6, 8,10,12,16 CHANNEL MIC/LINE MIXER OWNERS MANUAL

Transcription

1 MONO PUG INSET A THE WAY IN TO THE "SECOND CICK" STEEO PUG TIP OUT TO ECTS DEVICE ING ETUN FOM ECTS 6, 8,1,12,16 CHANNE /INE MIXE OWNES MANUA POWE AC IN / FUSE CAUTION WANING: TO EDUCE THE ISK OF FIE O EECTIC SHOCK. DO NOT EXPOSE TS EQUIPMENT TO AIN O MOISTUE. DO NOT EMOVE COVE. ISK OF EECTIC SHOCK NO USE SEVICEABE PATS INSIDE. EFE SEVICING TO QUAIFIED PESONNE. DO NOT OPEN AVIS: ISQUE DE CHOC EECTIQUE NE PAS OUVI EPACE WITH THE SAME TYPE FUSE AND ATING. UTIISE UN FUSIBE DE ECHANGE DE MÊME TYPE. CAUTION: DISCONNECT SUPPY COD BEFOE CHANGING FUSE. ATTENTION: DEBANCHE AVANT DE EMPACE E FUSIBE. SEIA NUMBE MANUFACTUING DATE OPTIONA USES FO INSETS DIECT OUT WITH SIGNA FO USE AS AN ECTS OOP INTEUPTION TO MASTE (TIP=SEND, ING=ETUN) CH1 CH2 CH3 CH4 AUX PHONE MAIN OUT SEND ETUN CH/6 CH7/8 /MONO /MONO EFT IGHT INE INE INE INE TAPE ON G1 G2 INSET INSET INSET INSET TAPE IN EC GOUP OUT POWE TIM TIM TIM TIM TIM TIM 8V PHANTOM -1 2.KHz -1 2.KHz -1 2.KHz -1 2.KHz -1 2.KHz -1 2.KHz OW 8Hz -1 OW 8Hz -1 OW 8Hz -1 OW 8Hz -1 OW 8Hz -1 OW 8Hz GAPC EQUAIZE 63Hz 1Hz 4Hz 1KHz 2.KHz 6.4KHz 1KHz PHONE EVE / /

2 A. INPUT CHANNE SECTION B. STEEO CHANNE SECTION C. MASTE SECTION D. MIXE OUTPUT SECTION E. POWE SECTION F. INSTAATION G. CONNECTIONS H. APPENDIX I. BOCK DIAGAM 2~3 4~ 6~ ~

3 Ultra low noise 6,8,1,12,16 - Channel Mic / ine Mixer 2, 4, 6, 8, 12 Mono Input Channels with gold plated Xs and balanced ine Inputs Ultra-low noise discrete Mic Preamps with 8 V Phantom Power 2 Stereo Input Channels with balanced TS Jacks Extremely high headroom - offering more dynamic range Balanced Inputs for highest signal integrity Ultra-musical 3-band EQ on all channels Peak EDs all Mono and Stereo Channels 1 Aux Send per channel for external effects and monitoring Built in digital multi effect 2-Track Inputs assignable to Master Mix Output Highly accurate 1 segment Bargraph Meters Separate Master Mix Outputs SAFETY INSTUCTIONS CAUTION: WANING: To reduce the risk of electrical shock, do not remove the cover (or back). No user serviceable parts inside; refer servicing to qualified personnel. To reduce the risk of fire or electrical shock, do not expose this appliance to rain or moisture. CAUTION ISK OF EECTIC SHOCK DO NOT OPEN This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous voltage inside the enclosure - voltage that may be sufficient to constitute a risk of shock. This symbol, wherever it appears, alerts you to important operating and maintenance instructions in the accompanying literature. ead the manual. 1

4 A. INPUT CHANNE SECTION CH1 1. BAANCE INPUT () Electronially Balanced inputs acceptable a standard X male connector. + 48V Phantom Power available on each input Mic socket. and this switch is on ear Phantom Power INE INPUT The unbalanced Mic input is provided for the use of an unbalance mic and is designed to accept an unbalanced high impedance input signal. (This use for connection Deck, Turntable, Keyboard etc..) 3. INSET The INSET is a break point in the input channel signal path. It allows the signal to be taken out from the mixer, through an external equipment such as a compressor, and then back to the mixer to continue the final mix output. 4. TIM This has a function which adjusts the input sensitivity of each channel in order to input the constant level of the signal INE INSET 1-1 TIM. EQ This control gives you up to 1 of boost or cut at and above, and it is also flat at the detent. Use it to add sizzle to cymbals, and an overall sense of transparency or edge to keyboards, vocals, guitar, and bacon frying. Turn it down a little to reduce sibilance, or to hide tape hiss KHz 6. EQ Short for midrange, this knob provides 12 of boost or cut, centered at 2.KHz, also flat at the center detent. Midrange EQ is often thought of as the most dynamic, because the frequencies that define any particular sound are almost always found in this range. You can create many interesting and useful EQ changes by turning this knob down as well as up. 2

5 7. OW EQ This control gives you up to 1 boost or cut at 8Hz and below. This circuit is flat (no boost or cut) at the center detent position. This frequency reptesents the punch in bass drums, bass guitar, fat synth patches, and some really serious male singers. 8. AUX / OW 8Hz This is normally derived after the EQ and channel fader (POST FADE, POST EQ), and is therefore follow any changers in fader level. They are normally used to drive effects processing units which are fed back into the mixer and which must fade out with the input channel The pan control sends continuously variable amounts of the post fader signal to either the left or right and G1 or G2 main busses. In the center position equal amounts of signal are sent to the left and right or G1 & G2 busses STEEO ( / ) Push the switch, can use ST - fader. During the stereo - switch pushed, you can't use ST - fader GOUP 1-2 Push the switch, can use GOUP 1-2 fader. During the switch pushed, you can't use stereo - fader CHANNE FADE This is function to adjust the volume of signal connection into each channel and adjust the volume of output, together with master fader. Normal operating position is at the O mark, providing 4 of gain adove that point, if required A red ED indicates a signal level at the insert return point, premaster fader, It illuminates at approximately below clipping. 3

6 B. STEEO CHANNE SECTION 14. EFT (MONO) / IGHT ine with connection 1/4 jack as line input of, stereo and input the signal of balance line level. If the signal input into the input terminal of left side, output the mono output to left & right side. If the signal input the input terminal of right side, output into the right side only. If each signal input the input terminal of left & right, output a stereo of left & right. 1. TIM This has a function which adjusts the input sensitivity of each channel in order to input the constant level of the signal. 14 /MONO CH/ EQ This control gives you up to 1 of boost or cut at and above, and it is also flat at the detent. Use it to add sizzle to cymbals, and an overall sense of transparency or edge to keyboards, vocals, guitar, and bacon frying. Turn it down a little to reduce sibilance, or to hide tape hiss TIM 17. EQ Short for midrange, this knob provides 12 of boost or cut, centered at 2.KHz, also flat at the center detent. Midrange EQ is often thought of as the most dynamic, because the frequencies that define any particular sound are almost always found in this range. You can create many interesting and useful EQ changes by turning this knob down as well as up KHz OW 8Hz 18. OW EQ This control gives you up to 1 boost or cut at 8Hz and below. This circuit is flat (no boost or cut) at the center detent position. This frequency reptesents the punch in bass drums, bass guitar, fat synth patches, and some really serious male singers. -1 4

7 19. AUX / This is normally derived after the EQ and channel fader (POST FADE, POST EQ), and is therefore follow any changers in fader level. They are normally used to drive effects processing units which are fed back into the mixer and which must fade out with the input channel The pan control sends continuously variable amounts of the post fader signal to either the left or right and G1 or G2 main busses. In the center position equal amounts of signal are sent to the left and right or G1 & G2 busses STEEO ( / ) Push the switch, can use ST - fader. During the stereo - switch pushed, you can't use ST - fader. 22. GOUP Push the switch, can use GOUP 1-2 fader. During the switch pushed, you can't use stereo - fader. 23. CHANNE FADE 23 1 This is function to adjust the volume of signal connection into each channel and adjust the volume of output, together with master fader. Normal operating position is at the O mark, providing 4 of gain adove that point, if required A red ED indicates a signal level at the insert return point, premaster fader, It illuminates at approximately below clipping.

8 C. MASTE SECTION 2. SEND / ECT When this button is up, Post signal work as send signal. When this button is down, post signal work as ECT singal. AUX SEND AUX SEND / ETUN This is used for adjusting volume of AUX sound, when sending and return AUX singal to used jack. 27. FND INDICATE 26 Digital multi Effects. AUX ETUN 26 GAPC EQUAIZE 63Hz 1Hz 4Hz 1KHz 2.KHz 6.4KHz 1KHz Pre-set Push more than seconds, It automatacally memorize the displayed program number. Once Just Push M1. M2. M3. M4, always display memorized program UP TAPE SWITCH One push, one program up push with more than seconds hi-speed program up DOWN TAPE SWITCH One push, one program down, push with more than seconds, hi-speed program down MUTE Effect ON/OFF. 32. STEEO GAPC EQUAIZE X7-band equalizer is provided for tone control over each frequency, and for precise high quality sound by final tone control. 33. ECT EVE Using by this control, you can adjust signal level of echo repeat & exteral effect OUTPUT MAIN FADE (EFT/IGHT) This is a master fader for adjustment for volume of left/right output. Unity gain is the top their travel. 6

9 3. POWE ED The POWE ED will be turned on when strt working. 36. PHANTOM ED The ED will be turned on when strt working. 37. PHANTOM POWE SWITCH Depressing this switch applies 48V DC across all microphone input channels connectors for remote powering of condenser microphones. 38. OUTPUTS EVE INDICATO This is level meter which shows output levels of left & right channel condition on the way of operation, therefore, you can see output condition thru this master level indication. 39. HEADPHONE EVE This is a single volume control sends the level to be the headphones and main monitors. 4. HEADPHONE SWITCH When -/ switch up, could monitor stereo (-) output signal when -/ switch down, could monitor group () output signal / SWITCH This switch routes the mix output to the STEEO bus, allowing bus to be used two mono subgroups mixed down to a single output when stereo is not required. 42. OUTPUT GOUPS 1-2 FADES Using by this control, you can adjust output level POWE 8V PHANTOM PHONE EVE -/ / - MUTI ECTS POGAM CHAT EVEB DEAY ECTS VOCA1 VOCA2 AGE HA SMA HA AGE OOM SMA OOM PATE TAPE EVEB SPINGEVEB MONO STEEO FANGE CHOUS EVEB + DEAY EVEB + FANGE EVEB + CHOUS POGAM

10 D. MIXE OUTPUT SECTION SEND AUX PHONE MAIN OUT ETUN EFT IGHT TAPE ON G1 G2 TAPE IN EC GOUP OUT AUX ETUN JACK This can be used to connect all kinds of effect form outside. 44. HEADPHONE JACK You can monitor working condition by sound thru the headphone. 4. TAPE ON SWITCH This is the TAPE IN switch when switch down, and can make the TAPE IN signal input the STEEO bus. 46. TAPE INPUT JACK This jack is to be connected with cassette deck when playing back. 47. ECOD PIN JACK This jack is to be connected with cassette deck when recording the mixed output. 48 MAIN OUTPUT JACK (EFT / IGHT) In this product, the final confirmed sound can be send to main amplifier through X & 1/4 jack. 49. GOUP 1-2 OUTPUT JACK There are to be output with the volume control against inputting signal into GPS 1-2 board. 8

11 MODE-DVP-3 AMPIFIE DIGITA POWE +6 SUOUND E. POWE SECTION. POWE SWITCH Push marked (1), when you want to operate. The ED (SEE NO, 33) will be turned on when working 1. POWE JACK This is out of connect the power supply (2 X AC 12V or 23V) jack. POWE AC IN / FUSE CAUTION: CAUTION WANING: TO EDUCE THE ISK OF FIE O EECTIC SHOCK. DO NOT EXPOSE TS EQUIPMENT TO AIN O MOISTUE. DO NOT EMOVE COVE. ISK OF EECTIC SHOCK NO USE SEVICEABE PATS INSIDE. EFE SEVICING TO QUAIFIED PESONNE. DO NOT OPEN AVIS: ISQUE DE CHOC EECTIQUE NE PAS OUVI EPACE WITH THE SAME TYPE FUSE AND ATING. UTIISE UN FUSIBE DE ECHANGE DE MÊME TYPE. DISCONNECT SUPPY COD BEFOE CHANGING FUSE. ATTENTION: DEBANCHE AVANT DE EMPACE E FUSIBE. SEIA NUMBE MANUFACTUING DATE OPTIONA USES FO INSETS MONO PUG STEEO PUG INSET A THE WAY IN TO TIP OUT TO ECTS DEVICE THE "SECOND CICK" ING ETUN FOM ECTS DIECT OUT WITH SIGNA FO USE AS AN ECTS OOP INTEUPTION TO MASTE (TIP=SEND, ING=ETUN) 1 2 POWE SE OUTPUTS IGHT EFT A A B B 1 AC INPUT / FUSE 2. SE JACK This is same functions as below but the using jack is different. F. INSTAATION Experience tells us that the cables in a studio environment get tangled very quickly (inviting mistakes). CH3 CH4 AUX PHONE MAIN OUT SEND ETUN CH/6 CH7/8 /MONO /MONO EFT IGHT INE INE TAPE ON G1 G2 TAPE INSET INSET TAPE IN EC GOUP OUT OUTPUT & INPUT & 9

12 G. CONNECTIONS You will need a lot of cables for different purposes - see the following figures to make sure you have got the right ones. Unbalanced equipment may be connected to balanced inputs/outputs. Either use mono 1/4" jacks or connect ring and sleeve of TS jacks. Headphones Tip = eft signal ing = ight signal Sleeve = Ground / Shield Tip ing Sleeve Strain relief clamp Headphone connection Output Cable Input Pin 1 Ground 2 1 Shield 1 2 Pin 2 = (+) Signal 3 (+) Signal + Hum (-) Signal + Hum 3 Positive (+)Hum + Signal Pin 3 = (-) Signal Negative (-)Hum + Signal 2 x Signal FI and Hum = Signal + 6 Compensation of interference with balanced connections 1

13 Unbalanced use of mono 1/4" jack plugs Balanced use of stereo 1/4" jack plugs Tip = Signal Tip = hot (+ve) ing = cold (-ve) Sleeve = Ground / Shield Sleeve = Ground / Shield Tip Sleeve Strain relief clamp Tip ing Sleeve Strain relief clamp For connection of balanced and unbalanced plugs, ring and sleeve have to be bridged at the stereo plug. Balanced use with X connectors Input = Ground / Shield 2 = hot (+ve) 3 = cold (-ve) Output For unbalanced use pin 1 and pin 3 have to be bridged Different plug types 11

14 H. APPENDIX Specifications Mono Inputs Mic Input Bandwidth Distortion (THD & N) Mic E.I.N (22 Hz - 22 khz) TIM range ine Input Bandwidth Distortion (THD&N) ine level range Equalization Hi Shelving Mid ange o Shelving electronically balanced, discrete input configuration 1 Hz to 6 khz ± 3.1% at u, 1 khz, Bandwidth 8 khz u, 1 Ohm source qp, 1 Ohm source u, input shorted qp, input shorted +1 to +6 electronically balanced 1 Hz to 6 khz ± 3.1% at u, 1 khz, Bandwidth 8 khz +1 u to -4 u 12 khz +/-1 2. khz +/-1 8 Hz +/-1 Steroe inputs ine Input Bandwidth Distortion (THD & N) Equalization Hi Shelving Mid bell o Shelving o Cut (High Pass) filter unbalanced 1 Hz to khz ±3.1% at u, 1 khz, bandwidth 8 khz 12 khz +/-1 1Hz -8KHz +/- 1, Q fixed at 1 oct 8 Hz +/-1, Q fixed 2 oct -3 at 7Hz, 18 / oct Master Mix section Max Output Aux Send Max Out Control oom Out Signal-To-Noise atio +22 u balanced +22 u unbalanced +22 u unbalanced 112, all channels at Unity Gain Power supply Mains Voltages USA/Canada U.K./Australia China ~ 12 V AC, 6 Hz, ~ 24 V AC, Hz, ~ 22 V AC, Hz Power 6CH 2X1W(4 ) 8CH 2X2W(4 ) 1CH 2X2W(4 ) 12CH 2X3W(4 ) 16CH 2X3W(4 ) 12

15 G1 G2 AUX I. BOCK DIAGAM PH INE 8V TIM 3-EQ FADE INSETS STEEO INPUT STEEO AUX ETUN 3-EQ EQ H O FADE BA G1 G2 AUX G1 G2 AUX EC PHONE G1 G2 TAPE IN EFT MAIN MIX IGHT G1 OUT G2 OUT PHONES FADE MIAN MONO INPUT CHANNES AUX ETUN O ETUN 7 EQ 7 EQ DSP SEND ETUN SEND 13