ECONOMY: Fill up the frame, by moving around your subject, and moving in close (or use a telephoto lens to get the effect of close-up shots).

Size: px

Start display at page:

Download "ECONOMY: Fill up the frame, by moving around your subject, and moving in close (or use a telephoto lens to get the effect of close-up shots)."

Donald Boone
5 years ago
Views:

1 COMPOSITION

2 SIMPLICITY

3 ECONOMY: Fill up the frame, by moving around your subject, and moving in close (or use a telephoto lens to get the effect of close-up shots). Avoid space between subjects and exclude details that are not relevant to the story. Photo by Sebastio Salgado

4 Photo by Paul Strand

5 Photo by Dorothea Lange

6 Photo by W. Eugene Smith

7 ASYMMETRICAL BALANCE: Whether consciously or not, compositions are often conceived away from the center of the frame, using the rule of thirds. Photo by W. Eugene Smith

8 Photo by Yosuf Karsh

10 Photo by David Blumenkrantz

12 SYMMETRY Centering the subject Photo by Robert Frank

13 Photo by Sebastio Salgado

14 Photo by Margaret Bourke-White

15 Photo by Bruce Davidson

16 Photo by David Blumenkrantz

17 CONTROL DEPTH OF FIELD TO BLUR BACKGROUND The longer the telephoto lens, the more likely you ll have shallow depth of field anyway... Photo by Tammy Abbott

18 Photo by Tammy Abbott

19 Photo by W. Eugene Smith

20 CURVED LINES are one of elements of composition most pleasing to the eye, giving a photograph a feeling a movement... Photo by Henri Cartier-Bresson

21 ANGLE, AND DIAGONAL LINES: Choosing unusual angles can result in interesting perspectives on a subject. The use of diagonal lines can add tension, and a sense of directionality. Photo by Bruce Davidson

22 Photo by Weegee

23 Photo by Dorothea Lange

24 PERSPECTIVE Photo by Lewis Hine

25 NO COMPOSITION? Some speak of an antiaesthetic, arguing that one cannot do much arranging of light and subject matter with spot news. Others insist that experience is the only way to learn photojournalism; an innate sense of composition comes only from the alchemy of experience. Photo by Margaret Bourke-White

26 Photo by William Warnecke, 1910

27 The Importance of Caption Writing... BAGHDAD, IRAQ - SEPTEMBER 12: (NOTE TO EDITOR : GRAPHIC CONTENT) Dead and critically injured Iraqi civilians are seen lying in the street on September 12, 2004 in Haifa Street, Baghdad, Iraq. Fighting broke out in the early hours of September 12, 2004 as explosions shook the centre of Baghdad with U.S. helicopters opening fire at targets in the area and a U.S. armoured vehicle was seen on fire. Over 20 people were killed and 48 injured in a day of heavy fighting more than two months since the handover of power in Iraq. (Photo by Ghaith Abdul-Ahad/Getty Images)

28 Suicide bombing in Israel, August 31, New York Times

29 Photo by Hans Gutknecht

30 ANTI-COMPOSITION: In the 1950 s and 60 s, street photographers such as Robert Frank and Garry Winogrand disregarded traditional concepts of composition, tilting horizons and creating images with no center of interest. Photo by Garry Winogrand

31 The tilted horizon in this sports photo would most likely mean it could never be published in a daily newspaper. Photo by Garry Winogrand

32 In this celebrity portrait, Robert Frank intentionally subverted the traditional depth of field effect, creating a feeling of isolation rather than adulation for the subject.

33 JUXTAPOSITION The camera has the unique ability to capture two or more seemingly incongruous or paradoxical elements in it s view. Photographers who take advantage of this can create ironic, even sarcastic statements. Photo by Margaret Bourke-White

34 MASTHEAD SHOOTING FOR MAGAZINE COVER LAYOUT TEXT GOES HERE In certain instances, it may be possible to previsualize how a magazine or feature layout may appear. The photographer can leave dead space in his composition, where the text can later be placed. Photo by David Blumenkrantz

For Summer, You will need: a digital SLR with a memory card (8GB or larger), and card reader or camera USB cable a flash drive (8GB or larger)

AP STUDIO ART SUMMER WORK 2017 Pre-AP PHOTO Portfolio Coffey s cell: (941)457-7183 Check out AP central: http://studioartportfolios.collegeboard.org/ For Summer, You will need: a digital SLR with a memory