Big Sandy Community and Technical College. Course Syllabus
|
|
- Christian Caldwell
- 5 years ago
- Views:
Transcription
1 Big Sandy Community and Technical College Course Syllabus PS Number: Semester: Spring Year: 2017 Faculty Name: Rebecca Mullins Title: Professor Course Prefix and Number: ENG 207 Course Credit Hours: 3 Course Prerequisites: Course Title: Creative Writing: Screenwriting Catalog Course Description: ENG. 207 is a beginning course in the craft of writing, teaching students how to read critically and how to revise work in progress. The students provide an audience for each other s work. Exercises involve practice in the aspects of craft and promote experimentation with different forms, subjects, and approaches; outside reading provides models for inspiration. May be repeated under different subtitle to a maximum of 6 credit hours. This course will focus on the art of script writing. Instructor Contact Information: Campus Location: Pikeville Building & Room: N308 Office Hours: See class /office schedule under syllabus tab Office Phone Number: x81246 Alternate Number: Best Times to Call: See class /office schedule under syllabus tab KCTCS rebecca.mullins@kctcs.edu Special Instructions: Please note that any assignment that is not submitted is the same as an assignment that receives a zero in the grade book. When looking at your grade, you must look at the total points you have received and where that falls on the grade scale to know where you stand in terms of the overall class. Supervisor Contact Information: Name: Mary Wallen
2 Campus Location: Prestonsburg Building & Room: Pike 107E Office Phone Number: X94761 KCTCS Text and Supplies: Required Text: Russin, Robin U. and Downs, William Missouri. Screenplay. Silman-James Press. Los Angeles ISBN: ( you may use the first or 2 nd edition the bookstore will have the 2 nd edition). Recommended Text (to those who are going to pursue a deeper knowledge of scriptwriting or scriptwriting as a career): Trottier, David. The Screenwriter s Bible. 5 th Edition Expanded & Updated. Silman-James Press. Los Angeles ISBN: USB key on which to save your work; a manila bubble envelope in which you will mail your final script and video production of your script The scripts we will focus on can be located under course links, and they are as follows: The Verdict, Witness, The Terminator, and Sleepless in Seattle. You will also want to be able to borrow, check out, or rent these titles so you can participate in comparison discussions of how the script differs from the finished product as it appears on the silver screen. Keep in mind you will want access to a video camera so you can tape your production of your script. Approved Course Competencies General Education: (KCTCS General Education Competency Statements and General Education Requirements) Students should prepare for twenty-first century challenges by gaining: A. Knowledge of human cultures and the physical and natural worlds through study in the sciences and mathematics, social sciences, humanities, histories, languages, and the arts. Method to Achieve Competency: Students will fulfill this competency by using critical thinking skills to analyze the resource materials that they will read and possibly integrate into their own scripts. Students will also learn and use a variety of critical approaches discussed in class lectures and forums. B. Intellectual and practical skills, including inquiry and analysis critical and creative thinking written and oral communication quantitative literacy information literacy teamwork and problem solving Method to Achieve Competency: To understand, analyze, summarize, and interpret a variety of screenplays provided. Students will
3 analyze the scripts in terms of aspects of the scripts, and the finished product as it appears on the screen. Students will note how the finished product is indeed altered from the script. C. Personal and social responsibility, including civic knowledge and engagement (local and global) intercultural knowledge and competence ethical reasoning and action foundations and skills for lifelong learning Method to Achieve Competency: Students are highly encouraged to research the various scripts being used and the concepts contained within their own scripts for accuracy and believability. Students will be reflecting upon their own opinions about various Issues that humanity and our culture face as they complete the scriptwriting process. As a script writer, one must always be aware of cultural differences and be able to expand upon them. D. Integrative and applied learning, including synthesis and advanced accomplishment across general and specialized skills. Method to Achieve Competency: Apply learning in academic, personal, and public situations. Students will be able to take the skills learned in this class and continue their college coursework and utilize them for future success especially in the areas of journalism, writing, and cinema. Course Specific Competencies: See above Lab Competencies: (Enter N/A if this does not apply.) N/A Course Outline: Weekly Agenda Week One (January 9-15): Review Course Contents and Syllabus Background information on the first script: Witness The Scriptwriting Process/Beginning Tips Are you forming a writing team or writing independently? Begin writing Draft one of script Overview Of Aspects
4 Read chapters one and two in Screenplay Submit: Chapter one exercise 2 (pg 15) Submit: Chapter two exercise 1, 2, or 3. Choose one of the listed assignments based on the technique you may wish to apply to your own writing. (p37) Week Two (January 16-22): Read Chapter three in Screenplay Reading of Witness Continue Writing Draft One of your script Submit: Chapter three exercise 3 (p42) Week Three (January 23-29): View Witness Read chapter four in Screenplay Schedule Writing Time to continue working on Draft one of the script Submit: Chapter four exercise 2 (pg 56) Week Four (January 30-Feb5): Background information on second script: The Terminator Read chapter five in Screenplay People Watcher Journaling- My experiences as a character building writer/ sources for possible inspiration Writing Time to get ready for Draft 1 submission Submit: Chapter 5 exercise (pg 84-85). Use this worksheet with one of the main characters from your
5 script. Week Five (February 6-12): Read Chapter six in Screenplay Collaborative Writing Time Submit: Draft 1: Include the following: a working character list with descriptors, a working title, a workable synopsis, a beginning to the script (for example scenes 1, 2, 3 of act 1), an anticipated ending, and a rough outline (which will most likely drastically change) for the remainder of potential script. Submit: Chapter six exercise 1 or 2 (pg 106). Chose either exercise based on overall theme/purpose of your script. Week Six (February 13-19): View The Terminator Analysis of Script and Movie Read Chapter Seven in Screenplay Writing Time- continue writing your script and also begin revisions to script based on feedback provided and new information about the world of scriptwriting as you begin to come across. Start to fine tune your characters traits and dialogue. Strive to make each character unique and able to stand out in the crowd. This would also be a great time to redefine your character listing. Submit: Chapter seven exercise 3 (pg ). Apply exercise 4 to your script. Week Seven (February 20-26) Background information on third script: The Verdict Read Chapter Eight in Screenplay Spend time writing your script.
6 Submit: Chapter eight exercise 3 (pg ). Format your answer the same as the table on pg 160. Week Eight (February 27-March 5): Read Chapter Nine in Screenplay Writing Time Submit: Draft 2: include the following: more detailed and revised character list with descriptor, title, a more detailed and revised synopsis, beginning acts, at least 60% of the script in rough form, a more accurate anticipated ending, and a more accurate outline for the potential remainder of the script. Be sure to look at dialogue and actions up to this point to see if it is believable to the readers (if indeed that is a goal of yours). Submit: Chapter nine exercise 2 (pg 182) THE WEEK OF MARCH 6t h -12 th IS SPRING BREAK- HOWEVER I DO ENCOURAGE TO CONTINUE WORKING ON SCRIPT AFTER YOU HAVE TAKEN AT LEAST ONE DAY TOTALLY AWAY FROM IT. DON T LOOK AT IT FOR AN ENTIRE DAY. THIS WAY YOU CAN COME BACK TO THE SCRIPT WITH FRESH EYES! Week Nine (March 13-19): View The Verdict Read Chapter 10 of Screenplay Writing Time- continue writing for the 3 rd draft of the script and continue reshaping any dialogue or character traits that need to be fine tuned. You are now ready to focus on some of the more interesting moments in scriptwriting, so one by one you plug it the cinematic elements as you read them. Keep in mind that when you plug in these elements that a goal is to make them fit the characters and plot that you have created. The 3 rd draft should be a completed script with all elements in place and should only need minor revisions for the polished version to be filmed. Submit: Chapter ten exercise 2 (pg ). You can use one of the posted scripts for this exercise or find a different script of your choice.
7 Week Ten (March 20-26): Background Information on fourth script: Sleepless in Seattle Read Chapter 11 in Screenplay Writing Time Submit: Chapter eleven exercise. Choose any one of the five exercises (pg ) and apply to your script. Submit an excerpt of the of that specific scene sequence to me. Week Eleven (March 27-April 2): Read Chapters 12 and 13 in Screenplay Collaborative Writing Time Submit Draft 3: include the following: exact characters list with descriptors, title, completed script (the only difference between this and the final version should be minor revisions or last minute deletions/additions). Production Note: You should make sure that you cast your production and secure your filming location (if you have not already done so). If you are planning on using any type of crew to aid in filming, make sure you secure them as well. Submit: Chapter twelve exercise 2 (pg 252) Submit: Chapter thirteen either exercise 3 or 4 (pg 288/289). Week Twelve (April 3-9): View Sleepless in Seattle Read Chapter 14 in Screenplay
8 Do any necessary revisions to script and begin rehearsals and filming. Submit: Chapter 14 exercise 3 (pg303). Submit chart and apply to script. Week Thirteen (April 10-16): Final Draft of Pre-production Script Due (if you want any more comments or advice from me). Rehearsal Week /filming of production Week Fourteen (April 17-23): Production Week: This is the week when you should be ready to film your productions. Please make sure that you film your scripts as accurately as possible to your vision. Make sure that the copy you send is on DVD or uploaded to the student Scriptwriting One Drive Video Channel. Week Fifteen (April 24-April 30): All final scripts and videos or DVDS should reach me no later than Wednesday April 26th. Please note that I will keep the copy of the final script and production that you send me. Please mail the script and DVD in a bubble manila envelope ( so the video does not get broken) to the following address: Big Sandy Community and Technical College Pikeville Campus Attn: Rebecca Mullins 120 South Riverfill Drive Pikeville KY Week Sixteen (May 1-5):
9 Finals Week for the college: you will receive feedback on your productions via the course site. Course Structure: English 207 is a composition and production course. Students will be expected to read the assigned material, openly express their critiques of the scripts, collaboratively (with friends, family, or classmates in this course or others) or independently write their own scripts, and cast and produce their movies. Technology/Media Component: All drafts of the scripts produced in this course are to be typed according to script formatting. Students should also take time to watch the films being studied in this class and conduct online research for inspiration. The final version of the script (worth 500 points) and the video production of your script ( worth 400 points) will need to be mailed to me at the address listed in the course outline and should reach me no later than the assigned due date. Keep in mind that I do not expect you to spend money to make your video. I don t expect this to be perfect; however, I do request that you include a brief (1-2 page) narrative of what the video would look like if you had an unlimited budget. The video production should be fun and enlightening to your cast, crew, and yourself. This is a great way to see how movies go from thought to the silver screen. Students in this course are required to type all essays and will need to log the appropriate amount of time on our course website(s) in order to successfully complete the course. Students will also need to utilize technology in the research process. Collaborate: Students will need to run the collaborate wizard within our Blackboard course shell during the first week of class. This area will serve the following purposes. In face to face courses, this area will serve as our back up plan in case the college has to close for weather or other unplanned reasons. We will meet in collaborate during our regularly scheduled class time, and I will conduct the course lectures via that avenue. This way the class stays on track, and we don t miss any time together. Secondly, this area could serve as an online conference room when requested by the student. For the online courses, this room automatically serves as the online office for the office hour posted for your course. This means that on the day and time I have posted on the office schedule, I will automatically be in that room to answer any and all questions that you may have regarding the course content. Please do not ask me about your personal grade if anyone else is in the room. If you wish to have a private conference over your grade in the course, please request a private request with me via . We schedule this when it is convenient for both of us. I will also use this area to post any audio lectures by request that may arise during the course of the semester. I will post an announcement if an audio lecture is recorded. One Drive Video Channel: There is also a student channel to which you will be able to upload videos of your production.
10 Facebook: Every class has a Facebook page. This is not mandatory; however, if you have a Facebook I highly encourage you to join our course page. This is where all online course discussion of the course material will take place. I will also post announcements and sneak peeks of upcoming events as I see fit for the course. The announcements that contain video (since this not a feature I could do on Blackboard due to Blackboard s limitations of video) files are going to automatically go on the Facebook site. This site will also allow students to message me via the Facebook message feature or to facetime me when scheduled between us. Please note if I am in class, I will not respond to you. I will only respond if I am not in class, conferencing with another student, or during hours in which I am already awake (don t expect a response at 2am unless I am having a bout of insomnia), or not otherwise obligated. You will find the link to our Facebook page in the course announcements in our Blackboard course shell. Service-Learning: N/A Course Requirements and Evaluation: Assignment Total Points Available Chapter Exercises pts each) Draft 1 of Script 200 Draft 2 of Script 200 Draft 3 of Script 200 Final Draft of Script 500 Script Production 400 Total Points 2,200 points ***Please note that will be 4 opportunities for bonus points in this class. The bonus will consist of students logging onto the website during the announced timeframe and participating in a collaborate live classroom session. Session dates and times will posted to announcements at least 2 days in advance and one session will occur over each of the four class assigned scripts/films. Sessions will be worth 30 points each.
11 Grading Policy: = A = B = C = D Below 1320 = E Attendance Policy: Your participation in this class is crucial to the success of the class. Since this class meets online, attendance will be measured by the number of times you log in. I highly encourage you to log in on a regular (every day or every other day) basis since you are sure to miss out on valuable points and discussions if you do not do so. Active participation will be based solely on the date of the last submitted assignment. Missed Exam Policy: Since there are no exams in this class, this policy does not apply. Late Assignment Policy: Late assignments will be deducted by 10 points per day late up to ½ credit and will be accepted up to 1 week late. Withdrawal Policy: Students may withdraw at any time (prior to finals week) in the semester from this course; however, you will have to get my e-signature after midterm. The last day I will accept drop requests for this course is April 26. This will ensure that I have time to receive and respond to the request and that you have time to have it processed no later than April 28 ( the final day to have the drop processed by the admissions office). This policy will be strictly enforced, so make sure if you are going to drop my course you do so no later than this date. Students may withdraw from this course at their discretion until midterm; however, after midterm my signature will be required before the drop can be processed. The last day I will accept drop requests for this course is April 26. This will ensure that I have time to receive and respond to the request and that you have time to have it processed no later than April 28 ( the final day to have the drop processed by the admissions office). This policy will be strictly enforced, so make sure if you are going to drop my course you do so no later than this date. Starfish: Starfish is a software program that allows college faculty and advisors to maintain contact with students concerning their academic progress during the semester. If academic progress is not satisfactory, flags
12 can be issued with suggested improvements. Referrals to academic support services can be made and positive comments, called kudos, may also be issued. These Starfish notices will be sent to students college addresses only. Students will also have the opportunity to schedule appointments with their academic advisors through the Starfish calendar feature. Students may access Starfish through a link in Blackboard. Students may also be able to sign up for conferencing appointments with their instructors in order to discuss course progress using the Starfish calendar feature. Students should contact their instructor, their advisor, or an advisor in the Advising Center if they have questions about the program. Students will be introduced to Starfish through new student orientation and through the FYE course. Students may expect to receive Starfish communications from the following addresses. Kudos will be sent from the instructor s Flags and referrals will be sent from studentsuccess@kctcs.edu Daily notification summaries will be sent from notices@starfishsolutions.com Additional information can be found at the following site:
Communications and New Media Title: Writing for Media Catalog Number: CNMS Credit Hours: 3 Total Contact Hours: 45
! South Portland, Maine 04106 Communications and New Media Title: Writing for Media Catalog Number: CNMS-125 01 Credit Hours: 3 Total Contact Hours: 45 Lecture (or Lab): Room HILDM-102 Instructor: Huey
More informationBig Sandy Community and Technical College. Course Syllabus
Big Sandy Community and Technical College Course Syllabus PS Number: 81212 Semester: Spring Year: 2017 Faculty Name: Charles K. Moore Title: Associate Professor Course Prefix and Number: IMT-116 Course
More informationBig Sandy Community and Technical College. Course Syllabus
Big Sandy Community and Technical College Course Syllabus PS Number: 48972 Semester: Fall Year: 2017 Faculty Name: Kimberly M Street Title: Instructor Course Prefix and Number: ART 100 Course Credit Hours:
More informationPRODUCTION. in FILM & MEDIA MASTER OF ARTS. One-Year Accelerated
One-Year Accelerated MASTER OF ARTS in FILM & MEDIA PRODUCTION The Academy offers an accelerated one-year schedule for students interested in our Master of Arts degree program by creating an extended academic
More informationInstructor local xxx
CAPILANO UNIVERSITY COURSE OUTLINE Fall 2016 Division Course Name MOPA 304 Screenwriting III Credits: 3 Instructor x@capilanou.ca 604.986.1911 local xxx VISION STATEMENT The is dedicated to inspiring a
More informationLangara College Spring archived
FLMA_1181_Outline COLLABORATION: THE ACTOR, WRITER AND DIRECTOR Instructor: Byron Lamarque & Garwin Sanford Tel: (604) 323-5033 Email: gsanford@langara.bc.ca blamarque@langara.bc.ca Class Time: Locations:
More informationCOM / ENG 267: Screenwriting Fundamentals -- Spring '14 Mon. & Wed :50am L & L 307
COM / ENG 267: Screenwriting Fundamentals -- Spring '14 Mon. & Wed. 10 11:50am L & L 307 Instructor: Maria Sanders Office Hours: Bouillon 225 Assistant Professor, Film and Video Studies Mon. / Tue. / Wed.
More informationRTVF INTRODUCTION TO SCREENWRITING. or, Writing for Visual Media. Tuesday & Thursday 9:30-10:50 AM (Media Arts building room 180-i)
RTVF 2010.005 INTRODUCTION TO SCREENWRITING or, Writing for Visual Media Tuesday & Thursday 9:30-10:50 AM (Media Arts building room 180-i) INSTRUCTOR: Garrett Graham. You can just call me Garrett garrett.graham@unt.edu
More informationINTERMEDIATE SCREENWRITING MRTS 4460 Fall 2016 Department of Media Arts
INTERMEDIATE SCREENWRITING MRTS 4460 Fall 2016 Department of Media Arts Class Information Section - 001 Location RTVP Building room 180i Time Tuesday 2-4:50pm Text None. Online readings and links provided
More informationUSC School of Cinematic Arts Production Planning CTPR 425. Syllabus. Spring Instructor: Robert L. Brown
USC School of Cinematic Arts Production Planning CTPR 425 Syllabus Spring 2010 Instructor: Robert L. Brown CTPR 425 Production Planning Syllabus How do you turn a script into a film? This course will
More informationCOWLEY COLLEGE & Area Vocational Technical School
COWLEY COLLEGE & Area Vocational Technical School COURSE PROCEDURE FOR INTRO TO SCREENWRITING ENG2264-3 Credit Hours Student Level: This course is open to students on the college level in either the freshman
More informationCOURSE DESCRIPTION: COURSE OBJECTIVES:
DC 401 801 WRITING THE SHORT SCREENPLAY WINTER 2017 MON 5:45-9:00pm INSTRUCTOR: DANIEL KLEIN OFFICE: 505 OFFICE HOURS: TUES 11:00am-1:30pm Email: daniel.klein@depaul.edu January 15, 2017 Last day to drop
More informationin SCREENWRITING MASTER OF FINE ARTS Two-Year Accelerated
Two-Year Accelerated MASTER OF FINE ARTS in SCREENWRITING In the MFA program, staged readings of our students scripts are performed for an audience of guests and industry professionals. 46 LOCATION LOS
More informationENG 382: Screenwriting Bishop s University, Winter 2009
Instructor: Dr. Steven Woodward Office: Morris 17 Class time: Tues. & Thurs., 10:00-11:30 Office telephone: 2250 Classroom: Hamilton 303 e-mail address: swoodwar@ubishops.ca Office hours: Mon. & Wed. 11:30-1:00
More informationCourse outline. Code: CMN200. Title: Introduction to Screenwriting: The Art of Visual Storytelling
Faculty of: Arts and Business Teaching Session: Semester 1 Year: 2018 Course Coordinator: Rebecca Belfield-Kennedy Email: rbelfie1@usc.edu.au Course outline Code: CMN200 Title: Introduction to Screenwriting:
More informationCTPR 438 PRACTICUM IN PRODUCING SYLLABUS 2 UNITS. USC SCHOOL OF CINEMATIC ARTS Spring 2018
CTPR 438 PRACTICUM IN PRODUCING SYLLABUS 2 UNITS USC SCHOOL OF CINEMATIC ARTS Spring 2018 Pre-requisite: MEETING TIMES: CTPR 310 - Intermediate Production or CTPR 425 - Production Planning Thursday 6:00
More informationC A P I L A N O UNIVERSITY COURSE OUTLINE TERM: Fall 2014 COURSE NO.: IDF 233
C A P I L A N O UNIVERSITY COURSE OUTLINE TERM: Fall 2014 COURSE NO.: IDF 233 INSTRUCTORS: COURSE NAME: Screenwriting OFFICE: LOCAL: SECTION NO.: COURSE CREDITS: 3 MISSION STATEMENT: The Indigenous Independent
More informationCreating Movie Scripts
Creating Movie Scripts This is a syllabus from past semesters. It will not be the syllabus for Spring 2014, but is posted to give an idea what the class will be like. Please note that everything in it
More informationMake Your First Short Film (Hybrid) COURSE SYLLABUS
Note to students: While this syllabus is posted to give you an overview of the course, it is subject to change. Should you have further questions, please contact the UCLA Extension Entertainment Studies
More informationRushmore (1998) (Script and film) Little Miss Sunshine (1999) (Script and film) In Bruges (2004) (Script and film)
COM 267 online WINTER 2014 Course: MTuWTh noon (deadlines) Film Viewings: online/individual Course Location: online/canvas INSTRUCTOR: Melissa A. Johnson Office: Virtual Office Hours: by appointment (via
More informationCourse Outline. TERM EFFECTIVE: Fall 2018 CURRICULUM APPROVAL DATE: 04/23/2018
5055 Santa Teresa Blvd Gilroy, CA 95023 Course Outline COURSE: THEA 20 DIVISION: 10 ALSO LISTED AS: TERM EFFECTIVE: Fall 2018 CURRICULUM APPROVAL DATE: 04/23/2018 SHORT TITLE: INTRO SCRIPTWRITING LONG
More informationCTPR 425 PRODUCTION PLANNING SPRING 2014 Section: Units COURSE DESCRIPTION
USCCinematic Arts CTPR 425 PRODUCTION PLANNING SPRING 2014 Section: 18544 2 Units Adjunct Professor: Robert L. Brown Email: robertbrown979@gmail.com Phone: 818 970-3978 Day/Time: Wednesdays 7 pm 9 pm Room:
More information3. Department of Communication Philosophy
COMM 361 Scriptwriting Video/Film/Radio, Fall 2018 (Attributes: Film Studies) Tues & Thurs 12.30-1.50pm Room 103 McEwen Hall (Sheldon Lab) Pre-requisites: COMM 251 and COMM 255, or COMM 254 or Creative
More informationin SCREENWRITING MASTER OF ARTS One-Year Accelerated LOCATION LOS ANGELES, CALIFORNIA
One-Year Accelerated MASTER OF ARTS in SCREENWRITING LOCATION LOS ANGELES, CALIFORNIA Location is subject to change. For start dates and tuition, please visit nyfa.edu 102 103 MA Screenwriting OVERVIEW
More informationLos Angeles Mission College
Instructor: Professor John Huynh Telephone: 818-833-3384 Office: LRC 131 Los Angeles Mission College Multimedia 600 - Story, Script & Screen SYLLABUS Section: 0552 Saturday 9AM 12:10PM Classroom: Kennedy
More informationCity University of Hong Kong. Course Syllabus. offered by Department of English with effect from Semester A 2017/2018
City University of Hong Kong offered by Department of English with effect from Semester A 2017/2018 Part I Course Overview Course Title: Course Code: Script Writing EN3575 Course Duration: 1 Semester Credit
More informationCOM 357: Scriptwriting for Serial Media Spring 2014 Tue./Thur. 12-1:50pm Bouillon 106
COM 357: Scriptwriting for Serial Media Spring 2014 Tue./Thur. 12-1:50pm Bouillon 106 1 Instructor: Maria Sanders Office Hours: Bouillon 225 Assistant Professor, Film and Video Studies Mon. / Tue. / Wed.
More informationScreenwriting The Thirty Minute Script
Department of Media and Cultural Studies Module Outline Academic Year 2011/12 Birkbeck, University of London Screenwriting The Thirty Minute Script MODULE CODE: FFME026S5BCB CREDITS/LEVEL: 30 CATS/Level
More informationWriting The First Screenplay II Instructor: Chris Webb
1 Writing The First Screenplay II Instructor: Chris Webb heytherechris@earthlink.net This second in a 4-part sequence in writing a feature film script has you hit the ground running. You begin by pitching
More informationWriting the One-Hour Drama: the First Draft
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationSyllabus: Title of Course
Syllabus: Title of Course CE 1925 N Spring 2017 Continuing Education Writing for TV and Web Course Information Location: Terra Building Room 1221 Dates: February 2, 9, 16, 23 & March 2 Note: Thursday evenings
More informationRTV3320 EFP II - Screenwriting and Producing
INSTRUCTOR INFORMATION CLASS MEETING COURSE OBJECTIVE STUDENT LEARNING OUTCOMES PREREQUISITES TEXTBOOK Professor Iman Zawahry Contact Info: iman@jou.ufl.edu 352-392-0444 Office: 3048 Weimer Hall Office
More informationTextbooks (REQUIRED): 1. Snyder, Blake. Save The Cat, The Last Book On Screenwriting That You ll Ever Need. Michael Wiese Productions, 2005.
Developing the Screenplay EMF 387 Course Description: The examination of the creative process of writing for film and TV, with emphasis on writing screenplay treatments, developing characters, exploring
More informationINTRODUCTION TO RADIO, TV & FILM WRITING MRTS 2010 ONLINE Spring 2017 Department of Media Arts
INTRODUCTION TO RADIO, TV & FILM WRITING MRTS 2010 ONLINE Spring 2017 Department of Media Arts CLASS INFORMATION Text None. Online readings and links provided in Instructor Frances Perkins Office 263 RTFP
More informationCOM/ENG 267 SCREENWRITING FUNDAMENTALS Online, Winter 2016 Professor Helen C. Harrison, MA Telephone consultations by appointment
COM/ENG 267 SCREENWRITING FUNDAMENTALS Online, Winter 2016 Professor Helen C. Harrison, MA harrishe@cwu.edu Telephone consultations by appointment Description This four-unit lower division course is an
More informationMPJO : FEATURE WRITING GEORGETOWN UNIVERSITY: MPS- JOURNALISM Tuesdays, 6 p.m. to 9:20 p.m. Summer 2014
MPJO- 700-40: FEATURE WRITING GEORGETOWN UNIVERSITY: MPS- JOURNALISM Tuesdays, 6 p.m. to 9:20 p.m. Summer 2014 Instructor: Ryan Lizza Downtown campus, room C230 Office hours: by appointment. COURSE OVERVIEW
More informationCRWT 4354 Creating Movie Scripts - Spring '15 Syllabus Thursday 7pm 9:45pm JO 3.906
CRWT 4354 Creating Movie Scripts - Spring '15 Syllabus Thursday 7pm 9:45pm JO 3.906 Noah Zisman noahz@utdallas.edu Phone: TBA Office Hours: by appt. Location: TBA COURSE MATERIALS: TEXTS: The Tools of
More informationScreenwriters Lab Sundance Institute Mahindra Global Filmmaking Award
Thank you for your interest in the Sundance International Feature Film Program. You are invited to apply to two of our signature programs for International filmmakers. The January Screenwriters Lab and
More informationCOURSE CONTENT. DF3009 Film Directing DF2000 and DF AUs for BFA students admitted before AY2017; 39 hours studio contact
COURSE CONTENT Course Code Course Title Pre-requisites No of AUs Contact Hours DF3009 Film Directing DF2000 and DF2005 4 AUs for BFA students admitted before AY2017; 39 hours studio contact Course Aims
More informationCOMM498L: Introduction to Screenwriting for Television and Film Fall 2015, T 4:00-6:30
COMM498L: Introduction to Screenwriting for Television and Film Fall 2015, T 4:00-6:30 Department of Communications University of Maryland, College Park The Universities at Shady Grove Campus Lecturer:
More informationENGLISH 344: Film Theory and Criticism Winter 2014
ENGLISH 344: Film Theory and Criticism Winter 2014 Film Theory Through Film Noir Instructor Dr. Liahna Armstrong Office: L & L 403F Email: lotus@cwu.edu Office phone: X. 3178 Office hours: Tu 2-3; W 11:30-12:30;
More informationJOU Advanced photojournalism II. Class meetings: Wednesdays, 5:10-8:10 p.m. (Section 1648) Professor: Phone:
SYLLABUS JOU 4605 Advanced photojournalism II Class meetings: Wednesdays, 5:10-8:10 p.m. (Section 1648) Professor: Email: Phone: Office: Course goals: Required materials: John Kaplan jkaplan@jou.ufl.edu
More informationINTRODUCTION TO SCREENWRITING II Works-in-Progress April 1 June
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationWRITING THE COMEDY FEATURE. Summer Quarter 2011 Wednesdays 7-10pm. Instructor Dave Polsky. Overview
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationCOVENANT UNIVERSITY NIGERIA TUTORIAL KIT OMEGA SEMESTER PROGRAMME: MASS COMMUNICATION
COVENANT UNIVERSITY NIGERIA TUTORIAL KIT OMEGA SEMESTER PROGRAMME: MASS COMMUNICATION COURSE: MAC 344 DISCLAIMER The contents of this document are intended for practice and leaning purposes at the undergraduate
More informationFS 390 LONDON VIDEO FILM PRODUCTION WORKSHOP IES Abroad Center Name
FS 390 LONDON VIDEO FILM PRODUCTION WORKSHOP IES Abroad Center Name DESCRIPTION: This course is intended for beginners or those with some experience and/or basic skills in video filming. The class is small
More informationUCLA Department of Film, Television and Digital Media FTV 183a: Introduction to Producing
UCLA Department of Film, Television and Digital Media FTV 183a: Introduction to Producing Class Meetings: Mondays & Wednesdays 7:30pm 9:50pm Location : Public Affairs Room 2333 Updated : 11/11/16 COURSE
More informationNARRATIVE NON-FICTION (aka the confusing and vague Advanced English Composition) RHET 206 Anne Trubek Spring 2008 Thursdays 1:00-2:50 pm
NARRATIVE NON-FICTION (aka the confusing and vague Advanced English Composition) RHET 206 Anne Trubek Spring 2008 Thursdays 1:00-2:50 pm Office: King 139C Phone: x8615 Office Hours: Tuesdays 4-5:30, Thursdays
More informationThe One-Hour Drama: Writing the First Draft Winter 09
Note to students: While this syllabus is posted to give you an overview of the course, it is subject to change. If you have any questions or concerns, please contact the Writers Program at (310) 825-9415
More informationSyllabus for TVF 318 Fundamentals of Scriptwriting 3 Credit Hours Fall 2014
I. COURSE DESCRIPTION Syllabus for TVF 318 Fundamentals of Scriptwriting 3 Credit Hours Fall 2014 Teaches the basics of dramatic scriptwriting for television and film and analyzes script from a Christian
More informationLangara College Spring archived
FLMA 1130 Feature Film Lecture, Lab & Workshop Film Arts: Writing Stream Instructor: Gary Fisher Phone: 604.874.9056 (off-campus) Office: A-326b Office Hours: Monday 1-2pm Thursday 1-2pm Email: On Fridays
More informationMovie Production. Course Overview
Movie Production Description Movie Production is a semester course which is skills and project-based. Students will learn how to be visual storytellers by analyzing and discussing techniques used in contemporary
More informationMURRAY OLIVER 21 Thomas Street, South Fremantle. WA Tel: Fax: Mob:
MURRAY OLIVER 21 Thomas Street, South Fremantle. WA 6162. Tel: 08 9430 5841 Fax: 08 9335 8585 Mob: 040 33 10 580 e-mail: emo@swiftdsl.com.au TELEVISION SCRIPTWRITING: CONSTRUCTING THE BIBLE A series of
More informationLake-Sumter State College Course Syllabus
Course / Prefix Number PGY 1401C Course Title: Basic Photography CRN: 20331 Credit: 3 Term: Spring 2015 Course Catalog Description: An introduction to black and white photography. Emphasis will be on basic
More informationWRITING THE FIRST SCREENPLAY - I
WRITING THE FIRST SCREENPLAY - I April 14 through June 16, 2015 Instructor: Hank Nelken Course Description The first in a 4-part sequence designed to take you through the full process of writing a feature
More informationWriting the Half-Hour Spec Comedy Script Instructor: Manny Basanese
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationFMST 310: SCREENWRITING Spring 2013 T, TH: 10:00am to 11:15am 206 Newton Michael Herman, Instructor
FMST 310: SCREENWRITING Spring 2013 T, TH: 10:00am to 11:15am 206 Newton Michael Herman, Instructor Office Hours: T, TH by appointment Office: Welles 203 Email: herman@geneseo.edu Phone: use email We're
More informationTALLINN UNIVERSITY BALTIC FILM, MEDIA, ARTS AND COMMUNICATION SCHOOL GUIDELINES. formatting, presentation and defence.
TU BFM Board Decision No. 1-6/151, dated 3 October 2016 TALLINN UNIVERSITY BALTIC FILM, MEDIA, ARTS AND COMMUNICATION SCHOOL GUIDELINES for the formatting, presentation and defence of a MA thesis within
More informationSSW 612-MAD FEATURE FILM WRITING SPRING 2012 DISTANCE POSTING ON TUESDAYS
Mission Statement: Our mission is to serve as a leading center of Christian thought and action providing an excellent education from a biblical perspective and global context in pivotal professions to
More informationCM 215 VISUAL STORYTELLING FROM YOUTUBE TO FILM FESTIVALS IES Abroad Milan
CM 215 VISUAL STORYTELLING FROM YOUTUBE TO FILM FESTIVALS IES Abroad Milan DESCRIPTION: Visual storytelling is a precious tool that is used extensively in several business fields: Cinema, Advertisement,
More informationAssociate of Fine Arts
Associate of Fine Arts - Two-Year Degree Programs - Filmmaking Acting for Film Producing for Film & TV Screenwriting Game Design 212 When I m making a film, I m the audience. - Martin Scorsese A NYFA student
More informationDavid Stichweh Art 151 Beginning Photography Summer, 2009 M. W. 5:30-8:00
David Stichweh Art 151 Beginning Photography Summer, 2009 M. W. 5:30-8:00 COURSE DESCRIPTION The course examines the basic materials, processes and aesthetic appreciation of photography, and introduces
More informationPoetry. Fiction. Plays
MA IN CREATIVE WRITING Thesis Requirements To satisfy the Masters of Arts in Creative Writing thesis requirement: Students, graduating with a Master of Arts in Creative Writing, will produce and present
More informationFall Semester 2017 JTC 335 Digital Photography Section 2 Department of Journalism and Media Communication Colorado State University
Fall Semester 2017 JTC 335 Digital Photography Section 2 Department of Journalism and Media Communication Colorado State University Instructor for Section 2 Dr. Pete Seel Office Clark C-205 Phone (970)
More informationRev. December 2016 Angelina College Fine Arts Division ARTS 2356 /COMM 1318 Photography Instructional Syllabus Spring 2017 Instructional Syllabus
Rev. December 2016 Angelina College Fine Arts Division ARTS 2356 /COMM 1318 Photography Instructional Syllabus Spring 2017 Instructional Syllabus COURSE DESCRIPTION: Three-hours credit. This is an introduction
More informationFall 2016 MIDDLESEX COMMUNITY COLLEGE COURSE SYLLABUS. SCRIPTWRITING COM CRN# Credit Hours
INSTRUCTOR BARBARA CARROLL ROGERS Office hours by appointment Phone: 860-657-6188 (cell or text) Fall 2016 MIDDLESEX COMMUNITY COLLEGE COURSE SYLLABUS SCRIPTWRITING COM 111 - CRN# 3192-3 Credit Hours COURSE
More informationINTRODUCTION TO PLAYWRITING: SYLLABUS
INTRODUCTION TO PLAYWRITING: SYLLABUS Instructor ERIC REYES LOO (Aurorae Khoo returns for final three weeks) THEA 596 Spring 2016 Wednesdays 3:30-6:10 PM, Room DA 101 (office hours: 1 PM 3 PM Wednesdays,
More informationHow to Write a Novel Part 1: Plan & Outline
How to Write a Novel Part 1: Plan & Outline edx: UBCx CW1.1x. Instructors: Nancy Lee and Annabel Lyon University of British Columbia Creative Writing Program COURSE DESCRIPTION Outlining is a crucial step
More informationWesleyan University. FILM : Screenwriting, Fall 2018 Monday, 1:20 pm - 4:10 pm, CFS 124
Professor: Tom Lock Office Hours: By Appointment Email: tlock@wesleyan.edu M: 1:20 pm - 4:10 pm, CFS 124 This is a workshop class focused on the narrative short screenplay and how that translates to both
More informationWRITING FOR TELEVISION AND FILM: SYLLABUS
WRITING FOR TELEVISION AND FILM: SYLLABUS Instructor ERIC REYES LOO (David Myers sub for first four weeks) TFM 110 Spring 2017 Thursdays 3:30 PM 6:10 PM or 7 PM 9:40 PM (office hours with Eric: via Skype,
More informationC E R R I T O S C O L L E G E. Norwalk, California COURSE OUTLINE ENGLISH 241 SCREENWRITING. Reviewed by:
C E R R I T O S C O L L E G E Norwalk, California COURSE OUTLINE ENGLISH 241 SCREENWRITING Approved by the Curriculum Committee on: February 23, 2006 Chad Greene Associate Professor, English Reviewed by:
More informationA r t s : D r a w i n g - I C l a s s M e e t i n g s : F 1 0 : : 3 0 pm I n s t r u c t o r : J u l i a L a m b r i g h t
A r t s 1 0 6 : D r a w i n g - I C l a s s M e e t i n g s : F 1 0 : 3 0-3 : 3 0 pm I n s t r u c t o r : J u l i a L a m b r i g h t E m a i l : j u l i a 1 2 3 @ u n m. e d u, * j u l i a l a m b r
More informationRTV 4929C (Spring 2016) ADVANCED PRODUCTION WORKSHOP: DIRECTING DRAMA
RTV 4929C (Spring 2016) ADVANCED PRODUCTION WORKSHOP: DIRECTING DRAMA Instructor: James Babanikos, Ph.D. Office: 3064 Weimer Hall Office Phone: 392-6399 e-mail: jbabanikos@jou.ufl.edu Office Hours: Tuesdays
More informationStart Date 9/13/2011 End Date 12/6/2011
ENL328 (2011TRI1-A) Screenwriting Fall Semester/Trimester 2011 Tuesdays: 6:00-9:00 p.m. Location: Foss 43 Instructor: Stephan Clark email: clarks@augsburg.edu Office: Memorial 219B Office Hours: TBA Phone:
More informationField & Post Production The Media School Indiana University Syllabus - Fall 2016 v1.0
P351 Video Field & Post Production The Media School Indiana University Syllabus - Fall 2016 v1.0 Instructor: Jim Krause jarkraus [at] indiana.edu (812) 332-1005 www.indiana.edu/~jkmedia Office Hours: Tuesday
More informationBAA Course: Script and Screen Writing 11
BAA Course: Script and Screen Writing 11 District Name: Cowichan Valley District Number: 79 Developed by: Mrs. Maxine Smith and Mr. Mike Moroz Date Developed: October 2004 School Name: Chemainus Secondary
More informationDMA 328 DSLR Video Production (3 units) (Wed 2:30-5:15pm) LIB B118 TV Studio
DMA 328 DSLR Video Production (3 units) (Wed 2:30-5:15pm) LIB B118 TV Studio Mario Congreve LIB-108 Office: 310-243-2053 Cell: 310-704-7635 Office Hours: Wednesday 1 2 pm mcongreve@csudh.edu Course Description:
More informationCINEMA AND MEDIA ARTS (CNMA)
Biola University 1 CINEMA AND MEDIA ARTS (CNMA) CNMA 101 - The Art of Storytelling Credits 3 Giving filmmakers an introduction to the building blocks of storytelling: character, setting and plot. Students
More informationMaster of Creative Writing for Scriptwriters
Master of Creative Writing for Scriptwriters Available onsite or via distance learning, the Master of Creative Writing (MCW) for Scriptwriters is for writers who are serious about a career in film, TV,
More informationA MAP TO WRITING SUCCESS: CREATING A STORY THAT WORKS Winter 2018: PRELIMINARY SYLLABUS
Duration: 8 Weeks Learning Outcomes: By the end of the eighth week, students will: understand the real purpose of the premise line, know how to identify a story from a situation, understand how premise
More informationFILM AND MEDIA TUFTS UNIVERSITY 95 TALBOT AVENUE, MEDFORD, MA 02155
FILM AND MEDIA STUDIES @ TUFTS UNIVERSITY 95 TALBOT AVENUE, MEDFORD, MA 02155 INSTRUCTOR: Leslie Goldberg. Office: Experimental College at 95 Talbot Ave., 2 nd floor w- 617-627- 2007; m- 781-608- 7866;
More informationCOURSE OUTLINE GRAPHIC COMMUNICATIONS FOR ARCHITECTURE wk Credits Class or Lecture Lab. Work Hours Course Length
COURSE OUTLINE ARC102 Course Number GRAPHIC COMMUNICATIONS FOR ARCHITECTURE Course Title 3 1 4 15 wk Credits Class or Lecture Lab. Work Hours Course Length Catalog Description: A lecture/studio course
More informationThis course satisfies the Creative Arts core curriculum requirement.
LECTURES: MWF 1:00 1:50 ARTS 1304: Art History II: Gothic to the Present Dr. Devon Stewart Carr 243 dstewart23@angelo.edu Office Hours: Monday Thursday, 2-4pm, and by appointment Art History II surveys
More informationRTV 3101 (Summer 2014) ADVANCED WRITING FOR THE ELECTRONIC MEDIA
RTV 3101 (Summer 2014) ADVANCED WRITING FOR THE ELECTRONIC MEDIA Instructor: James Babanikos, Ph.D. Office: 3064 Weimer Hall Office Phone: 392-6399 e-mail: jbabanikos@jou.ufl.edu Office Hours: Tuesdays
More informationHONOURS PROJECT HANDBOOK ( ) ACADEMY OF FILM SCHOOL OF COMMUNICATION HONG KONG BAPTIST UNIVERSITY
HONOURS PROJECT HANDBOOK (2018-2019) ACADEMY OF FILM SCHOOL OF COMMUNICATION HONG KONG BAPTIST UNIVERSITY June 2018 INTRODUCTION... 1 QUALIFICATIONS.... 2 GENERAL GUIDELINES AND REGULATIONS... 3 I. TIMETABLE
More informationINTEGRATION OF FAITH AND LEARNING. Mission Statement:
Mission Statement: Our mission is to serve as a leading center of Christian thought and action providing an excellent education from a biblical perspective and global context in pivotal professions to
More informationSyllabus for Science Fiction Science (NDL 138) Gustavus Adolphus College, January 2012
Syllabus for Science Fiction Science (NDL 138) Gustavus Adolphus College, January 2012 Course description: This course combines a survey of the science used in science fiction with an exercise in the creative
More informationBlack & White Photography Course Syllabus
Black & White Photography Course Syllabus Course Information ARTS 3371.001 Black & White Photography, FALL 2015 THURSDAY 1 3:45 ATC 2.908 (3.904) Professor Contact Information Dr. Diane Durant durant@utdallas.edu
More informationStudent Ability Success Center (SASC) Procedures for Receiving Test Accommodations. effective 8/9/18
1 Student Ability Success Center (SASC) Procedures for Receiving Test Accommodations effective 8/9/18 2 Table of Contents: Getting Started pg. 3 Contact Information and Hours pg.3 Checking Out Test Accommodation
More informationAdvanced study of theatrical painting techniques. Lab and production work required. (3)
COURSE APPROVAL DOCUMENT Southeast Missouri State University Department: The Conservatory of Theatre and Dance Course No. TH 481 Title of Course: Scene Painting II Date: 09/27/16 I. Catalog Description:
More informationMRTS Intermediate Screenwriting Tuesday 2:00pm 4:50pm FALL 2016
MRTS 4460.002 Intermediate Screenwriting Tuesday 2:00pm 4:50pm FALL 2016 Instructor: James M. Martin Office Hours: TUES: 10:00am Noon WED: 2:00pm 4:00pm Office: RTFP 272B Phone: 940-369-7448 Email: james.martin3@unt.edu
More informationPHOT 296 Outdoor Photography Study Abroad Three (3) Credits
PHOT 296 Outdoor Photography Study Abroad Three (3) Credits Course Description: This is a three-week intensive course in which students will learn all aspects of outdoor photography including lighting,
More informationSan José State University Department of Art & Art History PHOT 112, Color Photography Section 1, Spring 2018
San José State University Department of Art & Art History PHOT 112, Color Photography Section 1, Spring 2018 Instructor: Yvonne D. Williams Office Location: DH 401 Telephone: 408.924.4690 Email: Office
More informationRTV 3101 (Fall 2016) ADVANCED WRITING FOR THE ELECTRONIC MEDIA
1 RTV 3101 (Fall 2016) ADVANCED WRITING FOR THE ELECTRONIC MEDIA Instructor: James Babanikos, Ph.D. Office: 3064 Weimer Hall Office Phone: 392-6399 e-mail: jbabanikos@jou.ufl.edu Office Hours: Tuesdays
More informationField & Post Production The Media School Indiana University Syllabus - Spring 2018
P351 Video Field & Post Production The Media School Indiana University Syllabus - Spring 2018 Instructor: Jim Krause jarkraus [at] indiana.edu (812) 332-1005 www.indiana.edu/~jkmedia Office Hours: Tuesday
More informationThe short instructions:
The short instructions: Your final portfolio will consist of: 1. A heavily revised and rewritten version of your short story (20%). a. Length: 6-10 pages b. 2 page cover letter c. You must hand in the
More informationCAPILANO UNIVERSITY COURSE OUTLINE
CAPILANO UNIVERSITY COURSE OUTLINE Term: Fall 2015 Course No. APSC 130 Course: TECHNICAL DRAFTING AND COMPUTER-AIDED DESIGN INSTRUCTOR Office: FR?? Tel: 604-986-1911 (Ext.??) email: @capilanou.ca Credits:
More informationRTV 3101 (Summer 2016) ADVANCED WRITING FOR THE ELECTRONIC MEDIA
RTV 3101 (Summer 2016) ADVANCED WRITING FOR THE ELECTRONIC MEDIA Instructor: James Babanikos, Ph.D. Office: 3064 Weimer Hall Office Phone: 392-6399 e-mail: jbabanikos@jou.ufl.edu Office Hours: Mondays
More informationCLASS OBJECTIVES INTRODUCTION TO SCREENWRITING I X 430A FILM & TELEVISION 3 UNITS INSTRUCTOR: ALISON LEA BINGEMAN
UCLA Extension Writers Program Public Syllabus Note to students: this public syllabus is designed to give you a glimpse into this course and instructor. If you have further questions about our courses
More informationDFTG Blueprint Reading and Sketching
Course Syllabus DFTG 1325 - Blueprint Reading and Sketching Catalog Description: An introduction to reading and interpreting working drawings for fabrication processes and associated trades. Use of sketching
More information