LYNX-MIX USB SERIES USER'S MANUAL 12/16/20/24-CH COMPACT INTEGRATED LIVE SOUND MIXER WITH DIGITAL EFFECTS

Transcription

1 USE'S MANUAL LYNXMIX USB SEIES /6//CH COMPACT INTEGATED LIVE SOUND MIXE WITH DIGITAL EFFECTS Version. MA. 9 English

2 IMPOTANT SAFETY INSTUCTION CAUTION ISK OF ELECTIC SHOCK DO NOT OPEN TO EDUCE THE ISK OF ELECTIC SHOCK PLEASE DO NOT EMOVE THE COVE O THE BACK EL OF TS UIPMENT. THEE AE NO PATS NEEDED BY USE INSIDE THE UIPMENT. FO SEVICE, PLEASE CONTACT QUALIFIED SEVICE CENTES. This symbol, wherever used, alerts you to the presence of uninsulated and dangerous voltages within the product enclosure. These are voltages that may be sufficient to constitute the risk of electric shock or death. This symbol, wherever used, alerts you to important operating and maintenance instructions. Please read. Protective Ground Terminal ã AC mains (Alternating Current) Hazardous Live Terminal ON: Denotes the product is turned on. OFF: Denotes the product is turned off. CAUTION Describes precautions that should be observed to prevent damage to the product.. ead this Manual carefully before operation.. Keep this Manual in a safe place.. Be aware of all warnings reported with this symbol.. Keep this Equipment away from water and moisture.. Clean it only with dry cloth. Do not use solvent or other chemicals. 6. Do not damp or cover any cooling opening. Install the equipment only in accordance with the Manufacturer's instructions. 7. Power Cords are designed for your safety. Do not remove Ground connections! If the plug does not fit your AC outlet, seek advice from a qualified electrician. Protect the power cord and plug from any physical stress to avoid risk of electric shock. Do not place heavy objects on the power cord. This could cause electric shock or fire.. Unplug this equipment when unused for long periods of time or during a storm. 9. efer all service to qualified service personnel only. Do not perform any servicing other than those instructions contained within the User's Manual.. To prevent fire and damage to the product, use only the recommended fuse type as indicated in this manual. Do not shortcircuit the fuse holder. Before replacing the fuse, make sure that the product is OFF and disconnected from the AC outlet. WANING To reduce the risk of electric shock and fire, do not expose this equipment to moisture or rain... Dispose of this product should notbeplacedinmunicipalwaste and should be separate collection. MovethisEquipmentonlywithacart, stand, tripod, or bracket, specified by the manufacturer, or sold with the Equipment. When a cart is used, use caution when moving the cart / equipment combination to avoid possible injury from tipover. Permanent hearing loss may be caused by exposure to \ extremely high noise levels. The US. Government's Occupational Safety and Health Administration (OSHA) has specified the permissible exposure to noise level. These are shown in the following chart: HOUS X DAY SPL EXAMPLE ,,, or less Small gig train Subway train High level desktop monitors Classic music concert ock concert According to OSHA, an exposure to high SPL in excess of these limits may result in the loss of heat. To avoid the potential damage of heat, it is recommended that Personnel exposed to equipment capable of generating high SPL use hearing protection while such equipment is under operation. The apparatus shall be connected to a mains socket outlet with a protective earthing connection. The mains plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.

3 IN TS MANUAL. INTODUCTION.... FEATUES.... QUICK STAT...6. CONTOL ELEMENTS.... INSTALLATION & CONNECTION LIST BLOCK DIAGAM.... TECHNICAL SPECIFICATIONS WAANTY...6. INTODUCTION Thank you for purchasing the LTO LYNXMIX USB series compact integrated mixers,which available for /6// channels. Your LYNXMIX USB Series is a remarkable compact mixer that doesn't find many equals in the market today. With 6/// and Stereo Linelevel inputs for serious live performances. Your LYNXMIX USB Series also includes a bit digital multieffect with 6 Factory Presets and 6 variations for every preset, for a total of 6 different digital effects. There is a band on mono input channels, band on stereo input channels. Use it for large GIGs, and for fixed PA installation. Enjoy your LYNXMIX USB Series and make sure to read this Manual carefully before operation!. FEATUES 6/// inputs with gold plated XL and balanced TS jack Stereo input channels with balanced TS jacks Ultralow noise discrete preamps with + V Phantom Power SUB, SUB & MAIN L signal assignment switches Sends per channel: / faders switchable for monitoring application effects & sound processor input; faders as external send or for internal digital DFX band with sweepable on mono inputs; band on stereo inputs Channel Inserts and Direct Outputs on each mono channel plus Main Insert for flexible connection of outboard equipment bit internal DSP with 6 effects, 6 presets by 6 variations with DSP Mute switch and Peak LED TACK IN assignable to Main Mix, Control oom/headphone outputs With USB port

4 LYNXMIX USB 6 TACK IN/OUT LAMP V.A CH COMPACT INTEGATED LIVE SOUND MIXE WITH DIGITAL EFFECTS TAPE IN TAPE OUT IN IN IN IN IN IN IN IN PHONES BITs DIGITAL STEEO EFFECTS POCESSO IN IN IN IN B. VOCAL 9. SPING EVEB. VOCAL. MONO DELAY. LAGE HALL. STEEO DELAY. SMALL HALL. FLANGE. LAGE OOM. CHOUS 6. SMALL OOM. EVEB DELAY 7. PLATE. EVEB FLANGE. TAPE EVEB 6. EVEB + CHOUS GAIN GAIN /Oct /Oct /Oct /Oct /Oct /Oct USB DFX ETUNS EFFECTS TO MONITO khz khz khz khz khz khz khz khz K K K K 6K + + khz khz khz khz F F F F Hz Hz Hz Hz KHz KHz KHz Hz Hz Hz Hz KHz OFF ON Hz Hz Hz Hz Hz Hz Hz Hz STEEO GAPC SENDS STEEO ETUNS CTL OOM SOUCE TO SEND MAIN MIX SUB MAX PHONES TO SEND SUB CTL OOM TK IN MAIN MIX TK TO MIX CTL/ CLIP SUB / SUB / MAIN MIX 7 ACTIVE SUBGOUPS ASSIGN TO MAIN MIX MODE PFL AFL L OUTPUT MAX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX BAL BAL BAL BAL DFX SEND + DFX ETUN ETUNS SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB MAIN L MAIN L MAIN L MAIN L MAIN L MAIN L MAIN L MAIN L /6 7/ 9/ / SUB SUB SUB SUB MAIN MIX L A

5 LYNXMIX6 USB TACK IN/OUT LAMP V.A TAPE IN TAPE OUT IN IN IN IN IN IN IN IN PHONES BITs DIGITAL STEEO EFFECTS POCESSO IN IN IN IN B. VOCAL 9. SPING EVEB. VOCAL. MONO DELAY. LAGE HALL. STEEO DELAY. SMALL HALL. FLANGE. LAGE OOM. CHOUS 6. SMALL OOM. EVEB DELAY 7. PLATE. EVEB FLANGE. TAPE EVEB 6. EVEB + CHOUS GAIN GAIN /Oct /Oct /Oct /Oct /Oct /Oct USB DFX ETUNS EFFECTS TO MONITO khz khz khz khz khz khz khz khz K K K K 6K + + khz khz khz khz F F F F Hz Hz Hz Hz KHz KHz KHz Hz Hz Hz Hz KHz OFF ON Hz Hz Hz Hz Hz Hz Hz Hz STEEO GAPC SENDS STEEO ETUNS CTL OOM SOUCE TO SEND MAIN MIX SUB MAX PHONES TO SEND SUB CTL OOM TK IN MAIN MIX TK TO MIX CTL/ CLIP SUB / SUB / MAIN MIX 7 ACTIVE SUBGOUPS ASSIGN TO MAIN MIX MODE PFL AFL L OUTPUT MAX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX BAL BAL BAL BAL IN IN IN IN /Oct /Oct /Oct /Oct khz khz khz khz F F F F Hz Hz Hz Hz KHz KHz KHz KHz Hz Hz Hz Hz DFX DFX DFX DFX DFX DFX DFX DFX DFX SEND + DFX ETUN ETUNS SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB MAIN L MAIN L MAIN L MAIN L MAIN L MAIN L MAIN L MAIN L L A SUB SUB SUB SUB SUB SUB SUB SUB MAIN L MAIN L MAIN L MAIN L CH COMPACT INTEGATED LIVE SOUND MIXE WITH DIGITAL EFFECTS 6 7 9/ / / /6 SUB SUB SUB SUB MAIN MIX

6 LYNXMIX USB TACK IN/OUT LAMP V.A TAPE IN TAPE OUT IN IN IN IN IN IN IN IN PHONES BITs DIGITAL STEEO EFFECTS POCESSO IN IN IN IN B 9. SPING EVEB. MONO DELAY. STEEO DELAY. FLANGE. CHOUS. EVEB DELAY. EVEB FLANGE 6. EVEB + CHOUS. VOCAL. VOCAL. LAGE HALL. SMALL HALL. LAGE OOM 6. SMALL OOM 7. PLATE. TAPE EVEB GAIN GAIN /Oct /Oct /Oct /Oct /Oct /Oct USB DFX ETUNS EFFECTS TO MONITO khz khz khz khz khz khz khz khz K K K K 6K + + khz khz khz khz F F F F Hz Hz Hz Hz KHz KHz KHz Hz Hz Hz Hz KHz OFF ON Hz Hz Hz Hz Hz Hz Hz Hz STEEO GAPC SENDS STEEO ETUNS CTL OOM SOUCE TO SEND MAIN MIX MAX PHONES SUB TO SEND SUB CTL OOM TK IN MAIN MIX TK TO MIX CTL/ CLIP SUB / SUB / MAIN MIX 7 ACTIVE SUBGOUPS ASSIGN TO MAIN MIX MODE PFL AFL L OUTPUT MAX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX BAL BAL BAL BAL IN IN IN IN /Oct /Oct /Oct /Oct khz khz khz khz F F F F Hz Hz Hz Hz KHz KHz KHz KHz Hz Hz Hz Hz DFX DFX DFX DFX DFX DFX DFX DFX DFX SEND + DFX ETUN ETUNS SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB MAIN L MAIN L MAIN L MAIN L MAIN L MAIN L MAIN L MAIN L L A SUB SUB SUB SUB SUB SUB SUB SUB MAIN L MAIN L MAIN L MAIN L IN IN IN IN /Oct /Oct /Oct /Oct khz khz khz khz F F F F Hz Hz Hz Hz KHz KHz KHz KHz Hz Hz Hz Hz DFX DFX DFX DFX DFX DFX DFX DFX SUB SUB SUB SUB SUB SUB SUB SUB MAIN L MAIN L MAIN L MAIN L CH COMPACT INTEGATED LIVE SOUND MIXE WITH DIGITAL EFFECTS 9 / /6 7/ 9/ SUB SUB SUB SUB MAIN MIX

7 LYNXMIX USB 6 K K 6K OFF ON SENDS STEEO ETUNS CTL OOM SOUCE TO SEND MAIN MIX MAX PHONES SUB TO SEND SUB CTL OOM TK IN MAIN MIX TK TO MIX CTL/ CLIP SUB / SUB / MAIN MIX ACTIVE SUBGOUPS ASSIGN TO MAIN MIX MODE PFL AFL L OUTPUT K K 7 7 khz khz khz khz F F F F MAX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX DFX BAL BAL BAL BAL khz khz khz khz khz khz khz khz Hz Hz Hz Hz KHz KHz KHz KHz Hz Hz Hz Hz Hz Hz Hz Hz Hz Hz Hz Hz F F F F DFX DFX DFX DFX DFX DFX DFX DFX TACK IN/OUT LAMP V.A TAPE IN TAPE OUT IN IN IN IN IN IN IN IN PHONES BITs DIGITAL STEEO EFFECTS POCESSO B IN IN IN IN 9. SPING EVEB. MONO DELAY. STEEO DELAY. FLANGE. CHOUS. EVEB DELAY. EVEB + FLANGE 6. EVEB + CHOUS. VOCAL. VOCAL. LAGE HALL. SMALL HALL. LAGE OOM 6. SMALL OOM 7. PLATE. TAPE EVEB GAIN GAIN /Oct /Oct /Oct /Oct /Oct /Oct USB DFX ETUNS EFFECTS TO MONITO STEEO GAPC DFX SEND DFX ETUN ETUNS SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB MAIN L MAIN L MAIN L MAIN L MAIN L MAIN L MAIN L MAIN L L A IN IN IN IN /Oct /Oct /Oct /Oct khz khz khz khz Hz Hz Hz Hz KHz KHz KHz KHz Hz Hz Hz Hz SUB SUB SUB SUB SUB SUB SUB SUB MAIN L MAIN L MAIN L MAIN L F F F F DFX DFX DFX DFX DFX DFX DFX DFX IN IN IN IN /Oct /Oct /Oct /Oct khz khz khz khz Hz Hz Hz Hz KHz KHz KHz KHz Hz Hz Hz Hz SUB SUB SUB SUB SUB SUB SUB SUB MAIN L MAIN L MAIN L MAIN L F F F F DFX DFX DFX DFX DFX DFX DFX DFX IN IN IN IN /Oct /Oct /Oct /Oct khz khz khz khz Hz Hz Hz Hz KHz KHz KHz KHz Hz Hz Hz Hz SUB SUB SUB SUB SUB SUB SUB SUB MAIN L MAIN L MAIN L MAIN L CH COMPACT INTEGATED LIVE SOUND MIXE WITH DIGITAL EFFECTS 6 7/ 9/ / / SUB SUB SUB SUB MAIN MIX

8 . QUICK STAT This is the fastest way to get something out from your LYNXMIX USB series, if you have a keyboard and a microphone. a. Plug the microphone into Channel IN. b. Turn down and controls on the input channel. c. Put the controls on center position. d. Turn on your LYNXMIX USB mixer. e. Sing or speak into the microphone with normal volume and adjust the channel control to half. f. If you like, you can adjust the at this stage. g. The LED on the Master LED meter should flash only occasionally, otherwise you will hear distortion. If this LED is not active and you still hear distortion, please turn down a little the input control or reduce the output level of your source instrument. h. Connect your stereo keyboard into one of the stereo line inputs channel of your LYNXMIX USB mixer. Here you are. It is your first GIG with your LYNXMIX USB series. 6

9 ON OFF POWE PHANTOM Use only with a V fuse L Apparaten skall anslutas till jordat uttag nar den ansluts till ett natverk DESIGNED IN ITALY AC INPUT V /6Hz Fuse: T.6AL ATED POWE CONSUMPTION: 7W MAIN MIX OUTPUT () L +u u MAIN OUTPUT MAIN L + L L L TIP SEND ING ETUN MONO SUB / () USB ECOD MAIN MIX. CTL OUT CH / MAIN MIX. PLAY BACK DFX OUT FOOT SWITCH SENDS ETUNS L L DIECT OUTS CH6 CH SUBGOUPS OUT () CH SUBGOUPS CH B CH DIECT OUTS CH () CH CH9 CH DIECT OUTS CH7 A () CH6 CH 9. SPING EVEB CH DIECT OUTS CH () CH CH HOOK LAGE GIG HOOKUP DIAGAM UP WIELESS OPHONE WIELESS OPHONE CD PLAYE TACK IN/OUT L 6 LAMP 6CH COMPACT INTEGATED LIVE SOUND MIXE WITH DIGITAL EFFECTS V.A IN IN IN IN IN IN IN IN IN IN TAPE IN TAPE OUT IN IN PHONES BITs DIGITAL STEEO EFFECTS POCESSO IN IN IN IN. VOCAL. VOCAL. LAGE HALL. SMALL HALL. LAGE OOM 6. SMALL OOM 7. PLATE. TAPE EVEB. MONO DELAY. STEEO DELAY. FLANGE. CHOUS. EVEB + DELAY. EVEB + FLANGE 6. EVEB + CHOUS GUITA D/I BOX BASS DUM MACNE KEYBOAD HEADPHONE ACTIVE SES COMPUTE ACTIVE SES STAGE MONITO CD PLAYE 7

10 . CONTOL ELEMENTS MONO / Channels Your LYNXMIX USB is equipped with ( for LYNXMIX6 USB, for LYNX MIX USB,6 for LYNXMIX USB ) lownoise microphone preamplifier with optional phantom power, of Gain and over of S/N ratio. You can connect almost any type of microphone. Dynamic microphones do not need phantom power. Use phantom power only with condenser microphones but make sure that the phantom power button is disengaged before connecting the microphone. Phantom power will not damage your dynamic microphones, so make sure to read the instructions manual before engaging phantom power. Use switch () to activate/deactivate phantom power. These channels are also equipped with /" TS balanced/unbala nced IN plugs to connect linelevel instruments such as keyboards, drum machines and effect devices. STEEO INPUTS IN IN IN These are channels through (9 through 6 for LYNXMIX6 USB, through for LYNXMIX USB,7 through for LYNXMIX USB). They are organised in stereo pair and provided with XL sockets (channels /6 for LYNXMIX USB, 9/ for LYNXMIX6 USB, / for LYNX MIX USB) and /" TS phone jacks.if you connect only the left jack, the input will operate in mono mode, that is the mono signal will appear on both input channels. You can use these inputs with a stereo keyboard, drum machine, etc. MONO Channel This is where you connect external sound processors such as compressorlimiter, equalizers, etc.. The insert point is available on the first ( for LYNXMIX6 USB, for LYNXMIX USB, 6 for LYNXMIX USB) channels only. The control is applied in the mono and stereo input channels. It provides with different indications: One is for the and the other for levels. When you use a microphone, you shall read the ring (~ for mono input, ~ for stereo channels); when you use a line level

11 . CONTOL ELEMENTS instrument, you shall read the ring (+~ for mono input, + ~ for stereo channels). For optimum operation, you shall set this control in a way that the LED(6) blinks only occasionally in order to avoid distortion on the input channel. GAIN When you use a line level instrument, you shall read the ring (~+ ). For optimum operation, you shall set this control in a way that the LED (6) blinks only occasionally in order to avoid distortion on the input channel LED This LED will help you to detect the input level immediately. In this case, the research of the fault will become much faster! 7 CUT Button By pressing this button, you will activate a 7 Hz low frequency filter with a slope of per octave. You can use this facility to reduce the hum noise infected by the mains power supply, or the stage rumble while using a microphone. /USB Button By pressing this button, it will switch to the USB mode, then the USB signal can be sent to this channel or the Main Mix channel; by releasing this button, the IN inputs signal will send to the line input channels. UALISE There are band with sweepable on all mono input channel ( for LYNXMIX6 USB, for LYNXMIX USB, 6 for LYNXMIX USB):, and band. There are band fixed frequency on the stereo channel (96 for LYNXMIX6 USB, for LYNXMIX USB, 7 for LYNXMIX USB):,, and band. All bands provide up to of boost or cut. 9 If you turn this control up, you will boost all the frequencies above khz (shelving filter). You will add transparency to vocals and guitar and also make cymbals crispier.turn the control down to cut all frequencies above khz. In such way, you can reduce sibilances of human voice or reduce the hiss of a Tape player. 9

12 . CONTOL ELEMENTS This is a peaking filter and it will boost/cut frequencies from Hz to khz depending on the position of the freq control. This control will affect especially upper male and lower female vocal ranges and also the harmonics of most musical instruments. This control gives you up to boost or cut at khz. It is useful for controlling voice. It can accurately polish your performance via adjusting this knob. This control gives you up to boost or cut at Hz. If you turn this control up, you will boost all frequencies below Hz. You will give more punch to bass drum and bass guitar and make the vocalist more "macho". Turn it down, you will cut all the frequencies below Hz. In this way, you can avoid lowfrequency vibrations and resonance thus preserving the life of your woofers. SENDS Level Control These four controls are used to adjust the level of the respective signal sent to bus, and can be switched to /FADE via the / button, so, generally, they can be used for monitor application and effects & sound processors input. and are configured as Faders. In this typical compact unit, excluding sending out the signal directly to the external effect or processor equipment, SEND can also be assigned to the internal onboard effect module. /BAL Control Abbreviation of OAMA control for mono channels, or the stereo channels, always says, BALANCE control. Keep this control in center position, then the signal will be positioned in the middle of stage

13 . CONTOL ELEMENTS 6 LED Inside your LYNXMIX USB mixer, the audio signal is monitored in several different stages and then sent to the LED. When the LED is red illuminated, it warns you that you are reaching signal saturation and possible distortion, then you should reduce the input level for avoiding distortion. 7 Button & LED Each channel is equipped with a button. Pressing this button is equal to turning the fader down, which can mute the corresponding channel output except for the channel send and (in PFL mode). And the LED will illuminate. ASSIGNMENT Controls Each channel provides four pushbuttons: SUB, SUB, MAIN L and. Pressing the button, the corresponding LED will illuminate and the signal will replace other signals send to the Headphone/Control oom and Meters. Usually use the function in live work to preview channels before they are let into the mix. It is useful to set an instrument's input level and, and you can also solo any channel that you want to. The switch never affects any mix other than the Control oom. The other three buttons can be considered as signal assignment switches. Pressing the SUB will assign the channel signal to Subgroup/, you can depend on the switch to adjust the amount of channel signal sent to the SUB versus SUB, when turns the to completely left, then the signal can be only controlled by Subgroup and viceversa. In the same way, pressing the SUB or MAIN L/ will assign the channel signal to Subgroup/ or MAIN MIX L/, and will also be affected by. 9 FADE This fader will adjust the overall level of this channel and set the amount of signal send to the main output. Control oom Source You can choose to monitor any combination of MAIN MIX, SUB, SUB and TK IN via these Matrix switches. Engaging these switches, the stereo signals will be delivered to the Phones, Control oom and Meters display. NOTE: When any switch was engaged, the signal will replace other signals, and also be sent to the Control oom, Phones and Meters. PHONES/CTL OOM Controls otate these knobs to adjust the stereo level of CTL OOM and PHONES outputs separately, which can be varied from to MAX.

14 . CONTOL ELEMENTS Master SENDS Controls These four controls are used to determine the master SEND levels, which can be varied from to +. When the external effect units which have no input gain control were connected to mixer, you can get a further + gain available from these Aux Send outputs. As to the, it can also provide the lovable level adjustment for the internal effect signal Button The function of these buttons are the same as the channel button, they can also be affected by the MODE switch. Press the button, the corresponding send will be routed to the Ctrl oom/ Phones outputs and Meters display. Master STEEO ETUNS Controls These four controls set the level of effects that received from the stereo ETUN connectors, which can be varied from to +. They are used to provide the further gain for low level effects. TO SEND/ The both rotary knobs assign the ETUN signals to their respective SEND outputs: The "TO SEND" assign the signal from ETUN to SEND bus, and "TO SEND" assign the signal from ETUN to SEND bus. The adjustable range goes from to +. 6 MAIN MIX & CTL/ Button ETUN is equipped with the Main Mix & Ctrl/ button. elease the button to send the stereo signal from ETUN to MAIN MIX buses; Engage the button, then the stereo signal will be sent to CTL/ output.

15 . CONTOL ELEMENTS 7 SUB/SUB/MAIN MIX Buttons These three buttons are configured for ETUN, they can be regarded as the signal assignment switches. When engaging the SUB, the stereo signal from ETUN will be assigned to Subgroup/; in the same way, SUB for Subgroup/, MAIN MIX for MAIN MIX buses. ETUNS Button The function of ETUN is like the channel button. Engaging it sends the signal from ETUN () to the CTL OUT, PHONES outputs and Meters display. It can also be affected by mode button, and the LED next to the button will illuminate. 9 SUBGOUPS ASSIGN TO MAIN MIX Through these switches, you can operate the subgroup faders as a master control for assigning the subgroups to MAIN MIX. Engage the switch to send the corresponding subgroup signal to MAIN MIX L, and the switch for MAIN MIX. When engaging the both switches, the signal will be sent to L/ of MAIN MIX. SUBGOUPS Fader These faders are used to control the levels of the signal send to the SUB GOUPS OUT, the adjustable range goes from to +. Any channel that is assigned to the subgroups, not muted and not turned down will be assigned to the SUB OUTS. MAIN MIX Fader This fader sets the amount of signal send either to the Main Mix Output or to the Tape Output. LED Meter The stereo segment LED Meter will indicate the signal level send to the Ctrl oom and Phones outputs. TK TO MIX Button Engaging this switch allows you to combine the Track output with the Main Mix. In other words, feeds the Track In signals into Main L/ output. MODE Button This button provides two modes: up for PFL (PreFaderListen) mode, down for AFL (AfterFaderListen) mode. Engage the button, the soloed signal will output after the Level control, otherwise, release the button will output the

16 . CONTOL ELEMENTS soloed signal before the Level control. NOTE: The function can never affect the mix at main recording output, and also can't be affected by channel's switch. Switch Engage this button to add the stereo graphic to the main mix output circuit.it can be used to modify the frequency "contour" of a sound. If you release the button, the stereo graphic will be bypassed. 6 STEEO GAPC Each one of these faders will boost or attenuate (+/ ) the selected frequency at a preset bandwidth. When all the faders are in the center position, the output of the equalizer is flat response. 6 DSP SECTION There is a powerful bit/6 preset multieffects included in your LYNXMIX USB Series. Effects include reverbs, chorus, flanger, delay and combinations of the above. 7 S Adjust this knob to select the right effect you wish to perform. There are a total of 6 options for you: several kinds of reverb, mono and stereo delay, effects with modulation, and versatile twoeffect combination. VAIATIONS Since you have selected the preferable effect, the next step, please go with the fine consideration, there are also a total of 6 variations for each preset, and each variation may be managed by several different factors.

17 . CONTOL ELEMENTS 9 DSP Switch & LED This switch is used to activate/deactivate the effect facility. This LED lights up when the input signal is too strong. In case of the digital effect module being muted, this LED also lights up. 7 9 EFFECTS OUT Control otate this knob to adjust the level of effect signal that intercepted from internal DSP processor and directly sent to DFX OUT, which can be varied from to +. DFX ETUN EFFECTS TO MONITO The and controls are used to set the signal level from ETUN, which signal will be sent to SEND and SEND. The adjustable range can be varied from to +. POWE LED The LED indicates when the power is ON. PHANTOM LED This LED indicates when the phantom power is switched on. TACK IN/OUT TAPE IN Use the Tape input if you wish to listen to your mix from a Tape ecorder or DAT. TAPE OUT These CA jacks will route the main mix into a tape recorder.

18 ON OFF POWE PHANTOM Use only with a V fuse L Apparaten skall anslutas till jordat uttag nar den ansluts till ett natverk DESIGNED IN ITALY AC INPUT V /6Hz Fuse: T.6AL ATED POWE CONSUMPTION: 7W MAIN MIX OUTPUT () L +u u MAIN OUTPUT MAIN MONO CTL OUT DFX OUT L + L L L TIP SEND ING ETUN SUB / () USB ECOD MAIN MIX. CH / MAIN MIX. PLAY BACK FOOT SWITCH SENDS ETUNS L L DIECT OUTS CH6 CH () CH SUBGOUPS OUT SUBGOUPS CH CH DIECT OUTS CH () CH CH9 CH DIECT OUTS CH7 () CH6 CH CH DIECT OUTS CH () CH CH. CONTOL ELEMENTS PHONES Jacks These jacks will be used to send the signal to a pair of headphone or to powered studio monitors. 6 LAMP socket This lovable LAMP is very convenient for your operation, it is located in the top right corner of the front panel, and provides the V socket that can drive standard BNCtype lamp. 6 EA EL POWE Switch This switch is used to turn the main power on and off. + Volt Phantom Power It is available only to the XL sockets. Never plug in a microphone when phantom power is already on. Before turning phantom power on, make sure that all faders are totally down. In this way, you will protect your stage monitors and main loudspeakers. 9 AC Inlet with FUSE Holder Use it to connect your LYNXMIX USB mixer to the main AC with the supplied AC cord. Please check the voltage available in your country and how the voltage for your LYNXMIX USB mixer is configured before attempting to connect your LYNXMIX USB mixer to the main AC. 6

19 . CONTOL ELEMENTS MAIN MIX OUTPUT These stereo outputs are supplied with both the XL and /" phone jacks and it is controlled by the Main Mix Level. MAIN OUTPUT Button This button sets the main mix output level to match the input of the device that you are ready to connect. Engage this button to reduce the output level from MAIN MIX OUTPUT by u, it is used to match the semipro u device, on the contrary, to match the professional + u device. USB POT This USB port is used to connect the unit to PC with a transmission line. When it is in output mode, it can connect with the SUB or MAIN MIX output; in the input mode, it can connect with the CH/ (for LYNXMIX USB, CH/6 for LYNXMIX6 USB, CH9/ for LYNXMIX USB, CH/ for LYNXMIX USB) or MAIN MIX output. USB ECOD Switch You can select SUB/ or MAIN MIX track to input the record signal to PC. USB PLAYBACK Switch You can select CH/ (CH/6 for LYNXMIX6 USB, CH9/ FO LYNXMIX USB, CH/ for LYNXMIX USB) or MAIN MIX track to output the audio signal from PC. MAIN These two /" phone jacks are stereo insert points and used to connect processors such as compressors, equalisers etc.. When insert a external processor into the jack, the Main stereo signal will be taken out after the and returned into the MAIN MIX output before the MAIN MIX fader. 6 MONO Level Control This knob sets the level of mono mix output signal, which can be varied from to +. 7 MONO OUTPUT Jack This /" phone jack is balanced/unbalanced mono mix output connector, it can be regarded as a sum output of the left and right of MAIN MIX. CTL OUT Jacks These /" phone jacks will be used to send the Control oom signal to the studio monitor speakers or a second set of PA. 7

20 . CONTOL ELEMENTS 9 DFX OUT Jack This /" phone jack is used to output the effect signal that comes from internal DSP module and the signal level can be controlled by the EFFECTS OUT() control. 6 FOOTSWITCH Jack This /" phone jack can be used to connect an external footswitch to turn on/ off the onboard effect module. 6 SENDS Jacks These /" phone jacks are used to send out the signal from the Bus to external devices such as effect units and/or stage monitors. 6 ETUNS Jacks Use these stereo /" phone jacks to return the stereo signal of an effect unit to the Main Mix. Alternatively you can also use them as an extra auxiliary input via using the ETUN level control as volume control. The signal will be sent directly to MAIN MIX control. 6 DIECT OUTS Each Mono / Channel (CHCH for LYNXMIX USB, CHCH for LYNXMIX6 USB, CH for LYNXMIX USB, CH6 for LYNX MIX USB) is equipped with the /" phone jack for directing output. These jacks are used to send the signal from the channel path to external device for recording function etc.. 6 SUBGOUPS OUT Jacks These /" phone jacks are used to connect the inputs of deck or secondary in a complicated PA live sound system. You will find it is the best tool when you operate the SUBGOUPS OUT. 6 SUBGOUPS These /" phone jacks are insert points. They are used to connect processors, such as compressor, limiter, etc.. When insert external processor into these jacks, the subgroup stereo signal will be taken out, then returned to before subgroups fader. Of course, these used jacks must be stereo (Tip Send/ing eturn).

21 . INSTALLATION AND CONNECTION Ok, you have got to this point and you are now in the position to successfully operate your LYNXMIX USB series. However, we advise you to read the following section carefully to be the real master of your own mix. Not paying enough attention to the input signal level, the routing of the signal and the assignment of the signal will result in unwanted distortion, a corrupted signal or no sound at all. So you should follow this procedure for every single channel:. Turn down all input and output gain controls.. Connect phantom powered microphones before switching on the + Volt phantom power switch.. Set the output level of your LYNXMIX USB mixer or the connected power amplifier at no more than 7%.. Now, set the CONTOL OOM/PHONES level at no more than %. In this way, you will be able to hear later what you are doing connecting a pair of headphones or a pair of powered studio monitor speakers.. Position controls on middle position. 6. Position panoramic (/BAL) control on center position. 7. With a pair of headphone or studio monitor speakers are connected, apply a Line Level input signal so that the LED does not light up.. Increase the input gain properly for maintaining the good headroom and ideal dynamic range. 9. Depending on the actual application, turn slowly the input and output level controls for obtaining the maximum gain before distortion.. Now repeat the same sequence for all input channels. The main LED meter could move up into the red section. In this case you can adjust the overall output level through the main mix control. Audio Connections You can connect unbalanced equipment to balanced inputs and outputs. Simply follow these schematics. Sleeve Tip ing ing=ight Signal Strain Clamp Tip=Left Signal Sleeve=Ground/Screen Use for Headphone /" Stereo (TS) Jack Plug 9

22 . INSTALLATION AND CONNECTION Sleeve Tip Strain Clamp Tip=Signal Sleeve=Ground/Screen Use for Mono Line In, Mono /"Jack Plugs /" Mono (TS) Jack Plug Sleeve Tip ing ing=eturn Signal Strain Clamp Tip=Send Signal Sleeve=Ground/Screen Use for Insert Points /" Stereo (TS) Jack Plug =Hot(+) =Ground/Screen =Hot(+) =Ground/Screen =Cold() Use for Balanced Mic Inputs (For unbalanced use, connect pin to ) pin XL Male Plug (seen from soldering side) =Cold() Use for Main output (For unbalanced use, leave pin unconnected) pin XL Line Socket (seen from soldering side)

23 . INSTALLATION AND CONNECTION ing=eturn Signal (Connected together) To Channel Insert Sleeve=Ground/Screen Tip=Signal To Tape or FX Input Sleeve=Ground/Screen 'Tapped' Connection Direct Output Lead (Enables the Insert to be used as a Direct Output while maintaining the channel signal flow) To Processor Input Tip Sleeve=Ground/Screen Tip=Send Signal To Channel Insert Sleeve ing ing=eturn Signal To Processor Output YStereo lead for insert Connection (To be used when the processor does not employ a single jack connection for the In/Out Connections) USB Connection

24 6. LIST NO. Preset Description VOCAL VOCAL LAGE HALL SMALL HALL LAGE OOM SMALL OOM PLATE TAPE EVEB SPING EVEB MONO DELAY STEEO DELAY FLANGE CHOUS EV.+DELAY EV.+FLANGE EV.+CHOUS Simulate a room with small delay time Simulate a small space with slight decay time Simulate a large acoustic space of the sound Simulate a small acoustic space of the sound Simulate a studio room with many early reflections Simulate a bright studio room Simulate the transducers sound like classic bright vocal plate Simulate a record head and multiple playback heads at intervals along the tape Simulate the analog transducers' springs lightly stretched sound eproduce the sound input on the output after a lapse of time ecreate the input sound on the stereo output with different time. Simulate to play with another person carrying out same the notes on the same instrument ecreate the illusion of more than one instrument from a single instrument sound Delay with room effect Stereo flanger and large room reverb Stereo chorus and large room reverb Controllable Parameter Parameter Variable range Decay time Predelay Decay time Predelay Decay time Predelay Decay time Predelay Decay time Predelay Decay time Predelay Decay time Predelay Decay time Predelay Decay time Predelay Period Period Feedback ate ate Decay period ev.decay time Flanger ate ev.decay time Chorus rate ev.decay time.~.s ~79ms.~.s ~79ms.6~.s ~ms.~.9s ~ms.9~.s ~ms.7~.s ~ms.6~6.s ms.~.s ~ms.~.s ~ms 6~6ms ~ms 7~7%.6~.79Hz.~Hz ~7ms.~.9s.6~.Hz.~.9s.~.7Hz.~.9s

25 7. BLOCK DIAGAM

26 . TECHNICAL SPECIFICATION Mono Input Channels Microphone Input Frequency esponse Electronically balanced, discrete input configuration Hz to khz, +/ Distortion (THD & N) Gain ange.% at + u, khz to () SN (Signal to Noise atio) Line Input Electronically balanced Frequency esponse Distortion (THD & N) Hz to khz, +/.% at + u, khz Sensitivity ange + u to u Stereo Input Channels Line Input Balanced/Unbalanced Frequency esponse Hz to khz, +/ Distortion (THD & N).% at + u, khz Impedances Microphone Input. kohm Channel Insert eturn. kohm All Other Inputs kohm or greater Tape Out kohm All Other Output Ohm Equalization Hishelving khz Mid bell (Mono) +/ frequency range Hz~ khz HiMid (Stereo) MidLow (Stereo) Hz Lowshelving Hz Low Cut Filter 7 Hz, /Oct. DSP Section A/D & D/A Converters Bit DSP esolution Bit Type of Effects Hall, oom, Vocal & Plate EVEBS Mono & Stereo DELAY (Max DELAY TIME 6ms) Chorus, Flanger & everb MODULATIONS EVEB+DELAY, EVEB+CHOUS, EVEB+FLANGE Combinations Presets 6 Controls 6Position Selector 6Position VAIATION Selector DSP SWITCH with LED Indicator Main Mix Section Noise (Bus Noise) Fader, Channels Muted: r (ref.: + u) Fader, all input channels assigned and set to UNITY Gain: 9 r (ref.:+ u) Max Output + u Balanced XL + u Unbalanced, /" jacks eturns Gain ange to + Sends Max Out + u Power Supply Main Voltage USA/Canada VAC~6 Hz Europe VAC~ Hz U.K./Australia VAC~ Hz Power Consumption LYNXMIX USB Watts LYNXMIX6 USB Watts LYNXMIX USB 6 Watts LYNXMIX USB 7 Watts

27 . TECHNICAL SPECIFICATION Fuse LYNXMIX USB T. AL LYNXMIX6 USB T. AL LYNXMIX USB LYNXMIX USB T.6 AL T.6 AL Main Connection Standard IEC eceptacle Physical Dimension (W D H) LYNXMIX USB LYNXMIX6 USB mm mm / mm (6.".7".9"/.") mm mm / mm (.67".7".9"/.") LYNXMIX USB LYNXMIX USB 6 mm mm / mm (.9".7".9"/.") 76 mm mm / mm (.".7".9"/.") Net Weight LYNXMIX USB LYNXMIX6 USB. Kg (. lb) 7. Kg (6. lb) LYNXMIX USB LYNXMIX USB 9. Kg (9. lb).6 Kg (. lb)

28 9. WAANTY. WAANTY EGISTATION CAD To obtain Warranty Service, the buyer should first fill out and return the enclosed Warranty egistration Card within days of the Purchase Date. All the information presented in this Warranty egistration Card gives the manufacturer a better understanding of the sales status, so as to provide a more effective and efficient aftersales warranty service. Please fill out all the information carefully and genuinely, miswriting or absence of this card will void your warranty service.. ETUN NOTICE. In case of return for any warranty service, please make sure that the product is well packed in its original shipping carton, and it can protect your unit from any other extra damage.. Please provide a copy of your sales receipt or other proof of purchase with the returned machine, and give detail information about your return address and contact telephone number.. A brief description of the defect will be appreciated.. Please prepay all the costs involved in the return shipping, handling and insurance.. TEMS AND CONDITIONS. LTO warrants that this product will be free from any defects in materials and/or workmanship for a period of year from the purchase date if you have completed the Warranty egistration Card in time.. The warranty service is only available to the original consumer, who purchased this product directly from the retail dealer, and it can not be transferred.. During the warranty service, LTO may repair or replace this product at its own option at no charge to you for parts or for labor in accordance with the right side of this limited warranty.. This warranty does not apply to the damages to this product that occurred as the following conditions: Instead of operating in accordance with the user's manual thoroughly, any abuse or misuse of this product. Normal tear and wear. The product has been altered or modified in any way. Damage which may have been caused either directly or indirectly by another product / force / etc. Abnormal service or repairing by anyone other than the qualified personnel or technician. And in such cases, all the expenses will be charged to the buyer.. In no event shall LTO be liable for any incidental or consequential damages. Some states do not allow the exclusion or limitation of incidental or consequential damages, so the above exclusion or limitation may not apply to you..6 This warranty gives you the specific rights, and these rights are compatible with the state laws, you may also have other statutory rights that may vary from state to state. 6

29 SEIKAKU TECHNICAL GOUP LIMITED NO., Lane 7, Sec., Han Shi West oad, Taichung, Taiwan Tel: Fax: 6677 All rights reserved to ALTO. All features and content might be changed without prior notice. Any photocopy, translation, or reproduction of part of this manual without written permission is forbidden. Copyright c 9 Seikaku Group NF.