THE PEARSON CUSTOM LIBRARY OF AMERICAN LITERATURE

Transcription

1 THE PEARSON CUSTOM LIBRARY OF AMERICAN LITERATURE Literary Modernisms: Writing in America, (Compiled by Robin Schulze, Pennsylvania State University) America Before the War: Writing in America, (26 pp.) I. Beyond Convention Modernism in America s Heartland Edgar Lee Masters: Biographical Headnote (3 pp.) Minerva Jones (1 pp.) Indignation Jones (1 pp.) Doctor Meyers (1 pp.) Mrs. Meyers (1 pp.) Butch Weldy (1 pp.) Willa Cather: Biographical Headnote (3 pp.) Old Mrs. Harris (42 pp.) Sherwood Anderson: Biographical Headnote (4 pp.) from Winesburg, Ohio: Queer (7 pp.) Breaking New Ground in Paris and London Gertrude Stein: Biographical Headnote (6 pp.) Susie Asado (1 pp.) Composition as Explanation (9 pp.) Ezra Pound: Biographical Headnote (6 pp.) The Garden (1 pp.) In a Station of the Metro (1 pp.) The River Merchant s Wife: A Letter (2 pp.) Hugh Selwyn Mauberley (20 pp.) Hilda Doolittle: Biographical Headnote (5 pp.) Orchard (2 pp.) Hermes of the Ways (2 pp.) Oread (1 pp.) Sea Rose (1 pp.) Leda (2 pp.) Helen (1 pp.) II. Literary Experimentation and the Fate of American Reform At Home Robert Frost: Biographical Headnote (5 pp.) Mending Wall (2 pp.)

2 The Wood Pile (2 pp.) An Old Man s Winter Night (1 pp.) The Hill Wife (3 pp.) The Need of Being Versed in Country Things (1 pp.) Desert Places (1 pp.) The Most of It (1 pp.) Never Again Would Birds Song Be the Same (1 pp.) Susan Glaspell: Biographical Headnote (4 pp.) Trifles (13 pp.) Wallace Stevens: Biographical Headnote (3 pp.) Sunday Morning (4 pp.) Anecdote of the Jar (1 pp.) The Snow Man (1 pp.) Tea at the Palaz of Hoon (1 pp.) The Idea of Order at Key West (2 pp.) Of Modern Poetry 91 pp.) Final Soliloquy of the Interior Paramour (1 pp.) Anzia Yezierska: Biographical Headnote (4 pp.) The Lost Beautifulness (13 pp.) William Carlos Williams: Biographical Headnote (8 pp.) Danse Russe (1 pp.) Tract (3 pp.) The Great Figure (1 pp.) By the Road to the Contagious Hospital (2 pp.) To Elsie (The Pure Products of America) (3 pp.) The Red Wheelbarrow (1 pp.) This Is Just to Say (1 pp.) The Yachts (2 pp.) Marianne Moore: Biographical Headnote (5 pp.) To a Steam Roller (1 pp.) Critics and Connoisseurs (2 pp.) The Fish (2 pp.) Poetry [1919] (2 pp.) Marriage (9 pp.) Silence (1 pp.) Robinson Jeffers: Biographical Headnote (4 pp.) The Excesses of God (1 pp.) Shine, Perishing Republic (1 pp.) Hurt Hawks (2 pp.) Rock and Hawk (1 pp.)

3 The Purse Seine (2 pp.) Eugene O Neill: Biographical Headnote (5 pp.) The Emperor Jones (24 pp.) Edna St. Vincent Millay: Biographical Headnote (5 pp.) First Fig (1 pp.) Recuerdo (1 pp.) I shall forget you presently, my dear (1 pp.) Euclid alone has looked on Beauty bare (1 pp.) Spring (1 pp.) I, being born a woman and distressed (1 pp.) e. e. cummings: Biographical Headnote (4 pp.) O Sweet spontaneous (1 pp.) the Cambridge ladies who live in furnished souls (1 pp.) next to of course god America I (1 pp.) i sing Olaf glad and big (2 pp.) my father moved through dooms of love (3 pp.) pity this busy monster, manunkind (2 pp.) William Faulkner: Biographical Headnote (6 pp.) Barn Burning (15 pp.) Louise Bogan: Biographical Headnote (3 pp.) Medusa (1 pp.) The Alchemist (1 pp.) Women (1 pp.) Cassandra (1 pp.) Hart Crane: Biographical Headnote (3 pp.) Chaplinesque (1 pp.) At Melville s Tomb (1 pp.) from The Bridge: To Brooklyn Bridge (2 pp.) from The Bridge: Ave Maria (5 pp.) Allen Tate: Biographical Headnote (4 pp.) Ode to the Confederate Dead (4 pp.) The View from Abroad T. S. Eliot: Biographical Headnote (8 pp.) The Love Song of J. Alfred Prufrock (5 pp.) The Waste Land (18 pp.) F. Scott Fitzgerald: Biographical Headnote (5 pp.) Winter Dreams (18 pp.) Ernest Hemingway: Biographical Headnote (6 pp.) Big Two Hearted River, Parts 1 and 2 (16 pp.)

4 Kay Boyle: Biographical Headnote (5 pp.) Rest Cure (7 pp.) III. The New Negro Movement: Aesthetics and Politics W. E. B. DuBois: Biographical Headnote (5 pp.) from The Souls of Black Folk: Forethought, Chapters I VI, XII, XIV (40 pp.) Criteria of Negro Art (8 pp.) James Weldon Johnson: Biographical Headnote (4 pp.) The Creation (3 pp.) Alain Locke: Biographical Headnote (4 pp.) The New Negro (11 pp.) Angelina Grimké: Biographical Headnote (2 pp.) The Black Finger (1 pp.) Tenebris (1 pp.) Jean Toomer: Biographical Headnote (4 pp.) Blood Burning Moon (7 pp.) Claude McKay: Biographical Headnote (5 pp.) The Harlem Dancer (1 pp.) If We Must Die (1 pp.) The Tropics in New York (1 pp.) America (1 pp.) The White House (1 pp.) Zora Neal Hurston: Biographical Headnote (4 pp.) Sweat (10 pp.) Langston Hughes: Biographical Headnote (5 pp.) The Negro Speaks of Rivers (1 pp.) Mother to Son (1 pp.) I, Too (1 pp.) The Weary Blues (2 pp.) Being Old (1 pp.) Note on Commercial Theatre (1 pp.) Theme for English B (2 pp.) Harlem [2] (1 pp.) Countee Cullen: Biographical Headnote (3 pp.) Yet Do I Marvel (1 pp.) From the Dark Tower (1 pp.) Heritage (4 pp.) Any Human to Another (2 pp.) Helene Johnson: Biographical Headnote (4 pp.) My Race (1 pp.)

5 Magalu (1 pp.) Bottled (2 pp.) IV. Rethinking Social Relevance Genevieve Taggard: Biographical Headnote (3 pp.) With Child (1 pp.) A Middle Aged, Middle Class Woman at Midnight (2 pp.) Up State Depression Summer (3 pp.) To My Mother (1 pp.) John Dos Passos: Biographical Headnote (6 pp.) from The Big Money: Newsreel LXVIII (2 pp.) from The Big Money: The Camera Eye [51] (2 pp.) from The Big Money: Power Superpower (6 pp.) Richard Wright: Biographical Headnote (6 pp.) Bright and Morning Star (29 pp.) Katherine Anne Porter: Biographical Headnote (4 pp.) Flowering Judas (11 pp.)