Staves, Times, and Notes
|
|
- Abner Maurice Hall
- 5 years ago
- Views:
Transcription
1 Staves, Times, and Notes The musical staff or stave is the structure designed for writing western music. The written staff has five lines and four spaces. Each staff has a clef symbol, a key signature, and a time signature. The lines and spaces of the staff represent pitches or notes. As we read higher on the lines and spaces the pitch of our note increases. And The names of the notes are always the same on the staff no matter what key signature is indicated. To go above and below a staff we use ledger lines. These lines repeat the staff above and below our main staff. If our music has multiple voices lower than our treble clef then we can switch to bass clef. The lines of the bass clef are g, b, d, f, and a. The corresponding spaces are a, c, e, and g There are three common clef symbols, treble, bass, and alto. For this course, we are only going to be dealing with the treble clef. It is the primary staff for the music we will play. The staff is divided into sections called measures. Measures are separated by bars. Music can be listed in as many bars as are necessary. There is music notation that allows written music to be shortened by including repeats, go to statements, and short cuts. Each piece of written music has a time signature at the beginning. Time signatures can change anywhere in a piece and the change is indicated by a new
2 time signature. The time signature can be repeated on each new staff, however, if the time signature doesn't change frequently it may be omitted on staves following the first one or following a staff where the time signature changes. Time signatures tell us length of a measure in beats and which note type we use to count on. 4/4 or C/common time means that there are four beats to a measure and the quarter note gets one beat. ¾ means that there are three beats to a measure and the quarter note gets one beat. For this course we will only be working with music in common time (4/4) and ¾ waltz time. Music is sound arranged into order as pitches. On the guitar a pitch is played by picking or plucking an open string or placing a finger on a string over the fretboard of the guitar and then picking the string. The string vibrates at a specific frequency that our ears interpret as a tone. Pitch can be thought of as frequency. The faster a string vibrates the higher the pitch we will hear. The lower the frequency the lower the pitch. We read pitches as notes of music on a staff. On the guitar we learn fingerings that are positions on the fretboard of the guitar that correspond to a note on the staff. For a guitar that uses standard tunings the notes on the staff will always be in the same place on the fretboard. Reading music is the same as reading text with the exception that we have rules for duration or the length of each word. Each of the notes in the example above represents a position on the fretboard of the guitar. When played in sequence they produce organized notes or tones of the C Major scale. Notes A musical note gives us more information than a written word of text. It tells us it's pitch, where to put our fingers on the fretboard, when to play it, and how
3 long to let the note sustain. A notes duration is specified by it's type. A whole note lasts for an entire measure. A half note will last for half a measure. A quarter note will last for one beat of a measure and so on. Note duration can also be changed by adding a dot. to the note increasing its value by one half. A note can be shortened in duration into eights, sixteenths, and thirty-second notes by adding flags or beams to them. In music we may want periods where we don't play. This adds rhythm and color to our music. We note these periods of silence using rests. There is a corresponding rest symbol to each note length. In addition there are some shortcuts that indicate rests of many measures. Notes can also be sharp or flat. Sharp means to raise the note one half step in pitch or one fret on the guitar. Flat means to lower the pitch one half step or down one fret on the guitar. Sharps are indicated with a # and flats with a. Notes that are sharp and flat can have multiple names. For example C# is the same note as D. There is one other important pitch symbol and that is the natural sign. This means that if you are in a key that says a note should be sharp or flat then the natural key says play the note as you would in the key of C. A natural symbol looks like this. Reading music from a staff is to learn where on our instrument each note is played and for how long to play it. For our course we will not be reading music. Our focus is on chords and basic chord construction
4 Scales, Intervals, Degrees The staff itself is a scale. It's called the chromatic scale and is a continuous series of half steps. The chromatic scale beginning at the note c one octave below middle c and finishing on middle c: The chromatic scale represents all of the possible notes available in one octave. The sequence repeats through all of the octaves. In other words, there are just 12 possible notes repeated through seven or eight octaves. If you look at the staff above you'll see that there are eight notes listed. The notes are c d e f g a b and c. These are the notes of the C Major scale. The major scale is the basis of all western music. There are seven unique tones and the last is the first tone repeated one octave or eight positions higher than the original. The notes of a major scale are separated by intervals that are mix of steps and half steps. These intervals are crucial to learning how music works. The intervals for all major scales are always the same. Step, step, step, half step, step, step, step, half step. By starting at any note and playing up in pitch using these intervals, we play the major scale in the key that corresponds to the first note. So if we play an 'A' note then apply the intervals to get the notes a, b, c#, d, e, f#, g#, and a for the A major scale. The scale repeats up and down the staff using these same intervals or degrees of the scale. It is important to start to think of these steps in terms of their degree. Degree of the scale is its position in the scale. The positions are First, second, third, forth, fifth, sixth, and seventh. In music they are listed as roman numerals. I, II, III, IV, V, VI, and VII
5 Each of the Degrees of the scale has a name. The names are: Tonic Supertonic Mediant Subdominant Dominant Submedient Leading Tone We will only discuss the Tonic and Dominant for this course so there is no need to memorize this list. However, it is important to remember which step and degree of the scale correspond as we'll see in the next section. Chords, Triads, and Chemistry A chord is a series of at least three notes or pitches played at the same time. These three notes are a triad. In music a chord is made up of a series of the notes or a triad from the major scale. The series of notes that we choose determines the family of voicing of the chords we play. A voicing is a type of variation of the major chord. The major triad is the first, third, and fifth degrees or intervals of the major scale. If we are in the key of C we have the following notes to choose from: If we look at the first, third, and fifth notes we see c, e, and g. These notes make the c major scale. In music, this is said as one, three, five.
6 The rules that we follow are like chemistry. If we combine certain elements we will always get a predictable compound. Hydrogen and oxygen mixed together in appropriate amounts always gives us water. It's a formula. If we apply rules or formulas to chord construction we will always get a predictable chord sound. When we look at the example above written as a chord we get the following staff: If we use our example of going from our c major scale to an a major scale we can apply our chord formula of taking the one, three, and five or a, c#, and e. Remember that we are in a new key, the key of A Major. All of our c, f, and g notes are sharp. We choose the one, three, and five and we get the a major chord: This approach works with every note on our staff. We go to the note and play the intervals to get the major scale. Once we have those notes we can take the first, third, and fifth notes and play them together to get the major chord named for the first note in the major scale we played. Chords are normally written using their letter name and their voice. The C major chord is written as: Cmaj. The C minor chord is Cmin. There are other conventions as well. You may see Cmaj and Cmin as CM and Cm with the upper and lowercase letters standing in for Major and minor. It's important to distinguish a chord when you write it down or call it out. D can mean many things to different people. Dmaj and Dmin will help you communicate what you want more effectively. Keys When we talk about the key of a song we are talking about what notes we are playing. What major scale will work with this piece. As there are only 12
7 possible notes there are only 12 possible major keys. There are also minor keys. These keys are based off of the relative sixth degree of the major scale for a key. We'll cover relative minor more in a later section. The key signature is shorthand for which notes are sharp and which are flat in a major scale. In the key of C there are no sharps or flats. In the key of A major there are three sharps. This is because the interval pattern when applied up or down forces some of the notes to be sharp or flat. The key signature tells us where we are going to start, what scales we can use, what our progressions are going to be and what our tone might be. It also is an easy way to tell us what notes are sharp or flat so we don't have to write out every sharp or flat symbol. The 12 major key signatures are listed as follows: As we can see the key names have the same names as the basic 12 possible notes. The base note in the key of C major is c. This note is called the tonic or the root. We will talk about roots a lot from here to the end of the course, and you'll hear root bantered about frequently when you get with other players. From the root note we build our major scales using the intervals. Remember that the intervals never change for a type and voicing of a scale. We get the sharps and flats from the way the intervals naturally fall on the the notes of our scale. Sometimes they will be flat, natural, and sharp. It's very handy to memorize these 12 key signatures.
8 Chord Progressions Each of the degrees of the major scale have an associated chord that goes with it. In the key of C major the notes of our scale are c, d, e, f, g, a, b, and c. The corresponding chords are: I Cmaj II Dmin III Emin IV Fmaj V Gmaj VI Amin VII Bdim (diminished) I Cmaj In a major key the I, the IV, and the V degrees have a major voicing. The II III VI will have a minor voicing. The VII has a diminished voicing. At this point we should know how to find the root note of any key build a major scale from its root based on our intervals. Once we have our notes then we can apply the rule of corresponding chords to know what chords to play in a key. Modern music is normally made up of combinations of the chords of a key. These combinations will repeat throughout the piece to create a theme. The combinations are called chord progressions or just progressions. Let's see how this works. The most common chord progression is probably the I, IV, V. It's prevalent in country, folk, rock and roll, and blues. It's simply the first, third, and fifth chord or degree of the major scale. For C major it will be: I IV V = Cmaj = Fmaj = Gmaj Remember the notes of our scale are c, d, e, f, g, a, b, and c. From that we see that the I is c the IV is f and the V is g. In the key of A the notes of our scale are a, b, c#, d, e, f#, g#, a. Keep in mind that the key of A major has three sharps. They are c, f, g. That means that all of the c's, f's, and g's in a piece under A major will be sharp.
9 Our I, IV, V are: I IV V = Amaj = Dmaj = Emaj We should be able to find the chords we need or change the key of any piece by someone telling us the key they want and what the progression is. This is how we Transpose music or change it's key. Another common progression is the VI, IV, V, I or six, four, five, one. In the key of C major That would work out to: VI IV V I = Amin = Fmaj = Gmaj = Cmaj There are many many interesting variations when you put these progressions over different rhythms, use different voicings, or change instrumentation.
Contents. Beginning Theory for Adults. Introduction Chapter One 5
2 Contents Introduction... 4 Chapter One 5 Lesson 1: What Is Music?... 5 Pitch... 5 Time... 5 Lesson 2: The Musical Alphabet and Reading Pitch (Treble)... 6 Notes... 6 The Musical Alphabet... 6 Lesson
More informationMUSIC THEORY GLOSSARY
MUSIC THEORY GLOSSARY Accelerando Is a term used for gradually accelerating or getting faster as you play a piece of music. Allegro Is a term used to describe a tempo that is at a lively speed. Andante
More informationMU 3322 JAZZ HARMONY II
JAZZ HARMONY II Chord Progression EDITION A US Army Element, School of Music 1420 Gator Blvd., Norfolk, Virginia 23521-5170 19 Credit Hours Edition Date: June 1996 SUBCOURSE OVERVIEW This subcourse is
More informationMusic Theory. Content Skills Learning Targets Assessment Resources & Technology CEQ: HOW IS MUSIC PUT TOGETHER?
St. Michael-Albertville High School Teacher: Adam Sroka Music Theory September 2014 CEQ: HOW IS MUSIC PUT TOGETHER? UEQ: How do we read pitch? A1. Letter names A2. Enharmonic Equivalents A3. Half steps
More informationGroup Piano. E. L. Lancaster Kenon D. Renfrow BOOK 1 SECOND EDITION ALFRED S
BOOK SECOND EDITION ALFRED S Group Piano FOR A D U LT S An Innovative Method Enhanced with Audio and MIDI Files for Practice and Performance E. L. Lancaster Kenon D. Renfrow Unit 9 Scales (Group ) and
More informationBeginner Guitar Theory: The Essentials
Beginner Guitar Theory: The Essentials By: Kevin Depew For: RLG Members Beginner Guitar Theory - The Essentials Relax and Learn Guitar s theory of learning guitar: There are 2 sets of skills: Physical
More informationAdditional Open Chords
Additional Open Chords Chords can be altered (changed in harmonic structure) by adding notes or substituting one note for another. If you add a note that is already in the chord, the name does not change.
More informationThe Fundamental Triad System
The Fundamental Triad System A chord-first approach to jazz guitar Volume I Creating Improvised Lines Pete Pancrazi Introduction / The Chord-First Approach Any jazz guitar method must address the challenge
More informationIntervals For The Guitar
Intervals For The Guitar Intervals are the distance between 2 notes. We can take an originating tone and give every other note an interval name to describe each tone's distance in relation to the originating
More informationMUSIC SOLO PERFORMANCE
Victorian Certificate of Education 2009 SUPERVISOR TO ATTACH PROCESSING LABEL HERE STUDENT NUMBER Letter Figures Words MUSIC SOLO PERFORMANCE Aural and written examination Wednesday 11 November 2009 Reading
More informationPiano Recap Information Sheet
Piano Recap Information Sheet Name: The piano keyboard is made up of black and white keys. Each key represents one semitone. The black keys are grouped in 2s and 3s and this helps us find our place. The
More informationThe Shearer Method: Guitar Harmony. by Alan Hirsh
The Shearer Method: Guitar Harmony by Alan Hirsh TABLE OF CONTENTS PREFACE About this book I BUILDING BLOCKS... 1 Step... 1 The Major Scale... 2 Chromatic Notes... 2 The Key... 4 Intervals... 6 Major,
More informationMusic and Engineering: Review of the Western Music system for Engineers
Music and Engineering: Review of the Western Music system for Engineers Tim Hoerning Fall 2017 (last modified 9/12/17) Outline Twelve Tones of Equal Temperament Clefs The Staff Pitch & Rhythm Notes & Rests
More informationCONTENT AREA: MUSIC EDUCATION
COURSE TITLE: Advanced Guitar Techniques (Grades 9-12) CONTENT AREA: MUSIC EDUCATION GRADE/LEVEL: 9-12 COURSE DESCRIPTION: COURSE TITLE: ADVANCED GUITAR TECHNIQUES I, II, III, IV COURSE NUMBER: 53.08610
More informationBasically this chord is just like a G7 with the first fingered note on the High E string at the second fret instead of the first fret.
Week 14 - Day 1A: The Gmaj7 Chord The Gmaj7 chord looks like this: Here we have the notes G, B, D, and F#. Basically this chord is just like a G7 with the first fingered note on the High E string at the
More informationIn a piano keyboard that has 88 keys, there are only 12 notes that get repeated over and over in octaves.
INTRODUCTION This course will deal with the ins and outs of the diatonic scale called modes and their relationships to the music that we play. Modes have been a very confusing topic for many guitar students
More informationContents. Bassic Fundamentals Module 1 Workbook
Contents 1-1: Introduction... 4 Lesson 1-2: Practice Tips & Warmups... 5 Lesson 1-3: Tuning... 5 Lesson 1-4: Strings... 5 Lesson 1-6: Notes Of The Fretboard... 6 1. Note Names... 6 2. Fret Markers... 6
More informationIntroduction To Rhythm
Introduction To Rhythm There are 2 basic elements to music: 1. Pitch 2. Rhythm Pitch is the sound that a note makes. Not all musical instruments make notes with a clear pitch; percussion instruments are
More informationWorksheet: Marian's Music Theory Shorthand (video 4, stepping outside the scale) 1 / 6
Worksheet: Marian's Music Theory Shorthand (video 4, stepping outside the scale) 1 / 6 I. Half steps and whole steps and scales We spent some time on intervals seconds, thirds, sixths, etc. now we are
More informationLet's revise the technical names for the scale degrees:
Let's revise the technical names for the scale degrees: 1 = Tonic 2 = Supertonic 3 = Mediant 4 = Subdominant 5 = Dominant 6 = Submediant 7 = Leading note DID YOU KNOW... The Blitz Key Signature Table is
More informationParts of The Guitar: Tuning Pegs. Headstock. Nut. Frets. Neck. Strap Peg. Body. Pick guard. Pickups. Pickup Selector Volume and Tone Knobs
Parts of The Guitar: Tuning Pegs Headstock Nut Frets Neck Strap Peg Body Pickups Bridge & Tremolo (6 individual saddles make up the bridge assembly) Pick guard Pickup Selector Volume and Tone Knobs Input
More informationReading Music on Guitar
Reading Music on Guitar Part I - Standard Notation Primer Music is written on what is called a staff, which consists of five lines and the four spaces between those lines. Music for the guitar is written
More informationMUSIC SOLO PERFORMANCE
Victorian Certificate of Education 2007 SUPERVISOR TO ATTACH PROCESSING LABEL HERE STUDENT NUMBER Letter Figures Words MUSIC SOLO PERFORMANCE Aural and written examination Tuesday 13 November 2007 Reading
More informationii-v-i ? 4 4 Dm7 G7 CMaj7 Gm7 C7 FMaj7 Cm7 F7 B Maj7 Fm7 B 7 E Maj7 B m7 E 7 A Maj7 E m7 A 7 D Maj7 A m7 D 7 G Maj7 C # m7 F # 7 BMaj7 F # m7 B7 EMaj7
The most common chord progression found in jazz music is the ii-v-i (2-5-1), and the source of the minor ii, dominant V, and major I chords is the modes of the major scale. For example, the C major scale
More informationBy The Numbers. Using Numbers to talk about, study or play music Emphasis: Music Theory, Mandolin Theory. By Mark Gunter
By The Numbers Using Numbers to talk about, study or play music Emphasis: Music Theory, Mandolin Theory By Mark Gunter This article was prompted by the section titled Chord progressions by the numbers,
More informationVirginia Standards of Learning IB.16. Guitar I Beginning Level. Technique. Chords 1. Perform I-IV-V(V7) progressions in F, C, G, Scales
Guitar I Beginning Level Technique 1. Demonstrate knowledge of basic guitar care and maintenance 2. Demonstrate proper sitting position 3. Demonstrate proper left-hand and right-hand playing techniques
More informationTHE WEBINAR WILL BEGIN SHORTLY (6PM PACIFIC)
THE WEBINAR WILL BEGIN SHORTLY (6PM PACIFIC) You must either call (641) 715-3222, access code 435-952-992 or visit www.hearthisevent.com to hear this webinar. There is an 18-second delay at HearThisEvent.com.
More informationMUSIC SOLO PERFORMANCE
Victorian Certificate of Education 2008 SUPERVISOR TO ATTACH PROCESSING LABEL HERE STUDENT NUMBER Letter Figures Words MUSIC SOLO PERFORMANCE Aural and written examination Tuesday 11 November 2008 Reading
More informationGuitar chords and scales. J. Chaurette, December 2012
Guitar chords and scales J. Chaurette, December 2012 There are 5 different ways to play a major scale on the guitar. They each have a distinct pattern that can be played anywhere on the neck of the guitar.
More informationGuitar Music Theory for Songwriters
Music Theory for Songwriters https://www.guitarchalk.com/ 1 Guitar Music Theory for Songwriters Copyright 2017 Guitar Chalk Media All Rights Reserved Music Theory for Songwriters https://www.guitarchalk.com/
More informationReading Scale Charts
Reading Scale Charts My scale charts will be presented as a box shown below. All the symbols I have used to make the box easy to read and use are explained here: The root shown is always the root of the
More informationBeginning Harmonic Analysis *
OpenStax-CNX module: m11643 1 Beginning Harmonic Analysis * Catherine Schmidt-Jones This work is produced by OpenStax-CNX and licensed under the Creative Commons Attribution License 3.0 Abstract An introduction
More informationChord Phrasings and Progressions
Video Reference: Chapter 3 - "Chord Phrasings and Progressions" Chord Phrasings and Progressions Chord Voicing - The notes that make up a chord are referred to as voicings. For now, the two basic voicings
More informationRhythm. Chords. Play these three chords in the following pattern of 12 bars.
This is a very short, brief, inadequate, introduction to playing blues on a guitar. Shown is a twelve bar blues in A because it's easy to get started. Have fun! Rhythm You've heard this rhythm before:
More informationFoundation Piano Level 1
Foundation Piano Level 1 Be able to sit comfortably in a balanced position and play with basic dynamics. Have a good hand shape without flat fingers. Read a range of notes over a fifth in both treble and
More informationTHE LANGUAGE OF HARMONY
THE LANGUAGE OF HARMONY The diatonic scale is a starting place for available chords to choose from in your score. These chords are triads built on the root of each degree. Each scale degree has a name
More informationBy John Geraghty ISBN Copyright 2015 Green Olive Publications Ltd All Rights Reserved
By John Geraghty ISBN 978-0-9933558-0-6 Copyright 2015 Green Olive Publications Ltd All Rights Reserved Book One Manual and CD 1 Table of Contents Introduction... 1 Contents within the Course Part 1...
More informationChromatic Chord Tone Patterns
A scale-like approach to add chromatics to Gypsy Jazz improvisation By Jim Vence March 2011 As a progressing Gypsy Jazz improviser, you have been probably working on your chord and arpeggio patterns, as
More informationCopyright MCMLXXIX by Alfred Publishing Co., Inc.
This CHORD DICTIONARY shows the notation, fingering and keyboard diagrams for all of the important chords used in modern popular, music. In order to make this dictionary useful to the amateur pianist,
More informationMusic Fundamentals for the Guitar
Music Fundamentals for the Guitar By Robert Bozina Santa Clara University Copyright 2010 by Robert Bozina. All rights reserved. No part of this publication may be reprinted, reproduced, transmitted, or
More informationThe University of Texas String Project Promotional Guidelines (Revised: ) Pre Ensemble B
The University of Texas String Project Promotional Guidelines (Revised: 10.22.16) Pre Ensemble B Plays consistently with good posture. See Position Checklist. When using left hand - places the fingers
More informationThe Pentatonic Major Scale
The Major Scale The pentatonic major scale is a very popular scale in rock music. This page will tell you what the pentatonic major scale looks like. From there, I will teach you the five modes of the
More informationLand of Music Part 3: Musical Mind. Sample Lesson
Land of Music Part 3: Musical Mind Sample Lesson 55 The format is similar to that of Parts 1 and 2 LESSON 16 Items You'll Need for Lesson 16: Tricky Triads Activity Cards Chord Building Activity (AP-40)
More informationMusic I. Marking Period 1. Marking Period 3
Week Marking Period 1 Week Marking Period 3 1 Intro. Piano, Guitar, Theory 11 Intervals Major & Minor 2 Intro. Piano, Guitar, Theory 12 Intervals Major, Minor, & Augmented 3 Music Theory meter, dots, mapping,
More informationA GUIDE TO ADVANCED HARMONY
A GUIDE TO ADVANCED HARMONY 1. Secondary Dominants and Leading-Tone Chords 2. The Neapolitan Sixth Chord 3. Modal Mixture 4. Chromatic Mediants and Submediants 5. Augmented-Sixth Chords 6. Altered Dominants
More informationAssessment Schedule 2014 Music: Demonstrate knowledge of conventions used in music scores (91094)
NCEA Level 1 Music (91094) 2014 page 1 of 7 Assessment Schedule 2014 Music: Demonstrate knowledge of conventions used in music scores (91094) Evidence Statement Question Sample Evidence ONE (a) (i) Dd
More informationWe aren't going to play any 4/4 time signatures because you already know this style. Let's try some others.
Time Signatures Video Reference: Chapter 2 - "Time Signatures" We aren't going to play any 4/4 time signatures because you already know this style. Let's try some others. These may not be the most 'fun'
More informationEssential Bass Skills Course Level 1 Extension Activity Workbook
ssential Bass Skills (Level 1) ssential Bass Skills Course Level 1 Assignments for Level 1 of the Gigajam Bass School Student s name GBS centre Assessor s name Mark out of 100% Copyright 2004 Gigajam.
More informationIn this chord we have the notes F#, C#, and A. You can also look at it as Gb, Db, and A.
Week 3 - Day 1: The F#m Chord The F#m chord looks like this: This chord offers us a really neat lesson. As you know, the second fret note on the Low E string is an F#, which is also called a Gb. The reason
More informationMoving On. Beyond the Basics of Guitar Playing. by Charlotte Adams CD INCLUDED
Moving On Beyond the Basics of Guitar Playing by Charlotte Adams CD INCLUDED Introduction Moving On is designed for the guitar player who is able to play songs using first position chords and a few basic
More informationChord Essentials. Resource Pack.
Chord Essentials Resource Pack Lesson 1: What Is a Chord? A chord is a group of two or more notes played at the same time. Lesson 2: Some Basic Intervals There are many different types of intervals, but
More informationHarmonizing Jazz Melodies Using Clusters
Harmonizing Jazz Melodies Using Clusters As a jazz pianist, I am always looking for ways to arrange jazz tunes. One technique that I find myself working with involves using clusters in the right hand in
More informationFENDER PLAYERS CLUB SCALES SCALES ESSENTIAL INGREDIENTS... 1
SCALES SCALE (from L. scala, ladder): A progression of notes in a specific order. Scales are very important to know, especially when it comes to playing a solo. This section is an easy reference for constructing,
More informationThe Shearer Method: Guitar Harmony. by Alan Hirsh
The Shearer Method: Guitar Harmony by Alan Hirsh TABLE OF CONTENTS PREFACE About this book I BUILDING BLOCKS... 1 Step... 1 The Major Scale... 2 Chromatic Notes... 2 The Key... 4 Intervals... 6 Major,
More informationFREE music lessons from Berklee College of Music
FREE music lessons from Berklee College of Music Voice Leading for Guitar John Thomas Chapter Harmony Review and Introduction to Voice Leading Press ESC to cancel sound. Check out Berkleeshares.com for
More informationCHAPTER TWO BASIC SKILLS REVIEW COMMON CHORDS
6 PROGRESSION 1. I - IV - V7 2. I - vi - IV - V7 3. I - ii - V7 4. I - iii - IV - V7 CHAPTER TWO BASIC SKILLS REVIEW COMMON CHORDS The chart below contains the seven pitches of five major scales. Upper
More informationParts of The Guitar: Tuning Pegs. Headstock. Nut. Frets. Neck. Soundhole. Body. Pick guard. Bridge. Bridge Pins
Parts of The Guitar: Tuning Pegs Nut Headstock Frets Neck Body Soundhole Pick guard Bridge Bridge Pins Holding Your Guitar: Folk Sitting Position: Hold your guitar so that it rests on your right thigh
More informationRock Guitar Basics instructor Rick Mollindo B.A.
Rock Guitar Basics instructor Rick Mollindo B.A. www.lessonsonlocation.com 2005 Rick Mollindo T he scope of this course is to introduce you to the basics of playing Rock Style Guitar. Elements of Scales,
More informationPlaying Jazz Guitar Bass Lines with Chords
Playing Jazz Guitar Bass Lines with Chords The guitar is an extremely versatile instrument, with seemingly endless techniques and tones around every corner. One very important and widely used jazz guitar
More informationChord Progressions. Simple Progressions
Chord Progressions A chord progression (or harmonic progression) is a series of musical chords, or chord changes that "aims for a definite goal" of establishing (or contradicting) a tonality founded on
More informationBeginning Guitar. By: Catherine Schmidt-Jones
Beginning Guitar By: Catherine Schmidt-Jones Beginning Guitar By: Catherine Schmidt-Jones Online: < http://cnx.org/content/col10421/1.2/ > C O N N E X I O N S Rice University, Houston, Texas This selection
More informationSwing & Jump Blues Guitar Matthieu Brandt
Swing & Jump Blues Guitar Matthieu Brandt March 2016 Version 3.0 Goto www.swingblues.com for more on Swing and Jump Blues Guitar. 1997-2016 No part of this material (book/cd/website) may be reproduced
More informationGuitar Wheel. User s Guide
Guitar Wheel User s Guide Complete and concise the Guitar Wheel provides a foundation to accelerate learning and playing. The Guitar Wheel is a fully functional and interactive tool that works in all 12
More informationIf you want a step-by-step system to build your vocabulary of basic guitar chords, learn how to strum like a pro, and understand rhythms in music once and for all check out my home study course below.
More informationChapter 1 The Major Scale
Chapter 1 The Major Scale In this chapter we are going to look at our first scale, the major scale. Many of the other scales relate back to the major scale, so getting it firmly under your belt should
More informationPlay the Electric Bass by the Number System
Play the Electric Bass by the Number System Background There are 7 tones (or notes) in a major scale (or key). Key of C Key of D Key of E Key of F Key of G Key of A Key of B C D E F G A B C (Notice the
More informationWeek 7 - Day 1: The Dsus4 Chord. The Dsus4 chord looks like this and contains the notes D, A, and G: All we need to find is the 1, 4, and 5.
Week 7 - Day 1: The Dsus4 Chord The Dsus4 chord looks like this and contains the notes D, A, and G: OR All we need to find is the 1, 4, and 5. The D scale is: 1 2 3 4 5 6 7 8 D E F G A B C D Here you'll
More informationCHAPTER8. Non-Harmonic tones (non-chord tones) occur with chords but are not chord members.
CHAPTER8 Non-Harmonic Tones Non-Harmonic tones (non-chord tones) occur with chords but are not chord members. FIGURED BASS Non-Harmonic tones are figured like chord tones. Non-Harmonic tones occurring
More informationJazz Mandology. Understanding the 'ii V7 I' Progression. by Ted Eschliman V7 I
Current Issue Home Back Issues Other Mel Bay Sites "Finger Pedaling" and Solo Mandolin Performance Indiana Part 2 of 2 Artist Interview with Don Kawalek Forked Deer Playing Really Fast, Part Two Jazz Mandology
More information# w. # w # # w # w # w
& & PRIMARY TRIADS In Levels 1-4, triads (3-note chords) ere built on the first note of the scale. If an example as in the key of E Major, then the triad introduced as an E Major triad, ith E, G and B.
More informationChord Voicings Chart. Here are the basic standard tuning Chord Voicings you can use and experiment with:
Chord Voicings Chart Here are the basic standard tuning Chord Voicings you can use and experiment with: C A G guitaralliance.com/ /chapter2_3.htm 1/18 E D guitaralliance.com/ /chapter2_3.htm 2/18 Cm Am
More informationChronicles II Part 1: Chord Phrasing Chord Phrasing Lesson 1: The C Shape
Chronicles II Part 1: Chord Phrasing Chord Phrasing Lesson 1: The C Shape The open C chord is one of the first things a guitarist will learn, but did you know that there's a built-in scale pattern that
More informationPreface Introduction 12
Music Theory for Electronic Music Producers Contents 4 Preface 11 1. Introduction 12 1.1 What is Music Theory? 13 1.2 The Most Important Rule of Music Theory 14 1.3 Our Method: No Pianos, No Singing 15
More informationUkulele Chord Theory & Practice
Ukulele Chord Theory & Practice By Ted Fong, January 2016 Table of Contents 1. The Major Scale... 2 2. Chords Defined... 3 3. Intervals... 4 4. Chord Symbols... 4 5. Ukulele Chord Shapes... 5 6. Chord
More informationAnswer Key. Theory Practice 1. To help memorize the name of every note on The treble staff, use the following rhymes. Treble Staff Space Notes
1 Answer Key Theory Practice 1 Treble Staff Space Notes To help memorize the name of every note on The treble staff, use the following rhymes. F A C E (spells face) Treble Staff Line Notes Every Good Boy
More informationevirtuoso-online Lessons
Chords Lesson 2 Chord Extensions evirtuoso-online Lessons www.evirtuoso.com After practicing and building basic chords, the next step is to practice more complex chords with Chord Extensions. These chord
More informationMozart, Beethoven, and Brahms were all renowned for their improvisational abilities
ØJazz Ukulele What is Jazz? (From Ask Jeeves) - a genre of popular music that originated in New Orleans around 1900 and developed through increasingly complex styles. A type of music of black American
More informationSight Reading For Bass Lesson #1. Lesson #1
Lesson #1 Hello and welcome to Sight Reading For Bass Guitar & Acoustic Bass. Thanks so much for enrolling. I really appreciate it! I'm Cliff Engel, and I will be your instructor for this online bass course.
More informationSample Pages for Online Display only. May not be printed or copied
Sample Pages for Online Display only May not be printed or copied 2 Why Scales? This book has been a labor of love we wish to dedicate to our students. Many of these students originally thought playing
More informationLCC for Guitar - Introduction
LCC for Guitar - Introduction In order for guitarists to understand the significance of the Lydian Chromatic Concept of Tonal Organization and the concept of Tonal Gravity, one must first look at the nature
More informationA0S2 HARMONY & TONALITY A0S2 HARMONY & TONALITY A0S2 HARMONY & TONALITY A0S2 HARMONY & TONALITY
Harmony Harmony is when two or more notes of different pitch are played at the same time. The accompanying parts in a piece of music are sometimes called the harmony Harmony can be diatonic or chromatic
More informationFretboard Secrets Exposed. Step-by-Step Workout Exercises and
Fretboard Secrets Exposed Step-by-Step Workout Exercises and How To Navigate the Fretboard Live Webcast With Erich Andreas July 23rd 2016 Workout: Read Diatonic Harmony (page 5) 1. Takeaways 1. The open
More informationAll The Major Piano Chords Bvunl.hol.es
All The Major Piano Chords Bvunl.hol.es [BOOK] Download Free All The Major Piano Chords - PDF File. This Book have some digital formats such us : paperbook, epub, kindle, ebook, and another formats. Here
More informationMusic and Engineering: Just and Equal Temperament
Music and Engineering: Just and Equal Temperament Tim Hoerning Fall 8 (last modified 9/1/8) Definitions and onventions Notes on the Staff Basics of Scales Harmonic Series Harmonious relationships ents
More informationBeginner s Course Workbook
Begi nner s Cour se Lesson W or kbook Beginner s Course Workbook Lesson #1: Absolute Basics Anatomy Of The Bass Guitar The following diagram gives an overview of the three main parts of the bass guitar.
More informationGeneral Music 8. Guitar Packet
General Music 8 Guitar Packet 0 Guidelines for Guitar Use 1. Lay guitar cases flat on the floor at all times. 2. Place your guitar on top of the case when not in use. 3. Make sure enough room is around
More informationNCEA Level 3 Music Studies (91421) 2013 page 1 of 8
Assessment Schedule 2013 NCEA Level 3 Music Studies (91421) 2013 page 1 of 8 Music Studies: Demonstrate understanding of and tonal conventions in a range of music scores (91421) Evidence Statement Question
More informationG (IV) D (I) 5 R. G (IV) o o o
THE D PROGRESSION D (I) x o o G (IV) o o o A7 (V7) o o o o R 5 In this unit, you will learn a I - IV - V7 progression in each key. For the key of D, those chords are D - G - A7. To change easily from D
More informationCHAPTER TEN THREE-PART COUNTERPOINT
HANDBOOK OF TONAL COUNTERPOINT G. HEUSSENSTAMM Page 91 CHAPTER TEN THREE-PART COUNTERPOINT Now that you have developed a sufficient level of proficiency in handling twopart counterpoint and have applied
More informationLegacy Learning Systems 624 Grassmere Park Dr., Suite 16 Nashville, TN 37211
Legacy Learning Systems 624 Grassmere Park Dr., Suite 16 Nashville, TN 37211 Gibson's Learn and Master Guitar. Copyright 2010 by Legacy Learning Systems, Inc. All rights reserved. No part of this product,
More informationThe Basics of Jazz Piano Missouri Music Educators Association Conference January,
The Basics of Jazz Piano Missouri Music Educators Association Conference January, 25 2018 Phil Dunlap Director of Education and Community Engagement Jazz St. Louis phil@jazzstl.org 2.4 2.5 2.6 3.0 General
More informationForming a Tonal Center
Forming a Tonal Center Tonality in Western Music How do we establish 1 of the 12 notes in western music as the most important note or tonal center? Here is the way it happens! Jazz Everyone! Free Lesson,
More informationFREE music lessons from Berklee College of Music
FREE music lessons from Berklee College of Music Jazz Composition Theory and Practice Ted Pease Chapter 2 Harmonic Considerations Modal Harmony Click CD icons to listen to CD tracks from book. Press ESC
More informationThe Fundamental Triad System
The Fundamental Triad System A chord-first approach to jazz theory and practice Pete Pancrazi Copyright 2014 by Pete Pancrazi All Rights Reserved www.petepancrazi.com Table of Contents Introduction...
More informationChord Studies. 374 Chords, including: Triads Sixths Sevenths Ninths. Chord Adjustments in Just Intonation Triads Sixths Sevenths
Chord Studies 374 Chords, including: Triads Sixths Sevenths Ninths Chord Adjustments in Just Intonation Triads Sixths Sevenths Intervals and their Derivations from Equal Temperament Edited y Nikk Pilato
More informationChapter 3: Scales, arpeggios, and easy pieces. Scales
Scales Modern western music is based on a 12-tone scale of consonances and dissonances divided into equal intervals of tones and semitones: C, C#, D, D#, E, F, F#, G, G#, A, A#, B. Major scales are built
More informationMusic Theory I (MUT 1111) Prof. Nancy Rogers
Music Theory I (MUT 1111) Prof. Nancy Rogers The Supertonic Chord (ii or ii ) The supertonic is the strongest diatonic pre-dominant. It should therefore progress immediately to V and not move to a weaker
More informationCadences Ted Greene, circa 1973
Cadences Ted Greene, circa 1973 Read this first: The word diatonic means in the key or of the key. Theoretically, any diatonic chord may be combined with any other, but there are some basic things to learn
More informationGUITAR SYSTEM THE. Beginner
Beginner GUITAR SYSTEM THE Beginner The Guitar System - Beginner - Table Of Contents Table Of Contents DVD #6 - Minor Chords And Walk-Downs Open Minor Chords...................................................................
More informationFRANK BEE S LEARN AND MASTER PIANO METHOD
FRANK BEE S LEARN AND MASTER PIANO METHOD FOR GROUP OR INDIVIDUAL INSTRUCTION...by Frank Baffour Frank PUBLICATION CO., INC 1 P a g e FRANK S LEARN AND MASTER PIANO METHOD Copy right c 2018 edition ISBN
More information