1000-watt, 12-Channel Powered Mixer with DSP

Transcription

1 1-watt, 1-Channel Powered Mixer with DSP 67

2

3 Table of Contents 1.INTODUCTION.FEATUES 3.CONTO EEMENTS.TECHNICA SPECIFICATION 1 3

4 Introduction Thank you for purchasing this 1-watt 1-Channel Powered Mixer from Monoprice! This professional mixer is ideal for live music and DJ performances, recording, and as part of a mobile or fixed PA system. The powerful, built-in amplifier means that you don't have to lug a separate power amplifier from gig to gig. Although this device is extremely easy to operate, you should thoroughly read the manual to get a complete understanding of this unit's capabilities. Please keep this manual as a ready reference. Impedances Microphone inputs All other inputs Tape out All other outputs DSP Section A/D and D/A converters Types of effects Controls 1.8K 1K 1K 1 or greater -bit Echo, Echo+Verb, Tremolo, Plate, Chorus, Vocal, otary, Small oom, Flange + Verb, arge Hall 1 position preset selector (1 presets with 1 variations each) Mute switch & Foot-switching with ED indicator TIP:FX SEEV:GND FOOT-SW -track, Phones Output, and Aux Sends Max. MAIN MIX output +u X balanced (+16u un-balanced) range OFF to + Fader range OFF to +1 PHONES/CONTO-OOM range OFF to + Hum & Noise Hz~KHz A-weighted Features Ultra-low noise discrete Preamps with +8V Phantom Power input channels with X and and balanced ine Inputs with Insert I/O and dedicated compression control ow Cut for each Input Stereo Input Channels with mono X Inputs and TS Jacks, plus Stereo Input Channels with CA Jacks and TS Jacks 3-band and Peak EDs on each channels, -band and Peak EDs on Stereo channels 1 Send /PE per channel for monitoring or external effects, 1 () Send Fader for internal effects or monitoring Mute and function for each channel, 6mm Fader for level control. G1/ and Main / bus assign for each channel -Track Input assignable to Main Mix or Control oom / Headphone Outputs Balanced X & TS outputs for Main Mix Built in -bit DSP effect with 1 presets Built in high-powered CASS-D amplifier rated for: x W@ or x 3W@ 8 (at 1KHz MS peak power,thd<1%) x 6W@ or x 3W@ 8 (ref. EIAJ) Crosstalk Power section mono ch stereo ch Power Amplifier Section Protection Power supply Main voltage Fuse Power continuous 1KHz, THD 1%, A-WTD Power EIAJ 1KHz, THD 1% stereo mode Thermal protection Short protection Hz~KHz A-weighted Hz~KHz A-weighted W both channel (at 1KHz MS power,thd<1%) 3W 8 both channel (at 1KHz MS power,thd<1%) 6W (ref.) 3W 8 (ref.) Over-temperature power limiting Thermal shutdown Short-circuit protection Overload output protection Clip limiter imiter Permanent signal limiter High frequency protection Temperature controlled 1V DC fan output Over voltage protection DC offset shutdown 11-1V ~/6Hz T1A V 13

5 Technical Specifications Control Elements MODE : Mono Channels Microphone input Distortion (THD+N) Gain range Max. input SN Phantom power ine input Distortion (THD+N) Sensitivity range Compressor Stereo Input Channels Mic inputs ow cut ine input Distortion(THD+N) Sensitivity range Signal-to-noise ratio Channel s High Mid ow -TACK IN Tape in Distortion (THD+N) Gain range ETUNS Inputs Distortion (THD+N) GAIN range SN PID 67 1-watt, 1-Channel Powered Mixer with DSP X (balanced) Hz to KHz,+/-1 <.3% at +,Hz~KHz A-weighted to + (balanced) <-r A-weighted +8V with switch 1/" TS (balanced) Hz to KHz,+/-1 <.3% at +,Hz~KHz A-weighted +~ -3 GAIN:---->9 THESHOD:---> X (balanced) 7Hz 1/" TS or TS/CA (unbalanced) Hz to KHz,+/-1 <.3% at +,Hz~KHz A-weighted -u~ +u <-r A-weighted mono channels CA jacks 1Hz to KHz,+/-1 <.3% at +,Hz~KHz A-weighted OFF to 1/" TS (unbalanced) Hz tokhz,+/-1 <.3% at +,Hz~KHz A-weighted OFF TO + <-1r A-weighted stereo channels OW CUT OW CUT OW CUT OW CUT OW CUT OW CUT 1 /1 1 INSET 3 PEAK /6 7/8 9/1 11/1 INSET 3 INSET OW OW OW OW OW OW OW OW 8Hz 8Hz 8Hz 8Hz 8Hz 8Hz 8Hz 8Hz PEAK PEAK PEAK PEAK PEAK PEAK PEAK MID MID MID MID MID MID.KHz.KHz.KHz.KHz.KHz.KHz INSET /6 7/8 (MONO) G1 G1 G1 G1 G (MONO) 9/1 11/1 TK IN TK OUT 9/1 11/1 ST ETUNS CT. G1 G1 DIGITA EFFECTS POGAM (PUSH) PEAK G1 OUT FX TO MAIN MIX OUTPUT MAIN MIX (MONO) G OUT SENDS PHONES G1 ST ETUNS TO MAIN MAIN G 1- TO SENDS PE PE PE PE PE PE PE PE 9Echo 1 19Echo Verb 9Tremolo 3 39Plate 9Chorus BA BA BA BA 9Vocal 6 69otary 7 79Smalloom 8 89Flange Verb 9 99argeHall / / /1 / /1 / /1 / /1 / /1 / /1 /1 / CT./PHONES WATT, 1-CHANNE POWEED AUDIO MIXE SENDS Pmg1 8V AMP CIP FOOT SW PW 3 OUTPUT EVE TK IN/MP3 TO MAIN TO CT /6 7/8 9/1 11/1 G 1- MAIN MIX 1

6 1) MONO / You can connect balanced, low impedance microphones or a low level signal to the X socket. On the 1/" jack you can connect either a microphone or a line level instrument, such as synthesizers, drum machines, effect processors, or any other line level. WANING: Do not connect an unbalanced microphone to the X socket! Doing so could damage both the mic and the mixer. Also, it is not possible to simultaneously use both the & inputs on the same channel, use only one of them for the appropriate source. ) STEEO INPUTS These inputs are configured as stereo pairs using 1/" balanced TS jacks. Use the left channel if connecting a mono signal. 3) INSET JACKS Each of these jacks provides an insert point between the equalizer and level control of the corresponding input channel. The INSET jacks can be used to independently connect devices, such as graphic equalizers, compressors, or noise filters, into the corresponding channels. These are unbalanced 1/" TS jacks that carry both the send and return signals. ) GAIN CONTO Adjusts the input signal level. Turn the knob clockwise to increase the gain; counterclockwise to decrease gain.to achieve the best balance between S/N and dynamic range, adjust the level so that the peak ED indicator lights occasionally only on the highest input transients. For mono channels, the input adjustment range of the Gain is to and the sensitivity of the line input is -3 to + ; For stereo channels, the adjustment range of the Gain is to and the sensitivity of the line input is - to +. ) OW CUT By pressing this button you will activate a 7Hz low frequency filter with a slope of 18 per octave. You can use this feature to reduce AC line induced hum/noise or stage rumble when using a microphone. 6) CONTO Adjusts the amount of compression applied to the channel. Turn the knob to the right to increase the compression. The output gain will automatically adjusted. The result is smoother, more even dynamics because the louder signals are attenuated, while the overall level is boosted. 1) 3) OW CUT 1 3 ) INSET OW CUT /6 (MONO) ) ) 6) ) SENDS This 1/" TS jack is used to send the signal out from the bus to external devices, such as effects. 1) G1/ OUT These 1/" TS jacks are used to send out the signal from the G 1 / mix bus to external devices. ) PHONES This socket is used to send the mix signal out to a pair of headphones.. 3) SENDS This 1/" TS jack is used to send the signal out from the mix buses to external devices. ) AC INET WITH FUSE HODE Plug the supplied AC power cord into this C1 panel connector. The fuse is the T1A/ACV type. ) POWE ON / OFF Use this switch to power the mixer on/off. 6) PHANTOM ON / OFF Use this switch to turn Phantom Power on/ off. When Phantom Power is on the console provides +8V to all six X sockets to power condenser microphones. Do not use Phantom Power with any device that does not require it. Doing so could cause damage to the device and/or mixer. 7) AMP OUTPUT Connect or 8-ohm speakers to these powered outputs. You can connect using -conductor N speaker twist or 1/" TS cables. Both N and 1/" TS cables are available from Monoprice. Note that Class wiring may be used. TK IN 3) 36) TK OUT ST ETUNS CT. G1 OUT MAIN MIX OUTPUT MAIN MIX SENDS (MONO) G OUT SENDS PHONES 37) 38) Use only with a V fuse ) 39) FOOT SW 1) 3) ) ) ON OFF +8V ) 6) MAX. OUTPUT:X W@ Ohms X 3W@ 8Ohms MIN.OAD: Ohms CASS WIING MAY BE USED )

7 3) FX TO This control is used to assign the signal from FX to the SEND output. 31) POGAM (PUSH) Use this knob to select the desired effect for the mix. There are a total of 1 effects, with 1 variations for each of the 1 basic effects. Basic effects include Echo, Echo+Verb, Tremolo, Plate, Chorus, Vocal, otary, Small oom, Flange+Verb, and arge Hall. When you have selected the desired effect, push the knob to store the selection. 3) DIGITA EFFECTS DISPAY Displays the number of the selected effect preset. 33) PHANTOM ED This ED indicates when phantom power is switched on. 3 PW ED This ED indicates when the mixer is powered on. 3) TK IN / TK OUT TK IN Use the TK IN input to connect a tape deck, CD player, or other similar audio source device. This input can be assigned to either the Control oom output or the Main Mix. You can assign the signal coming from the Tape ecorder either to a pair of studio monitor using the control room assignment on the front panel or you can also send the signal directly to the Main Mix. TK OUT The TK OUT output sends the Main Mix to an external device, such as a tape or digital recorder. 36) MAIN MIX OUTPUT This stereo output features balanced X and 1/" TS connectors. The Main Mix output is typically routed to an amplifier. 37) ST ETUNS These 1/" TS jacks are typically used to return the stereo signal from an effects device back into the Main Mix. They can also be used as additional auxiliary inputs. 38) CT-OOM These 1/" TS jacks are used to send the signal out to studio monitor speakers or to a second amplifier. 39) FOOT SWITCH Use this 1/" TS jack to connect an external foot pedal for an alternate method of toggling on/off. 7) UAIZE This is the treble control. You can use it to get rid of high frequency noises or to boost the sound of cymbals or the high harmonics of the human voice. The gain range goes from - to +, with a center frequency of 1kHz. MID This is the mid range control. It can affect most fundamental frequencies of all musical instruments and human voice. An attentive use of this control will give you a very wide panorama of sound effects. The range goes from - to +, with a center frequency of.khz. OW This is the bass control. It can affect low frequency sounds, such as male voice, kick drum, or bass guitar. The range goes from - to +, with a center frequency of 8Hz. 8) These controls are used to adjust the level of the signal sent to the buses. Their adjustable range is from ) PE/ Each channel is equipped with a PE/ button. When in the PE position, the signal is sent directly to the output, bypassing the fader. When in the position, the fader controls the signal level. 1) / These controls are used to adjust the level of the FADE signal sent to the () SENDS output, which can be used for monitor applications, as well as effects & sound processor inputs. 11) / BA CONTO For mono inputs, the control determines the position of the signal in the stereo soundstage. For stereo inputs, it controls the balance between the left and right channel signals. 1) Each channel is equipped with a button. Pressing this button is equivalent to turning the fader all the way down, which mutes the corresponding channel output, except for the PE sends, channel INSET send, and SOO (in mode). When is activate, the ED will illuminate. to /1 PE / 1 MID.KHz OW 8Hz PEAK 1 G ) 8) 9) 1) 11) 1) 13) 1) ) 16) 17) 1 7

8 13) Each channel is equipped with a button. When is active, the audio signal on the channel is sent directly to the CT and Headphones outputs and to the output level meter, bypassing the fader. When is off, the channel's output level is affected by the fader. 1) PEAK ED This ED illuminates when the peak level of the post- signal reaches 3 below clipping. For the X-equipped stereo input channels, both the post- and postmic-amp signals are monitored and the ED illuminates if either of these signals reaches 3 below clipping. ) G1- Each channel is equipped with a G1- button. Pressing this, pressing this button sends the signal to the G1- mix bus. 16) - Each channel is equipped with an - button. Pressing this button sends the signal to the MAIN MIX bus. 17) EVE This fader adjusts the overall level of this channel and sets the amount of signal sent to the main output. 18) MAIN MIX EVE This fader is used to set the amount of signal sent to the Main Mix output and TK OUT. The range of the fader is - to ) G1- EVE This fader is used to set the amount of signal sent to the G1- bus. The range of the fader is - to +1. ) EVE This fader is used to set the level of the signal sent from the internal Digital Effects to the Main Mix. The range of the fader is - to +1. 1) -TACK SIGNA PATH This button determines whether the signal from the TK IN input is sent to the CT OOM or MAIN MIX output. ) -TK IN/MP3 This knob is used to set the output level of the signal sent from the TK IN input to the CT OOM or MAIN MIX output. The range of the knob is - to +. 3) MAIN/G1- This button determines whether the G1- or MAIN MIX signal is sent to the CT OOM output. Note that if is active, the signal sent to CT OOM is unaffected by the MAIN/ G1- button. ) CT/PHONES This knob is used to adjust the signal level of the CT OOM and PHONES outputs. The range of the knob is - to +. ) OUTPUT EVE This stereo, 1-segment ED display indicates the overall level of the output signal. Note that the amplifier's output is at maximum when the +1 ED is illuminated. 6) () This knob determines the internal DSP module levels and the level of the output. The range of the knob is - to +. 7) SENDS (1 SENDS) This knob determines the level of the master SEND signal. The range of the knob is - to ) 8) 3) 7) ) DIGITA EFFECTS POGAM (PUSH) 8) ST ETUNS TO This knob determines the level of the ST ETUN signals to their respective SEND outputs. The range of the knob is - to +. 9) ST ETUNS TO MAIN This control assign the ST ETUN signals to their respective MAIN MIX outputs. Which can be varied from - to +. PEAK ) 88 FX TO 9 Echo 1 19 Echo Verb 9 Tremolo 3 39 Plate 9 Chorus 9 Vocal 6 69 otary 7 79 Small oom 8 89 Flange Verb 9 99 arge Hall ) 33) 3) ST ETUNS TO MAIN MAIN G 1-19) TO SENDS CT./PHONES G 1-8V AMP CIP OUTPUT EVE 18) PW TK IN/MP3 TO MAIN TO CT MAIN MIX ) 6) ) 1) 3) 8 9