CS491 / DES350 Creative Coding
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1 CS491 / DES350 Creative Coding Daria Tsoupikova School of Design Peter Hanula -
2 CS491 / DES350 Creative Coding Electronic Visualization Laboratory (EVL) Engineering Research Facility (ERF) 842 W Taylor St 2068 CyberCommons lab 2036 CAVE2
3 CS491 / DES350 Creative Coding Course syllabus website Spring website
4 CS491 / DES350 Creative Coding Course Goals: - To become familiar with contemporary tools in computational expression - To survey topics in computer graphics, VR, visualization, new media design - To work collaboratively to create meaningful creative coding projects at the intersections of culture and technology
5 CS491 / DES350 Creative Coding Class Structure Mondays am - Lecture / Collaborative lab (CS+Design) Wednesdays am - Design studio Mixed lecture and lab, with an in-class focus on introducing programming and software concepts: - Informative and thorough, rather than comprehensive - Programming tutorials, collaborative exercises; planning & developing projects
6 CS491 / DES350 Creative Coding Modules 1 Virtual Reality and 3D environments with Unity CAVE2 2 Visualization with D3 - public outreach via web platform
7 CS491 / DES350 Creative Coding Class Structure - Graduate students and undergraduate students - Work on individual assignments and teams projects - Collaboration between and Design
8 CS491 / DES350 Creative Coding Project based - projects will have both a technical component and a conceptual component. - projects should be novel and clearly illustrate a technical and/or conceptual contribution. - each final project needs to be documented with a website, video, and code.
9 Electronic Visualization Laboratory (EVL) short history 1969 Dan Sandin is invited to UIC s Art Dept. to bring computers to the art curriculum 1973 Tom DeFanti comes to UIC with the GRASS system, EVL begins as a short order media house for education and research
10 Electronic Visualization Laboratory (EVL) short history 40 years of Art/Science collaboration at UIC Joint program: CS and Art & Design departments First program in the US offering MFA that is a formal collaboration of art and computer science
11 EVL The Collaboration Artists organize projects, help visualize data, create media Artists are supported and get the toys to do their own work: often inspired by science Scientists get to communicate effectively EVL makes them look good EVL delivers visualization technology and techniques to science
12 Electronic Visualization Laboratory (EVL) Advanced networking research Distributed computing/visualization Collaborative software Advancement of tools and techniques for collaborative work over high-speed, experimental networks Development of viable, scalable, deployable stereo displays Development of VR hardware, software, tools and techniques
13 Electronic Visualization Laboratory (EVL) mid-70s - the Electronic Visualization Events a series of live performances in which images were computer generated and color processed in real time with musical accompaniment EVL helped to produce the CG special effects for the first Star Wars film
14 CAVE 1992
15 ImmersaDesk 1995
16 Paris 1998
17 GeoWall -2000
18 Varrier
19 CAVE2-2012
20 Particle Dreams in Spherical Harmonics
21 3D Brain MRI Data
22 Mars Surface
23 Brief History of Virtual Reality Art and Research Virtual Reality Environments - Beyond Games
24 Maurice Benayoun World Skin: A Photo Safari in the Land of War, 1997
25 Maurice Benayoun World Skin: A Photo Safari in the Land of War, 1997
26 Maurice Benayoun World Skin: A Photo Safari in the Land of War, 1997
27 Jeffrey Shaw, The Legible City,
28 Jeffrey Shaw, The Legible City, In the Amsterdam (1990) and Karlsruhe (1991) versions all the letters are scaled so that they have the same proportion and location as the actual buildings which they replace, resulting in a transformed but exact representation of the actual architectural appearance of these cities. The texts for these two CS 491 cities /DES are 350 largely Creative derived Coding from archive documents that describe mundane Computer historical Science events there.
29 Myron Krueger, Videoplace,
30 Myron Krueger, Videoplace, Two people in different rooms, each containing a projection screen and a video camera, were able to CS communicate 491 /DES 350 through Creative their Coding projected images in a «shared space» on Computer the screen. Science No computer was
31 SnowWorld by Hunter Hoffman Virtual Reality Pain Reduction
32 Institute for Creative Technologies /Skip Rizzo- Medical VR
33 Institute for Creative Technologies /Skip Rizzo- Medical VR Virtual Reality as a Tool for Delivering PTSD Exposure Therapy
34 SIGGRAPH2017 VR Theater
35 SIGGRAPH2017 VR Theater Virtual Reality as a Tool for Delivering PTSD Exposure Therapy
36 SIGGRAPH2017 VR Theater Virtual Reality as a Tool for Delivering PTSD Exposure Therapy
37 SIGGRAPH2017 VR Theater
38 SIGGRAPH2017 VR Theater
39 SIGGRAPH2017 VR Village
40 SIGGRAPH2017 VR Village Flock Become a bird and flock with your feathered friends in untethered VR while dining on colorful, procedurally generated insects. David Lobser New York University Ken Perlin New York University Lily Fang Object Normal Christopher Romero Manyplace
41 SIGGRAPH2017 VR Village Blortasia Blortasia combines art and flying in virtual reality to engage the imagination and inspire wonder through shape, color, motion, sound, and spatial presence. Snow Mack Shape Space VR Kevin Mack ShapeSpaceVR Ray Mack Shape Space VR Jonathan Mack Shape Space VR
42 SIGGRAPH2017 VR Village Digital Playgroundz: Demonz I. CURATED CONTENT Digital playgroundz is an interactive and augmented-reality system that displays large-scale applications Daniel Gregor INITI.org Ondřej Prucha INITI.org Jakub Roček INITI.org Josef Kortan INITI.org
43 SIGGRAPH2017 VR Village Digital Playgroundz: Demonz I. CURATED CONTENT Digital playgroundz is an interactive and augmented-reality system that displays large-scale applications Daniel Gregor INITI.org Ondřej Prucha INITI.org Jakub Roček INITI.org Josef Kortan INITI.org
44 SIGGRAPH2017 VR Village
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DES400 Creative Coding
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