LYNX-MIX62/ LYNX-MIX62FX

Transcription

1 0 db 50 0 db BA/UNBA 0 db 50 0 db HI HI HI HI khz khz khz khz MID MID MID MID HI HI HI.5kHz HI.5kHz.5kHz.5kHz khz khz khz khz OW OW OW OW MID MID MID 0Hz MID 0Hz 0Hz 0Hz.5kHz.5kHz.5kHz.5kHz TO POWE MIX PHANTON OW OW OW OW 4V 0Hz 0Hz 0Hz 0Hz TO OFF ON EFT IGHT EFT IGHT EFT IGHT EFT IGHT EFT IGHT EFT IGHT EFT IGHT EFT IGHT db 0 +0 db CIP 0 +0 db 0 +0 db 0 CD/TAPE OFF CD/TAPE TO MIX 4 0 OUTPUT EVE WAM HA. BIGHT HA. WAM OOM 4. BIGHT OOM 5. VOCA. VOCA 7. VOCA. PATE 9. STEEO DEAY 0. STEEO DEAY. EV+DEAY. EV+DEAY. EV+DEAY 4. EV+DEAY 4 5. EV+CHOUS. EV+CHOUS CD/TAPE OFF CD/TAPE TO MIX TO MIX TO OFF CIP ON OUTPUT EVE POWE PHANTON 4V +0 YNXMIX/ YNXMIX CHANNE MIXING CONSOE WITH DIGITA EFFECTS User's Manual MIC MIC /4 5/ BA/UNBA BA/UNBA (O) MIC MIC /4 5/ (O) PHONES CT OOM (O) (O) X IX ETUNS S IN CD/TAPE OUT BA/UNBA MIX(BA/UNBA) PHONES ETUNS CT OOM S X IX X IN CD/TAPE OUT MIX(BA/UNBA) EQ EQ EQ EQ EQ EQ EQ EQ PEAK PEAK PEAK PEAK PAN PAN BA BA CT OOM PAN PAN BA BA /4 /PHONES 5/ PEAK PEAK PEAK PEAK EVE EVE EVE EVE /4 5/ EVE EVE EVE EVE ETUNS CD/TAPE IN MIX 5 PESETS PEAK MUTE ETUNS CD/TAPE IN CT OOM /PHONES MIX Version.0 Mar. 009 English

2 IMPOTANT SAFETY INSTUCTION CAUTION ISK OF EECTIC SHOCK DO NOT OPEN TO EDUCE THE ISK OF EECTIC SHOCK PEASE DO NOT EMOVE THE COVE O THE BACK PANE OF THIS EQUIPMENT. THEE AE NO PATS NEEDED BY USE INSIDE THE EQUIPMENT. FO SEVICE, PEASE CONTACT QUAIFIED SEVICE CENTES. This symbol, wherever used, alerts you to the presence of uninsulated and dangerous voltages within the product enclosure. These are voltages that may be sufficient to constitute the risk of electric shock or death. This symbol, wherever used, alerts you to important operating and maintenance instructions. Please read. Protective Ground Terminal ã AC mains (Alternating Current) Hazardous ive Terminal ON: Denotes the product is turned on. OFF: Denotes the product is turned off. CAUTION Describes precautions that should be observed to prevent damage to the product.. ead this Manual carefully before operation.. Keep this Manual in a safe place.. Be aware of all warnings reported with this symbol. 4. Keep this Equipment away from water and moisture. 5. Clean it only with dry cloth. Do not use solvent or other chemicals.. Do not damp or cover any cooling opening. Install the equipment only in accordance with the Manufacturer's instructions. 7. Power Cords are designed for your safety. Do not remove Ground connections! If the plug does not fit your AC outlet, seek advice from a qualified electrician. Protect the power cord and plug from any physical stress to avoid risk of electric shock. Do not place heavy objects on the power cord. This could cause electric shock or fire.. Unplug this equipment when unused for long periods of time or during a storm. 9. efer all service to qualified service personnel only. Do not perform any servicing other than those instructions contained within the User's Manual. 0. To prevent fire and damage to the product, use only the recommended fuse type as indicated in this manual. Do not shortcircuit the fuse holder. Before replacing the fuse, make sure that the product is OFF and disconnected from the AC outlet. WANING To reduce the risk of electric shock and fire, do not expose this equipment to moisture or rain... Dispose of this product should notbeplacedinmunicipalwaste and should be separate collection. MovethisEquipmentonlywithacart, stand, tripod, or bracket, specified by the manufacturer, or sold with the Equipment. When a cart is used, use caution when moving the cart / equipment combination to avoid possible injury from tipover. Permanent hearing loss may be caused by exposure to \ extremely high noise levels. The US. Government's Occupational Safety and Health Administration (OSHA) has specified the permissible exposure to noise level. These are shown in the following chart: HOUS X DAY SP , ,5 0 0,5 or less 5 EXAMPE Small gig train Subway train High level desktop monitors Classic music concert ock concert According to OSHA, an exposure to high SP in excess of these limits may result in the loss of heat. To avoid the potential damage of heat, it is recommended that Personnel exposed to equipment capable of generating high SP use hearing protection while such equipment is under operation. The apparatus shall be connected to a mains socket outlet with a protective earthing connection. The mains plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.

3 IN THIS MANUA:. INTODUCTION.... FEATUES.... QUICK STAT CONTO EEMENTS INSTAATION & CONNECTION.... APPENDIX PESET IST.... BOCK DIAGAM TECHNICA SPECIFICATIONS WAANTY.... INTODUCTION Thank you for purchasing the TO YNXMIX() channel mixing console with 4bit digital multieffect. It is just one of the many Alto products that a talented, multinational Team of Audio Engineers and Musicians have developed with their great passion for music. Your YNXMIX() is a remarkable compact mixing desk that does not find many equals in the market today. With microphone and stereo inelevel inputs for small live performances, small studio recording and general PA applications, your YNXMIX() also includes a 4Bit digital multieffect with Factory Presets. There is a three bands EQ on all input channels and separate Main Mix and Control oom outputs for operation with different volume settings. Use it for small GIGs and ECODING. Your YNXMIX() also is a flexible tool for your Multimedia presentations. Enjoy your YNXMIX() and make sure to read this Manual carefully before operation!. FEATUES MIC input channels with gold plated X and balanced input stereo input channels with balanced TS jacks Ultralow noise discrete MIC preamps with +4V Phantom power Extremely high headroom offering e xtra dynamic range Balanced inputs for optimal signal integrity W arm, natural band EQ on each channel Builtin 4 bits digital effects processor(f or YNXMIX Model) P eak ED on each channel sends pre channel for e xternal effects and monitoring Main output, Control room and headphone outputs Track inputs assignable to main mix, control room/headphone outputs Highly accurate segment bar graph meters

4 . QUICK STAT This is the fastest way to get something out from your YNXMIX(), if you have a keyboard and a microphone. a. With the Main switch in OFF position, connect the supplied AC Adapter to your YNXMIX() first and then into the AC outlet, making sure that the available voltage is the same with your YNXMIX(). b. Before turning on the YNXMIX(), you shall connect it to a power amplifier and speakers. Turning off the mixer BEFOE the power amplifier. c. Plug the microphone into Channel MIC IN. d. Turn down and EVE controls on the input channel. e. Put the EQ controls on center position. f. Turn on your YNXMIX(). g. With EVE control on "0" position, sing or speak in to the microphone with normal volume and adjust the control so that the PEAK ED only blink occasionally. h. If you like, you can adjust the equalization at this stage. i. Turn up MIX EVE until you get a comfortable volume. j. Connect your stereo keyboard into CH /4 and repeat the same sequence. Here you are. It is your first mix with your YNXMIX(). Once you have finished your working session you shall turn the mixer off AFTE the power amplifier. Before disconnecting the AC Adapter always turnoff your YNXMIX().Do not use solvents to clean your YNXMIX(). A dry and clean cloth will be OK.

5 . QUICK STAT SMA GIG MIC MIC DIGITA EFFECT UNIT STAGE ITO CD PAYE MIC MIC /4 5/ PHONES ETUNS S X IX X IN CD/TAPE OUT (O) (O) DAT BA/UNBA BA/UNBA CT OOM MIX(BA/UNBA) DAT O TAPE ECODE 0 db 50 0 db db 0 +0 db KEYBOAD DUM MACHINE POWEED STAGE ITOS ACTIVE SPEAKES (ATO PS4 HA) BA,PUB,ESTAUANT WIEESS MIC STEEO AUDIO FOM TV TV SCEEN HEADPHONE CD PAYE MIC MIC /4 5/ PHONES ETUNS S X IX X IN CD/TAPE OUT (O) (O) BA/UNBA BA/UNBA TACK ECODE CT OOM MIX(BA/UNBA) 0 db 50 0 db db 0 +0 db GUITA D/I BOX DUM MACHINE ZONE ACTIVE SPEAKES ACTIVE SPEAKES

6 SPOTIGHT 4. CONTO EEMENTS MIC MIC /4 5/ PHONES ETUNS S X IX X IN CD/TAPE OUT (O) (O) BA/UNBA BA/UNBA CT OOM MIX(BA/UNBA) 0 db 50 0 db db 0 +0 db 0 EQ EQ EQ EQ HI HI HI HI khz khz khz khz ETUNS MID MID MID MID.5kHz.5kHz.5kHz.5kHz PESETS PEAK TO MIX POWE OW OW OW OW 0Hz 0Hz 0Hz 0Hz MUTE. WAM HA. BIGHT HA. WAM OOM 4. BIGHT OOM 5. VOCA. VOCA 7. VOCA. PATE 9. STEEO DEAY 0. STEEO DEAY. EV+DEAY. EV+DEAY. EV+DEAY 4. EV+DEAY 4 5. EV+CHOUS. EV+CHOUS TO +0 CD/TAPE IN +0 PHANTON 4V OFF ON CIP PAN PAN BA BA +0 CT OOM /PHONES 4 PEAK PEAK PEAK PEAK EFT IGHT EFT EFT EFT IGHT IGHT IGHT /4 5/ EVE EVE EVE EVE 0 CD/TAPE OUTPUT EVE OFF MIX CD/TAPE TO MIX +0 4

7 SPOTIGHT 4. CONTO EEMENTS MIC MIC /4 5/ PHONES ETUNS S X IX X IN CD/TAPE OUT BA/UNBA BA/UNBA (O) (O) 9 CT OOM MIX(BA/UNBA) 0 db 50 0 db db 0 +0 db MIC INPUT ( to ) Your YNXMIX() is equipped with lownoise microphone preamplifiers with optional phantom power, 50 db of Gain and 5 db of S/N ratio. You can connect almost any type of microphone. Dynamic microphones do not need phantom power. Use phantom power only with condenser microphones but make sure that the phantom power button is disengaged before connecting the microphone. Phantom power will not damage your dynamic microphones but it may damage tube or ribbon microphones so make sure to read the microphone instructions manual before engaging phantom power. Use switch (4) to activate/deactivatephantom power. These two channels are also equipped with /4" TS balanced/unbalanced IN plugs to connect linelevel instruments such as keyboards, drum machines and effect devices. NOTE: Never try to connect a linelevel signal to the X MIC input when the phantom power is engaged or you may seriously damage your equipment. STEEO INPUTS ( to ) These are channels /4, and 5/. They are organised in stereo pair and provided with /4" TS phone sockets. If you connect only the left jack, the input will operate in mono mode, that is the mono signal will appear on both input channels. You can use these inputs with a stereo keyboard, drum machine, etc. This control is provided with different indication rings: one is for channels, with a range of 0~50dB when MIC is used and a range of +5~5dB when is used, the other for channels with a range of +0~0dB. For optimum operation, you shall set this control in a way that the PEAK ED will light up only occasionally in order to avoid distortion on the input channel. 5

8 SPOTIGHT 4. CONTO EEMENTS 4 S For () jack, use this to connect the input of an external amplifier or active monitor speaker. For () jack, use this to output the line level signal of the post fader bus. You can use it to feed the inputs of a stereo multieffects (you will need a Ytype cable ). 5 ETUNS You can use these stereo /4" phone sockets to return the stereo signal of an effect unit to the Main Mix. Alternatively you can use them as an extra auxiliary input and using the ETUN level control as volume control. The signal will be sent directly to MIX control. CT OOM OUTPUT These /4" phone sockets will be used to send the signal to a pair of powered Studio Monitor speakers or to a second set of PA. 7 MIX OUTPUTS This stereo output is controlled by the Main Mix evel on the Master section and will send the audio signal to an amplifier or to a pair of active speakers. The output level can be varied from to +0 db. CD/TAPE IN Use the Tape input to connect a CD Player, Tape, DAT, ipod or any other linelevel source. You can send this signal either to CONTO OOM OUTPUT and/ or to the MIX OUTPUT using the relative CD/TAPE TO select buttons. 9 CD/TAPE OUT These CA jacks will route the main mix signal into a tape or DAT recorder. 0 PHONES This socket will be used to send the signal to a pair of headphones. CHANNE STIP EVE This knob controls the channel's level from to +0 db. PEAK ED This red ED will let you know about the status of the signals processed into your YNXMIX().Connect a microphone or an instrument to your YNX MIX() and sing/play at normal volume. Set the level control of that channel so that the PEAK ED lightsup only occasionally. If this ED is always on, you are experiencing a lot of distortion and you should turn the control down or reduce the EQ boosting. If this led never lights up, turn the control up again.

9 SPOTIGHT 4. CONTO EEMENTS PAN/BA This is the PANOAMA control, or balance control. You can adjust the stereo image of the signal via this control. Keep this control in center position and your signal will be positioned in the middle of stage. Turn this control fully counter clockwise and the signal will be present only on the left speaker and viceversa. Of course a large number of intermediate positions is available. 4 These two controls are used to adjust the level of the signal sent to buses, and their adjustable range goes from to +0dB. is configured as PE()FADE, so, generally, it can be used for monitor application. While is configured as POST()FADE, therefore, most of the times, it will be used for effects and processors input, however, you can also changed it to PE()FADE configuration according to the specific application. (For more detail, please see chapter.) In this typical compact unit, excluding sending out directly to the external effect or processor equipment, will also be sent to the internal onboard effect module. BAND EQ EFT IGHT +0 EQ HI khz MID.5kHz OW 0Hz You have three EQ control for each mono and stereo input channel each providing +/5 db of boost and cut (MID is +/ db). The signal will be unaffected when the controls are on center position. You may use an external equalizer to make up a mix properly but a master equalizer will not have effect on a single channel and you may overload the signal easily. Individual EQ will give you a much better control on single tracks. 5 HI If you turn this control up, you will boost all the frequencies above khz (shelving filter). You will add transparency to vocals and guitar and also make cymbals crispier. Turn the control down to cut all frequencies above khz. In such way, you can reduce sibilances of human voice or reduce the hiss of a Tape player. MID This is a peaking filter and it will boost/cuts frequencies with their center at.5 khz. This control will affect especially upper male and lower female vocal ranges and also the harmonics of most musical instruments. 7 PAN PEAK EVE 5 7 4

10 SPOTIGHT 4. CONTO EEMENTS 7 OW If you turn this control up, you will boost all frequencies below 0 Hz. You will give more punch to bass drums and bass guitar; and you will make the male vocalist more "macho". Turn it down and you will cut all the frequencies below 0 Hz. In this way you can avoid lowfrequency vibrations and resonance thus preserving the life of your woofers. MASTE SECTION MIX EVE This knob controls the level of the signal sent to OUTPUTS and CD/TAPE OUT. Also ETUNS and CD/TAPE IN signals will be sent to this control. 9 PHONES/CONTO OOM EVE This knob controls the signal sent to CONTO OOM OUTPUT & PHONES OUTPUT. 0 CD/TAPE IN This knob controls the signal sent from CD/TAPE IN. 0 9 ETUNS +0 TO MIX TO +0 CD/TAPE IN CT OOM /PHONES CD/TAPE POWE PHANTON 4V OFF ON CIP OUTPUT EVE 7 5 OUTPUT EVE METES These consist of two column of EDs each ranging from 0 db to + db (CIP). The 0 ED corresponds to a level output of 0 dbu. The CIP EDs come to life when the output reaches + dbu. 4 OFF CD/TAPE TO MIX MIX Set the MIX level control so that the CIP EDs only flashes occasionally. In general, you get a good mix level when the Meter EDs operate in the range 0 to +. If you exceed +, you will get distortion. If even 0 EDs are sleeping your signaltonoise ratio will suffer. +0

11 SPOTIGHT 4. CONTO EEMENTS ETUNS TO MIX, This control is used to control the volume of the processed signal sent to Main Mix bus, which can be varied from to+0 db. TO, This control is used to control the volume of the processed signal sent to Monitor Mix, which can be varied from to +0 db. /CD/TAPE If you push down the CD/TAPE TO CONTO OOM button, the CD/TAPE IN signal will be routed into the Control oom output and the level will be adjusted by the Control oom knob nearby the Main MIX EVE knob. 4 CD/TAPE TO MIX If you push down the CD/TAPE TO MIX button, the CD/TAPE IN signal will be routed into the output and will be adjusted by the MIX EVE knob. 5 PHANTOM PW Switch This button will apply +4 Volt Phantom Power only to the X MIC input sockets. When condenser microphones are not used, please make sure that the Phantom Power is disengaged. PHANTOM ED This ED indicates when the PHANTOM POWE is engaged. 7 POWE ED This ED indicates when your YNXMIX() is switched on. DSP SECTION(For YNXMIX Model) There is a powerful 4bit/ preset digital multieffects included in your YNX MIX Effects include reverbs, chorus, flanger, delay and combinations of the above. PESETS Adjust this control to select the desired effect. There are a total of Factory presets available including WAM HA, EV+DEAY, EV+CHOUS, etc PESETS PEAK MUTE. AGE HA 9

12 SPOTIGHT 4. CONTO EEMENTS 9 PEAK ED This ED lights up when the input signal is too strong. EA PANE MODE SEIA VAC~ ATED POWE CONSUMPTION W POWE ON CAUTION ISK OF EECTIC SHOCK DO NOT OPEN DESIGNED IN ITAY CAUTION: EPACE WITH THE SAME TYPE FUSE AND ATING DISCONNECT SUPPY COD BEFOE CHANGING FUSE 0 0 POWE SWITCH This switch is used to turn the main power ON and OFF. AC INPUT This connector is used to connect the supplied AC V Adapter. 0

13 5. INSTAATION AND CONNECTION Ok, you have got to this point and you are now in the position to successfully operate your YNXMIX(). However, we advise you to read carefully the following section to be the real master of your own mix. Not paying attention enough to the input signal level, to the routing of the signal and the assignment of the signal will result in unwanted distortion, a corrupted signal or no sound at all. So you should follow this procedure for every single channel:. Turn down all Input and Output Gain Controls.. Connect phantom powered microphones before switching on the +4 Volt phantom power switch.. Set the output level of your YNXMIX() or the connected power amplifier at no more than 75%. 4. Now, set the CONTO OOM/PHONE level at no more than 50%. 5. Position HI, MID and OW EQ controls on middle position.. Position panoramic (PAN/BA) control on center position. 7. With a pair of headphones or studio monitor speakers connected apply a ine evel input signal so that the PEAK ED does not light up.. While speaking into the microphone (or playing the instrument), adjust the channel level control so that the PEAK ED will blink occasionally, in this way You will maintain good headroom and ideal dynamic range. 9. Now repeat the same sequence for all input channels. The Main ED Meter could move up into the red section. In this case, you can adjust the overall output level through the MIX control. Audio Connections You can connect unbalanced equipment to balanced inputs and outputs. Simply follow these schematics. Sleeve Tip ing ing=ight Signal Strain Clamp Tip=eft Signal Sleeve=Ground/Screen Use for Headphone, Stereo eturn /4" Stereo (TS) Jack Plug Sleeve Tip Strain Clamp Tip=Signal Sleeve=Ground/Screen UseforMonoineIn,Mono/4"JackPlugs /4" Mono (TS) Jack Plug

14 5. INSTAATION AND CONNECTION =Hot(+) =Ground/Screen =Hot(+) =Ground/Screen =Cold() Use for Balanced Mic Inputs (For unbalanced use, connect pin to ) pin X Male Plug (seen from soldering side) =Cold() Use for Main output (For unbalanced use, leave pin unconnected) pin X ine Socket (seen from soldering side). APPENDIX PEFADE AND POSTFADE CONSIDEATIONS Interesting consideration! Where are the faders in your YNXMIX()?? Actually a fader is usually regarded as a slider, that is a linear potentiometer. All potentiometers in your YNXMIX() are of rotary type but we keep the prefader/postfader description that is quite industry standard and easily understandable. When your YNXMIX() leaves the Alto Factory, the bus of all input channels is wired postfader. In this way, the Aux bus can be used for the internal or external multieffect. If you want to use the YNX MIX() Aux bus for powered stage monitors, you should disconnect the aboveindicated POST route track and solder the PE route track like in this drawing. In this way, the signal is routed to the S output before the Channel evel control. (PE) POST Disconnect the POST route (PE) POST Solder the PE route Before After

15 7. PESET IST NO. Preset Descr+iption Parameter WAM HA Simulate a Small acoustic space of the sound. ev. decay time: 0ms Predelay:45ms BIGHT HA Simulate a large acoustic space of the sound. ev. decay time: 90ms Predelay:ms 4 WAM OOM BIGHT OOM Simulate a small acoustic space of the sound. Simulate a studio room with many early reflections. ev. decay time: 0ms Predelay:45ms ev. decay time: 0ms Predelay:ms 5 VOCA Simulate a room with without delay time. ev. decay time: 450ms VOCA Simulate a room with small delay time. ev. decay time: 40ms Predelay:5ms 7 VOCA PATE Simulate a small space with slight decay time. Simulate the transducers sound like classic bright vocal plate. ev. decay time: 00ms Predelay:4ms ev. decay time: 90ms 9 0 STEEO DEAY 4 5 STEEO DEAY EV + DEAY EV + DEAY EV + DEAY EV + DEAY 4 EV + CHOUS EV + CHOUS ecreate the input sound on the stereo output with different time. ecreate the input sound on the stereo output with different time. Period: ms Delay with room effect. Delay with room effect. Delay period: ms ev. decay time: 90ms Delay period: ms ev. decay time: 40ms Delay with room effect. Delay period: 75ms ev. decay time: 0ms Delay with room effect. Delay period: 77ms ev. decay time: 50ms Simulate the sound effect achieved by rotating horn speakers and a bass cylinder. Simulate the sound effect achieved by rotating horn speakers and a bass cylinder. Period: 5ms Chorus rate:.7hz ev. decay time: 90ms Chorus rate:.0hz ev. decay time: 50ms

16 .BOCK DIAGAM 4

17 9. TECHNICA SPECIFICATIONS Input channels Microphone input electronically balanced, discrete input configuration Frequency response 0 Hz to khz, +/ db Distortion (THD & N) <0.005% at +4 dbu, khz Gain range SN (Signal to Noise atio) 0dBto50dB(MIC) 5dB ine input electronically balanced Frequency response 0 Hz to khz, +/ db Distortion (THD & N) 0.005% at +4 dbu, khz Sensitivity range +5 dbu to 5 dbu Impedances Microphone input.4 k Ohm All other inputs 0 k Ohm or greater Tape out k Ohm All other output 0 Ohm Equalization Hi shelving +/ 5 khz Mid bell +/ 5 khz ow shelving +/ 5dB@0Hz DSP Section A/D and D/A converters 4bit DSP resolution 4bit Type of effects WAM HA,BIGHT HA,WAM OOM, BIGHT OOM, VOCA,VOCA,VOCA,,PATE,STEEO DEAY, STEEO DEAY, EV+DEAY,EV+DEAY,EV+DEAY,EV+ DEAY4,EV+CHOUS,EV+CHOUS Presets Controls position PESET Selector, CIP ED, MUTE SWITCH With ED Indicator Main Noise Mix(bus Section noise) Fader 0 db, channels muted: 94 dbr (ref.:+4 dbu) Fader 0 db, all input channels assigned and set to UNITY gain: 9 dbr (ref.:+4 dbu) Main Mix Section Max output + dbu unbalanced, /4" jacks eturns gain range to +0 db Sends max out + dbu Power Supply Main voltage V~000mA Power consumption Watts Physical Dimension(W D H) 0*50*5mm Net weight.4.kg (5.07lb) (.09 lb) Shipping weight Kg(4pcs) (.4lb) 5

18 0.WAANTY. WAANTY EGISTATION CAD To obtain Warranty Service, the buyer should first fill out and return the enclosed Warranty egistration Card within 0 days of the Purchase Date. All the information presented in this Warranty egistration Card gives the manufacturer a better understanding of the sales status, so as to purport a more effective and efficient aftersales warranty service. Please fill out all the information carefully and genuinely, miswriting or absence of this card will void your warranty service.. ETUN NOTICE. In case of return for any warranty service, please make sure that the product is well packed in its original shipping carton, and it can protect your unit from any other extra damage.. Please provide a copy of your sales receipt or other proof of purchase with the returned machine, and give detail. A brief description of the defect will be appreciated..4 Please prepay all the costs involved in the return shipping, handling and insurance.. TEMS AND CONDITIONS. TO warrants that this product will be free from any defects in materials and/or workmanship for a period of year from the purchase date if you have completed the Warranty egistration Card in time.. The warranty service is only available to the original consumer, who purchased this product directly from the retail dealer, and it can not be transferred.. During the warranty service, TO may repair or replace this product at its own option at no charge to you for parts or for labor in accordance with the right side of this limited warranty..4 This warranty does not apply to the damages to this product that occurred as the following conditions: Instead of operating in accordance with the user's manual thoroughly, any abuse or misuse of this product. Normal tear and wear. The product has been altered or modified in any way. Damage which may have been caused either directly or indirectly by another.5 In no event shall TO be liable for any incidental or consequentialdamages. Some states do not allow the exclusion or limitation of incidental or conse quential damages, so the above exclusion or limitation may not apply to you.. This warranty gives you the specific rights, and these rights are compatible with the state laws, you may also have other statutory rights that may vary from state to state.

19 SEIKAKU TECHNICA GOUP IMITED NO., ane 7, Sec., Han Shi West oad, Taichung 405, Taiwan Tel: Fax: All rights reserved to ATO. All features and content might be changed without prior notice. Any photocopy, translation, or reproduction of part of this manual without written permission is forbidden. Copyright c 00 Seikaku Group NF07.0