Senior Seminar Information Communications Department Spring 2018

Size: px
Start display at page:

Download "Senior Seminar Information Communications Department Spring 2018"

Transcription

1 Senior Seminar Information Communications Department Spring 2018 Faculty: Staci Baird Stephen Chavez Valerie Cummings Danielle Eubank Mike Laponis Randy Miller Don Pollock Morgan Sandler Elizabeth Zwerling

2 I. Project Proposals and Registration Since Senior Seminar J/R/TV 499 is the culminating experience for students, only seniors in their final spring semester at the University of La Verne will be allowed in the course. Prior to registration for this class, seniors must present a one-page written summary proposal to their assigned project advisers for approval. Upon approval students are allowed to register for the course. The proposal should be a description the project, how it relates to the student s major and the project s expected use. 2 II. Contracts Contracts are due on the first day of class, Feb. 5, 2018, for Broadcast and Broadcast Journalism Students, and on Feb. 7, 2018, for Journalism, Public Relations, and Multimedia students. As soon as your project proposal is approved, you should begin work on your project contract. Expect to make multiple revisions, as directed by your project adviser, before a final draft of the contract is approved. The instructor and the student should each have a copy of the final contract with each of their signatures. Contracts Must Include: A description of the project, i.e., a themed blog, a script, a public relations campaign, a feature-length video, etc.; Exactly what elements go into the project, including its size (the number of pages, word count, or number of minutes, etc.); A detailed budget and how the project will be funded; A timeline, or schedule, including due dates and deadlines for completion of the various elements of the project as well as the final due date; How the project relates to your past work at ULV, and your goals for after graduation; A place for student and adviser signatures. Note: You must have an approved contract by Wednesday, February 21, Should you fail to have an approved contract by that date, you should plan to drop the course and take it in Spring III. Senior Projects Project Planning The senior project is a culmination of your work at ULV. The project must relate to your major and past experience and should go beyond work already done. It is not acceptable, for instance, for a journalism major with one class in video production, to propose a senior project involving the creation of a three-camera television soap opera. Group projects are encouraged for television production students. Group or team projects are acceptable in the other disciplines only with instructor approval. The project should be of sufficient rigor to merit four upper division units (400 level). The project should not be so large that it cannot be completed by the end of the semester. All projects are term projects, in that they must be completed by the conclusion of the semester. Failure to meet the criteria of the contract, or failure to complete the project by the final deadline, will earn students an F grade. Students who fail the course will have to retake the course, undertaking a completely new project, in spring semester 2019, which is the next time the course is offered. Creating a project that has a practical application and actually gets used is the goal. The senior project 2

3 cannot be used to fulfill the requirements of any other class, internship, or independent study project. It may be an extension of a previous project, if the scope of the updated project meets with the instructor s approval. The senior project cannot be combined with an ongoing internship project. Students are strongly encouraged to undertake projects that are for the good of society, such as a public relations campaign for an animal shelter. Students who would like to do projects for businesses or other such or entities, should consider non-profits first. Projects cannot be an internship-type experience and may not be for pay. Project updates will be held throughout the semester to view and discuss student progress. Work in progress must be shown. All projects will involve keeping project notebooks. The contents of the notebook will vary depending on the nature of the project. 3 IV. Projects Below is a list of possible Senior Projects and the minimum course requirements necessary to undertake them. Projects will be due before the end of the spring semester, so there will be an opportunity for feedback from instructors. Additional projects may be acceptable per individual project advisers. Video Projects To crew on a video as a senior project, a student must have completed TV 320. Videos can take different forms: dramatic, instructional, documentary, experimental or musical. Videos should be more challenging than projects you have worked on before at ULV such as the eightminute drama and the five minute documentary. Projects should not exceed 20 minutes in length. More complex projects may be shorter. Proposals Project Proposals should be submitted by Oct. 31, 2018, the semester before students plan to enroll in TV 499. Project proposals should include a two-page statement about the project including: The position the student plans to perform on the project (produce/direct/operate camera/light/edit/sound record and design) What the project is about (a 20 minute comedy about a girl who..., a 20 minute documentary about...) A copy of the script must accompany the proposal. A list of potential crew members should accompany the proposal. Any special production challenges should be addressed in the proposal (such as use of schools, police, guns crowd scenes, class rooms full of students, party scenes, special effects etc.) Some but not all proposals will be approved for production. Students who plan to edit a senior project should have completed TV 330 Television Editing. Editing proposals should also include a statement about what the student has done to qualify for this position, and how serving in this position will help him or her achieve his or her career goals. The contract Students must have the script approved prior to finalizing the contract. A script with numbered scenes must be attached to the contract. A marked script and script breakdown must be completed. 3

4 A production and post-production schedule including casting, locations, shooting, rough cut, fine, cut, picture lock, sound and titles/effects dates. A budget of projected camera, editing, material and labor costs must be included. (A final budget should be included on completion of the project) Include a timeline/schedule of when you plan shoot, edit and work on sound No equipment will be checked out until the above paperwork is complete. 4 Finishing the project It is expected that you plan for equipment time, editing time, crew size, etc., to complete the video by the project due date. All rights and releases must be gathered prior to the acceptance of the project for final grading. Failure to obtain rights and releases will result in an F grade for the project. Completion of video projects should be planned for the beginning of the last month of the semester to avoid equipment/editing conflicts with television production classes. A production notebook must accompany each project. The notebook should include drafts of the script, breakdown sheets, projected budgets and final budgets, releases, location agreements, music releases, correspondence, head shots of actors, edit logs, mix sheets, and production stills (photos). Radio/Audio Projects Students should have completed RTV 112, Radio 230, Radio 240, and at least one semester of Radio 426. Radio projects that qualify for consideration are programs, which will be written, produced and aired on the campus radio station, LeoFM, audio production projects, and podcasts. These include special types of weekly shows that are produced and pre-recorded, documentaries, or other special programs. It is best if there are several segments/shows, which will air throughout the semester. The senior project is designed to allow a student to gain advanced production experience, and programming experience by producing programming content that is more comprehensive in nature than just an air shift. A treatment/proposal should be completed and submitted with the contract, followed by scripts for each show/episode. You should include a budget of projected studio time, materials, and labor. A timeline should be included, showing production and post production deadlines with time for instructor/adviser critique that then needs to be incorporated into the show/project. All rights and releases must be included. Scripts To write a script as a senior project, the student must have completed TV 235 and the screenwriting class. A two-page description of the script must be included with the proposal and contract. Scripts can be for features, sit-coms, dramas, comedies, documentaries, instructional videos or interactive multimedia. For features, students should complete character profiles, a detailed outline/treatment of the entire script, and at least the first 30 pages (first act) of the script. For shorter works the entire script must be completed, along with the supporting material mentioned previously. Journalism Projects Journalism Projects include themed blogs, in-depth magazine stories, newsletters and other projects for news media publication and production. To do a journalism senior project, students must have completed JOUR 300, 320, PHOTO 230 and JOUR 115, at minimum. Photojournalism majors may do a photographic essay of extended nature, or other substantive projects per 4

5 the project adviser. A student intending to do a photojournalism senior project must have completed JOUR 115, PHOT 327, and preferably have been photo editor for one of the department s publications. The subject matter or theme, along with a list of story ideas and illustration plans must be approved as part of the contract, and must not compete with the Campus Times, La Verne Magazine, or other Communications Department news outlets. Print or online journalism projects should be equivalent in breadth and depth to 12 blog entries of 500-1,000 words each, or three in-depth magazine-style stories of 2,000+ words each. All journalism work must be multiply sourced. The publication/production outlet or outlets (or target outlets) must be pre-approved by the project adviser. A budget must be projected to reflect travel, technology, materials, freelance pay (per word or per hour) etc. Production and publication deadlines must be written into the contract and strictly adhered to. Newsletters To do a newsletter as a senior project, the student must have completed JOUR 115, PHOT 230, JOUR 220, JOUR 300, and JOUR 320, at minimum. Subject matter or theme must be approved with the contract, and the newsletter s use (for a nonprofit organization, business, or government agency) must be secured for project to be undertaken. A minimum of two 8-page newsletters will be required. A list of story ideas must be submitted with the contract. The student is responsible for completing all copy and photography for the project. The editor must perform full layout and production of the newsletter. A budget must be prepared not only for the actual printing, but also for projected computer use time. A log must be kept of all computer time including writing, layout and scanning of photographs. The newsletter must serve a purpose beyond that of a portfolio piece. Public Relations/Public Service Campaigns To do a public relations campaign as a senior project, the student must have completed JOUR. 100 and JOUR. 330 and completed or be enrolled in JOUR Students concurrently enrolled in JOUR 430 may not use the same project for both the senior project and the public relations course. All Public Affairs and/or Public Relations Projects must be single-person projects (no group projects) and should be designed to promote an organization (company or non-profit) or major event by utilizing advanced writing skills to plan and create a variety of content. We encourage PR Projects that support nonprofit organizations over for-profit businesses, and discourage on-campus PR projects (except in very rare and compelling circumstances), or any projects that may be an extension of the students' already inplace internships, job, or extra-curricular activities. These projects consist of a 8-point Public Relations Plan, (including secondary research and possibly primary research), implemented to demonstrate the variety of skills required of today s public relations practitioners, including at least three of the following: - News releases, media alerts, bios, fact sheets and/or press kits (includes key message development, proper formatting, etc.) - Newsletter writing/designing (includes project outline, copy points, photography, and may include working with a graphic designer to bring to life) - Brochure writing/designing (includes project outline, copy points, photography, and may include working with a graphic designer to bring to life)) - Website design/writing - Media relations campaign to bring media to an event - Social media campaign (including editorial calendar and sample or actual posts) 5 5

6 - Special event (includes event logistics, publicity, and writing of speeches) The project presentation should conclude with an evaluation of the campaign and include measurement of outputs, outtakes, outcomes. Give yourself enough time to research, plan, implement, and evaluate your campaign (these are the steps in the PR process.) Consider starting your research and planning during the fall semester and/or winter break so that you can hit the ground running in spring. 6 Multimedia Projects Multimedia students can complete one large project or a combination of smaller projects to satisfy the senior project. They may work for one or several clients. The goals of the project as a whole are to gain advanced design experience, create print and multimedia projects to enhance the student s professional portfolio and gain experience working with clients. A client must be secured before project planning begins. A budget must be prepared for expenses such as professional printing Web site hosting, computer use for design and photography at a rate of $50 per hour, photography expenses and related materials. A timeline must be included outlining weekly milestones of project completion, periodic design reviews with advisor and client. The student should specifically express who will be responsible for copywriting and photography. Multimedia Web Sites The student must have completed JOUR 319. If completing a Web site as the entire project, an acceptable project must be excess of 15 pages (.htm files) in length. The site must be actually hosted on the web at the client s expense and uploaded by the due date of the senior project. A diagram must be included in the student s contract containing the site content, navigation structure and a general list of assets for each page. Multimedia Print Design Projects The student must have completed JOUR 317. If completing a series of print projects for the entire project, an acceptable amount of work depends on the complexity of projects, but a suggested amount may contain a multi-page brochure, newsletter, booklet in conjunction with other, smaller print projects. The student should seek a client who is willing and has the budget to actually have the projects professionally printed. Combination Multimedia Projects It would be beneficial for students to combine Web and print projects. Motion graphics, DVD creation and other types of multimedia projects may also be considered. Broadcast Journalism Projects Seniors in the broadcast journalism concentration who have completed TV 235, TV 345 or TV 408 Intermediate Broadcast Journalism, one semester of TV 307 and an accepted substitute class may serve as producer/senior reporters on Foothill Community News as their senior project. 6

7 Seniors who are taking TV 307 for the first time in spring will be required to do a senior project that is outside of the Foothill Community News show. 7 FCN Producer/Senior Reporter s responsibilities: Pitching story ideas each week that can be assigned to reporters; Reviewing first drafts of reporters' scripts to make sure they have solid leads, are well-written with no grammatical or factual errors, are balanced, fair and accurately reported; Reviewing first cuts of packages, vos and vo/sots to make certain there are no technical or editorial problems; Determining the show line up; Writing intros, outros, and teases for the show; Collecting and checking the lower thirds for spelling and accuracy; Editing the show onto the timeline and outputting a digital copy for air, and a dvd copy for archives within two days of the show s taping; Collecting the show script and putting it into the show notebook; Reporting, writing, and editing four packages that include a combination of hard news and feature stories as well as vos and vo/sots for the show. Students should include backup story ideas in case the primary story falls through. Senior reporters will also have an opportunity to anchor a show. Requirements - Strong writing and editing ability. Solid news judgement. Attention to detail. Strong leadership skills. FCN Sports Producer s responsibilities: Overseeing the production of each show s sports block; Shooting, writing and editing one package and a vo and vo/sot for each show; Writing the script for the sports block; Anchoring the sports block. Projects outside of Foothill Community News These projects can include one long form news story 6-8 minutes in length or a series of shorter news packages. Students will be required to research, produce, shoot (b-roll), conduct all interviews, write and edit their own stories. Well-researched story ideas are due December 1. Students should include backup ideas in case their initial story ideas fall through. If you have questions, contact your project adviser. 7

TALLINN UNIVERSITY BALTIC FILM, MEDIA, ARTS AND COMMUNICATION SCHOOL GUIDELINES. formatting, presentation and defence.

TALLINN UNIVERSITY BALTIC FILM, MEDIA, ARTS AND COMMUNICATION SCHOOL GUIDELINES. formatting, presentation and defence. TU BFM Board Decision No. 1-6/151, dated 3 October 2016 TALLINN UNIVERSITY BALTIC FILM, MEDIA, ARTS AND COMMUNICATION SCHOOL GUIDELINES for the formatting, presentation and defence of a MA thesis within

More information

308 Graphic Design & Photography. Career Opportunities. Faculty & Offices. A.A. Degree Concentrations. Graphic Design Concentration

308 Graphic Design & Photography. Career Opportunities. Faculty & Offices. A.A. Degree Concentrations. Graphic Design Concentration 308 Graphic Design & Photography Graphic Design & Photography The focus of the Graphic Design and Photography curriculum is to create a balance between design and technology. The program begins with a

More information

CINEMA AND MEDIA ARTS (CNMA)

CINEMA AND MEDIA ARTS (CNMA) Biola University 1 CINEMA AND MEDIA ARTS (CNMA) CNMA 101 - The Art of Storytelling Credits 3 Giving filmmakers an introduction to the building blocks of storytelling: character, setting and plot. Students

More information

Poetry. Fiction. Plays

Poetry. Fiction. Plays MA IN CREATIVE WRITING Thesis Requirements To satisfy the Masters of Arts in Creative Writing thesis requirement: Students, graduating with a Master of Arts in Creative Writing, will produce and present

More information

Upper-division Writing Requirement Review Form (12/1/08) I. General Education Review Upper-division Writing Requirement Dept/Program RTV

Upper-division Writing Requirement Review Form (12/1/08) I. General Education Review Upper-division Writing Requirement Dept/Program RTV Upper-division Writing Requirement Review Form (12/1/08) I. General Education Review Upper-division Writing Requirement Dept/Program RTV Course # (i.e. ANTH 361 Subject 455) or sequence Course(s) Title

More information

MEDIA AND INFORMATION

MEDIA AND INFORMATION MEDIA AND INFORMATION MI Department of Media and Information College of Communication Arts and Sciences 101 Understanding Media and Information Fall, Spring, Summer. 3(3-0) SA: TC 100, TC 110, TC 101 Critique

More information

PHOTOGRAPHY. Contact Information. Overview. Degrees/Certificates

PHOTOGRAPHY. Contact Information. Overview. Degrees/Certificates 1 PHOTOGRAPHY Contact Information Division Liberal Arts Dean Anne Fleischmann (Interim) Associate Dean Lynn Medeiros (Interim) Division Office W 107, Rocklin Campus Overview is offered as a creative means

More information

CHAPTER 23 MASS COMMUNICATION SPECIALIST (MC) NAVPERS B CH-55

CHAPTER 23 MASS COMMUNICATION SPECIALIST (MC) NAVPERS B CH-55 CHAPTER 23 MASS COMMUNICATION SPECIALIST (MC) NAVPERS 18068-23B CH-55 Updated: July 2013 TABLE OF CONTENTS MASS COMMUNICATION SPECIALIST (MC) SCOPE OF RATING GENERAL INFORMATION PRINT JOURNALIST PUBLIC

More information

RTVF INTRODUCTION TO SCREENWRITING. or, Writing for Visual Media. Tuesday & Thursday 9:30-10:50 AM (Media Arts building room 180-i)

RTVF INTRODUCTION TO SCREENWRITING. or, Writing for Visual Media. Tuesday & Thursday 9:30-10:50 AM (Media Arts building room 180-i) RTVF 2010.005 INTRODUCTION TO SCREENWRITING or, Writing for Visual Media Tuesday & Thursday 9:30-10:50 AM (Media Arts building room 180-i) INSTRUCTOR: Garrett Graham. You can just call me Garrett garrett.graham@unt.edu

More information

Communications Design

Communications Design Communications Design Grades 9, 10, 11, 12 ABSTRACT Communication Design introduces basic usage of digital cameras and enhancement of photographs using software applications. Demonstrations and assignments

More information

You will also present, during the first class, your best 10 photographs, as an entrance portfolio. Be prepared to do this!

You will also present, during the first class, your best 10 photographs, as an entrance portfolio. Be prepared to do this! Syllabus: Advanced Photography Communication 3530 Section 1-4 Credit Hours Department of Communication - University of Utah - LNCO 2840 Fall Semester 2017 August 22 - December 6 - Tuesday 6-10pm - Instructor:

More information

Photography (PHOT) Courses. Photography (PHOT) 1

Photography (PHOT) Courses. Photography (PHOT) 1 Photography (PHOT) 1 Photography (PHOT) Courses PHOT 0822. Human Behavior and the Photographic Image. 3 Credit Hours. How do photographs become more than just a pile of disparate images? Is there more

More information

in SCREENWRITING MASTER OF FINE ARTS Two-Year Accelerated

in SCREENWRITING MASTER OF FINE ARTS Two-Year Accelerated Two-Year Accelerated MASTER OF FINE ARTS in SCREENWRITING In the MFA program, staged readings of our students scripts are performed for an audience of guests and industry professionals. 46 LOCATION LOS

More information

PH: Photography. PH 003 Basic Photography Studio 0 credits; 1 lab hour

PH: Photography. PH 003 Basic Photography Studio 0 credits; 1 lab hour PH: Photography PH 003 Basic Photography Studio 0 credits; 1 lab hour For Fine Arts students. Students learn the practical applications of digital camera operations and studio lighting techniques. Corequisite(s):

More information

250 Introduction to Applied Programming Fall. 3(2-2) Creation of software that responds to user input. Introduces

250 Introduction to Applied Programming Fall. 3(2-2) Creation of software that responds to user input. Introduces MEDIA AND INFORMATION MI Department of Media and Information College of Communication Arts and Sciences 101 Understanding Media and Information Fall, Spring, Summer. 3(3-0) SA: TC 100, TC 110, TC 101 Critique

More information

Media Resource Centre Guidelines Production Initiative Program (PIP)

Media Resource Centre Guidelines Production Initiative Program (PIP) Media Resource Centre Guidelines Production Initiative Program (PIP) This program provides grant funding to facilitate a short form production opportunity in order to provide career advancement for emerging

More information

TV Categories. Call for Entries Deadlines Pricing. National:

TV Categories. Call for Entries Deadlines Pricing. National: Call for Entries Deadlines Early Bird Deadline: December 14, 2017 Call for Entries Deadline: January 18, 2018 2018 Pricing TV Categories National/ $235 Early Bird Pricing Syndicated: $285 Regular Rate

More information

Purpose of this project. What is expected. Essentials of Digital Media. The Team Assignment. Comm-101. Create Your Organization

Purpose of this project. What is expected. Essentials of Digital Media. The Team Assignment. Comm-101. Create Your Organization Purpose of this project Communications professionals work in teams. Sometimes the teams are assembled for a particular project and sometimes they are on-going teams, such as an ad agency. The team project

More information

Recommended Work Keys Scores for Digital Arts and Design

Recommended Work Keys Scores for Digital Arts and Design Great Oaks Digital Art and Design Essential Skills Profile This profile provides an outline of the skills required for successful completion of this career program. Additional information is located on

More information

Emerging Talent Shorts Application Guidelines

Emerging Talent Shorts Application Guidelines Emerging Talent Shorts Application Guidelines Introduction Supported by National Lottery funding from Creative Scotland and BFI NETWORK, Scottish Film Talent Network connects with new and emerging Scottish

More information

Associate of Fine Arts

Associate of Fine Arts Associate of Fine Arts - Two-Year Degree Programs - Filmmaking Acting for Film Producing for Film & TV Screenwriting Game Design 212 When I m making a film, I m the audience. - Martin Scorsese A NYFA student

More information

Lantern Independent Study

Lantern Independent Study Lantern Independent Study Spring 2017~275 Journalism Professor: Spencer Hunt Office: 275 Journalism E- Mail: hunt.754@osu.edu Office Phone: 614.247.7030 Cell: 614.264.5000 Office Hours: By appointment,

More information

HONOURS PROJECT HANDBOOK ( ) ACADEMY OF FILM SCHOOL OF COMMUNICATION HONG KONG BAPTIST UNIVERSITY

HONOURS PROJECT HANDBOOK ( ) ACADEMY OF FILM SCHOOL OF COMMUNICATION HONG KONG BAPTIST UNIVERSITY HONOURS PROJECT HANDBOOK (2018-2019) ACADEMY OF FILM SCHOOL OF COMMUNICATION HONG KONG BAPTIST UNIVERSITY June 2018 INTRODUCTION... 1 QUALIFICATIONS.... 2 GENERAL GUIDELINES AND REGULATIONS... 3 I. TIMETABLE

More information

PRODUCTION. in FILM & MEDIA MASTER OF ARTS. One-Year Accelerated

PRODUCTION. in FILM & MEDIA MASTER OF ARTS. One-Year Accelerated One-Year Accelerated MASTER OF ARTS in FILM & MEDIA PRODUCTION The Academy offers an accelerated one-year schedule for students interested in our Master of Arts degree program by creating an extended academic

More information

TV Categories. Call for Entries Deadlines Pricing. National: 1 Actress in a Leading Role - Comedy or Musical [TV National]

TV Categories. Call for Entries Deadlines Pricing. National: 1 Actress in a Leading Role - Comedy or Musical [TV National] Call for Entries Deadlines Early Bird Deadline: December 13, 2018 Call for Entries Deadline: January 17, 2019 2019 Pricing TV Categories National/ $240 Early Bird Pricing Syndicated: $290 Regular Rate

More information

Field & Post Production The Media School Indiana University Syllabus - Spring 2018

Field & Post Production The Media School Indiana University Syllabus - Spring 2018 P351 Video Field & Post Production The Media School Indiana University Syllabus - Spring 2018 Instructor: Jim Krause jarkraus [at] indiana.edu (812) 332-1005 www.indiana.edu/~jkmedia Office Hours: Tuesday

More information

RTS YORKSHIRE CENTRE AWARDS 2019 CATEGORIES AND CRITERIA FOR ENTRIES

RTS YORKSHIRE CENTRE AWARDS 2019 CATEGORIES AND CRITERIA FOR ENTRIES RTS YORKSHIRE CENTRE AWARDS 2019 CATEGORIES AND CRITERIA FOR ENTRIES The RTS Yorkshire Centre Awards celebrate excellence in production across all platforms, formats and genres. We are a region proud of

More information

FILM AND MEDIA TUFTS UNIVERSITY 95 TALBOT AVENUE, MEDFORD, MA 02155

FILM AND MEDIA TUFTS UNIVERSITY 95 TALBOT AVENUE, MEDFORD, MA 02155 FILM AND MEDIA STUDIES @ TUFTS UNIVERSITY 95 TALBOT AVENUE, MEDFORD, MA 02155 INSTRUCTOR: Leslie Goldberg. Office: Experimental College at 95 Talbot Ave., 2 nd floor w- 617-627- 2007; m- 781-608- 7866;

More information

Art (ARTU) Courses. Art (ARTU) 1

Art (ARTU) Courses. Art (ARTU) 1 Art (ARTU) 1 Art (ARTU) Courses ARTU 1101. Introduction to Visual Language, Painting. 3 Credit Hours. A foundation course in painting focusing on painting techniques, conceptual development, and the use

More information

Luna Community College Media Art and Film Technology Associate of Applied Science Degree Curriculum Profile

Luna Community College Media Art and Film Technology Associate of Applied Science Degree Curriculum Profile Luna Community College Media Art and Film Technology Associate of Applied Science Degree 2012-2015 Curriculum Profile Content Page Program Goals 2 Approvals 2 Degree/Certificate Requirements. 3-4 Course

More information

Field & Post Production The Media School Indiana University Syllabus - Fall 2016 v1.0

Field & Post Production The Media School Indiana University Syllabus - Fall 2016 v1.0 P351 Video Field & Post Production The Media School Indiana University Syllabus - Fall 2016 v1.0 Instructor: Jim Krause jarkraus [at] indiana.edu (812) 332-1005 www.indiana.edu/~jkmedia Office Hours: Tuesday

More information

2018 FILM PROJECT GUIDELINES AND APPLICATION FORM

2018 FILM PROJECT GUIDELINES AND APPLICATION FORM 2018 FILM PROJECT GUIDELINES AND APPLICATION FORM CITY OF VINCENT FILM PROJECT Aims of the The City of Vincent, in partnership with Revelation Film Festival is running the 2018 City of Vincent Film Project

More information

Film Studies http://filmstudies.uncc.edu The interdisciplinary Minor in Film Studies is designed to allow students to develop knowledge of film and video as an art form while fulfilling the requirements

More information

Make Your First Short Film (Hybrid) COURSE SYLLABUS

Make Your First Short Film (Hybrid) COURSE SYLLABUS Note to students: While this syllabus is posted to give you an overview of the course, it is subject to change. Should you have further questions, please contact the UCLA Extension Entertainment Studies

More information

RTV 4929C (Spring 2016) ADVANCED PRODUCTION WORKSHOP: DIRECTING DRAMA

RTV 4929C (Spring 2016) ADVANCED PRODUCTION WORKSHOP: DIRECTING DRAMA RTV 4929C (Spring 2016) ADVANCED PRODUCTION WORKSHOP: DIRECTING DRAMA Instructor: James Babanikos, Ph.D. Office: 3064 Weimer Hall Office Phone: 392-6399 e-mail: jbabanikos@jou.ufl.edu Office Hours: Tuesdays

More information

Field & Post Production The Media School Indiana University Syllabus - Fall 2018 v1.0

Field & Post Production The Media School Indiana University Syllabus - Fall 2018 v1.0 P351 Video Field & Post Production The Media School Indiana University Syllabus - Fall 2018 v1.0 Instructor: Jim Krause jarkraus [at] indiana.edu (812) 332-1005 www.indiana.edu/~jkmedia Office Hours: Tuesday

More information

CTPR 438 PRACTICUM IN PRODUCING SYLLABUS 2 UNITS. USC SCHOOL OF CINEMATIC ARTS Spring 2018

CTPR 438 PRACTICUM IN PRODUCING SYLLABUS 2 UNITS. USC SCHOOL OF CINEMATIC ARTS Spring 2018 CTPR 438 PRACTICUM IN PRODUCING SYLLABUS 2 UNITS USC SCHOOL OF CINEMATIC ARTS Spring 2018 Pre-requisite: MEETING TIMES: CTPR 310 - Intermediate Production or CTPR 425 - Production Planning Thursday 6:00

More information

YEAR 7 & 8 THE ARTS. The Visual Arts

YEAR 7 & 8 THE ARTS. The Visual Arts VISUAL ARTS Year 7-10 Art VCE Art VCE Media Certificate III in Screen and Media (VET) Certificate II in Creative Industries - 3D Animation (VET)- Media VCE Studio Arts VCE Visual Communication Design YEAR

More information

VISUAL STUDIES 2 CONCEPT STUDIO: PHOTO IMAGING / DARKROOM Syllabus

VISUAL STUDIES 2 CONCEPT STUDIO: PHOTO IMAGING / DARKROOM Syllabus VISUAL STUDIES 2 CONCEPT STUDIO: PHOTO IMAGING / DARKROOM Syllabus Tyler School of Art/ Department of Graphic Arts & Design/ VS 2862-001, CRN: 12438 Class Meetings: Tuesdays & Thursdays 12:30 3:00 PM,

More information

ENGINEERING & TECHNOLOGY PROGRAM

ENGINEERING & TECHNOLOGY PROGRAM ENGINEERING & TECHNOLOGY PROGRAM COURSE LENGTH CREDITS OPEN TO Construction Technology Year 5 9-12 Manufacturing Technology I Semester 2.5 9-12 Manufacturing Technology II Year 5 10-12 Technical C.A.D.

More information

TSUTV/Comcast on-demand

TSUTV/Comcast on-demand Texas Southern University School of Communication Department of Radio, Television and Film RTF Majors Advising Guide For New and Transfer Students 2014-2016 CATALOG Department of Radio, Television and

More information

The Ultimate Career Guide

The Ultimate Career Guide Career Guide www.first.edu The Ultimate Career Guide For The Film & Video Industry Learn about the Film & Video Industry, the types of positions available, and how to get the training you need to launch

More information

Raupapa Whakaari Funding Dramas to the world

Raupapa Whakaari Funding Dramas to the world New Zealand Film Commission / New Zealand On Air Raupapa Whakaari Funding Dramas to the world In conjunction with Guidelines for Applicants February 2019 We encourage you to read these guidelines carefully

More information

Black & White Photography Course Syllabus

Black & White Photography Course Syllabus Black & White Photography Course Syllabus Course Information ARTS 3371.001 Black & White Photography, FALL 2015 THURSDAY 1 3:45 ATC 2.908 (3.904) Professor Contact Information Dr. Diane Durant durant@utdallas.edu

More information

NEWSPAPER PRODUCTION SYLLABUS. Westchester Community College

NEWSPAPER PRODUCTION SYLLABUS. Westchester Community College NEWSPAPER PRODUCTION SYLLABUS Westchester Community College Fall Semester 2005 COMM 108 Newspaper Production 3 credits Lab experience in the newspaper production process, culminating in assuming responsibility

More information

FAIRLEIGH DICKINSON UNIVERSITY SCHOOL OF THE ARTS FILMMAKING MASTER OF FINE ARTS

FAIRLEIGH DICKINSON UNIVERSITY SCHOOL OF THE ARTS FILMMAKING MASTER OF FINE ARTS FAIRLEIGH DICKINSON UNIVERSITY SCHOOL OF THE ARTS FILMMAKING MASTER OF FINE ARTS BECOME A FILMMAKER As the film industry undergoes one of the greatest paradigm shifts in its 130-year history, the need

More information

TABLE OF C,ONTENTS. 11 Conclusion 13

TABLE OF C,ONTENTS. 11 Conclusion 13 PUSAT H.LLIU"'-L.~ PE PUSTi\. r TABLE OF C,ONTENTS CD-ROM TO ACCOMPANY PRINTED BOOK ACKNOWLEDGMENTS INTRODUCTION xv xvii XiX PART I Defining the Problem 1 Chapter 1 DESCRIBING ONE MEDIUM THROUGH ANOTHER

More information

in SCREENWRITING MASTER OF ARTS One-Year Accelerated LOCATION LOS ANGELES, CALIFORNIA

in SCREENWRITING MASTER OF ARTS One-Year Accelerated LOCATION LOS ANGELES, CALIFORNIA One-Year Accelerated MASTER OF ARTS in SCREENWRITING LOCATION LOS ANGELES, CALIFORNIA Location is subject to change. For start dates and tuition, please visit nyfa.edu 102 103 MA Screenwriting OVERVIEW

More information

Langara College Spring archived

Langara College Spring archived FLMA_1181_Outline COLLABORATION: THE ACTOR, WRITER AND DIRECTOR Instructor: Byron Lamarque & Garwin Sanford Tel: (604) 323-5033 Email: gsanford@langara.bc.ca blamarque@langara.bc.ca Class Time: Locations:

More information

WRITERS PROGRAM STORIES MADE HERE.

WRITERS PROGRAM STORIES MADE HERE. WRITERS PROGRAM STORIES MADE HERE. WELCOME FROM THE PROGRAM DIRECTOR The desire to write is an urgent one. Those of us who hear the call to tell our story sometimes find ourselves hamstrung by a fast-paced

More information

WRITING FOR TELEVISION AND FILM: SYLLABUS

WRITING FOR TELEVISION AND FILM: SYLLABUS WRITING FOR TELEVISION AND FILM: SYLLABUS Instructor ERIC REYES LOO (David Myers sub for first four weeks) TFM 110 Spring 2017 Thursdays 3:30 PM 6:10 PM or 7 PM 9:40 PM (office hours with Eric: via Skype,

More information

ART DEPARTMENT Senior High School

ART DEPARTMENT Senior High School ART DEPARTMENT Senior High School Arts & Business, Management Health Engineering/Manufacturing Human Natural Resources Communications Marketing & Technology Science & Industrial Technology Services & Agriscience

More information

COVER LETTERS. Adapted from The Career Center at Loyola University Maryland

COVER LETTERS. Adapted from The Career Center at Loyola University Maryland COVER LETTERS Adapted from The Career Center at Loyola University Maryland COVER LETTERS or Letters of Application PURPOSE OF THE COVER LETTER To get an employer to read your resume To acquaint the employer

More information

Diploma of Media and Communication

Diploma of Media and Communication Diploma of Media and Course Outline: T3 2017 Campus Intake CRICOS Course Duration Teaching Methods Assessment Course Structure Units Melbourne Burwood Campus / Jakarta Campus, Indonesia March, June, October

More information

Imagery Electronic Multimedia Radio , , 10224, , , , 10319, 10320

Imagery Electronic Multimedia Radio , , 10224, , , , 10319, 10320 Page 1 of 6 FIELD ARTS AND CRAFTS Review of Electronic Media qualifications and unit standards Qualifications Qualification title Reference National Certificate in Radio (Announcing) 0296 National Certificate

More information

PUBLIC RELATIONS PRCM EFFECTIVE FALL 2016

PUBLIC RELATIONS PRCM EFFECTIVE FALL 2016 PUBLIC RELATIONS PRCM EFFECTIVE FALL 2016 GROUP 1 COURSES (6 hrs) Select TWO of the specialized writing courses listed below JRNL 2210 NEWSWRITING (3) LEC. 3. Pr. JRNL 1100 or JRNL 1AA0. With a minimum

More information

EMERGING WRITERS FELLOWSHIP FAQ

EMERGING WRITERS FELLOWSHIP FAQ EMERGING WRITERS FELLOWSHIP FAQ 1. Are residents of foreign countries eligible for the program? No, we are unable to accommodate residents of foreign countries at this time. Applicants and ultimately successful

More information

Communication Studies Courses-1

Communication Studies Courses-1 Communication Studies Courses-1 COM 103/Introduction to Communication Theory Provides students with an overview of the discipline and an understanding of the role theory plays in the study of communication.

More information

GRAPHIC DESIGN (ARTGR)

GRAPHIC DESIGN (ARTGR) Graphic Design (ARTGR) 1 GRAPHIC DESIGN (ARTGR) Courses primarily for undergraduates: ARTGR 270: Graphic Design Studio I F. Prereq: DSN S 102, DSN S 131 and enrollment in ARTGR 275; admission to the graphic

More information

VCE Media: Administration information for School-based Assessment in 2018

VCE Media: Administration information for School-based Assessment in 2018 VCE Media: Administration information for School-based Assessment in 2018 Units 3 and 4 School-assessed Task The School-assessed Task contributes 40 per cent to the study score and is commenced in Unit

More information

Communications and New Media Title: Writing for Media Catalog Number: CNMS Credit Hours: 3 Total Contact Hours: 45

Communications and New Media Title: Writing for Media Catalog Number: CNMS Credit Hours: 3 Total Contact Hours: 45 ! South Portland, Maine 04106 Communications and New Media Title: Writing for Media Catalog Number: CNMS-125 01 Credit Hours: 3 Total Contact Hours: 45 Lecture (or Lab): Room HILDM-102 Instructor: Huey

More information

PALOS VERDES PENINSULA HIGH SCHOOL THE PEN NEWSPAPER STAFF APPLICATION

PALOS VERDES PENINSULA HIGH SCHOOL THE PEN NEWSPAPER STAFF APPLICATION PALOS VERDES PENINSULA HIGH SCHOOL THE PEN NEWSPAPER STAFF APPLICATION 2012-2013 Name/grade: Current Position: Position Wanted 1. 2. 3. RULES: 1. In order to apply for a staff position you must maintain

More information

Unit 6: Visual Production CREATIVE MEDIA PRODUCTION AND TECHNOLOGY. Sarah Wilson; Adam Jones; James Ashford; Chris Leinster

Unit 6: Visual Production CREATIVE MEDIA PRODUCTION AND TECHNOLOGY. Sarah Wilson; Adam Jones; James Ashford; Chris Leinster UAL Awarding Body CREATIVE MEDIA PRODUCTION AND TECHNOLOGY LEVEL 3 EXTENDED DIPLOMA Unit 6: Visual Production Sarah Wilson; Adam Jones; James Ashford; Chris Leinster Date Issued: 21 st January 2019 Final

More information

COVENANT UNIVERSITY NIGERIA TUTORIAL KIT OMEGA SEMESTER PROGRAMME: MASS COMMUNICATION

COVENANT UNIVERSITY NIGERIA TUTORIAL KIT OMEGA SEMESTER PROGRAMME: MASS COMMUNICATION COVENANT UNIVERSITY NIGERIA TUTORIAL KIT OMEGA SEMESTER PROGRAMME: MASS COMMUNICATION COURSE: MAC 344 DISCLAIMER The contents of this document are intended for practice and leaning purposes at the undergraduate

More information

Painting, Drawing & Sculpture (PDS)

Painting, Drawing & Sculpture (PDS) Painting, Drawing & Sculpture (PDS) 1 Painting, Drawing & Sculpture (PDS) Courses PDS 2011. Painting. 3 Credit Hours. This studio-intensive course is designed to give the student a thorough grounding in

More information

Course outline. Code: CMN200. Title: Introduction to Screenwriting: The Art of Visual Storytelling

Course outline. Code: CMN200. Title: Introduction to Screenwriting: The Art of Visual Storytelling Faculty of: Arts and Business Teaching Session: Semester 1 Year: 2018 Course Coordinator: Rebecca Belfield-Kennedy Email: rbelfie1@usc.edu.au Course outline Code: CMN200 Title: Introduction to Screenwriting:

More information

PALOS VERDES PENINSULA SUMMER SCHOOL HIGH SCHOOL COURSE DESCRIPTION

PALOS VERDES PENINSULA SUMMER SCHOOL HIGH SCHOOL COURSE DESCRIPTION PALOS VERDES PENINSULA SUMMER SCHOOL HIGH SCHOOL COURSE DESCRIPTION Course Title: Digital Photography 1 (UC, CSU) Grade Level: 9-12 Credit: 10 credits (year) - CTE Prerequisite: none Textbook: Photo Course:

More information

NARRATIVE NON-FICTION (aka the confusing and vague Advanced English Composition) RHET 206 Anne Trubek Spring 2008 Thursdays 1:00-2:50 pm

NARRATIVE NON-FICTION (aka the confusing and vague Advanced English Composition) RHET 206 Anne Trubek Spring 2008 Thursdays 1:00-2:50 pm NARRATIVE NON-FICTION (aka the confusing and vague Advanced English Composition) RHET 206 Anne Trubek Spring 2008 Thursdays 1:00-2:50 pm Office: King 139C Phone: x8615 Office Hours: Tuesdays 4-5:30, Thursdays

More information

Work Term Project Guidelines

Work Term Project Guidelines Work Term Project Guidelines THMT 2288 Option C Development of a Professional Portfolio Note: This work term project can only be completed for THMT 2288 (co-op work term II). Once a student has completed

More information

COURSE CONTENT. DF3009 Film Directing DF2000 and DF AUs for BFA students admitted before AY2017; 39 hours studio contact

COURSE CONTENT. DF3009 Film Directing DF2000 and DF AUs for BFA students admitted before AY2017; 39 hours studio contact COURSE CONTENT Course Code Course Title Pre-requisites No of AUs Contact Hours DF3009 Film Directing DF2000 and DF2005 4 AUs for BFA students admitted before AY2017; 39 hours studio contact Course Aims

More information

Rules for TV-Radio/Audio-New Media Writing Awards

Rules for TV-Radio/Audio-New Media Writing Awards Rules for TV-Radio/Audio-New Media Writing Awards ELIGIBILITY To be eligible for entry, scripts must have been produced under the jurisdiction of the WGA and broadcast or exhibited as follows: Long form,

More information

Fall Semester 2017 JTC 335 Digital Photography Section 2 Department of Journalism and Media Communication Colorado State University

Fall Semester 2017 JTC 335 Digital Photography Section 2 Department of Journalism and Media Communication Colorado State University Fall Semester 2017 JTC 335 Digital Photography Section 2 Department of Journalism and Media Communication Colorado State University Instructor for Section 2 Dr. Pete Seel Office Clark C-205 Phone (970)

More information

CTPR 425 PRODUCTION PLANNING SPRING 2014 Section: Units COURSE DESCRIPTION

CTPR 425 PRODUCTION PLANNING SPRING 2014 Section: Units COURSE DESCRIPTION USCCinematic Arts CTPR 425 PRODUCTION PLANNING SPRING 2014 Section: 18544 2 Units Adjunct Professor: Robert L. Brown Email: robertbrown979@gmail.com Phone: 818 970-3978 Day/Time: Wednesdays 7 pm 9 pm Room:

More information

JOU Advanced photojournalism II. Class meetings: Wednesdays, 5:10-8:10 p.m. (Section 1648) Professor: Phone:

JOU Advanced photojournalism II. Class meetings: Wednesdays, 5:10-8:10 p.m. (Section 1648) Professor:   Phone: SYLLABUS JOU 4605 Advanced photojournalism II Class meetings: Wednesdays, 5:10-8:10 p.m. (Section 1648) Professor: Email: Phone: Office: Course goals: Required materials: John Kaplan jkaplan@jou.ufl.edu

More information

PHOTOGRAPHY II SYLLABUS. SAMPLE SYLLABUS COURSE: AR320 Photography II NUMBER OF CREDIT HOURS: 3 PREREQUISITE: AR120

PHOTOGRAPHY II SYLLABUS. SAMPLE SYLLABUS COURSE: AR320 Photography II NUMBER OF CREDIT HOURS: 3 PREREQUISITE: AR120 SYLLABUS Semester and year FALL 2015 Time and day T R 12:15-1:30 Building/Room B 302 Instructor Professor Matt Rahner E-mail rahnerm@moval.edu Home phone 314.322.8643 Office hours Mondays 2:00-3:00 p.m.

More information

Senior Portfolio Instructions & Requirements Fall 2018

Senior Portfolio Instructions & Requirements Fall 2018 Senior Portfolio Instructions & Requirements Fall 2018 The purpose of the portfolio is to demonstrate to a jury of faculty and industry professionals what you have learned during your time here, and whether

More information

MASTER OF FINE ARTS (M.F.A.) MAJOR IN THEATRE

MASTER OF FINE ARTS (M.F.A.) MAJOR IN THEATRE Master of Fine Arts (M.F.A.) Major in Theatre 1 MASTER OF FINE ARTS (M.F.A.) MAJOR IN THEATRE Major Programs A master of fine arts (M.F.A.) with a major in theatre will prepare students for the field of

More information

the narrative power of the still image

the narrative power of the still image j350 photojournalism SPRING 2014 Prof. David Blumenkrantz Monday 2:00-4:50pm MZ211 Office hours: MZ 326 T12-2 & F10-12 Tel: 818 677-2855 david.blumenkrantz@csun.edu Course Description This course introduces

More information

DIABLO VALLEY COLLEGE CATALOG

DIABLO VALLEY COLLEGE CATALOG DRAMA DRAMA Toni Fannin, Interim Dean Applied and Fine Arts Division Business and Foreign Language Building, Room 204 Possible career opportunities Most careers related to theatre require education beyond

More information

CAPSTONE PROJECT 1.A: OVERVIEW. Purpose

CAPSTONE PROJECT 1.A: OVERVIEW. Purpose CAPSTONE PROJECT CAPSTONE PROJECT 1.A: Overview 1.B: Submission Requirements 1.C: Milestones 1.D: Final Deliverables 1.E: Dependencies 1.F: Task Breakdowns 1.G: Timeline 1.H: Standards Alignment 1.I: Assessment

More information

School of Theatre, Film & Television Film & TV BFA Portfolio Information Sheet

School of Theatre, Film & Television Film & TV BFA Portfolio Information Sheet School of Theatre, Film & Television Film & TV BFA Portfolio Information Sheet The BFA program trains film and video makers to graduate with the skills and creative experiences that will help them secure

More information

USC School of Cinematic Arts Production Planning CTPR 425. Syllabus. Spring Instructor: Robert L. Brown

USC School of Cinematic Arts Production Planning CTPR 425. Syllabus. Spring Instructor: Robert L. Brown USC School of Cinematic Arts Production Planning CTPR 425 Syllabus Spring 2010 Instructor: Robert L. Brown CTPR 425 Production Planning Syllabus How do you turn a script into a film? This course will

More information

PHOT 296 Outdoor Photography Study Abroad Three (3) Credits

PHOT 296 Outdoor Photography Study Abroad Three (3) Credits PHOT 296 Outdoor Photography Study Abroad Three (3) Credits Course Description: This is a three-week intensive course in which students will learn all aspects of outdoor photography including lighting,

More information

DAVID KLEIN. City College of San Francisco PHOTOGRAPHY DEPARTMENT.

DAVID KLEIN. City College of San Francisco PHOTOGRAPHY DEPARTMENT. DAVID KLEIN City College of San Francisco PHOTOGRAPHY DEPARTMENT www.ccsf.edu/photo PHOTOGRAPHY DEPARTMENT With over 700 students every semester, CCSF has one of the largest photography programs in the

More information

PH: Photography. PH 003 Basic Photography Studio 0 credits; 1 lab hour

PH: Photography. PH 003 Basic Photography Studio 0 credits; 1 lab hour PH: Photography PH 003 Basic Photography Studio 0 credits; 1 lab hour For Fine Arts students. Students learn the practical applications of digital camera operations and studio lighting techniques. Corequisite(s):

More information

Movie Production. Course Overview

Movie Production. Course Overview Movie Production Description Movie Production is a semester course which is skills and project-based. Students will learn how to be visual storytellers by analyzing and discussing techniques used in contemporary

More information

APPENDIX 18 CANADIAN INDEPENDENT PRODUCTION INCENTIVE PROGRAM (CIPIP)

APPENDIX 18 CANADIAN INDEPENDENT PRODUCTION INCENTIVE PROGRAM (CIPIP) APPENDIX 18 CANADIAN INDEPENDENT PRODUCTION INCENTIVE PROGRAM (CIPIP) 1. Purpose (b) (d) The purpose of the CIPIP is to encourage low-budget Canadian film and television projects engaging professional

More information

Hoboken Public Schools. High School Media Production Curriculum

Hoboken Public Schools. High School Media Production Curriculum Hoboken Public Schools High School Media Production Curriculum High School Media Production HOBOKEN PUBLIC SCHOOLS Course Description This course is a workshop that allows young adults the opportunity

More information

SCIENCE DOCUMENTARY TELEVISION

SCIENCE DOCUMENTARY TELEVISION SCIENCE DOCUMENTARY TELEVISION Tom Linden, M.D. School of Journalism and Mass Communication JOMC 562 (cross listed as HPM 552), Fall 2013 Thursday, 9:00 a.m. - 11:45 a.m., Carroll Hall 340 Professor of

More information

CTPR 480 CTPR 480 SUBMISSION GUIDELINES. SPRING 2018/ For Fall 2018

CTPR 480 CTPR 480 SUBMISSION GUIDELINES. SPRING 2018/ For Fall 2018 CTPR 480 SUBMISSION GUIDELINES SPRING 2018/ For Fall 2018 If you have any questions please contact both: Brenda Goodman: 480 Coordinating Professor bgoodman@cinema.usc.edu Cydney Fisher: 480 Lead SA cydneyfi@usc.edu

More information

THE 52nd ANNUAL AWGIE AWARDS CATEGORIES AND CONDITIONS OF ENTRY

THE 52nd ANNUAL AWGIE AWARDS CATEGORIES AND CONDITIONS OF ENTRY THE 52nd ANNUAL AWGIE AWARDS CATEGORIES AND CONDITIONS OF ENTRY AWGIE Awards, for the most outstanding Work of high merit in a Category, are presented to AWG members who are the writers or co-writers of

More information

CM 215 VISUAL STORYTELLING FROM YOUTUBE TO FILM FESTIVALS IES Abroad Milan

CM 215 VISUAL STORYTELLING FROM YOUTUBE TO FILM FESTIVALS IES Abroad Milan CM 215 VISUAL STORYTELLING FROM YOUTUBE TO FILM FESTIVALS IES Abroad Milan DESCRIPTION: Visual storytelling is a precious tool that is used extensively in several business fields: Cinema, Advertisement,

More information

Learning Graphic Design and Illustration

Learning Graphic Design and Illustration A Correlation of and Narrative Summary of Learning Graphic Design and Illustration 2017 To the Tennessee Career College and Technical Education Standards Digital Arts & Design I Pearson Education, Inc.,

More information

ART DEPARTMENT ART COURSES CAN BE USED AS ELECTIVE CREDITS

ART DEPARTMENT ART COURSES CAN BE USED AS ELECTIVE CREDITS ART DEPARTMENT ART COURSES CAN BE USED AS ELECTIVE CREDITS CONTENT MISSION STATEMENT: All students have a need for, and a right to, education in the Visual Arts as a part of their life-long learning experience.

More information

WRITE THIS WAY TO THE J-SCHOOL: AN INTERVIEW WITH ROBERT SCHWOCH a University of Wisconsin-Madison Writing Center Podcast

WRITE THIS WAY TO THE J-SCHOOL: AN INTERVIEW WITH ROBERT SCHWOCH a University of Wisconsin-Madison Writing Center Podcast J-School Personal Statements Transcript 1 WRITE THIS WAY TO THE J-SCHOOL: AN INTERVIEW WITH ROBERT SCHWOCH a University of Wisconsin-Madison Writing Center Podcast Voices: Shapiro, Schwoch, Linh Karls

More information

Syllabus: Title of Course

Syllabus: Title of Course Syllabus: Title of Course CE 1925 N Spring 2017 Continuing Education Writing for TV and Web Course Information Location: Terra Building Room 1221 Dates: February 2, 9, 16, 23 & March 2 Note: Thursday evenings

More information

IMAGERY USES STOCK. An insight into image buyers in the creative industries

IMAGERY USES STOCK. An insight into image buyers in the creative industries USES STOCK IMAGERY? Discover how widely used stock photography is in loads of different creative job roles. We ve spoken to a whole host of creative image buyers across the industry to get their insights

More information

318 Photography - Commercial

318 Photography - Commercial 318 Photography - Commercial Definition The Photography program is directed toward individual artistic development with an emphasis on developing the students ability to create independent works. Staff

More information

Welcome to our studio.

Welcome to our studio. P R I C I N G & PA C K A G E S ABOUT Welcome to our studio. We specialize in creating stories and brand identities for businesses. We craft magical authentic experiences by digging deep, listening to your

More information

AP 2-D Design Portfolio Syllabus 4 [Photography, Digital] MRS. ISAACS

AP 2-D Design Portfolio Syllabus 4 [Photography, Digital] MRS. ISAACS AP 2-D Design Portfolio Syllabus 4 [Photography, Digital] MRS. ISAACS This syllabus provides direction for the highly motivated photography student to take the AP Studio Art 2-D Design Exam and earn college

More information