Concept 1 The Pebber Brown Scaletone Form System Concept 2 The 4-sided triangle Tetrahedron concept. Concept. Concept 3 4 Triangle Groups 3A 3B 3C 3D

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1 This is the syllabus or course outline for the Pebber Brown Scaletone Form system for Guitar and Bass. It represents a general comprehensive outline that is followed when teaching any student. It can take many years to complete this outline, however it can also be learned modularly instead of linear fashion. This course plan is usually supplemented with additional materials such as sightreading studies, songs, repertoire, Jazz standards, fake book tunes, and play along jam CDs and other instructional DVDs and method books. This syllabus is also available on the web in its entirety as a downloadable file in both HTML and.pdf file formats. As the Open Courseware and Open Source software movement continues to inspire and move our society forward, the goal here is to make each lesson freely available to the public on the web and in downloadable formats created and represented in current PDF document, MP3 audio and H.264 video file formats. For further info contact Pebber Brown: (909) pebberbrown@gmail.com Concept 1 The Pebber Brown Scaletone Form System Concept 2 The 4-sided triangle Tetrahedron concept Concept 3 4 Triangle Groups 3A 3B 3C 3D Base Triangle Skillmaps Triangle One Stringmaps Triangle Two Tonemaps Triangle Three Ideamaps Concept 4 SKILLMAPS Concept 4A Technique Concept 4B Timing Concept 4C Musicianship Concept 5 STRINGMAPS Concept 5A Stringpairs Concept 5B Stringgroups Concept 5C Stringsets Concept 6 TONEMAPS Concept 6A Scales & Modes Concept 6B Chords & Chordal Modes Concept 6C Arpeggios & Extensions Concept 7 IDEAMAPS Concept 7A Scale and Arpeggio Patterns and Sequences Concept 7B Chordal Sequences and Progressions Concept 7C Improvisation and Composition GUITAR BASICS 101 Basics A.1 Naming the parts of the Guitar - Bridge, Nut, Neck, Pickups, Tuning Gears Basics A.2 How to hold the guitar, correct relaxed position of the arms, shoulders, elbows, neck Basics A.3 Music Alphabet, names of the notes on each string Basics A.4 Several ways to tune your guitar A.4.1 A.4.2 A.4.3 Tuning from Octaves on the 7 th fret Basics A.5 Finger naming conventions Basics A.6 Basic Finger stretching exercises, Isometrics Basics A.7 Maintenance of the nails Basics A.8 Laws and Definitions of Basic musical note concepts A.8.1 Sound A.8.2 Tone A.8.3 Harmony A.8.4 Interval A.8.5 Chord Basics A.9 Exploring Tones on the Guitar/Different Locations/Tone Controls/Pickups Basics A.10 Primary Basic Open Chords : C, G, D, A, E, F, A7, E7, D7, G7 Basic open BASS chords Basics B.1 How to Memorize Chords Tuning from Fingered notes on the 5 th fret Tuning from Harmonics on the 5 th and 7 th frets

2 Basics B.2 Basic Beginner Chord Forms Basics B.3 Basic chord progressions - A7, D7, E7 blues format, C-G-Cbasic songs Basics B.4 Basic Guitar Strumming / Bass Guitar Fingering techniques & exercises Basics B.5 Secondary Basic Open Chords: Esus4, Asus4, Dsus4, Csus4, Ami, Dmi, Emi, Gmi, Cmi Basics B.6 Working with song books and recorded music - song selection and practice ideas and plans. Basics B.7 The Philosophy of Technique - What is Technique? 1.01 TECHNIQUE: Classical, Flamenco and Electric Bass right hand techniques: 1.02 TECHNIQUE: Preliminary finger coordination exercises:(t=thumb down, Tu=Thumb Up) 1.03 Td Td Td Td 1.04 Tu - Tu - Tu - Tu 1.05 Td - Td - Tu - Tu 1.06 Td - Tu - Td - Tu 1.10 Free Strokes using 2 fingers Free Strokes using 3 fingers Rest Strokes using 2 fingers: Rest Strokes using 3 fingers Right hand techniques using alternating thumb and fingers: 1.51 Td-1 Td-1 Td Td-2 Td-2 Td Td-1-2 Td-1-2 Td Td-2-1 Td-2-1 Td Td-Tu-1 Td-Tu-1 Td-Tu Td-Tu-2 Td-Tu-2 Td-Tu Td-Tu-1-2 Td-Tu-1-2 Td-Tu Td-Tu-2-1 Td-Tu-2-1 Td-Tu Td-3 Td-3 Td Td-2-1-Td-2 Td-2-1-Td Td-1-3 Td Td-3-1 Td Td-3-1-Td-3 Td-3-1-Td Td-2-3 Td Td-3-2 Td Td-3-2-Td-3 Td-3-2-Td Td-Tu-3 Td-Tu-3 Td-Tu Td-Tu-2-1-Td-Tu Td-Tu-1-3 Td-Tu Td-Tu-3-1 Td-Tu Td-Tu-3-1-Td-Tu Td-Tu-2-3 Td-Tu Td-Tu-3-2 Td-Tu Td-Tu-3-2-Td-Tu Td Td Td Td Td Td Td Td Td Td-3-2-1

3 Td Td Td Td-3-Td Td-Tu Td-Tu Td-Tu Td-Tu Td-Tu Td-Tu Td-Tu Td-Tu Td-Tu Td-Tu Td-Tu Td-Tu Td Td-Tu-3-Td 2.00 Introduction to Picking Techniques 2.10 How to hold the pick 2.20 Scalpel Picking technique 2.30 Picking exercises on one string 2.31 Picking with ALL DOWNSTROKES 2.32 Picking with ALL UPSTROKES 2.33 Alternating BOTH Down and Upstrokes 2.40 Picking exercises on Adjacent strings 2.41 Picking with ALL DOWNSTROKES 2.42 Picking with ALL UPSTROKES 2.43 Picking with BOTH Down and Upstrokes 2.44 One Note Per String 2.45 Two Notes Per String 2.46 Three Notes Per String 2.47 Four Notes Per String 2.48 Five Notes Per String 2.49 Six Notes Per String 2.50 Seven Notes Per String 2.51 Eight Notes Per String 2.52 Nine Notes Per String 2.53 Ten Notes Per String 3.00 Alternate Picking on Non-Adjacent strings 3.01 Picking with ALL DOWNSTROKES 3.02 Picking with ALL UPSTROKES 3.03 Picking with BOTH Down and Upstrokes 3.04 One Note Per String 3.05 Two Notes Per String 3.06 Three Notes Per String 3.07 Four Notes Per String 3.08 Five Notes Per String 3.09 Six Notes Per String 3.10 Seven Notes Per String 3.11 Eight Notes Per String 3.12 Nine Notes Per String 3.13 Ten Notes Per String 3.14 More notes per string concepts 3.20 Introduction to Classical Guitar PIMA fingerpicking techniques 3.21 I-M 3.22 I-A 3.23 M-A 3.24 I-M-A 3.25 M-A-I 3.26 I-A-M 3.27 I-M-A-M 3.30 P.I.M.A. Patterns & permutations 3.31 P I 3.32 P M 3.33 P - I - M

4 3.34 P - M - I 3.35 P - M - I - P - M 3.36 P - I - A 3.37 P - A - I 3.38 P - A - I - P - A 3.39 P - M - A 3.40 P - A - M 3.41 P - A - M - P - A 3.42 P - I - M - A 3.43 P - I - A - M 3.44 P - M - I - A 3.45 P - M - A - I 3.46 P - A - I - M 3.47 P - A - M - I 3.48 P - I - M - A - M - I 3.49 P - I - M - A - M - I - M - I 3.50 PA - M - I - P - A - P 3.50 Jazz & Modern style picking technique using pick and fingers (P-2-3-4) 3.60 P picking patterns and permutations using pick and fingers 3.61 Pick Pick Pick Pick Pick Pick Pick Pick Pick Pick Pick Pick Pick Pick Pick Pick Pick Pick Pick Pick Pick Pick Pick Pick Pick 4.00 Picking techniques using both downstrokes and upstrokes adding fingers: 4.01 P(d)-2 P(d)-2 P(d) P(d)-3 P(d)-3 P(d) P(d)-2-3 P(d)-2-3 P(d) P(d)-3-2 P(d)-3-2 P(d) P(d)-P(up)-2 P(d)-P(up)-2 P(d)-P(up) P(d)-P(up)-3 P(d)-P(up)-3 P(d)-P(up) P(d)-P(up)-2-3 P(d)-P(up)-2-3 P(d)-P(up) P(d)-P(up)-3-2 P(d)-P(up)-3-2 P(d)-P(up) P(d)-4 P(d)-4 P(d) P(d)-3-2-P(d)-3 P(d)-3-2-P(d) P(d)-2-4 P(d) P(d)-4-2 P(d) P(d)-4-2-P(d)-4 P(d)-4-2-P(d) P(d)-3-4 P(d) P(d)-4-3 P(d) P(d)-4-3-P(d)-4 P(d)-4-3-P(d) P(d)-P(up)-4 P(d)-P(up)-4 P(d)-P(up) P(d)-P(up)-3-2 P(d)-P(up) P(d)-P(up)-2-4 P(d)-P(up) P(d)-P(up)-4-2 P(d)-P(up) P(d)-P(up)-4-2-P(d)-P(up)-4

5 4.22 P(d)-P(up)-3-4 P(d)-P(up) P(d)-P(up)-4-3 P(d)-P(up) P(d)-P(up)-4-3-P(d)-P(up) P(d) P(d) P(d) P(d) P(d) P(d) P(d) P(d) P(d) P(d) P(d) P(d) P(d) P(d)-4-P(d) 4.32 P(d)-P(up) P(d)-P(up) P(d)-P(up) P(d)-P(up) P(d)-P(up) P(d)-P(up) P(d)-P(up) P(d)-P(up) P(d)-P(up) P(d)-P(up) P(d)-P(up) P(d)-P(up) P(d) P(d)-P(up)-4-P(d) 4.40 The Technique of Directional Picking (Also called "speed", "economy" or "sweep" picking) 4.50 Introduction to Sarod and Indian/Middle Eastern picking techniques 4.60 Advanced Picking Techniques: 4.61 Muting Techniques 4.62 Chicken Picken 4.63 Lenny Breau Technique 4.64 Palm harmonics 4.65 The Rake 4.66 The Squeal (Pick harmonics) 4.67 Eric Johnson's Japanese Koto technique 4.68 Sitar damping technique 4.69 Sarod picking technique 4.70 Ralph Towner technique 4.71 John McLaughlin strumming exercise 4.72 Wes Montgomery technique 4.73 Howard Roberts picking exercise 4.74 Strumming exercises 4.75 List of P.I.M.A. Patterns & Permutations 4.76 How to practice the P.I.M.A. patterns 4.77 Mauro Guiliani 120 exercises 4.80 Isometric Hand Exercies 4.81 V Stretch exercise 4.82 Backward & Foreward Stretch 4.83 Steering Wheel exercise 4.84 Hand Grabs (250 to 400 and up/ w/exerciser) 4.85 Aikido Wrist bend (20-30 each) 4.86 The Splay exercise (10 each, hold for 10 seconds) 4.87 Wrist Rotate exercise (100 each) 4.88 Vibrato exercise (both hands & weighted) 4.89 Finger Flex exercise (4th, 3rd, 2nd & 1st) 4.90 Long Shakeout (Sideways, up and down) 4.91 Relax Left Hand Basics How to hold your left hand - Classical Form 5.02 Rules of the Classical Form for left hand technique 5.10 Left hand Strength and Coordination Technique Exercises 5.20 The Spider Fingering Exercises: (12-34, , , 123-4, 12-34) 5.21 Spider Fingering Group Spider Fingering Group Spider Fingering Group 1-3 & Spider Fingering Group Spider Fingering Group 123-4

6 5.26 Spider Fingering Group Spider Fingering Group Spider Fingering Group Spider Fingering Group Spider Fingering Group Spider Fingering Group Spider Fingering Group Spider Fingering Group Spider Fingering Group Spider Fingering Group Spider Fingering Group Spider Fingering Group Spider Fingering Group Spider Fingering Group Spider Fingering Group Two finger ladder exercises (2 note patterns) note pattern Finger group 1-2, (1 fret distance), (1 note on each string) note pattern Finger group 1-2, (1 fret distance), (2 notes on each string) note pattern Finger group (2 fret distance), (1 note on each string) note pattern Finger group (2 fret distance), (2 notes on each string) note pattern Finger group , (3 fret distance), (1 note on each string) note pattern Finger group , (3 fret distance), (2 notes on each string) note pattern Finger group (2 fret distance), (1 note on each string) note pattern Finger group (2 fret distance), (2 notes on each string) note pattern Finger group , (4 fret distance), (1 note on each string) note pattern Finger group , (4 fret distance), (2 notes on each string) note pattern Finger group , (4 fret distance), (1 note on each string) note pattern Finger group , (4 fret distance), (2 notes on each string) note pattern Finger group , (5 fret distance), (1 note on each string) note pattern Finger group , (5 fret distance), (2 notes on each string) note pattern Finger group , (6 fret distance), (1 note on each string) note pattern Finger group , (6 fret distance), (2 notes on each string) note pattern Finger group 2-3, (1 fret distance), (1 note on each string) note pattern Finger group 2-3, (1 fret distance), (2 notes on each string) note pattern Finger group (2 fret distance), (1 note on each string) note pattern Finger group (2 fret distance), (2 notes on each string) note pattern Finger group , (3 fret distance), (1 note on each string) note pattern Finger group , (3 fret distance), (2 notes on each string) note pattern Finger group 3-4, (1 fret distance), (1 note on each string) note pattern Finger group 3-4, (1 fret distance), (2 notes on each string) note pattern 5.75 Finger group 3- -4, (2 fret distance), (1 note on each string) note pattern 5.76 Finger group 3- -4, (2 fret distance), (2 notes on each string) note pattern 5.77 Finger group , (3 fret distance), (1 note on each string) note pattern 5.78 Finger group , (3 fret distance), (2 notes on each string) Finger ladder exercises (3 note patterns) note fingerboard ladder 6.01 Finger group 1-2-3, (2 notes/1 note) (2 string pattern) note fingerboard ladder 6.02 Finger group 1-2-3, (1 note/2 notes) (2 string pattern) note fingerboard ladder 6.03 Finger group 1-2-3, (1 note/1 note/1 note) (3 string pattern) note fingerboard ladder 6.04 Finger group , (2 notes/1 note) (2 string pattern) note fingerboard ladder 6.05 Finger group , (1 note/2 notes) (2 string pattern) note fingerboard ladder 6.06 Finger group , (1 note/1 note/1 note) (3 string pattern) note fingerboard ladder 6.07 Finger group , (2 notes/1 note) (2 string pattern) note fingerboard ladder 6.08 Finger group , (1 note/2 notes) (2 string pattern) note fingerboard ladder 6.09 Finger group , (1 note/1 note/1 note) (3 string pattern) note fingerboard ladder 6.10 Finger group , (2 notes/1 note) (2 string pattern) note fingerboard ladder 6.11 Finger group , (1 note/2 notes) (2 string pattern) note fingerboard ladder 6.12 Finger group , (1 note/1 note/1 note) (3 string pattern) note fingerboard ladder Finger group 1-2-4, (2 notes/1 note) (2 string pattern) note fingerboard ladder Finger group 1-2-4, (1 note/2 notes) (2 string pattern) note fingerboard ladder Finger group 1-2-4, (1 note/1 note/1 note) (3 string pattern) note fingerboard ladder Finger group , (2 notes/1 note) (2 string pattern)

7 note fingerboard ladder Finger group , (1 note/2 notes) (2 string pattern) note fingerboard ladder Finger group , (1 note/1 note/1 note) (3 string pattern) note fingerboard ladder Finger group , (2 notes/1 note) (2 string pattern) note fingerboard ladder Finger group , (1 note/2 notes) (2 string pattern) note fingerboard ladder Finger group , (1 note/1 note/1 note) (3 string pattern) note fingerboard ladder Finger group , (2 notes/1 note) (2 string pattern) note fingerboard ladder Finger group , (1 note/2 notes) (2 string pattern) note fingerboard ladder Finger group , (1 note/1 note/1 note) (3 string pattern) note fingerboard ladder 6.25 Finger group 1-3-4, (2 notes/1 note) (2 string pattern) note fingerboard ladder 6.26 Finger group 1-3-4, (1 note/2 notes) (2 string pattern) note fingerboard ladder 6.27 Finger group 1-3-4, (1 note/1 note/1 note) (3 string pattern) note fingerboard ladder 6.28 Finger group , (2 notes/1 note) (2 string pattern) note fingerboard ladder 6.29 Finger group , (1 note/2 notes) (2 string pattern) note fingerboard ladder 6.30 Finger group , (1 note/1 note/1 note) (3 string pattern) note fingerboard ladder 6.31 Finger group , (2 notes/1 note) (2 string pattern) note fingerboard ladder 6.32 Finger group , (1 note/2 notes) (2 string pattern) note fingerboard ladder 6.33 Finger group , (1 note/1 note/1 note) (3 string pattern) note fingerboard ladder 6.34 Finger group , (2 notes/1 note) (2 string pattern) note fingerboard ladder 6.35 Finger group , (1 note/2 notes) (2 string pattern) note fingerboard ladder 6.36 Finger group , (1 note/1 note/1 note) (3 string pattern) note fingerboard ladder 6.37 Finger group , (2 notes/1 note) (2 string pattern) note fingerboard ladder 6.38 Finger group , (1 note/2 notes) (2 string pattern) note fingerboard ladder 6.39 Finger group , (1 note/1 note/1 note) (3 string pattern) note fingerboard ladder 6.40 Finger group , (2 notes/1 note) (2 string pattern) note fingerboard ladder 6.41 Finger group , (1 note/2 notes) (2 string pattern) note fingerboard ladder 6.42 Finger group , (1 note/1 note/1 note) (3 string pattern) note fingerboard ladder Finger group 2-3-4, (2 notes/1 note) (2 string pattern) note fingerboard ladder Finger group 2-3-4, (1 note/2 notes) (2 string pattern) note fingerboard ladder Finger group 2-3-4, (1 note/1 note/1 note) (3 string pattern) note fingerboard ladder Finger group , (2 notes/1 note) (2 string pattern) note fingerboard ladder Finger group , (1 note/2 notes) (2 string pattern) note fingerboard ladder Finger group , (1 note/1 note/1 note) (3 string pattern) note fingerboard ladder Finger group , (2 notes/1 note) (2 string pattern) note fingerboard ladder Finger group , (1 note/2 notes) (2 string pattern) note fingerboard ladder Finger group , (1 note/1 note/1 note) (3 string pattern) note fingerboard ladder Finger group , (2 notes/1 note) (2 string pattern) note fingerboard ladder Finger group , (1 note/2 notes) (2 string pattern) note fingerboard ladder Finger group , (1 note/1 note/1 note) (3 string pattern) 7.00 Left Hand Trill Exercises - The most important basic patterns of Virtuoso Technique: 7.10 Two finger Left Hand Trill patterns: , 1-3, 1-4, 2-3, 2-4, , 0-2, 0-3, , 0-1-3, , 0-2-3, , , , , , 0-3-1, 0-4-1, 0-3-2, 0-4-2, Three finger trill patterns: , 1-3-2, 2-1-3, 2-3-1, 3-1-2, , 1-4-2, 2-1-4, 2-4-1, 4-1-2, , 1-4-3, 3-1-4, 3-4-1, 4-1-3, , 2-4-3, 3-4-2, 3-2-4, 4-2-3, , , , , , , , , , Four finger trill movement patterns: , , , , , , , , , , , , , , , , , , , ,

8 7.35 Four finger trill movement patterns using open strings: , , , , , , , , , , , , , , , , , , , , , , , , , Ways to move on the fingerboard (movement pattern matrix) 7.51 Types of Fingerboard Movement 7.52 Movement Exercises finger permutations 7.54 Movement in Halfsteps 7.55 Linear Movement up one string 7.56 Linear Movement down one string Reverse Angling Movement 7.62 Spiral Angling Movement 7.63 Movement in Wholesteps 7.64 Wholestep Linear Movement 7.65 Wholestep Horizontal Movement 7.66 Wholestep Angling Movement 7.67 Wholestep Reverse Angling Movement 7.68 Wholestep Spiral Angling Movement 7.69 Movement in Minor 3rds 7.70 Minor 3rd Linear Movement 7.71 Minor 3rd Horizontal Movement 7.72 Minor 3rd Angling Movement 7.73 Minor 3rd Reverse Angling Movement 7.74 Minor 3rd Spiral Angling Movement Horizontal Movement across all 6 strings from 1 st to 6 th string Horizontal Movement across all 6 strings rfom 6 th to 1 st sting Linear Angling Movement upward from 1 st string to 6 th string Linear Angling Movement downward from 6 th to 1str string Reverse Linear Angling Movement upward from 1 st to 6 th string Reverse Linear Angling Movement downward from 6th to 1 st string 7.80 Finger Trill movement patterns finger trill movement patterns finger trill movement patterns finger trill movement patterns 7.84 Chromatic 2 finger movement patterns 7.85 Chromatic 3 finger movement patterns 7.86 Chromatic 4 finger movement patterns 7.87 Chromatic 4-finger Movement pattern exercises 8.00 What number permutations are and how they are used on the fingerboard: 8.10 PERMUTATIONS OF 2: PERMUTATIONS OF 3: PERMUTATIONS OF 4:

9 Music of the Western Hemisphere: 8.61 Laws & Definitions 8.62 Tones, Intervals & Chords 8.63 Melodic Minor+4 (Lydian Diminished) & Harmonic Intervals 8.70 Pythagoras discoveries of string vibration and mathematical ratios: 8.75 Harmonic Nodes: Nodes on the 12th, 9th and 7th fret, 19th and 24th fret 8.80 The Harmonic Overtone series 8.90 Picking exercises using harmonic nodes 9.00 Fundamental Concepts of Music 9.10 Basic Concepts of Written Music 9.11 The Staff 9.12 Treble Clef 9.13 Bass Clef 9.14 Time Signatures 9.15 Bars or Measures 9.20 Sharps, Double Sharps, Flats, Naturals and Double Flats 9.21 Sharps 9.22 Flats 9.23 Naturals 9.24 Double Flats 9.25 Double Sharps 9.26 Melody 9.27 Harmony 9.28 Rhythm 9.29 Action in Time 9.30 Timing in Music The Matrix of Ratios: Timing ratios in Music One note per 1 beat Quarter Notes - 1:1 ratio Two notes per 1 beat - Eighth notes - 2:1 ratio Three notes per 1 beat - 8th note Triplets 3:1 ratio Four notes per 1 beat - 16th notes 4:1 ratio Five notes per 1 beat - 5-tuplets 5:1 ratio Six notes per 1 beat - 16th note triplets 6:1 ratio Seven notes 1 per beat 7:1 ratio Eight notes 1 per beat - 32nd notes 8:1 ratio Nine notes 1 per beat 9:1 ratio Ten notes per 1 beat 10:1 ratio One note every 2 beats Half notes 1: Two notes every 2 beats Quarter notes 2: Three notes every 2 beats Quarter Note Triplets 3: Four notes every 2 beats 8th notes 4:2

10 10.24 Five notes every 2 beats 5: Six notes every 2 beats 8th note triplets 6: Seven notes every 2 beats 7: Eight notes every 2 beats 16th notes 8: Nine notes every 2 beats 9: Ten notes every 2 beats 10: One note every 3 beats Dotted Half 1: Two notes every 3 beats Dotted Quarters 2: Three notes every 3 beats Quarter Notes 3: Four notes every 3 beats Dotted 8ths Notes 4: Five notes every 3 beats 5: Six notes every 3 beats 8th notes 6: Seven notes every 3 beats 7: Eight notes every 3 beats 16th notes 8: Nine notes every 3 beats 8th note triplets 9: Ten notes every 3 beats 10: One note every 4 beats Whole notes 1: Two notes every 4 beats Half notes 2: Three notes every 4 beats Half Note Triplets 3: Four notes every 4 beats Quarter notes 4: Five notes every 4 beats 5: Six notes every 4 beats Quarter note triplets 6: Seven notes every 4 beats 7: Eight notes every 4 beats 8th notes 8: Nine notes every 4 beats 9: Ten notes every 4 beats 10: Basic Rhythmic Notation Concepts The Whole Note The Half Note The Quarter Note The Quarter Note Triplet The Eighth Note The Eighth Note Triplet The Sixteenth Note The Sixteenth Note Triplet The Thirty Second Note The Thirty Second Note Triplet th notes th note triplets The Dot (.) The Dotted Half Note The Dotted Quarter Note The Dotted Eighth Note All A out Rests The Whole Note Rest The Half Note Rest The Quarter Note Rest The Eighth Note Rest The Sixteenth Note Rest Rhythmic Notation exercises Explanation of the 12 tone system The 12-Tone System, Explanation of the chromatic "numberline" Calculating the distance between notes Basic intervals - Halfsteps, wholesteps and minor 3rds The Chromatic Scale Calculating Halfsteps Calculating Halfsteps on the Guitar or Bass

11 11.07 The Wholetone Scale Calculating Wholesteps Calculating Wholesteps on the Guitar or Bass The Diminished Scale Calculating minor 3rds Calculating minor 3rds on the Guitar or Bass Complete neck diagram with all the notes Blank Neck Diagram Worksheets Basic Beginner Chord Forms Intermediate Chord Forms Barre Chord Forms Scale Technique Building Exercises: Introduction to Virtuoso Guitar Technique Chromatic scale on each string (Work up to quarter note=72 to 120) Chromatic shifting pattern on each string (Naming selected notes verbally) Chromatic across the strings (no# 1) (LINEAR: , ) Chromatic across the strings (no# 2) ( , ) Chromatic across the strings (no# 3) ( , ) Chromatic across the strings (no# 4) ( ) Wholetone Scale Technique Exercises: Wholetone scale (LINEAR: 1-2-4, 1-2-4) Wholetone across the strings #1 (1-2-4, 1-3, 1-2-4, 1-3, 1-3, 1-2-4) Wholetone across the strings #2 (1-3, 1-2-4, 1-3, 1-2, 1-2-4, 1-3-4) Wholetone 2 & 4 (2-4, 2-4, 2-4, 2-4, 2-4, 1-3) Diminished Scale Technique Exercises: Diminished (mi3rd) Arpeggio #1 (LINEAR: 1-4, 1-4) Diminished (mi3rd) Arpeggio #2 (ACROSS: 1-4, 2, 1-3, 1-4, 3, 1-4) Diminished (mi3rd) Arpeggio #3 (ACROSS: 3, 1-4, 1-4, 2, 1-4, 2) Strength & Coordination Exercises: X-Pattern exercise (alternate & directional picking / notes per string) Learning to play by ear (The Natural Way) The E minor Pentatonic scale Emi Pentatonic pos I Emi Pentatonic pos II Emi Pentatonic pos III Emi Pentatonic pos IV Emi Pentatonic pos V Emi Pentatonic single string playing Emi Pentatonic dual string patterns Emi Pentatonic combination patterns The E Blues scale E Blues pos I E Blues pos II E Blues pos III E Blues pos IV E Blues pos V E Blues single string playing E Blues dual string patterns E Blues combination patterns The A minor Pentatonic scale Ami Pentatonic pos I Ami Pentatonic pos II

12 16.30 Ami Pentatonic pos III Ami Pentatonic pos IV Ami Pentatonic pos V Ami Pentatonic single string playing Ami Pentatonic dual string patterns Ami Pentatonic Combination patterns The A Blues scale A Blues pos I A Blues pos II A Blues pos III A Blues pos IV A Blues pos V A Blues single string playing A Blues dual string patterns A Blues combination patterns The D minor Pentatonic scale Dmi Pentatonic pos I Dmi Pentatonic pos II Dmi Pentatonic pos III Dmi Pentatonic pos IV Dmi Pentatonic pos V Dmi Pentatonic single string playing Dmi Pentatonic dual string patterns Dmi Pentatonic Combination patterns The D Blues scale D Blues pos I D Blues pos II D Blues pos III D Blues pos IV D Blues pos V D Blues single string playing D Blues dual string patterns D Blues combination patterns The G minor Pentatonic scale Gmi Pentatonic pos I Gmi Pentatonic pos II Gmi Pentatonic pos III Gmi Pentatonic pos IV Gmi Pentatonic pos V Gmi Pentatonic single string playing Gmi Pentatonic dual string patterns Gmi Pentatonic Combination patterns The G Blues scale G Blues pos I G Blues pos II G Blues pos III G Blues pos IV G Blues pos V G Blues single string playing G Blues dual string patterns G Blues combination patterns The A minor Pentatonic scale Cmi Pentatonic pos I Cmi Pentatonic pos II Cmi Pentatonic pos III Cmi Pentatonic pos IV Cmi Pentatonic pos V

13 22.60 Cmi Pentatonic single string playing Cmi Pentatonic dual string patterns Cmi Pentatonic Combination patterns The A Blues scale A Blues pos I A Blues pos II A Blues pos III A Blues pos IV A Blues pos V A Blues single string playing A Blues dual string patterns A Blues combination patterns The F minor Pentatonic scale Fmi Pentatonic pos I Fmi Pentatonic pos II Fmi Pentatonic pos III Fmi Pentatonic pos IV Fmi Pentatonic pos V Fmi Pentatonic single string playing Fmi Pentatonic dual string patterns Fmi Pentatonic Fombination patterns The F Blues scale F Blues pos I F Blues pos II F Blues pos III F Blues pos IV F Blues pos V F Blues single string playing F Blues dual string patterns F Blues combination patterns The Bb minor Pentatonic scale Bbmi Pentatonic pos I Bbmi Pentatonic pos II Bbmi Pentatonic pos III Bbmi Pentatonic pos IV Bbmi Pentatonic pos V Bbmi Pentatonic single string playing Bbmi Pentatonic dual string patterns Bbmi Pentatonic Bbombination patterns The Bb Blues scale Bb Blues pos I Bb Blues pos II Bb Blues pos III Bb Blues pos IV Bb Blues pos V Bb Blues single string playing Bb Blues dual string patterns Bb Blues combination patterns The Eb minor Pentatonic scale Ebmi Pentatonic pos I Ebmi Pentatonic pos II Ebmi Pentatonic pos III Ebmi Pentatonic pos IV Ebmi Pentatonic pos V Ebmi Pentatonic single string playing Ebmi Pentatonic dual string patterns Ebmi Pentatonic Ebombination patterns

14 29.00 The Eb Blues scale Eb Blues pos I Eb Blues pos II Eb Blues pos III Eb Blues pos IV Eb Blues pos V Eb Blues single string playing Eb Blues dual string patterns Eb Blues combination patterns The A (G#) minor Pentatonic scale A (G#)mi Pentatonic pos I A (G#)mi Pentatonic pos II A (G#)mi Pentatonic pos III A (G#)mi Pentatonic pos IV A (G#)mi Pentatonic pos V A (G#)mi Pentatonic single string playing A (G#)mi Pentatonic dual string patterns A (G#)mi Pentatonic A (G#)ombination patterns The A (G#) Blues scale A (G#) Blues pos I A (G#) Blues pos II A (G#) Blues pos III A (G#) Blues pos IV A (G#) Blues pos V A (G#) Blues single string playing A (G#) Blues dual string patterns A (G#) Blues combination patterns The Db (C#) minor Pentatonic scale Db (C#)mi Pentatonic pos I Db (C#)mi Pentatonic pos II Db (C#)mi Pentatonic pos III Db (C#)mi Pentatonic pos IV Db (C#)mi Pentatonic pos V Db (C#)mi Pentatonic single string playing Db (C#)mi Pentatonic dual string patterns Db (C#)mi Pentatonic Db (C#)ombination patterns The Db (C#) Blues scale Db (C#) Blues pos I Db (C#) Blues pos II Db (C#) Blues pos III Db (C#) Blues pos IV Db (C#) Blues pos V Db (C#) Blues single string playing Db (C#) Blues dual string patterns Db (C#) Blues combination patterns The Gb (F#) (F#) minor Pentatonic scale Gb (F#) (F#)mi Pentatonic pos I Gb (F#) (F#)mi Pentatonic pos II Gb (F#) (F#)mi Pentatonic pos III Gb (F#) (F#)mi Pentatonic pos IV Gb (F#) (F#)mi Pentatonic pos V Gb (F#) (F#)mi Pentatonic single string playing Gb (F#) (F#)mi Pentatonic dual string patterns Gb (F#) (F#)mi Pentatonic Gb (F#) (F#)ombination patterns The Gb (F#) (F#) Blues scale Gb (F#) (F#) Blues pos I

15 35.20 Gb (F#) (F#) Blues pos II Gb (F#) (F#) Blues pos III Gb (F#) (F#) Blues pos IV Gb (F#) (F#) Blues pos V Gb (F#) (F#) Blues single string playing Gb (F#) (F#) Blues dual string patterns Gb (F#) (F#) Blues combination patterns The B (Cb) minor Pentatonic scale B (Cb) mi Pentatonic pos I B (Cb) mi Pentatonic pos II B (Cb) mi Pentatonic pos III B (Cb) mi Pentatonic pos IV B (Cb) mi Pentatonic pos V B (Cb) mi Pentatonic single string playing B (Cb) mi Pentatonic dual string patterns B (Cb) mi Pentatonic B (Cb) ombination patterns The B (Cb) Blues scale B (Cb) Blues pos I B (Cb) Blues pos II B (Cb) Blues pos III B (Cb) Blues pos IV B (Cb) Blues pos V B (Cb) Blues single string playing B (Cb) Blues dual string patterns B (Cb) Blues combination patterns Introduction to Diatonic Scales The Major Scale Concept Tetrachord Concepts Major Scale construction exercise Key Signatures - 12 Keys The Circle of 4ths and 5ths The Circle of 4ths Practice Method The Circle of 5ths Practice Method How to memorize Key Signatures Key Signature Matrix Table and exercises Basic Scale tonalities (Major, Minor and Dominant) Common Major Tonalities: Major Scale Lydian Scale Mixolydian (Dominant) scale Common Minor Tonalities: Minor (Natural Minor) Melodic Minor+4 (Lydian Diminished) Minor Harmonic Minor Exotic Minor Tonalities: Hungarian Minor Romanian Minor Lydian Diminished Scale (Melodic Minor+4 (Lydian Diminished) MAJOR SCALE KEY STUDIES: Introduction to scale position systems How scales are mapped out on the neck The 5 position (CAGED) System of Fingerboard Organization:

16 45.40 G Major Triad Arpeggios 5 Positions common shapes G Major Chords 5 Positions common shapes G Major Pentatonic Scales - 5 Positions common shapes G Major Scale & Arpeggio 5 Position Exercises Transposition of Keys on the Guitar - Relative Minor and Major G Major Pentatonic and Eminor Pentatonic scale relationship Major and Minor Pentatonic Scales Major and Minor Key Signatures Mixolydian Blues exercise Stormy Monday Blues All Blues G Major Scale single string patterns G Major Scale dual string patterns Basic scale sequences & patterns for improvisation Playing scales staccato Playing scales legato Playing scales piano legato Intervals & Fingerboard Geometry What Diatonic Intervals are Table of Intervals Calculating the distance between Intervals Major Scales in 2nds Major Scales in 3rds Major Scales in 4ths Major Scales in 5ths Major Scales in 6ths Major Scales in 7ths Major Scales using Octaves Notation of the Octave Types of Intervallic Motion - Parallel, Similar and Oblique Doubled Octaves Doubled 4ths Doubled 5ths Doubled 4ths & 5ths Octaves & 4ths Octaves & 5ths Octaves & 6ths Tribute to George Benson Octaves & 7ths Major Scales in 9ths Major Scales in 10ths Major Scales in 13ths Major Scale 2 note sequences Major Scale 3 note sequences Major Scale 4 note sequences Major Scale 5 note sequences Major Scale 6 note sequences Major Scale 7 note sequences Major Scale 8 note sequences Major Scale 9 note sequences Major Scale 10 note sequences Linear Interval scale patterns Intervallic Pull-offs Single String playing intervallic patterns Dual String combination intervallic patterns The 7 Position (3 NPS) Scale System Position Major Scales Position Melodic Minor+4 (Lydian Diminished) Minor Scales Position Harmonic Minor Scales Position Lydian Diminished Scales

17 Position Altered Scales Recommended Books for further 7 Pos studies The Russ Tuttle 12-Position 60 Scale System Position /12 Key Major Scales Position /12 Key Melodic Minor+4 (Lydian Diminished) Minor Position /12 Key Harmonic Minor Position /12 Key Wholetone Position /12 Key Diminished Position Triad Sequences Position 4-note Sequences Position patterns over chord movement Position System Arpeggio Sequences The Pebber Brown 14 Position System Position /14 Key Major Scales Position /14 Key Melodic Minor+4 (Lydian Diminished) Minor Position /14 Key Harmonic Minor Position /14 Key Wholetone Position /14 Key Diminished Position Triad Sequences Position 4-note Sequences Position patterns over chord movement Position System Arpeggio Sequences The PB Scaletone Form System of Tonal and Fingerboard Mapping G Major Scaletone form System G Major Pentatonic Scaletone Forms G Major Scale Triad Arpeggio Forms G Major Scale Maj7 Arpeggio Forms G Major Scale Maj6 Arpeggio Forms G Major Scale Maj9 Arpeggio Forms G Major Scale Maj6/9 Arpeggio Forms G Major Scale Maj9+11 Arpeggio Forms G Major Scale Maj6/9+11 Arpeggio Forms G Major Scale Maj13 Arpeggio Forms A Major Scaletone Form System A Major Pentatonic Scaletone Forms A Major Scale Triad Arpeggio Forms A Major Scale Maj7 Arpeggio Forms A Major Scale Maj6 Arpeggio Forms A Major Scale Maj9 Arpeggio Forms A Major Scale Maj6/9 Arpeggio Forms A Major Scale Maj9+11 Arpeggio Forms A Major Scale Maj6/9+11 Arpeggio Forms A Major Scale Maj13 Arpeggio Forms F Major Scaletone Form System F Major Pentatonic Scaletone Forms F Major Scale Triad Arpeggio Forms F Major Scale Maj7 Arpeggio Forms F Major Scale Maj6 Arpeggio Forms F Major Scale Maj9 Arpeggio Forms F Major Scale Maj6/9 Arpeggio Forms F Major Scale Maj9+11 Arpeggio Forms F Major Scale Maj6/9+11 Arpeggio Forms F Major Scale Maj13 Arpeggio Forms Bb Major Scaletone Form System Bb Major Pentatonic Scaletone Forms Bb Major Scale Triad Arpeggio Forms Bb Major Scale Maj7 Arpeggio Forms

18 84.40 Bb Major Scale Maj6 Arpeggio Forms Bb Major Scale Maj9 Arpeggio Forms Bb Major Scale Maj6/9 Arpeggio Forms Bb Major Scale Maj9+11 Arpeggio Forms Bb Major Scale Maj6/9+11 Arpeggio Forms Bb Major Scale Maj13 Arpeggio Forms Eb Major Scaletone Form System Eb Major Pentatonic Scaletone Forms Eb Major Scale Triad Arpeggio Forms Eb Major Scale Maj7 Arpeggio Forms Eb Major Scale Maj6 Arpeggio Forms Eb Major Scale Maj9 Arpeggio Forms Eb Major Scale Maj6/9 Arpeggio Forms Eb Major Scale Maj9+11 Arpeggio Forms Eb Major Scale Maj6/9+11 Arpeggio Forms Eb Major Scale Maj13 Arpeggio Forms A (G#) Major Scaletone Form System A (G#) Major Pentatonic Scaletone Forms A (G#) Major Scale Triad Arpeggio Forms A (G#) Major Scale Maj7 Arpeggio Forms A (G#) Major Scale Maj6 Arpeggio Forms A (G#) Major Scale Maj9 Arpeggio Forms A (G#) Major Scale Maj6/9 Arpeggio Forms A (G#) Major Scale Maj9+11 Arpeggio Forms A (G#) Major Scale Maj6/9+11 Arpeggio Forms A (G#) Major Scale Maj13 Arpeggio Forms Db (C#) Major Scaletone Form System Db (C#) Major Pentatonic Scaletone Forms Db (C#) Major Scale Triad Arpeggio Forms Db (C#) Major Scale Maj7 Arpeggio Forms Db (C#) Major Scale Maj6 Arpeggio Forms Db (C#) Major Scale Maj9 Arpeggio Forms Db (C#) Major Scale Maj6/9 Arpeggio Forms Db (C#) Major Scale Maj9+11 Arpeggio Forms Db (C#) Major Scale Maj6/9+11 Arpeggio Forms Db (C#) Major Scale Maj13 Arpeggio Forms Gb (F#) (F#) Major Scaletone Form System Gb (F#) (F#) Major Pentatonic Scaletone Forms Gb (F#) (F#) Major Scale Triad Arpeggio Forms Gb (F#) (F#) Major Scale Maj7 Arpeggio Forms Gb (F#) (F#) Major Scale Maj6 Arpeggio Forms Gb (F#) (F#) Major Scale Maj9 Arpeggio Forms Gb (F#) (F#) Major Scale Maj6/9 Arpeggio Forms Gb (F#) (F#) Major Scale Maj9+11 Arpeggio Forms Gb (F#) (F#) Major Scale Maj6/9+11 Arpeggio Forms Gb (F#) (F#) Major Scale Maj13 Arpeggio Forms B (Cb) Major Scaletone Form System B (Cb) Major Pentatonic Scaletone Forms B (Cb) Major Scale Triad Arpeggio Forms B (Cb) Major Scale Maj7 Arpeggio Forms B (Cb) Major Scale Maj6 Arpeggio Forms B (Cb) Major Scale Maj9 Arpeggio Forms B (Cb) Major Scale Maj6/9 Arpeggio Forms B (Cb) Major Scale Maj9+11 Arpeggio Forms B (Cb) Major Scale Maj6/9+11 Arpeggio Forms B (Cb) Major Scale Maj13 Arpeggio Forms E Major Scaletone Form System

19 90.10 E Major Pentatonic Scaletone Forms E Major Scale Triad Arpeggio Forms E Major Scale Maj7 Arpeggio Forms E Major Scale Maj6 Arpeggio Forms E Major Scale Maj9 Arpeggio Forms E Major Scale Maj6/9 Arpeggio Forms E Major Scale Maj9+11 Arpeggio Forms E Major Scale Maj6/9+11 Arpeggio Forms E Major Scale Maj13 Arpeggio Forms A Major Scaletone Form System A Major Pentatonic Scaletone Form System A Major Scale Triad Arpeggio Forms A Major Scale Maj7 Arpeggio Forms A Major Scale Maj6 Arpeggio Forms A Major Scale Maj9 Arpeggio Forms A Major Scale Maj6/9 Arpeggio Forms A Major Scale Maj9+11 Arpeggio Forms A Major Scale Maj6/9+11 Arpeggio Forms A Major Scale Maj13 Arpeggio Forms D Major Scaletone Form System D Major Pentatonic Scaletone Form System D Major Scale Triad Arpeggio Forms D Major Scale Maj7 Arpeggio Forms D Major Scale Maj6 Arpeggio Forms D Major Scale Maj9 Arpeggio Forms D Major Scale Maj6/9 Arpeggio Forms D Major Scale Maj9+11 Arpeggio Forms D Major Scale Maj6/9+11 Arpeggio Forms D Major Scale Maj13 Arpeggio Forms Introduction to Traditional Chords Chord Triad Concepts Basic Diatonic Triads Triad Exercise# Inversions of the Major Triad Triad Exercise # Minor Triads Augmented Triads Diminished Triads Altered Triads Suspended Triads Nomenclature of Triads Diatonic Three Part Chords - Group One Triadic Diatonic Chord Scales (Root Position) Exercises Triadic Diatonic Chord Scales (1st Inversion) Exercises Triadic Diatonic Chord Scales (2nd Inversion) Diatonic Four Part Chords - Group One Inversions of Four Part Chords Four Part Chord Exercises I Major 7th Chord Arpeggios The Four Note Stringset System (16 Total 4-note Stringsets) Common Adjacent Stringsets: (6543, 5432, 4321) Basstone 6 Non-Adjacent Stringsets: (6/321, 6/432) Basstone 6 Skipping Stringets: (654/2, 654/1, 65/32, 65/3/1, 65/21) (6/43/1, 6/4/21, 6/321) BassTone 5 Non-Adjacent Stringsets: (543/1, 54/21, 5/321)

20 97.00 Major 7th Chord Forms: I Maj7 (Root Position) I Maj7/ I Maj7/ I Maj7/ I Major 7th Chord Arpeggios Major 6th Chord Forms: I Maj6 (Root Position) I Maj6/ I Maj6/ I Maj6/ I Maj6 Arpeggios Four Part Chords - Group Two Major 7th Chords Major 6th Chords Dominant 7th Chords Minor 6th Chords Introduction to Basic Chord Progressions: Imaj7-IVMaj7-V7 (I-IV-V Progression) IImi7-V7-IMaj7 (II-V-I Progression) IMaj7-IVMaj7-IIImi7-IImi7-Imaj7 (I-IV-III-II-I Progression) IMaj7-VImi7-IImi7-V7-Imaj7 (I-VI-II-V-I Progresion) Four Part Chords - Group Three Altered Major Chord Types Maj7(b5) Maj7(+5) Maj7(+5b5) Maj6(b5) Maj6(+5) Maj6(+5b5) Altered Dominant Chord Types Dom7(b5) Dom7(+5) Dom7(+5b5) Altered Minor Chord Types mi7(b5) mi7(+5) mi6(b5) Mi5(+5) Introduction to Minor Scales Relative Minor and Major Concept Natural Minor Scale (Aeolian Mode) Minor Scales as Altered Major Scales Melodic Minor+4 (Lydian Diminished) Minor Scale Concepts Harmonic Minor Scale Concepts Altered Melodic Minor+4 (Lydian Diminished) Minor Scale Concepts Altered Harmonic Minor Scale Concepts Diminished Concept derived from Harmonic Minor C Melodic Minor+4 (Lydian Diminished) Minor Scale C Melodic Minor+4 (Lydian Diminished) Minor Scale Arpeggio Forms C Melodic Minor+4 (Lydian Diminished) Minor Pentatonic Scales C Melodic Minor+4 (Lydian Diminished) Minor Chord Forms

21 C Melodic Minor+4 (Lydian Diminished) Minor Scale & Arpeggio Exercises C Melodic Minor+4 (Lydian Diminished) Minor Pentatonic scale patterns C Melodic Minor+4 (Lydian Diminished) Minor Harmonization F Melodic Minor+4 (Lydian Diminished) Minor Scale F Melodic Minor+4 (Lydian Diminished) Minor Scale Arpeggio Forms F Melodic Minor+4 (Lydian Diminished) Minor Pentatonic Scales F Melodic Minor+4 (Lydian Diminished) Minor Chord Forms F Melodic Minor+4 (Lydian Diminished) Minor Scale & Arpeggio Exercises F Melodic Minor+4 (Lydian Diminished) Minor Pentatonic scale patterns F Melodic Minor+4 (Lydian Diminished) Minor Harmonization Bb Melodic Minor+4 (Lydian Diminished) Minor Scale Bb Melodic Minor+4 (Lydian Diminished) Minor Scale Arpeggio Forms Bb Melodic Minor+4 (Lydian Diminished) Minor Pentatonic Scales Bb Melodic Minor+4 (Lydian Diminished) Minor Chord Forms Bb Melodic Minor+4 (Lydian Diminished) Minor Scale & Arpeggio Exercises Bb Melodic Minor+4 (Lydian Diminished) Minor Pentatonic scale patterns Bb Melodic Minor+4 (Lydian Diminished) Minor Harmonization Eb Melodic Minor+4 (Lydian Diminished) Minor Scale Eb Melodic Minor+4 (Lydian Diminished) Minor Scale Arpeggio Forms Eb Melodic Minor+4 (Lydian Diminished) Minor Pentatonic Scales Eb Melodic Minor+4 (Lydian Diminished) Minor Chord Forms Eb Melodic Minor+4 (Lydian Diminished) Minor Scale & Arpeggio Exercises Eb Melodic Minor+4 (Lydian Diminished) Minor Pentatonic scale patterns Eb Melodic Minor+4 (Lydian Diminished) Minor Harmonization A Melodic Minor+4 (Lydian Diminished) Minor Scale A Melodic Minor+4 (Lydian Diminished) Minor Scale Arpeggio Forms A Melodic Minor+4 (Lydian Diminished) Minor Pentatonic Scales A Melodic Minor+4 (Lydian Diminished) Minor Chord Forms A Melodic Minor+4 (Lydian Diminished) Minor Scale & Arpeggio Exercises A Melodic Minor+4 (Lydian Diminished) Minor Pentatonic scale patterns A Melodic Minor+4 (Lydian Diminished) Minor Harmonization Db Melodic Minor+4 (Lydian Diminished) Minor Scale Db Melodic Minor+4 (Lydian Diminished) Minor Scale Arpeggio Forms Db Melodic Minor+4 (Lydian Diminished) Minor Pentatonic Scales Db Melodic Minor+4 (Lydian Diminished) Minor Chord Forms Db Melodic Minor+4 (Lydian Diminished) Minor Scale & Arpeggio Exercises Db Melodic Minor+4 (Lydian Diminished) Minor Pentatonic scale patterns Db Melodic Minor+4 (Lydian Diminished) Minor Harmonization Gb (F#) Melodic Minor+4 (Lydian Diminished) Minor Scale Gb (F#) Melodic Minor+4 (Lydian Diminished) Minor Scale Arpeggio Forms Gb (F#) Melodic Minor+4 (Lydian Diminished) Minor Pentatonic Scales Gb (F#) Melodic Minor+4 (Lydian Diminished) Minor Chord Forms Gb (F#) Melodic Minor+4 (Lydian Diminished) Minor Scale & Arpeggio Exercises Gb (F#) Melodic Minor+4 (Lydian Diminished) Minor Pentatonic scale patterns Gb (F#) Melodic Minor+4 (Lydian Diminished) Minor Harmonization B (Cb) Melodic Minor+4 (Lydian Diminished) Minor Scale B (Cb) Melodic Minor+4 (Lydian Diminished) Minor Scale Arpeggio Forms B (Cb) Melodic Minor+4 (Lydian Diminished) Minor Pentatonic Scales B (Cb) Melodic Minor+4 (Lydian Diminished) Minor Chord Forms B (Cb) Melodic Minor+4 (Lydian Diminished) Minor Scale & Arpeggio Exercises B (Cb) Melodic Minor+4 (Lydian Diminished) Minor Pentatonic scale patterns B (Cb) Melodic Minor+4 (Lydian Diminished) Minor Harmonization E Melodic Minor+4 (Lydian Diminished) Minor Scale E Melodic Minor+4 (Lydian Diminished) Minor Scale Arpeggio Forms E Melodic Minor+4 (Lydian Diminished) Minor Pentatonic Scales