Approach Note Series #1: Root and Third

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1 Approach Note Series #1: Root and Third A true staple in the jazz improvisation world is the approach note technique. It is a technique that has been used by all of the greatest jazz improvisers of the 20th century. The approach note technique is an easy way to incorporate powerful jazz-sounding chromaticism into your playing. In addition to adding a chromatic sound to your improvising, the approach note technique will also bring out the harmonic content of the tune. Working with the approach note technique greatly increases general awareness of arpeggios and of the fretboard as it forces us to focus on chord tones other than then root. In the first installment of the Approach Note Series, we will take a look at approaching chord tones root and third. We will use a II - V - I progression as the model for developing the approach note technique. In approaching any chord tone, there are many different options available. There are a number of approaches covered below but, they are by no means the only ways of approaching chord tones. After working through the entire lesson, I would encourage anyone to experiment with other enclosure and approach ideas. Enclosure is a term used when a chord tone is approached from both above and below. Be sure to check out more on the subject here: Approach Note Series #2: Fifth and Seventh Approach Note Series #3: Building a Solo Playing Guide Approach Note Technique for Chord Root and Third The examples begin with the most basic of approaches, approaching the target note with a single note. The target note is a note chosen from either the root, third, fifth or seventh of the chord you are improvising over. Once you have decided on a target note, you can decide on your method of approach. At first this process seems rather cumbersome, but over time with deliberate practice the approach note technique will flow from your fingers! 1 / 9

2 The target notes featured in this article are the chord root and third. These are the most important notes to be aware of with this technique. I advise that you familiarize yourself with root and third first before applying the technique to chord fifth and seventh. 1) Single chromatic approach 2 / 9

3 Practice Suggestions 1) Practice slowly 2) Focus on tone and rhythmic accuracy 3) Play each example in every area of the guitar. Eg. if the first note you are targeting is a C on the A-string, make sure you play the exercise beginning from all C's on the guitar (when possible). 4) Work out how to play the exercise, when possible, on a single string. 5) Play each example in every key 6) Take the exercise through as many tunes as possible. The third installment of the Approach Note Series #3 will provide instruction and examples on playing the technique through tunes. 2) Single diatonic approach 3 / 9

4 3) Double chromatic approach 4 / 9

5 4) Double diatonic approach 5 / 9

6 5) Diatonic enclosure 6 / 9

7 6) Diatonic-chromatic enclosure (diatonic above, chromatic below) 7 / 9

8 7) Chromatic enclosure (chromatic below and above) 8 / 9

9 Powered by TCPDF ( TERENCE WRIGHT GUITAR 9 / 9

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