Guidelines for Consistently Readable Topographic Vectors and Labels with Toggling Backgrounds
|
|
|
- Brittney Booker
- 6 years ago
- Views:
Transcription
1 Guidelines for Consistently Readable Topographic Vectors and Labels with Toggling Backgrounds Paulo Raposo Cynthia A. Brewer Geography Pennsylvania State University Center of Excellence for Geospatial Information Science U.S. Geological Survey CEGIS-USGS ICC2013 Dresden, August 2013
2 Backgrounds Context Redesign The National Map, replacing U.S. topographic map series Varied background combinations through scale
3 Vectors with ortho image through scale (e.g., 1:100,000 and 1:24,000)
4 White & Contours, Hillshade, Land cover, Image individual background layers
5 White & Contours, Hillshade, Land cover, Image individual background layers
6 All three Hillshade, Image Land cover, Image Hillshade, Land cover
7 Terminology Terms
8 Terms Basic Color Terms Describe color using three perceptual dimensions: Hue Lightness Saturation Many alternative terms, can be confusing Lightness Saturation Hue
9 Terms Basic Color Terms Describe color using three perceptual dimensions: Hue Lightness Saturation Many alternative terms, can be confusing Munsell color order system uses: Hue Value Chroma Also common in cartography
10 Terms Simultaneous Contrast Also termed surround induction - adjacent colors appear more different - outlines reduce changes induced by surround colors
11 Terms Simultaneous Contrast Also termed surround induction - adjacent colors appear more different - outlines reduce changes induced by surround colors
12 Terms Simultaneous Contrast Also termed surround induction - adjacent colors appear more different - outlines reduce changes induced by surround colors
13 Terms Simultaneous Contrast Appearance shift is away from surrounding color Examples: Light surround makes color appear darker Yellow surround makes color appear more blue (toward complementary hue) Saturated surround makes color appear grayer if same hue Lightness Saturation Hue
14 Lightness Lightness Contrast Lightness Hue Saturation
15 Terms Other Color Terms - Lightness Lightness (perception relative to white in scene) Value (Munsell) Brightness Luminance (physics) Tint (art, add white) Shade (art, add black) Lightness Saturation Hue
16 Lightness Contrast in symbol or with background Small lightness differences are overwhelmed by highcontrast backgrounds, light or dark, producing a onecolor appearance
17 with Kristin Fishburn and USGS CGB Roads: multi-layer lines Connect different road levels and categories Contrast with different backgrounds
18 with Kristin Fishburn and USGS CGB Roads: multi-layer lines Light local roads echo lightness of roads in imagery, providing visual continuation for roads not in database
19
20
21
22 Lightness canvas (212, 193, 174) Interstate 2.0 pt, dark red (137, 68, 68) 3.5 pt, light red (245, 122, 122) 4.5 pt, dark canvas (186, 170, 153) Routes 1.8 pt, light red 2.4 pt, dark canvas Local Roads 1.2 pt, light canvas (234, 229, 224) (RGB of canvas at 30% transp) 2.0 pt, dark canvas Ramps 0.8 pt, light red 1.6 pt, dark canvas
23 Road labels Two text fills for light or dark ground Double halo Higher contrast on inner halo for readability Color that melds with roads and surroundings on outer halo
24
25 Hydro labels To handle all backgrounds Double halo: Higher contrast on outer halo Color that melds with hydro on inner halo
26
27
28 Lightness 4WD and trail lightness dash Light dash on dark background Dark dash on light background
29 Lightness Hydrography line lightness wave Line for perennial Dash for intermittent
30 Lightness
31 Wave present but not apparent Wave functions
32 All three: Hillshade, Land Cover, Image Hillshade
33 wave No wave
34 Lightness Stream Tapering and wave Intermittent dash has subtle wave of lightness levels within dashes for contrast against busy backgrounds. Top: darker blue (58, 119, 193) Middle: medium blue (65, 124, 199) Bottom: lighter blue (77, 134, 209)
35 Stream Tapering and wave Perennial line has subtle wave of lightness levels in an embedded long dash: Top: medium blue (65, 124, 199) 2nd: lighter blue (71, 129, 204) 3rd: medium blue (65, 124, 199) Bottom: darker blue (58, 119, 193) No dash on bottom line
36 Lightness Waterbodies Simultaneous contrast with backgrounds Hydro textures also invert (e.g. swamp) Transparency
37 Lightness
38 Lightness Admin boundaries Hierarchy of increasing dash lengths Increasing color saturation Use of second layer to mask dashes below (alternative is convert poly to line) Second layer also creates light dash on backgrounds near lightness of first level dashing
39
40 Acknowledgements USGS funding: 2007 to 2013, Lynn Usery, Director, Center of Excellence for Geospatial Information Science (CEGIS), and , Mike Cooley Resources CEGIS-USGS: cegis.usgs.gov Project resources: ScaleMaster.org Gould Center, Penn State: NationalMapping.us Thank you to Penn State RAs Katie Meckler, Clare Price, Kevin Sparks, Jay McGilloway, Rick Fourroux, Steve Butzler, Andy Stauffer, Stephen Sylvia, Jim Thatcher, Doug Minnigh, Chelsea Hanchett, Halina Sundy, Rob Roth, Mamata Akella, Jess Acosta babs buttenfield, Chris Anderson Tarver, Mike Gleason CU-Boulder
Value. Value-It is the lightness or darkness of an object, regardless of color. Value is relative to the background color and other items on the page.
Value Value-It is the lightness or darkness of an object, regardless of color. Value is relative to the background color and other items on the page. Value is created by a light source that shines on an
EnvSci 360 Computer and Analytical Cartography
EnvSci 360 Computer and Analytical Cartography Lecture 6 Mapping with Color Why Use Color? It is one of the available visual variables you can mix with other graphic elements to improve communication Color
Geography 360 Principles of Cartography. April 24, 2006
Geography 360 Principles of Cartography April 24, 2006 Outlines 1. Principles of color Color as physical phenomenon Color as physiological phenomenon 2. How is color specified? (color model) Hardware-oriented
Example: Leaf. Cut out the shape using scissors, and carefully use the template to place your sampling outlines evenly around the drawing paper.
Colored Pencil Samplings Because of the technical skills required to successfully manipulate colored pencils, you must first practice some of the basic techniques involved with drawing colored pencil compositions.
The human visual system
The human visual system Vision and hearing are the two most important means by which humans perceive the outside world. 1 Low-level vision Light is the electromagnetic radiation that stimulates our visual
Geography 372 Introduction to Cartography Lab 2 Point, Line, and Area Symbols
Geography 372 Introduction to Cartography Lab 2 Point, Line, and Area Symbols In this lab you will practice using point, line, and area symbols to represent geographic features on a map of Canada, and
4. Measuring Area in Digital Images
Chapter 4 4. Measuring Area in Digital Images There are three ways to measure the area of objects in digital images using tools in the AnalyzingDigitalImages software: Rectangle tool, Polygon tool, and
COLOR Cartographic Design & Principles Winter 2016
COLOR Cartographic Design & Principles Winter 2016 Edward Tufte s Color Tufteisms Graphical excellence is the well-designed presentation of interesting data a matter of substance, of statistics, and of
CS 547 Digital Imaging Lecture 2
CS 547 Digital Imaging Lecture 2 Basic Photo Corrections & Retouching and Repairing Selection Tools Rectangular marquee tool Use to select rectangular images Elliptical Marque Tool Use to select elliptical
Color Management Fundamentals Wide Format Series
Color Management Fundamentals Wide Format Series Kerry Moloney Field & Channel Marketing Manager Fiery Wide Format John Nate WW Technical Product Training Manager Fiery Wide Format Session overview Color
EECS490: Digital Image Processing. Lecture #12
Lecture #12 Image Correlation (example) Color basics (Chapter 6) The Chromaticity Diagram Color Images RGB Color Cube Color spaces Pseudocolor Multispectral Imaging White Light A prism splits white light
Color. Maneesh Agrawala Jessica Hullman. CS : Visualization Fall Assignment 3: Visualization Software
Color Maneesh Agrawala Jessica Hullman CS 294-10: Visualization Fall 2014 Assignment 3: Visualization Software Create a small interactive visualization application you choose data domain and visualization
A Division of Sun Chemical Corporation. Unsharp Masking How to Make Your Images Pop!
Unsharp Masking How to Make Your Images Pop! Copyright US INK Volume XL A re your images dull and lack pop? Do you want your pictures to stand off the page more? Well maybe you are not using Unsharp Masking
Line. The path created by a point moving through space. i n. Horizontal Line. Thin Line. Thick Line
Line The path created by a point moving through space. V er Horizontal Line Diagonal Line Zig-Zag Line Wavy Line t i c a l L i n e Spiral Line Thin Line Thick Line Line can help create the illusion of
Hue is what makes a color identifiable and different from any other color, e.g. orange, red-orange, red.
Hue Hue is what makes a color identifiable and different from any other color, e.g. orange, red-orange, red. Hues are determined (and can be measured) by a color's wavelength. There are millions of hues
IAT 355 Visual Analytics. Luminance, Contrast and Colour in Information Display. Lyn Bartram
IAT 355 Visual Analytics Luminance, Contrast and Colour in Information Display Lyn Bartram Simultaneous contrast effects a gray patch placed on a dark background looks lighter than the same gray patch
CSE 332/564: Visualization. Fundamentals of Color. Perception of Light Intensity. Computer Science Department Stony Brook University
Perception of Light Intensity CSE 332/564: Visualization Fundamentals of Color Klaus Mueller Computer Science Department Stony Brook University How Many Intensity Levels Do We Need? Dynamic Intensity Range
Transparency and blending modes
Transparency and blending modes About transparency Transparency is such an integral part of Illustrator that it s possible to add transparency to your artwork without realizing it. You can add transparency
3.4 COLOR CORRECTION
3.4 COLOR CORRECTION After you have arranged and edited your video and audio clips to your sequence, you are ready for color correction. Color correction is a step in the process of film editing that can
Perception to visualization I
Perception to visualization I C. Andrews 2014-02-25 Visualization Pipeline Raw Data data tables visual structures visualization data transformations visual mappings view transformations user interaction
Course Syllabus. Course Title. Who should attend? Course Description. Photoshop ( Level 2 (
Course Title Photoshop ( Level 2 ( Course Description Adobe Photoshop CC (Creative Clouds) is the world's most powerful graphic design (bitmap-based) program for editing, manipulating, compositing, enhancing
> andy warhol > objective(s): > curricular focus: > specifications: > instruction: > procedure: > requirements:
> andy warhol > objective(s): Students will select a portrait image, crop it tightly and eliminate the background, then uniquely color several times in the style of Andy Warhol. > curricular focus: This
The basic tenets of DESIGN can be grouped into three categories: The Practice, The Principles, The Elements
Vocabulary The basic tenets of DESIGN can be grouped into three categories: The Practice, The Principles, The Elements 1. The Practice: Concept + Composition are ingredients that a designer uses to communicate
Color and Color Model. Chap. 12 Intro. to Computer Graphics, Spring 2009, Y. G. Shin
Color and Color Model Chap. 12 Intro. to Computer Graphics, Spring 2009, Y. G. Shin Color Interpretation of color is a psychophysiology problem We could not fully understand the mechanism Physical characteristics
Color is a property of light.
Color Theory I Color is a property of light. -Objects have no color of their own, they just reflect a particular wavelength from the color spectrum. (For example a blue object absorbs all of the wavelengths,
THE MEANING OF COLOR VISUAL COMMUNICATION III 3D DESIGN PRINCIPLES
COLOR THE MEANING OF COLOR Color in design is very subjective. What evokes one reaction in one person may evoke a very different reaction in someone else. Sometimes this is due to personal preference,
Fundamentals of color. Color temperature
Fundamentals of color Color temperature color temperature, such as 3400 K for halogen lamps, 4200 K for certain fluorescent tubes (Temperature is measured in Kelvin, which is a scale that has its zero
Part I: Color Foundations The Basic Principles of COLOUR theory
Part I: Color Foundations The Basic Principles of COLOUR theory Colour Systems Available colour systems are dependent on the medium with which a designer is working. When painting, an artist has a variety
Name: Period: THE ELEMENTS OF ART
Name: Period: THE ELEMENTS OF ART Name: Period: An element of art that is used to define shape, contours, and outlines, also to suggest mass and volume. It may be a continuous mark made on a surface with
Color in Information Display RIT Seminar October 5, 2005
Information Display Color in Information Display Maureen Stone StoneSoup Consulting Woodinville, WA Graphical presentation of information Charts, graphs, diagrams, maps, illustrations Originally hand-crafted,
Choose Paint Colors and Schemes
Choose Paint Colors and Schemes When you re decorating your home, choosing the right paint colors is the most important decision you ll make. As fun as choosing colors can be, this part of the planning
Art 2D Mid-Term Review 2018
Art 2D Mid-Term Review 2018 Definition: What is a Line? Definition: Line is the most basic design tool. A line has length, width, tone, and texture. It may divide space, define a form, describe contour,
CPSC / Colour
CPSC 599.28/601.28 Colour Sheelagh Carpendale What makes colour effective? Good ideas executed with superb craft E.R. Tufte Effective colour needs a context Immediate vs. studied Anyone vs. specialist
Warning; please do not attempt these techniques until you have mastered the rest of the book. You may become disoriented, dazed and confused.
Warning; please do not attempt these techniques until you have mastered the rest of the book. You may become disoriented, dazed and confused. Working with Layers There are many reasons to work with layers
Lecture 3: Grey and Color Image Processing
I22: Digital Image processing Lecture 3: Grey and Color Image Processing Prof. YingLi Tian Sept. 13, 217 Department of Electrical Engineering The City College of New York The City University of New York
GRAPHICS TECHNOLOGY II
GRAPHICS TECHNOLOGY II COLORS ARE PART OF OUR LIFE From the clothes we wear, to the things around us, the food we eat, the things we use- everything. Colors are said to activate the right brain for emotions.
LIGHTIG FOR INTERIORS
LIGHTIG FOR INTERIORS COLORS LIGHTING Interior Design Department Third grade/ Fall semester Siba nazem Kady COLORS THEORIES OF COLOR DESIGN Review The Hue REVIEW HUE,VALUE, AND SATURATION - Gradation of
Perceptual Rendering Intent Use Case Issues
White Paper #2 Level: Advanced Date: Jan 2005 Perceptual Rendering Intent Use Case Issues The perceptual rendering intent is used when a pleasing pictorial color output is desired. [A colorimetric rendering
Visual computation of surface lightness: Local contrast vs. frames of reference
1 Visual computation of surface lightness: Local contrast vs. frames of reference Alan L. Gilchrist 1 & Ana Radonjic 2 1 Rutgers University, Newark, USA 2 University of Pennsylvania, Philadelphia, USA
Elements of Art. Line Shape Form Space Value Color Texture
Elements of Art Line Shape Form Space Value Color Texture Line Line is the path of a moving point through space. Mark on a surface usually created by a pencil, pen, crayon, marker or paintbrush. Thick
Color theory Quick guide for graphic artists
Quick guide for graphic artists We can talk about color using two kinds of terminology: Color generation systems. Color harmony system. Graphic artists and photographers certainly have to understand color
CIE tri-stimulus experiment. Color Value Functions. CIE 1931 Standard. Color. Diagram. Color light intensity for visual color match
CIE tri-stimulus experiment diffuse reflecting screen diffuse reflecting screen 770 769 768 test light 382 381 380 observer test light 445 535 630 445 535 630 observer light intensity for visual color
COLOR AS A DESIGN ELEMENT
COLOR COLOR AS A DESIGN ELEMENT Color is one of the most important elements of design. It can evoke action and emotion. It can attract or detract attention. I. COLOR SETS COLOR HARMONY Color Harmony occurs
Elements Of Art Study Guide
Elements Of Art Study Guide General Elements of Art- tools artists use to create artwork; Line, shape, color, texture, value, space, form Composition- the arrangement of elements of art to create a balanced
DESIGNING FLOWER BEDS with
DESIGNING FLOWER BEDS with Good flower bed designs incorporate many different features Relative surface feel or look On plants, texture comes from Leaves Twigs Bark Texture also comes from Rocks Pavement
Chapter 3¾Examination and Description of Soils SOIL SURVEY MANUAL 73. Soil Color
Chapter 3¾Examination and Description of Soils SOIL SURVEY MANUAL 73 Soil Color Elements of soil color descriptions are the color name, the Munsell notation, the water state, and the physical state: "brown
Using HDR display technology and color appearance modeling to create display color gamuts that exceed the spectrum locus
Rochester Institute of Technology RIT Scholar Works Presentations and other scholarship 6-15-2006 Using HDR display technology and color appearance modeling to create display color gamuts that exceed the
CSE512 :: 6 Feb Color. Jeffrey Heer University of Washington
CSE512 :: 6 Feb 2014 Color Jeffrey Heer University of Washington 1 Color in Visualization Identify, Group, Layer, Highlight Colin Ware 2 Purpose of Color To label To measure To represent and imitate To
color basics theory & application Fall 2013 Ahmed Ansari Communication Design Fundamentals
color basics theory & application Fall 2013 Ahmed Ansari Communication Design Fundamentals Presentation 7 Tom Fraser + Adam Banks Designer's Color Manual Johannes Itten The Art of Color Ellen Lupton &
Chapter 4. Incorporating Color Techniques
Chapter 4 Incorporating Color Techniques Color Modes Photoshop displays and prints images using specific color modes A mode is the amount of color data that can be stored in a given file format 2 Color
Colour + Perception. CMPT 467/767 Visualization Torsten Möller. Pfister/Möller
Colour + Perception CMPT 467/767 Visualization Torsten Möller Recommended Reading http://www.stonesc.com/ 2 Where / What 3 Based on slide from Mazur Contours & Texture C. Ware, Visual Thinking for Design
COLOR REPRESENTATION OF ASPECT AND SLOPE SIMULTANEOUSLY
COLOR REPRESENTATION OF ASPECT AND SLOPE SIMULTANEOUSLY Cynthia A. Brewer and Ken A. Marlow Department of Geography San Diego State University San Diego, CA 92182 cbrewer@ sciences.sdsu.edu ABSTRACT Systematic
Make Watercolor and Marker Style Portraits with Illustrator
Make Watercolor and Marker Style Portraits with Illustrator Save Preview Resources Portrait by Lillian Bertram (Creative Commons Share Alike used here with permission) Step 1: Set up your Illustrator document
Objective Explain design concepts used to create digital graphics.
Objective 102.01 Explain design concepts used to create digital graphics. PART 1: ELEMENTS OF DESIGN o Color o Line o Shape o Texture o Watch this video on Fundamentals of Design. 2 COLOR o Helps identify
By: Zaiba Mustafa. Copyright
By: Zaiba Mustafa Copyright 2009 www.digiartport.net Line: An element of art that is used to define shape, contours, and outlines, also to suggest mass and volume. It may be a continuous mark made on a
Introduction to Color Science (Cont)
Lecture 24: Introduction to Color Science (Cont) Computer Graphics and Imaging UC Berkeley Empirical Color Matching Experiment Additive Color Matching Experiment Show test light spectrum on left Mix primaries
Color Appearance, Color Order, & Other Color Systems
Color Appearance, Color Order, & Other Color Systems Mark Fairchild Rochester Institute of Technology Integrated Sciences Academy Program of Color Science / Munsell Color Science Laboratory ISCC/AIC Munsell
Elements of Art THE WORDS OF ART
Elements of Art THE WORDS OF ART TEXTURE IS: the surface quality of a work of art. VISUAL texture that is created to look like something it is not SIMULATED the visual effect of texture without actually
Adapted from the Slides by Dr. Mike Bailey at Oregon State University
Colors in Visualization Adapted from the Slides by Dr. Mike Bailey at Oregon State University The often scant benefits derived from coloring data indicate that even putting a good color in a good place
Worthington Schools. High School Visual Art Graded Course of Study Trent Bowers, Ph.D., Superintendent Jennifer E. Wene, Chief Academic Officer
Worthington Schools High School Visual Art Graded Course of Study 2015 Trent Bowers, Ph.D., Superintendent Jennifer E. Wene, Chief Academic Officer 200 East Wilson Bridge Road, Worthington, Ohio 43085
T-junctions in inhomogeneous surrounds
Vision Research 40 (2000) 3735 3741 www.elsevier.com/locate/visres T-junctions in inhomogeneous surrounds Thomas O. Melfi *, James A. Schirillo Department of Psychology, Wake Forest Uni ersity, Winston
DESIGN CHALLENGE 6 Color Project Due: 11/20/17. Size : minimum dimension of 12 X 14. Project Objectives
DESIGN CHALLENGE 6 Color Project Due: 11/20/17 Size : minimum dimension of 12 X 14 Project Objectives Develop visual understanding of the differences between subject matter and form.intentionally translate
Photoshop Blending Modes
Photoshop Blending Modes https://photoshoptrainingchannel.com/blending-modes-explained/#when-blend-modes-added For those mathematically inclined. https://photoblogstop.com/photoshop/photoshop-blend-modes-
A Model of Color Appearance of Printed Textile Materials
A Model of Color Appearance of Printed Textile Materials Gabriel Marcu and Kansei Iwata Graphica Computer Corporation, Tokyo, Japan Abstract This paper provides an analysis of the mechanism of color appearance
Line Line Characteristic of Line are: Width Length Direction Focus Feeling Types of Line: Outlines Contour Lines Gesture Lines Sketch Lines
Line Line: An element of art that is used to define shape, contours, and outlines, also to suggest mass and volume. It may be a continuous mark made on a surface with a pointed tool or implied by the edges
Color Theory and Mixing
MODULE 4 Color Theory and Mixing? What is explored in this module? In this module, we ll look at basic color theory and mixing colors. You ll find that color theory and mixing is not a perfect science.
SUGAR fx. LightPack 3 User Manual
SUGAR fx LightPack 3 User Manual Contents Installation 4 Installing SUGARfx 4 What is LightPack? 5 Using LightPack 6 Lens Flare 7 Filter Parameters 7 Main Setup 8 Glow 11 Custom Flares 13 Random Flares
Computer Graphics: Graphics Output Primitives Primitives Attributes
Computer Graphics: Graphics Output Primitives Primitives Attributes By: A. H. Abdul Hafez Abdul.hafez@hku.edu.tr, 1 Outlines 1. OpenGL state variables 2. RGB color components 1. direct color storage 2.
05 Color. Multimedia Systems. Color and Science
Multimedia Systems 05 Color Color and Science Imran Ihsan Assistant Professor, Department of Computer Science Air University, Islamabad, Pakistan www.imranihsan.com Lectures Adapted From: Digital Multimedia
Munker ^ White-like illusions without T-junctions
Perception, 2002, volume 31, pages 711 ^ 715 DOI:10.1068/p3348 Munker ^ White-like illusions without T-junctions Arash Yazdanbakhsh, Ehsan Arabzadeh, Baktash Babadi, Arash Fazl School of Intelligent Systems
General Workflow for Processing L, Ha, R, G, and B Components in ImagesPlus
General Workflow for Processing L, Ha, R, G, and B Components in ImagesPlus This general workflow can be used with component images from a DSLR, one shot color CCD, or monochrome CCD with minor adjustment
Camera Raw software is included as a plug-in with Adobe Photoshop and also adds some functions to Adobe Bridge.
Editing Images in Camera RAW Camera Raw software is included as a plug-in with Adobe Photoshop and also adds some functions to Adobe Bridge. Camera Raw gives each of these applications the ability to import
NEWTONIAN COLOR THEORY
THEORY 2D Design Color Crash Course NEWTONIAN THEORY Color in a picture is like enthusiasm in life. -incent an Gogh In 1666 Sir Isaac Newton (1642-1726) passed a beam of light through a prism and proved
Effective Color: Materials. Color in Information Display. What does RGB Mean? The Craft of Digital Color. RGB from Cameras.
Effective Color: Materials Color in Information Display Aesthetics Maureen Stone StoneSoup Consulting Woodinville, WA Course Notes on http://www.stonesc.com/vis05 (Part 2) Materials Perception The Craft
Using Adobe Photoshop
Using Adobe Photoshop 6 One of the most useful features of applications like Photoshop is the ability to work with layers. allow you to have several pieces of images in the same file, which can be arranged
xyy L*a*b* L*u*v* RGB
The RGB code Part 2: Cracking the RGB code (from XYZ to RGB, and other codes ) In the first part of his quest to crack the RGB code, our hero saw how to get XYZ numbers by combining a Standard Observer
CS 544 Human Abilities
CS 544 Human Abilities Color Perception and Guidelines for Design Preattentive Processing Acknowledgement: Some of the material in these lectures is based on material prepared for similar courses by Saul
icam06, HDR, and Image Appearance
icam06, HDR, and Image Appearance Jiangtao Kuang, Mark D. Fairchild, Rochester Institute of Technology, Rochester, New York Abstract A new image appearance model, designated as icam06, has been developed
Digital Embellishments
Digital Embellishments Best Practices for File Setup www.gsbdigital.com Contents 1. Setting Up Digital Embellishments in Your File 2. Tools and Methods to Create Effects 3. Tips for Optimal Production
Available Features. For details on the operating procedures for these functions, refer to the User s Guide.
Creative Image Book Available Features This chapter contains many useful copy samples that will give you a better understanding of the wide range of applications for the various functions available with
Designing Flower Beds with Colors
Utah State University DigitalCommons@USU All Archived Publications Archived USU Extension Publications 1-1-2005 Designing Flower Beds with Colors Larry A. Sagers Follow this and additional works at: http://digitalcommons.usu.edu/extension_histall
Adobe Photoshop Chapter 5 Study Questions /50 Total Points
Name: Class: Date: Adobe Photoshop Chapter 5 Study Questions /50 Total Points True/False Indicate whether the statement is true or false. 1. Bitmapped images are resolution-independent, maintaining their
Understand brightness, intensity, eye characteristics, and gamma correction, halftone technology, Understand general usage of color
Understand brightness, intensity, eye characteristics, and gamma correction, halftone technology, Understand general usage of color 1 ACHROMATIC LIGHT (Grayscale) Quantity of light physics sense of energy
Fashion Merchandising: Strand 7. Elements and Principles of Design
Fashion Merchandising: Strand 7 Elements and Principles of Design Standards Students will recognize the use of the principles and elements of design. Standard 1: Reassess elements of design. Standard 2:
Paintings, photographs, and computer graphics are calculated appearances
This is a preprint of 8291-36 paper in SPIE/IS&T Electronic Imaging Meeting, San Jose, January, 2012 Paintings, photographs, and computer graphics are calculated appearances John J. McCann McCann Imaging,
elements of design worksheet
elements of design worksheet Line Line: An element of art that is used to define shape, contours, and outlines, also to suggest mass and volume. It may be a continuous mark made on a surface with a pointed
Chapter 8. Using the GLM
Chapter 8 Using the GLM This chapter presents the type of change products that can be derived from a GLM enhanced change detection procedure. One advantage to GLMs is that they model the probability of
IMAGE INTENSIFICATION TECHNIQUE USING HORIZONTAL SITUATION INDICATOR
IMAGE INTENSIFICATION TECHNIQUE USING HORIZONTAL SITUATION INDICATOR Naveen Kumar Mandadi 1, B.Praveen Kumar 2, M.Nagaraju 3, 1,2,3 Assistant Professor, Department of ECE, SRTIST, Nalgonda (India) ABSTRACT
Color images C1 C2 C3
Color imaging Color images C1 C2 C3 Each colored pixel corresponds to a vector of three values {C1,C2,C3} The characteristics of the components depend on the chosen colorspace (RGB, YUV, CIELab,..) Digital
Principles of Design
Principles of Design Balance A. Stability of an arrangement 1. Arrangement appears secure and stable 2. Balance must be both visual and actual Balance a. visual balance refers to the way an arrangement
Try to put a very slight angle on the tree just to create some interest.
When painting a tree with leaves you want to begin by painting the "bones" of the tree. This means to paint the trunk and a large number of branches to create a base layer for the tree. Begin by painting
Notes on colour mixing
INFORMATION SHEET These notes, with the diagrams in colour, can be found on the internet at: http://www.andrewnewland.com/homepage/teaching Notes on colour mixing Andrew Newland T E A C H I N G A R T &
Image Generation for GIS:Experimental Mapping Principles and Techniques
Association for Information Systems AIS Electronic Library (AISeL) AMCIS 1997 Proceedings Americas Conference on Information Systems (AMCIS) 8-15-1997 Image Generation for GIS:Experimental Mapping Principles
Color is the factory default setting. The printer driver is capable of overriding this setting. Adjust the color output on the printed page.
Page 1 of 6 Color quality guide The Color quality guide helps users understand how operations available on the printer can be used to adjust and customize color output. Quality menu Use Print Mode Color
9/1/2015 Elements and Principles of Design. Color and value
Color and value Colors are light waves reflected and absorbed by objects. Hues are the names of colors. Primary hues are red, yellow and blue. Secondary hues are green, orange, and violet. Tertiary hues
Colors in Scientific Visualization. Mike Bailey Oregon State University
Colors in Scientific Visualization Mike Bailey Oregon State University The often scant benefits derived from coloring data indicate that even putting a good color in a good place is a complex matter. Indeed,
Stretching Your Photons
Stretching Your Photons Advanced Imaging Conference November 10-12, 2006 San Jose, California by R. Jay GaBany www.cosmotography.com 2006 Please do not reproduce or distribute without permission. We work
HOW TO DRAW A REALISTIC HAND
HOW TO DRAW A REALISTIC HAND We take an ordered approach to drawing a complete, realistic drawing of hand in this lesson. Materials: HB Graphite Pencil 4B Graphite Pencil Vinyl or Plastic Eraser Bristol
Digital Image Processing
Digital Image Processing IMAGE PERCEPTION & ILLUSION Hamid R. Rabiee Fall 2015 Outline 2 What is color? Image perception Color matching Color gamut Color balancing Illusions What is Color? 3 Visual perceptual
Don t twinkle, little star!
Lecture 16 Ch. 6. Optical instruments (cont d) Single lens instruments Eyeglasses Magnifying glass Two lens instruments Microscope Telescope & binoculars The projector Projection lens Field lens Ch. 7,