BIBLIOGRAPHY. Ang, I. (1985). Watching Dallas : Soap opera and the Melodramatic Imagination. London: Methuen
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1 BIBLIOGRAPHY Books Allen, C. A. (2004). Making Sense of Soaps in Allen, C. A. and Hill, A. (eds.). The Television Studies Reader, London: Routledge, pp Ang, I. (1985). Watching Dallas : Soap opera and the Melodramatic Imagination. London: Methuen Aravindan, K. P. (2006) Keralapadanam, Keralam Engane Jeevikkunnu? Keralam Engane Chinthikunnu? (Malayalam), Kerala Sastra Sahitya Parishad: Kozhikode. Bandura, A. (1977). Social Learning Theory, Englewood Cliffs, NJ: Prentice- Hall. Barker, C. (1997). Global Television: An Introduction, Oxford: Blackwell. Baran. S. J., & V. J. Blasko (1984). Social Perception and the By-Products of Adverting. Journal of Communication, 34: Baron, R. A. & D. Byrne (1993): Social Psychology, Prentice Hall, New Delhi. Berger, A. A. (1998) Media Analysis Techniques, Sage: California. Carey, J. (1988). Communication as Culture, Boston, MA: Unwin Hyman. Chandler, D. (1998). Semiotics for Beginners, /documents/s4b/sem.06/html
2 164 Duncombe, S. (2002). Cultural Resistance Reader, London: Verso. Feshbach, S. (1961). The Stimulating Versus Cathartic Effects of a Vicarious Aggressive Activity. Journal of Abnormal and Social Psychology, 63: Festinger, L. A. (1957). A Theory of Cognitive Dissonance. New York: Row Peterson. Fiske, J. (1987). Television Culture, London: Methuen. Fiske, J. (1990). Introduction to Communication Studies, London: Routledge, Fiske, J. (1995). Reading the Popular, London: Routledge. Fiske, J. and Hartley, J. (1978). Reading Television, London: Routledge. Gerbner, G. (1973). Cultural Indicators: The Third Voice in G. Gerbner, Gross, L. and Melody, W. (eds.) (1973) The Analysis of Communication Content. New York: John Wiley, pp Hall, E. T. (1959). The Silent Language, New York: Doubleday. Hall, E. T. (1979). Beyond Culture, New York: Doubleday. Hall, S. (1980). Coding and Decoding in the Television Discourse in S. Hall et al (eds.) Culture, Media and Language, pp London: Constable. Harrington,C. L. and Bielby, D. D. (eds.) (2001). Popular Culture: Production and Consumption, Massachusetts: Blackwell. Hobson, D. (1982). Crossroads: The Drama of a Soap Opera, London: Metheun.
3 165 Hovland, C. I, A. A. Lumsdaine, & F. D. Sheffiled (1949). Experiments in Mass Communication. Princeton, NJ: Princeton University Press. Krishanan, P. and Dighe, A. (1990). Affirmation and Denial: Construction of Feminity on Indian Television, Sage: New Delhi. Laing, D. (1978). Marxist Theory of Art. Sussex: Harvester. Lazarsfeld, P. E, B. Berelson, & H. Gaudet (1944). The People s Choice: How the Voter Makes Up His Mind in a Presidential Campaign. New York: Duell, Sloan & Pearce. Lutgendorf, P. (1991). The Life of a Text: Performing the Ramcharitmanas of Tulsidas, California: University of California Press. Mankekar, P. (1991). Television Tales and a Women s Rage: A Nationalist Recasting of Draupadi s Disrobing, in Brundson, C. et al (eds.) Feminist Television Criticism, A Reader, Oxford. Mankekar, P. (2000). Screening Culture & Viewing Politics, Routledge. McQuail, D. (1975). Communication, London: Oxford University Press. McQuail, D. (2005). McQuail s Mass Communication Theory. London: Sage. Mitra, A. (1993). Television and Popular Culture in India: A Study of the Mahabharat, New Delhi: Sage Modleski, T. (1982). Loving With Vengeance: Mass Produced Fantasies for Women, Hamden, Connecticut: Archon Books. Modleski, T. (1983). The Rhythms of Reception: Daytime Television and Women s Work, in Kaplan, E. A. (ed.) (1983) Regarding Television:
4 166 Critical Approaches, Fredrick, MD: University Publications of America. Morley, D. (1980). The Nationwide Audience: Structure and Decoding. London: British Film Institute. Mukherji, C. and Schudson, M. (eds.) (1991). Rethinking Popular Culture: Contemporary Perspectives in Cultural Studies, Berkeley, CA: University of California Press. O Sullivan, T., Hartley, J. and Saunders, D. (1983). Key Concepts in Communication, New York: Methuen. Parkin, F. (1972). Class Inequality and Political Order. London: Paladin. Piaget, J. (1972). The Psychology of the Child, New York: Basic Books. Ruben, B. D. (2001). Culture and Communication in Browne, R. B and Browne, P. (eds.) (2001). The Guide to United States of Popular Culture, Bowling Green: Bowling Green State University Popular Press. Sardar, Z. and Loon, B. V. (1997). Cultural Studies for Beginners, Cambridge: Icon Books. Schramm, W. (1954). The process and Effects of Mass Communication. Urbana: University of Illinois Press. Selby, K. and Cowdery, R. (1995). How to Study Television, London: Macmillan. Singhal, A. & E. M. Rogers, (1989). India s Information Revolution, New Delhi: Sage.
5 167 Smith, P. (2001). Culture Theory, An Introduction, Oxford: Blackwell Publishers. Smythe, D. (1953). Three years of New York television, National Association of Educational Broadcaster, Monitoring Study No. 6.: Urbana, Ill. Usha, V. T. (2004). Gender, Value and Signification: Women and Television in Kerala, Centre for Development Studies: Thiruvananthapuram. Williams, R. (1983). Keywords, London: Fontana. Zeman, J. J. (1977). Peirce s Theory of Signs in Sebeok, T. A. (ed.), A Perfusion of Signs. Bloomington: Indiana University Press. Articles Blumler, J.G. (1979). The Role of Theory in Uses and Gratifications Studies Communication Research, 6; 9-36 Breckler, S.J. & E. C. Wiggins (1989). Affective Versus Evaluation in the Structure of Attitudes, Journal of Experimental Social Psychology, 25, Brown, M. E. (1987). The Politics of Soaps: Pleasure and Famine Empowerment. Australian Journals of Cultural Studies, 4 (2), De Fleur, M. (1964). Occupational roles as portrayed on television, Public Opinion Quarterly, Vol.28, pp Festinger, L. (1962). Cognitive Dissonance, Scientific American, 203: 93. Gerbner, G. (1977). Television Violence Profile No. 8: The Highlights, Journal of Communication, 27,
6 168 Greenberg, B. S. (1999). The Soaps: Their Sex, Gratifications, and Outcomes - Statistical Data Included. Journal of Sex Research. August Herzog, H. (1944). Motivations and Gratifications of Daily Serial Listeners in P. F. Lazarsfeld and F. N. Stanton, (eds.) Radio Research, New York: Duell, Sloan and Pearce. Horton, D. and Wohl, R. R. (1956). Mass Communication and Para-social Interaction. Psychiatry, 19: Kumar, S. (2005). Nationalist Genre of Hindu Epics, South Asian Journal. Lopate, C. (1977). Daytime Television, Radical America, 11:1 (Jan-Feb), Nordlund, J. (1978). Media Interaction, Communication Research, 5: Rubin, A. M. (1981). An Examination of Television Viewing Motivations. Communication Research, 8, Whetmore E. J. & A. P. Kielwasser, (1983). Soap Opera Audience Speaks: A Preliminary Report, Journals of American Culture, 6: Websites www. findarticles.com. accessed 03 Oct accessed on February11, /documents/s4b/sem.06/html, accessed 03 Oct. 2007
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