, Jared Legato III Steiger, Ken Meeker, Jared Vibrato III Steiger, Ken Meeker, Jared Strumming Logic III Steiger, Ken Meeker, Jared Guitaristic Chords III Steiger, Ken Meeker, Jared Latin Rhythms Steiger, Ken Meeker, Jared Fingerstyle IV Steiger, Ken Meeker, Jared Pattern Playing III Steiger, Ken Meeker, Jared Phrase Construction III Steiger, Ken Meeker, Jared Advanced Tapping (Two-Finger) Meeker, Jared Hybrid Picking I Steiger, Ken Meeker, Jared Beginning/Middle/End Steiger, Ken Meeker, Jared Sweep Picking III Steiger, Ken Meeker, Jared Minor Pentatonic Lesson 1 Connecting Boxes Riley, Glenn Peretz, Jeff Connecting Boxes 3 and 4 Riley, Glenn Peretz, Jeff Blues Scales Lesson 1 Connecting Boxes Riley, Glenn Martone, Dave Blues Scales Lesson 2, Connecting Boxes Riley, Glenn Martone, Dave Advanced Minor Scales and Modes Lesson 1 Martone, Dave Advanced Minor Scales and Modes Lesson 2 Martone, Dave Advanced Minor Scales and Modes Lesson 3 Martone, Dave Advanced Minor Scales and Modes Lesson 4 Martone, Dave Suspended Chords Martone, Dave Root 4 and Higher Voicings (Major) Martone, Dave Page 25 of 42

27 Style: Rock Level: 07-Intermediate-Accomplished Root 4 and Higher Voicings (Minor/Diminished) Martone, Dave Cool Progressions Using Root-4 Voicings Martone, Dave Constructing 7 Chord Scales Martone, Dave Hendrix Fills III Martone, Dave Diminished Triad Arpeggio Form: Expanded to 6 Strings Martone, Dave Diatonic 7th Chord Arpeggios Through Key (Extend to 6th String) Level: 08-Advanced-Early Martone, Dave Extending Intervals Beyond the Octave Martone, Dave Extended/Altered Chords (Add9) Expanded/Altered Chords Soloing With Double-Stops And Partial Chords Martone, Dave Syncopation Martone, Dave Advanced/Odd Time I Martone, Dave Advanced/Odd Time II Martone, Dave Harmonic Minor (Root Position) Martone, Dave Melodic Minor (Root Position) Whammy Bar I Martone, Dave Speed Picking I (Developing Speed) Martone, Dave String Skipping I Martone, Dave Sweep Picking/Tapping I Martone, Dave Slapping I Martone, Dave Multi-Finger Tapping Martone, Dave Hybrid Picking II Martone, Dave Advanced Harmonics I Advanced Arpeggios I Martone, Dave Modal Interchange Martone, Dave Creative Use of Pentatonic Scales I Martone, Dave Phrasing IV Hendrix Fills IV Martone, Dave Advanced Harmonics (Hand Tricks) Martone, Dave Level: 09-Advanced-Proficient Advanced Altered Dominant Chords Advanced 9th and add 9 Chords Advanced 11th and 13th Chords Advanced Soloing Techniques with Double-Stops and Partial Chords Advanced/Odd Time III Chromatic Scale Martone, Dave Diminished 7 Arpeggios Martone, Dave Advanced Arpeggios III Level: 10-Advanced Accomplished Advanced 7th Chord Voicings Page 26 of 42 Gregoire, Joel

28 Style: Rock Level: 10-Advanced Accomplished Advanced Minor Chord Progressions Advanced Syncopation Advanced Time IV Harmonic Minor Chord Scales (with 7ths) Melodic Minor Chord Scales (with 7ths) Advanced Arpeggios 5 Advanced Arpeggios 6 Whammy Bar III Speed Picking III (Shredding) Sweep Picking/Tapping III String Skipping III (Harmonic/Melodic Variation) Slapping III Hybrid Picking IV Modal Interchange (7th Chords) Creative Use of Pentatonic Scales III Phrasing VI Hendrix Fills VI Head to Hands Other Extended Techniques II Other Extended Techniques III Level: 10-Advanced-Accomplished Combining Scales and Modes Martone, Dave Style: Slide Level: 02-Beginner-Early Beginning Slide Guitar Level: 03-Beginner-Proficient Basic Left-Hand Technique Basic Right-Hand Technique Major Chord Licks in Standard Tuning Moving Licks from Chord to Chord Scales and Licks in Standard Tuning Introducing Open G Tuning Licks and a 12-Bar Blues in Open G Delta Blues Licks in Open G Licks, Tricks and Special Effects in Open G Style: Song-Acoustic Rocky Mountain High: Easy Chords Level: 05-Intermediate Early Like Red on a Rose: Part 1 Page 27 of 42 Castleman, R.L.

29 Style: Song-Acoustic Level: 05-Intermediate Early Like Red on a Rose: Part 2 Style: Song-Blues Level: 03-Beginner-Proficient Midnight Special St. Louis Blues Gallows Pole Crossroads Midnight Special: Embellished Kansas City Blues Love in Vain When the Levee Breaks Style: Song-Country Folsom Prison Blues: Very Easy I Walk the Line: Very Easy Level: 02-Beginner-Early I Walk the Line Level: 03-Beginner Proficient Lucky One: Easy Level: 03-Beginner-Proficient Folsom Prison Blues: Easy Chords Level: 04-Beginner Accomplished Restless: Easy Like Red on a Rose: Easy Folsom Prison Blues: Intro and Solo Licks Folsom Prison Blues: Rhythm Guitar Variations Rocky Mountain High: Embellished Style: Song-Folk Skip To My Lou Keep Your Hand on the Plow (Hold On) Rock-a-My-Soul Gates to the City Yellow Rose of Texas I Shall Not Be Moved Level: 02-Beginner-Early Shenandoah I (Basic Chords and Strums) Wild Bill Jones Page 28 of 42 Johnson, Pat Campbell, Ian Castleman, R.L.

30 Style: Song-Folk Level: 02-Beginner-Early Hot Corn, Cold Corn Raleigh and Spencer Fly Around My Pretty Little Miss When Irish Eyes are Smiling America the Beautiful Bill Bailey When Johnny Comes Marching Home Keep Your Lamps Trimmed Dark Eyes Scarborough Fair Level: 03-Beginner-Proficient John Henry (Part I) John Henry (Part II) Old Dan Tucker Shortnin Bread Kumbaya Little Brown Jug Happy Birthday Bicycle Built for Two Wade in the Water Volga Boatman Nobody Knows You When Youre Down and Out Motherless Child All Through the Night CC Rider Aura Lee He's Got the Whole World in His Hands Sloop John B Sittin' on Top of the World Down By the Riverside Froggie Went a-courtin I (Eighth-Note Strums) House of the Rising Sun (Part I) House of the Rising Sun (Part II) Mrs. McGrath Part I (Fingerstyle) Mrs. McGrath Part II (Fingerstyle) Shenandoah II (Fingerstyle) The Water Is Wide Part I The Water Is Wide Part II The Water Is Wide Part III Tom Dooley Swing Low, Sweet Chariot Page 29 of 42 Campbell, Ian Campbell, Ian Campbell, Ian Campbell, Ian Campbell, Ian Campbell, Ian Campbell, Ian Campbell, Ian Campbell, Ian Campbell, Ian Campbell, Ian Campbell, Ian Johnson, Pat Agresta, Ralph Agresta, Ralph Agresta, Ralph Agresta, Ralph Agresta, Ralph Agresta, Ralph Agresta, Ralph Rogers, Bess