CTPR 480 CTPR 480 SUBMISSION GUIDELINES. SPRING 2018/ For Fall 2018
|
|
- Anis White
- 5 years ago
- Views:
Transcription
1 CTPR 480 SUBMISSION GUIDELINES SPRING 2018/ For Fall 2018 If you have any questions please contact both: Brenda Goodman: 480 Coordinating Professor Cydney Fisher: 480 Lead SA Overview This class is a production experience for advanced undergraduates who have satisfied the prerequisites listed below, and whose projects have been selected by faculty with input from student representatives. Students majoring in any SCA undergraduate division or enrolled in a SCA undergraduate course may submit scripts. In the event that the script is chosen for production, the writer must collaborate with the director and producer on at least TWO ADDITIONAL DRAFTS and a SET OF REVISIONS (if deemed necessary). The writer must be available to meet with the producing and directing instructor and revisions must be completed before the end of this spring semester. A writer may submit a maximum of two scripts, but if both scripts are short listed only one can be pitched. A committee composed of members of the faculty and selected students will evaluate the scripts. Scripts will be judged anonymously. Registration for CTPR 480 is not required for the project writers Completion of CTPR 450 IS required for directors and producers. Producers who have met the requirements can attach themselves to material. Writers and producers will need to complete the development collaboration form detailing any relationships regarding the submitted materials. NOTE : All submission scripts must be titled and dated, but must NOT include the name of the writer on the script. Writer s name and any other attachments (particularly developing producers) and all contact information must be clearly stated in the body of the submission . Script submissions, Producer applications, and Director applications are due by 11:59PM on Sunday March 18, Please 480submissions@gmail.com or cydneyfi@usc.edu if you have any questions.
2 The faculty and student representatives will select projects based on a review of script, story, and project outline. Students seeking directing and producing roles will be selected based on the quality of their prior work and their project presentation. Types of Projects Projects will be an array of dialogue narrative film, dialogue short form, web or TV episodic, documentary, and alternative non dialogue-based cinema. Each cinematic form of projects will follow different time restrictions: Episodic projects may create a single pilot or up to 3 episodes, totaling not more than 12 minutes in length. Dialogue narrative projects (either a short film or episodic pilots for web/tv) may be no longer than 12 minutes. Alternative non dialogue-based cinema projects may be no longer than 12 minutes. All short scripted films will be no longer than 12 minutes, no longer than 12 pages. Documentary projects will be no longer than 15 minutes. Narrative Dialogue Projects (Short Films and Web/TV Episodic) A student may both write a project and separately submit to produce or direct a different project. Students will not be permitted to direct a script they ve written. A producer may conceive an idea for a project, collaborate with a writer to develop a script, and remain eligible to produce that project. Documentary and Alternative Non Dialogue-Based Projects Directors and producers seeking to create a documentary or alternative non dialogue-based project may conceive the project, write a pitch presentation, and submit it for consideration alongside examples of their prior work. The project and the position of producer and director will be considered as a package. When submitting a documentary or alternative non dialogue-based project, submitters must also include both a 480 Directing and a Producing Application as part of the submission package Each student will write a 3-5 page treatment for a minute documentary or alternative non dialogue-based film. If chosen to pitch, the student will produce either a short video (up to 4 minutes) or have some visual presentation to show the panel. The pitch must make clear what the film is
3 about, who the main subject(s) are, and demonstrate the visual style you hope to achieve. If there are main characters or a primary location/setting vital to the success of the film, then a signed release will be required at the pitch stage. Submissions for documentaries and alternative non-dialogue projects must be accompanied by a 480 Producing AND Directing Application Students submitting a documentary or alternative non dialogue-based project for consideration will submit treatments to 480submissions@gmail.com a nd a 480 Producing and Directing Application via Google Form by the final script submission deadline, 11:59PM on Sunday March 18, Further Information Films will be pre-produced, produced, edited, sound designed, mixed, digitally finished and delivered in the fifteen-week semester. This year, the budget of projects will be determined based off of how many final scripts are selected. The minimum amount given by the school for each project will be at least $5,055, however this amount might increase based off the number of selected projects. It is anticipated that all members of the 480 class will also contribute an additional $300 slush fund toward the budget of their projects. Timeline Producer, Director, and Script Submission Deadline: 11:59PM on Sunday March 18, Note: you may submit a directing application and a producing application Announcements By Friday, March 29th, the selection committee, will select projects and a pool of directors and producers (who will align with selected projects to pitch) to present pitches on Friday, April 13th.
4 Meet and Greet Will held on March 31st, TBA. This will be a chance for you meet with the the selected writers, producers, and the directors. Pitches On Friday, April 13th the selection committee will have a pitch presentation of selected projects. The pitching teams will consist of a writer, director, and producer. Final Selection On Friday, April 13th a final selection projects will be announced as approved projects. In order to move forward the approved projects will need to be fully crewed by Friday, April 27th. DIRECTOR SUBMISSIONS Eligibility As a potential director you need to have completed, or be currently enrolled in CTPR 480 or 450 and have completed or be currently enrolled in CTPR 470, 474, 476, or 478. Applicants must submit a reel and resume. 480 directors may not direct a script they have written. This does not preclude a director candidate from submitting a script. If both director and script are accepted, another Director can pitch the script. Director s Reel Potential directors must upload their reel to Vimeo.com with a secure password. The Vimeo info section should have the following information: your name, phone number, address and contents of the reel. The reel must include your completed CPTR 310 project in its entirety. You may submit only TWO projects on your reel. One of them must be the CTPR 310 project; and the other project may be any other USC class project. Both projects together must not exceed the 10- -minute time limit. DO NOT PUT MONTAGES OF ANY TYPE ON YOUR REEL. The link to your video, along with the password must be typed ON YOUR DIRECTOR S RESUME (see below). Example: (password: jsmith2016)
5 Director s Resume Potential directors need to submit directing resumes as PDFs. Clearly state your name, phone number and address. Have a photo of yourself on the resume. Describe your 310 and each project on your sample reel. List the title of the material and the name of the writer for each.list all the names of your 290, 310, and 475/476/478 professors. Your resume should detail work or student experiences that relate to you as a director. Your resume should also have the link to your reel on vimeo.com (see above) Director Submitting Process ---- SUBMITTING ONLINE Directing candidates must submit electronically via Google Form no later than 11:59PM on Sunday March 18, The must contain the following information: Your name, phone number, address, and past 480/450 crew position. The should also include the names of your 290, 310, and 475/476/478 professors. Your should also have a link to your Vimeo link with a password (SEE FORMAT ABOVE) LATE SUBMISSIONS WILL NOT BE ACCEPTED PRODUCER SUBMISSIONS Eligibility As a potential producer you need to have completed or be currently enrolled in CTPR 450/480 and have completed or be currently enrolled in CTPR 438. Students may petition on their application to take 438 and 480 simultaneously. Producers of 480 Production Courses may not produce a script they have written. If you have collaborated to develop a script please note it on development form Submitting Process Potential producers need to submit an electronic application via Google Form no later than 11:59PM on Sunday March 18, 2018 You will also need to submit a resume Potential directors need to submit producing resumes as PDFs. Clearly state your name, phone number and address. Have a photo of yourself on the resume. List all the names of your 295, 310, and 438 (if taken) professors.
6 Your resume should detail work or student experiences that relate to you as a producer Producer applications are attached on the next page LATE SUBMISSIONS WILL NOT BE ACCEPTED
CTPR 438 PRACTICUM IN PRODUCING SYLLABUS 2 UNITS. USC SCHOOL OF CINEMATIC ARTS Spring 2018
CTPR 438 PRACTICUM IN PRODUCING SYLLABUS 2 UNITS USC SCHOOL OF CINEMATIC ARTS Spring 2018 Pre-requisite: MEETING TIMES: CTPR 310 - Intermediate Production or CTPR 425 - Production Planning Thursday 6:00
More informationEMERGING WRITERS FELLOWSHIP FAQ
EMERGING WRITERS FELLOWSHIP FAQ 1. Are residents of foreign countries eligible for the program? No, we are unable to accommodate residents of foreign countries at this time. Applicants and ultimately successful
More informationEMERGING WRITERS FELLOWSHIP FAQ
EMERGING WRITERS FELLOWSHIP FAQ 1. Are residents of foreign countries eligible for the program? No, we are unable to accommodate residents of foreign countries at this time. Applicants and ultimately successful
More informationRules for TV-Radio/Audio-New Media Writing Awards
Rules for TV-Radio/Audio-New Media Writing Awards ELIGIBILITY To be eligible for entry, scripts must have been produced under the jurisdiction of the WGA and broadcast or exhibited as follows: Long form,
More informationCommunications and New Media Title: Writing for Media Catalog Number: CNMS Credit Hours: 3 Total Contact Hours: 45
! South Portland, Maine 04106 Communications and New Media Title: Writing for Media Catalog Number: CNMS-125 01 Credit Hours: 3 Total Contact Hours: 45 Lecture (or Lab): Room HILDM-102 Instructor: Huey
More information2018 FILM PROJECT GUIDELINES AND APPLICATION FORM
2018 FILM PROJECT GUIDELINES AND APPLICATION FORM CITY OF VINCENT FILM PROJECT Aims of the The City of Vincent, in partnership with Revelation Film Festival is running the 2018 City of Vincent Film Project
More informationMedia Resource Centre Guidelines Production Initiative Program (PIP)
Media Resource Centre Guidelines Production Initiative Program (PIP) This program provides grant funding to facilitate a short form production opportunity in order to provide career advancement for emerging
More informationRTVF INTRODUCTION TO SCREENWRITING. or, Writing for Visual Media. Tuesday & Thursday 9:30-10:50 AM (Media Arts building room 180-i)
RTVF 2010.005 INTRODUCTION TO SCREENWRITING or, Writing for Visual Media Tuesday & Thursday 9:30-10:50 AM (Media Arts building room 180-i) INSTRUCTOR: Garrett Graham. You can just call me Garrett garrett.graham@unt.edu
More informationLINKS DON T WORK ON PDF
DEADLINES FILM* Applications for Film open on Friday 18 January 2019, 12pm. To apply for Film please submit a completed online application form along with your supporting materials by Wednesday 20 February
More informationPlaywrights Week 2018 Application Form
Playwrights Week 2018 Application Form The Lark s Open Access Program seeks to provide development opportunities for new and diverse voices for the theater by identifying and advancing promising plays
More informationThe Diverse Voices Screenplay Contest by WeScreenplay Rules and Information
The Diverse Voices Screenplay Contest by WeScreenplay Rules and Information MISSION: Diverse Voices strives to provide a contest that is purely focused on promoting and encouraging diverse voices in Hollywood.
More informationBEACONS GUIDELINES 2017
BEACONS GUIDELINES 2017 BFI NETWORK WALES The BFI is committed to discovering and supporting the next generation of British filmmaking talent and its UK-wide Talent NETWORK is delivered by its national
More informationTALLINN UNIVERSITY BALTIC FILM, MEDIA, ARTS AND COMMUNICATION SCHOOL GUIDELINES. formatting, presentation and defence.
TU BFM Board Decision No. 1-6/151, dated 3 October 2016 TALLINN UNIVERSITY BALTIC FILM, MEDIA, ARTS AND COMMUNICATION SCHOOL GUIDELINES for the formatting, presentation and defence of a MA thesis within
More informationin SCREENWRITING MASTER OF FINE ARTS Two-Year Accelerated
Two-Year Accelerated MASTER OF FINE ARTS in SCREENWRITING In the MFA program, staged readings of our students scripts are performed for an audience of guests and industry professionals. 46 LOCATION LOS
More informationAll submissions are read anonymously and every writer gets a submission feedback report.
All submissions are read anonymously and every writer gets a submission feedback report. Please Note: We now only accept entries submitted electronically through our Application Form. 1. DATES AND DEADLINES
More informationThe Diverse Voices Screenplay Contest by WeScreenplay Rules and Information
The Diverse Voices Screenplay Contest by WeScreenplay Rules and Information MISSION: Diverse Voices strives to provide a contest that is purely focused on promoting and encouraging diverse voices in Hollywood.
More informationGuiding Lights 9. FAQs - UK
Guiding Lights 9 FAQs - UK Please be aware that theses FAQs may be updated during the call-out period. NATIONALITY & RESIDENCY I m an American national who lives and works in the States. Can I apply? No.
More informationWesleyan University. FILM : Screenwriting, Fall 2018 Monday, 1:20 pm - 4:10 pm, CFS 124
Professor: Tom Lock Office Hours: By Appointment Email: tlock@wesleyan.edu M: 1:20 pm - 4:10 pm, CFS 124 This is a workshop class focused on the narrative short screenplay and how that translates to both
More informationWRITERS GUILD OF AMERICA 2018 TELEVISION-RADIO/AUDIO-NEW MEDIA WRITING AWARDS
WRITERS GUILD OF AMERICA 2018 TELEVISION-RADIO/AUDIO-NEW MEDIA WRITING AWARDS (Entry form on page 4) ELIGIBILITY To be eligible for entry, scripts must have been produced under the jurisdiction of the
More informationC A P I L A N O UNIVERSITY COURSE OUTLINE TERM: Fall 2014 COURSE NO.: IDF 233
C A P I L A N O UNIVERSITY COURSE OUTLINE TERM: Fall 2014 COURSE NO.: IDF 233 INSTRUCTORS: COURSE NAME: Screenwriting OFFICE: LOCAL: SECTION NO.: COURSE CREDITS: 3 MISSION STATEMENT: The Indigenous Independent
More informationEmerging Talent Shorts Application Guidelines
Emerging Talent Shorts Application Guidelines Introduction Supported by National Lottery funding from Creative Scotland and BFI NETWORK, Scottish Film Talent Network connects with new and emerging Scottish
More informationFellowship Applications
Suggestions for Prospective Graduate Students Michael Moody Harvey Mudd College Over the years I served many times on graduate admissions committees in two different departments. I have also reviewed many
More informationENTRY MATERIALS YOUNG PLAYRIGHTS FESTIVAL AT CITY OPERA HOUSE
ENTRY MATERIALS YOUNG PLAYRIGHTS FESTIVAL AT CITY OPERA HOUSE High school students write and submit one-act scripts to a juried competition. The six finalists will be chosen to work with a national theater
More informationMaster of Creative Writing for Scriptwriters
Master of Creative Writing for Scriptwriters Available onsite or via distance learning, the Master of Creative Writing (MCW) for Scriptwriters is for writers who are serious about a career in film, TV,
More informationScreenwriters Lab Sundance Institute Mahindra Global Filmmaking Award
Thank you for your interest in the Sundance International Feature Film Program. You are invited to apply to two of our signature programs for International filmmakers. The January Screenwriters Lab and
More informationInstructor local xxx
CAPILANO UNIVERSITY COURSE OUTLINE Fall 2016 Division Course Name MOPA 304 Screenwriting III Credits: 3 Instructor x@capilanou.ca 604.986.1911 local xxx VISION STATEMENT The is dedicated to inspiring a
More informationSchool of Theatre, Film & Television Film & TV BFA Portfolio Information Sheet
School of Theatre, Film & Television Film & TV BFA Portfolio Information Sheet The BFA program trains film and video makers to graduate with the skills and creative experiences that will help them secure
More informationCOVENANT UNIVERSITY NIGERIA TUTORIAL KIT OMEGA SEMESTER PROGRAMME: MASS COMMUNICATION
COVENANT UNIVERSITY NIGERIA TUTORIAL KIT OMEGA SEMESTER PROGRAMME: MASS COMMUNICATION COURSE: MAC 344 DISCLAIMER The contents of this document are intended for practice and leaning purposes at the undergraduate
More informationThe WeScreenplay Television Competition Rules and Information
The WeScreenplay Television Competition Rules and Information MISSION: To provide industry exposure and support to television screenwriters who are looking to have their stories told. FEEDBACK: We believe
More informationGUIDELINES FOR ADAPT TO FILM
GUIDELINES FOR ADAPT TO FILM Background Movie adaptation is big business with adaptations outnumbering original screenplays and taking the lion s share of the box office*. Bestsellers such as The Girl
More informationGraduate Peer Consultant Application
The UST Center for Writing Before you write, as you write, and after you write Graduate Peer Consultant Application 2017-2018 Please note: You must be a student in the M.A. Program in English to apply
More informationCINEMA AND MEDIA ARTS (CNMA)
Biola University 1 CINEMA AND MEDIA ARTS (CNMA) CNMA 101 - The Art of Storytelling Credits 3 Giving filmmakers an introduction to the building blocks of storytelling: character, setting and plot. Students
More informationLangara College Spring archived
FLMA_1181_Outline COLLABORATION: THE ACTOR, WRITER AND DIRECTOR Instructor: Byron Lamarque & Garwin Sanford Tel: (604) 323-5033 Email: gsanford@langara.bc.ca blamarque@langara.bc.ca Class Time: Locations:
More informationin SCREENWRITING MASTER OF ARTS One-Year Accelerated LOCATION LOS ANGELES, CALIFORNIA
One-Year Accelerated MASTER OF ARTS in SCREENWRITING LOCATION LOS ANGELES, CALIFORNIA Location is subject to change. For start dates and tuition, please visit nyfa.edu 102 103 MA Screenwriting OVERVIEW
More informationSCRIPT DEVELOPMENT PROGRAM GUIDELINES. Objective:
SCRIPT DEVELOPMENT PROGRAM GUIDELINES Note: Supporting Document Checklist Appears at the end of this document Objective: The Harold Greenberg Fund (Fund) is, a national funding organization that supports
More informationMake Your First Short Film (Hybrid) COURSE SYLLABUS
Note to students: While this syllabus is posted to give you an overview of the course, it is subject to change. Should you have further questions, please contact the UCLA Extension Entertainment Studies
More informationTHE NEW PLOT PROFESSIONAL DEVELOPMENT AWARD Proudly presented by 107 Projects and Actors Centre Australia (ACA).
THE NEW PLOT PROFESSIONAL DEVELOPMENT AWARD Proudly presented by 107 Projects and Actors Centre Australia (ACA). 107 Projects in association with ACA launch The New Plot, a new development award for Australian
More informationCOWLEY COLLEGE & Area Vocational Technical School
COWLEY COLLEGE & Area Vocational Technical School COURSE PROCEDURE FOR INTRO TO SCREENWRITING ENG2264-3 Credit Hours Student Level: This course is open to students on the college level in either the freshman
More informationHORIZONS FUND GUIDELINES 2017
HORIZONS FUND GUIDELINES 2017 BFI NETWORK WALES The UK wide BFI Talent NETWORK is committed to discovering and supporting the next generation of British filmmaking talent. The scheme will be delivered
More informationCTPR 425 PRODUCTION PLANNING SPRING 2014 Section: Units COURSE DESCRIPTION
USCCinematic Arts CTPR 425 PRODUCTION PLANNING SPRING 2014 Section: 18544 2 Units Adjunct Professor: Robert L. Brown Email: robertbrown979@gmail.com Phone: 818 970-3978 Day/Time: Wednesdays 7 pm 9 pm Room:
More informationCOURSE DESCRIPTION: COURSE OBJECTIVES:
DC 401 801 WRITING THE SHORT SCREENPLAY WINTER 2017 MON 5:45-9:00pm INSTRUCTOR: DANIEL KLEIN OFFICE: 505 OFFICE HOURS: TUES 11:00am-1:30pm Email: daniel.klein@depaul.edu January 15, 2017 Last day to drop
More informationThesis Student Guidelines Animation
2017-2018 Thesis Student Guidelines Animation Departments of Film & Animation Room 500 209 East 23 Street New York, NY 10010-3994 (212) 592-2180 2180 Contents Letter from the Chairman 3 The Thesis Year
More informationINTRODUCTION TO RADIO, TV & FILM WRITING MRTS 2010 ONLINE Spring 2017 Department of Media Arts
INTRODUCTION TO RADIO, TV & FILM WRITING MRTS 2010 ONLINE Spring 2017 Department of Media Arts CLASS INFORMATION Text None. Online readings and links provided in Instructor Frances Perkins Office 263 RTFP
More informationCourse outline. Code: CMN200. Title: Introduction to Screenwriting: The Art of Visual Storytelling
Faculty of: Arts and Business Teaching Session: Semester 1 Year: 2018 Course Coordinator: Rebecca Belfield-Kennedy Email: rbelfie1@usc.edu.au Course outline Code: CMN200 Title: Introduction to Screenwriting:
More informationThe WeScreenplay Feature Screenwriting Competition Rules and Information
The WeScreenplay Feature Screenwriting Competition Rules and Information MISSION: To provide industry exposure and support to feature screenwriters who are looking to have their stories told. FEEDBACK:
More informationCarnival Hour Plays PLAYWRITING COMPETITION FOR AUSTRALIAN PLAYWRIGHTS. Entry fee $40 per script
Toowoomba Repertory Theatre Society Carnival Hour Plays PLAYWRITING COMPETITION FOR AUSTRALIAN PLAYWRIGHTS Prizes: Best Play $4000 Second $2000 Entry fee $40 per script Entries Closing Date: 30 th September
More informationCOM 357: Scriptwriting for Serial Media Spring 2014 Tue./Thur. 12-1:50pm Bouillon 106
COM 357: Scriptwriting for Serial Media Spring 2014 Tue./Thur. 12-1:50pm Bouillon 106 1 Instructor: Maria Sanders Office Hours: Bouillon 225 Assistant Professor, Film and Video Studies Mon. / Tue. / Wed.
More informationVSA PLAYWRIGHT DISCOVERY COMPETITION 2015 APPLICATION GUIDELINES
Each year, young writers with and without disabilities, in U.S. grades 6-12 (or equivalents) or ages 11-18 for non-u.s. students, are asked to explore the disability experience through the art of script
More informationHONOURS PROJECT HANDBOOK ( ) ACADEMY OF FILM SCHOOL OF COMMUNICATION HONG KONG BAPTIST UNIVERSITY
HONOURS PROJECT HANDBOOK (2018-2019) ACADEMY OF FILM SCHOOL OF COMMUNICATION HONG KONG BAPTIST UNIVERSITY June 2018 INTRODUCTION... 1 QUALIFICATIONS.... 2 GENERAL GUIDELINES AND REGULATIONS... 3 I. TIMETABLE
More informationFILM AND MEDIA TUFTS UNIVERSITY 95 TALBOT AVENUE, MEDFORD, MA 02155
FILM AND MEDIA STUDIES @ TUFTS UNIVERSITY 95 TALBOT AVENUE, MEDFORD, MA 02155 INSTRUCTOR: Leslie Goldberg. Office: Experimental College at 95 Talbot Ave., 2 nd floor w- 617-627- 2007; m- 781-608- 7866;
More informationBig Sandy Community and Technical College. Course Syllabus
Big Sandy Community and Technical College Course Syllabus PS Number: 84585 Semester: Spring Year: 2017 Faculty Name: Rebecca Mullins Title: Professor Course Prefix and Number: ENG 207 Course Credit Hours:
More informationPRODUCTION. in FILM & MEDIA MASTER OF ARTS. One-Year Accelerated
One-Year Accelerated MASTER OF ARTS in FILM & MEDIA PRODUCTION The Academy offers an accelerated one-year schedule for students interested in our Master of Arts degree program by creating an extended academic
More informationCOMIC-CON AND WONDERCON ANAHEIM PRESS GUIDELINES
COMIC-CON AND WONDERCON ANAHEIM PRESS GUIDELINES 2019 Major changes to the press application and registration processes have been implemented for 2019. Please read this entire PDF carefully before submitting
More informationWriting the Half-Hour Spec Comedy Script Instructor: Manny Basanese
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationRushmore (1998) (Script and film) Little Miss Sunshine (1999) (Script and film) In Bruges (2004) (Script and film)
COM 267 online WINTER 2014 Course: MTuWTh noon (deadlines) Film Viewings: online/individual Course Location: online/canvas INSTRUCTOR: Melissa A. Johnson Office: Virtual Office Hours: by appointment (via
More informationWRITERS PROGRAM STORIES MADE HERE.
WRITERS PROGRAM STORIES MADE HERE. WELCOME FROM THE PROGRAM DIRECTOR The desire to write is an urgent one. Those of us who hear the call to tell our story sometimes find ourselves hamstrung by a fast-paced
More informationWriting The First Screenplay II Instructor: Chris Webb
1 Writing The First Screenplay II Instructor: Chris Webb heytherechris@earthlink.net This second in a 4-part sequence in writing a feature film script has you hit the ground running. You begin by pitching
More informationRaupapa Whakaari Funding Dramas to the world
New Zealand Film Commission / New Zealand On Air Raupapa Whakaari Funding Dramas to the world In conjunction with Guidelines for Applicants February 2019 We encourage you to read these guidelines carefully
More informationTABLE OF C,ONTENTS. 11 Conclusion 13
PUSAT H.LLIU"'-L.~ PE PUSTi\. r TABLE OF C,ONTENTS CD-ROM TO ACCOMPANY PRINTED BOOK ACKNOWLEDGMENTS INTRODUCTION xv xvii XiX PART I Defining the Problem 1 Chapter 1 DESCRIBING ONE MEDIUM THROUGH ANOTHER
More informationCreating Movie Scripts
Creating Movie Scripts This is a syllabus from past semesters. It will not be the syllabus for Spring 2014, but is posted to give an idea what the class will be like. Please note that everything in it
More informationOverview POSTS PEOPLE COURSES PROFILE not
Overview To begin editing content, first you must log in to the admin area of the website. You can do this by going to history.msu.edu/wp-admin or by clicking on the Login link on the main page of the
More informationINTERMEDIATE SCREENWRITING MRTS 4460 Fall 2016 Department of Media Arts
INTERMEDIATE SCREENWRITING MRTS 4460 Fall 2016 Department of Media Arts Class Information Section - 001 Location RTVP Building room 180i Time Tuesday 2-4:50pm Text None. Online readings and links provided
More informationCOMM498L: Introduction to Screenwriting for Television and Film Fall 2015, T 4:00-6:30
COMM498L: Introduction to Screenwriting for Television and Film Fall 2015, T 4:00-6:30 Department of Communications University of Maryland, College Park The Universities at Shady Grove Campus Lecturer:
More informationNaFF Screenwriting Competition 2015
NaFF Screenwriting Competition 2015 The Nashville Film Festival (NaFF) Screenwriting Competition runs through midnight January 14, 2015. The awards presentation will be held at the 46th Nashville Film
More informationLangara College Spring archived
FLMA 1130 Feature Film Lecture, Lab & Workshop Film Arts: Writing Stream Instructor: Gary Fisher Phone: 604.874.9056 (off-campus) Office: A-326b Office Hours: Monday 1-2pm Thursday 1-2pm Email: On Fridays
More informationSenior Portfolio Instructions & Requirements Fall 2018
Senior Portfolio Instructions & Requirements Fall 2018 The purpose of the portfolio is to demonstrate to a jury of faculty and industry professionals what you have learned during your time here, and whether
More informationRTS YORKSHIRE CENTRE AWARDS 2019 CATEGORIES AND CRITERIA FOR ENTRIES
RTS YORKSHIRE CENTRE AWARDS 2019 CATEGORIES AND CRITERIA FOR ENTRIES The RTS Yorkshire Centre Awards celebrate excellence in production across all platforms, formats and genres. We are a region proud of
More informationCRWT 4354 Creating Movie Scripts - Spring '15 Syllabus Thursday 7pm 9:45pm JO 3.906
CRWT 4354 Creating Movie Scripts - Spring '15 Syllabus Thursday 7pm 9:45pm JO 3.906 Noah Zisman noahz@utdallas.edu Phone: TBA Office Hours: by appt. Location: TBA COURSE MATERIALS: TEXTS: The Tools of
More informationUSC School of Cinematic Arts Production Planning CTPR 425. Syllabus. Spring Instructor: Robert L. Brown
USC School of Cinematic Arts Production Planning CTPR 425 Syllabus Spring 2010 Instructor: Robert L. Brown CTPR 425 Production Planning Syllabus How do you turn a script into a film? This course will
More informationGuidelines for Writers You must write for at least two different magazines on two different topics.
1 Students will create a magazine through a student editorial board that will issue a call for articles, peer review the articles, and design/layout the articles for a class publication. Each student will
More informationENG 382: Screenwriting Bishop s University, Winter 2009
Instructor: Dr. Steven Woodward Office: Morris 17 Class time: Tues. & Thurs., 10:00-11:30 Office telephone: 2250 Classroom: Hamilton 303 e-mail address: swoodwar@ubishops.ca Office hours: Mon. & Wed. 11:30-1:00
More informationCommunication Studies Courses-1
Communication Studies Courses-1 COM 103/Introduction to Communication Theory Provides students with an overview of the discipline and an understanding of the role theory plays in the study of communication.
More informationComponent at a glance
A LEVEL FILM STUDIES 31 2.3 Component 3 Production Component at a glance Production Options Evaluative Analysis Option 1: Short Film (4-5 minutes) Written Evaluation (1600 1800 Option 2: Screenplay for
More informationMPJO : FEATURE WRITING GEORGETOWN UNIVERSITY: MPS- JOURNALISM Tuesdays, 6 p.m. to 9:20 p.m. Summer 2014
MPJO- 700-40: FEATURE WRITING GEORGETOWN UNIVERSITY: MPS- JOURNALISM Tuesdays, 6 p.m. to 9:20 p.m. Summer 2014 Instructor: Ryan Lizza Downtown campus, room C230 Office hours: by appointment. COURSE OVERVIEW
More informationTHE 52nd ANNUAL AWGIE AWARDS CATEGORIES AND CONDITIONS OF ENTRY
THE 52nd ANNUAL AWGIE AWARDS CATEGORIES AND CONDITIONS OF ENTRY AWGIE Awards, for the most outstanding Work of high merit in a Category, are presented to AWG members who are the writers or co-writers of
More informationSyllabus: Screenwriting - Developing the Script
Syllabus: Screenwriting - Developing the Script CE 1902 N Summer 2018 Continuing Education Course Information Location: Terra TBD Dates: TUE 6-9PM, JUN 5 - JUL 10 Note: Instructor Information Name: David
More informationAll submissions are read anonymously and every writer gets a submission feedback report.
This competition is open to all writers, resident in the UK or of UK citizenship. This includes feature and short films live action or animation and of any genre. They can be an adaption of a book or story.
More informationRTV 3101 (Fall 2016) ADVANCED WRITING FOR THE ELECTRONIC MEDIA
1 RTV 3101 (Fall 2016) ADVANCED WRITING FOR THE ELECTRONIC MEDIA Instructor: James Babanikos, Ph.D. Office: 3064 Weimer Hall Office Phone: 392-6399 e-mail: jbabanikos@jou.ufl.edu Office Hours: Tuesdays
More informationDear PPM Member, MIMI/Photography Conf 5801 Southfield Expressway Detroit, MI 48225
Dear PPM Member, Enclosed you will find the 2018 Print Competition Rules and Forms. Please read carefully as you will need to register your images prior to the PhotoMax event (www.printcompetition.com).
More informationINTERNSHIPS OF THE WEEK
DEVELOPMENT INTERN (International Studio): An international studio creating original scripted and unscripted in Los Angeles content seeks smart, hungry interns to join our team. This is not an answer phones
More informationThe WeScreenplay Feature Screenwriting Competition Rules and Information
The WeScreenplay Feature Screenwriting Competition Rules and Information MISSION: To provide industry exposure and support to feature screenwriters who are looking to have their stories told. FEEDBACK:
More information2018 PROMAXGAMES AWARDS
2018 PROMAXGAMES AWARDS PROMAXGAMES celebrating innovation and excellence in game marketing! The PromaxGAMES annual Awards are the world s premier celebration of innovation and creativity in game and interactive
More informationFilmmaker Assistance Program Guidelines and Application North West Centre (Northwest Territories, Alberta, Saskatchewan, Manitoba, Nunavut, &
Filmmaker Assistance Program Guidelines and Application North West Centre (Northwest Territories, Alberta, Saskatchewan, Manitoba, Nunavut, & Northwestern Ontario) National Film Board of Canada North West
More informationWRITING FOR TELEVISION AND FILM: SYLLABUS
WRITING FOR TELEVISION AND FILM: SYLLABUS Instructor ERIC REYES LOO (David Myers sub for first four weeks) TFM 110 Spring 2017 Thursdays 3:30 PM 6:10 PM or 7 PM 9:40 PM (office hours with Eric: via Skype,
More informationFINAL TECHNICAL REPORT. Please copy and repeat this form for each of the projects of your Slate
MAIN DATA FINAL TECHNICAL REPORT Please copy and repeat this form for each of the projects of your Slate Project Title: Beneficiary: Ref. Nr. PROJECT STATUS 1. Overview: - category (please tick the relevant
More informationMSc in Engineering (Technology Based Business Development) study programme Weekly schedule, autumn semester 2014
MSc in (Technology Based Business Development) study programme Weekly schedule, autumn semester 2014 (Mondays and Tuesdays) Programme 01.09 Monday 1 02.09 Tuesday 03.09 Wednesday 04.09 Thursday Visits
More informationUCLA Extension Writers Program Public Syllabus
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationRTV 3101 (Spring 2017) ADVANCED WRITING FOR THE ELECTRONIC MEDIA
RTV 3101 (Spring 2017) ADVANCED WRITING FOR THE ELECTRONIC MEDIA Instructor: James Babanikos, Ph.D. Office: 3064 Weimer Hall Office Phone: 392-6399 e-mail: jbabanikos@jou.ufl.edu Office Hours: Tuesdays
More informationBlack Science Fiction Script Movie Project 2012
Black Science Fiction Script Movie Project 2012 OFFICIAL 2011 ENTRY FORM AND RELEASE Please make sure to fill in ALL fields to ensure that your entry is accepted! Please attach a separate completed form
More informationCALL TO ARTISTS DOWNTOWN SYLVA MURAL PROJECT SYLVA, NORTH CAROLINA
CALL TO ARTISTS DOWNTOWN SYLVA MURAL PROJECT SYLVA, NORTH CAROLINA The Town of Sylva and the Sylva Public Art Committee invite artists or artist teams to submit qualifications for an artist to develop
More informationTHE UNIVERSITY OF TORONTO DRAMA FESTIVAL
THE UNIVERSITY OF TORONTO DRAMA FESTIVAL 2016-2017 Information Package Frequently Asked Questions What is The University of Toronto Drama Festival? The UofT Drama Festival is a three or four day drama
More informationDecision regarding PHARMAC s Implementation of Trans-Pacific Partnership (TPP) provisions and other Amendments to Application Processes
8 December 2016 Decision regarding PHARMAC s Implementation of Trans-Pacific Partnership (TPP) provisions and other Amendments to Application Processes PHARMAC is pleased to announce that changes will
More informationLantern Independent Study
Lantern Independent Study Spring 2017~275 Journalism Professor: Spencer Hunt Office: 275 Journalism E- Mail: hunt.754@osu.edu Office Phone: 614.247.7030 Cell: 614.264.5000 Office Hours: By appointment,
More informationAuthor Tutorial for OPTE Editorial Manager System
CONTENTS Registration/Login/Password... 2 Edit Account Information... 5 Track Manuscript Status... 15 Submit Revised Manuscript... 16 View Manuscript Decision... 21 Registration/Login/Password In order
More informationWRITING THE HALF-HOUR COMEDY SERIES CTWR 434 #19192 Fall 2017
WRITING THE HALF-HOUR COMEDY SERIES CTWR 434 #19192 Fall 2017 Instructor: Linda Teverbaugh Class schedule: Thursdays, 1-3:50 pm Class Location: SCA 362 Office Hours: By appointment (Mostly Thursdays) Course
More informationANNEX THEATRE. Late May and early June Pitch sessions and readings will be scheduled during this time.
SOME IMPORTANT DATES ANNEX THEATRE Request for Proposals for 2016 Season Friday May 8, 2014 Proposals are due by 5 p.m. Late May and early June Pitch sessions and readings will be scheduled during this
More informationOPCA FICTION SUMMARY. September 12, 2016
OPCA FICTION SUMMARY 1 September 12, 2016 OPCA TV FICTION, KEY TAKEAWAYS o French fiction has a solid audience but is often difficult to finance; o There s inconsistency between the value of writers and
More informationScreenwriting The Thirty Minute Script
Department of Media and Cultural Studies Module Outline Academic Year 2011/12 Birkbeck, University of London Screenwriting The Thirty Minute Script MODULE CODE: FFME026S5BCB CREDITS/LEVEL: 30 CATS/Level
More informationCIC STUDENT REGISTRATION INSTRUCTIONS
CIC STUDENT REGISTRATION INSTRUCTIONS Step 1: Go to http://cic.experience.com and click Create an account Step 2: Enter Password Token Please see your school s Career Center for the password token Step
More informationSan José State University Theatre, Radio, Film, TV, Animation/Illustration ADVANCED SCRIPTWRITING TA 129 (#27132) Spring, 2011
San José State University Theatre, Radio, Film, TV, Animation/Illustration ADVANCED SCRIPTWRITING TA 129 (#27132) Spring, 2011 Instructor: Dr. David Kahn Office Location: HGH 110 Telephone: (408) 924-4540
More information