BLUES RIFFS A PLAYALONG COURSE FOR INTERMEDIATE HARP PLAYERS SONNY BOY WILLIAMSON II VOLUME. Arranged and transcribed by Paul Lennon L.T.C.L.

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1 vol21 Sonny Boy 2 download 22/10/11 12:35 Page 1 SONNY BOY WILLIAMSON II BLUES RIFFS 60 SONNY BOY WILLIAMSON II BLUES RIFFS INTERMEDIATE 21 INTERMEDIATE L&H121

2 TABLE OF CONTENTS Page 4 Tracklisting Page 5 Book Contents Page 6 Introduction Page 7 About Sonny Boy Willamson II Pages 8 & 9 Plaudits Page 10 Riffs 1-5 Page 11 Riffs 6-10 Page 12 Riffs Page 13 Riffs Page 14 Riffs Page 15 Riffs Page 16 Riffs Page 17 Riffs Page 18 Riffs Page 19 Riffs Page 20 Riffs Page 21 Riffs Page 22 Chromatic Tablature (TAB) Chart Page 23 Outro Page 24 Biogs - Ben Hewlett Page 25 Biogs - Paul Lennon Page 26 Other Volumes Available 5

3 INTRODUCTION Welcome to yet another book on how to play the harmonica. This time we are concentrating on the wonderful Mr Sonnyboy Williamson the second - also known as Alex Rice Miller. What we ve done here is to explore the style of Sonnyboy s playing and create a series of riffs based on the way he played. They are not exact replicas and they are not from specific songs but you will recognise the similarity as you listen to Sonnyboy himself. To give you the feel, style, and sense of these riffs Paul has written and played guitar parts to give you a more contemporary setting. We are continually indebted to Joe Filisko for his encouragement, mentoring and his insights into Sonnyboy s playing and also the low C harmonica I m playing on this recording; including his secret modification to allow me to play it in my mouth without using hands! If you don t have a low C you can play these riffs on a normal C - but do yourself a favour and get the low C. You ll thank yourself. They have them at SonnyboysMusicstore.co.uk if you want one mailed to you. Ben mostly uses Hohner Marine Bands by Richard Sleigh and Joe Filisko retuned for this recording by Jon Vaughan in bristol, UK. Paul uses Hofner & Fender guitars, AER amplification and Native Instruments effects. About the guest track - Harmonirap : Big thanks to Mike 'Rapper' Fry for grooving the beat on top of Ben's Harmonica! We would like to thank Joe Filisko for his guidance as always! TECHNIQUES & ARTICULATION Sonnyboy s default single note playing is an unusual form of tongue blocking; he starts with the tongue covering the comb - say on holes 1 to 4. Them he pulls the tongue back so you hear all the notes in a chord. Finally he moves the tongue to the left and plants it down on holes 1 to 3 and what you hear is hole 4. Have a go at it, I think it sounds great! He uses tongue blocking all the time as far as I can tell except when playing chords. On the lower holes he switches the tongue to the right. I don t think he puckers at all - what do you think? His chords are superb. All the tone and texture he gets into them add to the rhythm and I think they sound crisp, deep, fruity and fuzzy all at the same time. His chord technique is based on something we explore in great length in our first book Get Chugging. The trick is to whisper crazy words loudly into the harmonica to produce the texture and rhythms. Do you remember I would like a chicken tikka from Get Chugging? A classic for you to check out. So Sonnyboy uses the words written with the riffs to articulate the sound and get the textural nuances. I m sure he didn t think of it in these terms - he didn t like fattening frogs for snakes - but we feel it is the best way to show you what he s actually doing. Phrases like doodle oodle oodle dah sound great when you whisper them into holes 1, 2 and 3 on your trusty tin sandwich. Also his throat vibrato is unusual. It s very fast, like his singing vibrato. It s done deep in the throat and I demonstrate it for you on the recording. Another vibrato is using his right hand. He holds the harp in the left hand and flaps his right hand open and closed to create it. I ll demonstrate it on the recording and you ll hear it when you listen to Sonnyboy. 6

4 SONNY BOY WILLIAMSON II BLUES RIFFS Riffs 1-5 Low C Harmonica in 2nd position 10

5 L+H PUBLISHING 4 Manor Way, Beckenham, KENT, BR3 3LJ I I GROW WITH THE RANGE... SEARCH THE SINGLE NOTE HOW TO GET AND USE SINGLE NOTES ON THE DIATONIC HARMONICA 2 L&H102 BLUES JAM FACTORY AN INTRODUCTION TO PLAYING BLUES ON A DIATONIC HARMONICA IN THE KEY OF C BLUES 2s L&H103 3 SCOOL MASTERMIX1 HOW TO PLAY CLASSIC TUNES, CHUGS & RIFFS ON A C HARMONICA WITHOUT BENDING NOTES 4 Arranged and composed by Paul Lennon L.T.C.L. L&H104 BONES OF THE BLUES HOW TO PLAY BLUES TUNES & IMPROVISE IN 5 KEYS ON ONE C HARMONICA WITHOUT BENDING NOTES 5 L&H BLUES RIFFS 101 BLUES RIFFS DIATONIC HARMONICA IN C IN THE STYLE OF THE WALTERS, SONNYBOY II, SONNY TERRY, LEVY, CLARKE, MILTEAU, PIAZZA, MUSSELWHITE, MCCOY, POWER AND MORE... 6 BLUES L&H FUNKY NURSERY HOW TO PLAY TRADITIONAL NURSERY RHYMES ON A C HARMONICA WITH FUNKY BACKINGS YOUNGER 8 L&H108 FUNKY CHRISTMAS HOW TO PLAY CLASSIC XMAS TUNES ON A C HARMONICA WITH FUNKY BACKINGS 9 L&H109 NASTY RHYTHM HARMONICA CHUGS10 KIDS Composed and performed by Paul Lennon L.T.C.L. L&H110 ANOTHER 101 BLUES RIFFS13 ANOTHER 101 BLUES RIFFS C DIATONIC HARMONICA IN THE STYLES OF FAMOUS BLUES BLUES 50 AWESOME BLUES RIFFS DIATONIC HARMONICA IN 6 KEYS A, Bb, C, D, F PLUS G MINOR DEVELOPING Arranged and recorded by Paul Lennon L.T.C.L SONNY TERRY BLUES RIFFS18 60 SONNY TERRY BLUES RIFFS INTERMEDIATE INTERMEDIATE L&H118 SONNY TERRY 2 BLUES RIFFS19 60 SONNY TERRY BLUES RIFFS INTERMEDIATE INTERMEDIATE L&H119 SONNY TERRY 3 BLUES RIFFS20 60 SONNY TERRY BLUES RIFFS INTERMEDIATE INTERMEDIATE L&H120 SONNY BOY WILLIAMSON II BLUES RIFFS21 60 SONNY BOY WILLIAMSON II BLUES RIFFS INTERMEDIATE INTERMEDIATE L&H121 L&H101 A compilation drawn from Vols.1-4 of the Ben Hewlett Harmonica Course presents BLUES&BEYOND 1 HOW TO PLAY BLUES AND MORE ON A C DIATONIC HARMONICA BY BEN HEWLETT C.T.A.B.R.S.M. & PAUL LENNON L.T.C.L. ALL HARMONICA includes (UK) Recommended price Sonny Boy Williamson II Blues Riffs Hewlett & Lennon ISBN:

BLUES RIFFS A PLAYALONG COURSE FOR INTERMEDIATE HARP PLAYERS SONNY TERRY 2 VOLUME. Arranged and transcribed by Paul Lennon L.T.C.L.

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