USE OF CLAY IN POTTERY. By Prof A. Balasubramanian Centre for Advanced Studies in Earth Science, University of Mysore, Mysore

Transcription

1 USE OF CLAY IN POTTERY By Prof A. Balasubramanian Centre for Advanced Studies in Earth Science, University of Mysore, Mysore

2 Soil contains sand, silt and clay components. Topsoil contains a lot of organic material, which makes it good for growing plants. Clays and inelastic earths are the results of decomposing rocks, in which the particle size is extremely small. What is clay?

3 Clay Is... Clay differs from the inelastic earths and fine sand because of its ability, when wet with the proper amount of water, to form a cohesive mass and to retain its shape when molded. This quality is known as clay s plasticity. When heated to high temperatures, clay also partially melts, resulting in the tight, hard rock-like substance known as ceramic material.

4 Clay minerals The clay minerals kaolin, smectite and palygorskite-sepiolite are among the world's most important and useful industrial minerals. Clay minerals are important in a number of geological applications such as stratigraphic correlations, indicators of environments of deposition and temperature for generation of hydrocarbons. In agriculture, the clay minerals are a major component of soils and determinant of soil properties. The clay minerals are important in construction where they are a major constituent in brick and tile. The physical and chemical properties of the clay minerals determine their utilization in the process industries.

5 Classes of Clay Clay can be divided into several classes, based on characteristics and at what temperature the clay must be fired to in order for it to become mature, or reach its optimum hardness and durability.

6 Clays- important characteristics The important characteristics relating to the applications of clay minerals are a) particle size and shape, b) surface chemistry, c) surface area, d) Surface charge, and e) other properties specific to particular applications, including viscosity, colour, plasticity, green, dry and fired strength, absorption and adsorption, abrasion and ph. In all applications, the clay minerals perform a function and are not just inert components of the system.

7 Three types of clays The three most commonly used clay bodies are earthenware clay bodies, mid-fire stoneware clay bodies, and high-fire stoneware clay bodies. All three are available commercially in moist and ready-to-use form. Clay bodies can also be produced by mixing dry clays and additives with water to create your own desired clay body.

8 Physical stages of clay Clay ware takes on varying physical characteristics during the making of pottery. Greenware: refers to unfired objects. At sufficient moisture content. Most plastic in form. Soft and malleable. Easily deformed by handling. Leather-hard : refers to a clay body that has been dried partially. 15% moisture content. Very firm and only slightly pliable. Trimming and handle attachment possible. Bone-dry : clay body reaches a moisture content at or near 0%. It is now ready to be bisque fired. Bisque : clay after the object is shaped to the desired form and fired in the kiln for the first time. It is "bisque fired" or "biscuit fired". This firing changes the clay body in several ways. Mineral components of the clay body will undergo chemical changes that will change the colour of the clay. Glaze fired : Final stage of pottery making. A glaze may be applied to the bisque form and the object can be decorated in several ways. After this the object is "glazed fired", which causes the glaze material to melt, then adhere to the object. The glaze firing will also harden the body still more as chemical processes can continue to occur in the body.

9 Stages with temperature rise Spinel = Further heating to C converts metakaolin to an aluminium-silicon spinel which is sometimes also referred to as a gamma-alumina type structure: 2 Al2Si2O7 Si3Al4O12 + SiO2. Platelet mullite = Upon calcination above 1050 C, the spinel phase nucleates and transforms to platelet mullite and highly crystalline cristobalite: 3 Si3Al4O12 2(3 Al2O3 2 SiO2) + 5 SiO2. Needle mullite = Finally, at 1400 C the "needle" form of mullite appears, offering substantial increases in structural strength and heat resistance. This is a structural but not chemical transformation.

10 CLAYS, POTTERY & CERAMICS

11 Pottery and ceramics Pottery and ceramics are made by forming and firing raw materials including clay and pottery stones. They are divided into several categories, such as earthenware and porcelain, depending on such factors as raw material composition, firing temperatures and water absorption. Fine Ceramics are primarily composed of unique minerals such as alumina porcelain.

12 Pottery Pottery is the ceramic act of making pottery wares, of which major types include earthenware, stoneware and porcelain. The place where such wares are made is also called a pottery (plural "potteries"). Pottery also refers to the art or craft of a potter or the manufacture of pottery.

13 Definition of pottery all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products. Some archaeologists use a different definition by excluding ceramic objects such as figurines which are made by similar processes and of similar materials but are not vessels.

14 Origin of pottery Pottery originated during the Neolithic period. Ceramic objects like the Gravettian culture( Venus of Dolní Věstonice) figurine discovered in the Czech Republic date back to 29,000 25,000 BC. Pottery vessels discovered in Jiangxi, China date back to 20,000 BP. Early Neolithic pottery has also been found in Jomon Japan (10,500 BC) the Russian Far East (14,000 BC)& Sub-Saharan Africa and South America.

15 HISTORY OF POTTERY AND PORCELAIN The potter's wheel: 3000 BC Greek vases: 6th - 5th century BC Glazed ceramics: 9th - 1st century BC African terracotta figures: from the 5th century BC T'ang pottery: 7th - 9th century Islamic pottery: 9th-12th century Pottery of the Song dynasty: 10th - 13th century Japanese pottery and the Tea Ceremony: 13th - 16th c Raku:1588 Korean Kakiemon porcelain: 17th century Japan Majolica, faience and delftware: 14th-17th century Europe The European quest for porcelain: 16th-18th century The porcelain prisoner:

16 Pottery using clay body Pottery is made by forming a clay body into objects of a required shape and heating them to high temperatures in a kiln which removes all the water from the clay, which induces reactions that lead to permanent changes including increasing their strength and hardening and setting their shape.

17 Clay body can be decorated A clay body can be decorated before or after firing. Prior to some shaping processes, clay must be prepared. Kneading helps to ensure presence of an even moisture content throughout the clay body. Air trapped within the clay body needs to be removed. This is called de-airing and can be accomplished by a machine called a vacuum pug or manually by wedging. Wedging can also help produce an even moisture content. Once a clay body has been kneaded and de-aired or wedged, it is shaped by a variety of techniques. After shaping it is dried and then fired.

18 Clays bodies and mineral contents There are several materials that are referred to as clay. The properties of the clays differ, including: Plasticity, the malleability of the body; the extent to which they will absorb water after firing; and shrinkage, the extent of reduction in size of a body as water is removed.

19 Different clay bodies Different clay bodies also differ in the way in which they respond when fired in the kiln. A clay body can be decorated before or after firing. Prior to some shaping processes, clay must be prepared. Each of these different clays are composed of different types and amounts of minerals that determine the characteristics of resulting pottery.

20 Mineral contents of clay It is common for clays and other materials to be mixed to produce clay bodies suited to specific purposes. A common component of clay bodies is the mineral kaolinite. Other mineral compounds in the clay may act as fluxes which lowers the vitrification temperature of bodies.

21 Pottery Includes glazed ceramics fired at higher temperatures than earthenware (1,000-1,250 o C / 1,832-2,282 o F), but which possess water absorption properties. Used in many modern products such as tea cups, tableware, vases and roof tiles.

22 Different types of clays used for pottery Earthernware clays Kaolin Ball clay Fire clay Stoneware clay Common red clay and Shale clay Bentonite clay

23 Earthenware Clays the earliest clays used by potters the most common type of clay found. highly plastic (easily worked) and can be sticky. contain iron and other mineral impurities which cause the clay to reach its optimum hardness at between 1745 F and 2012 F (950 C and 1100 C). Typical colors for under moist status -red, orange, yellow, and light gray. Colors for fired earthenware includes brown, red, orange, buff, medium grey, and white. Fired colors are determined by the mineral impurities and the type of firing.

24 Earthernware Includes clay biscuit vessels that are kneaded, shaped and fired at low temperatures (approx. 800 o C / 1,472 o F). Typical examples are many. Archaeological artifacts from the Middle East dating from around 6000 B.C. were the first. Modern uses include terracotta, flowerpots, red bricks, stoves and water filters.

25 Kaolin (Porcelain) Clays Due to their mineral purity, kaolins are used for porcelain. They are all very light in color. While moist, they will be light grey and will fire in the range between a very light grey or buff, to near-white and white. Kaolin clays are not nearly as plastic as other clays. They are difficult to work with. Pure kaolin clays fire to maturity at about 3272 F (1800 C). They are often mixed with other clays to both increase workability and lower the firing temperature. Many porcelain bodies are a mixture of kaolin and ball clays.

26 Kaolin Another very large user of kaolins is the ceramics industry, particularly in whiteware, sanitaryware, insulators, pottery and refractories. Both primary and secondary kaolins can have excellent ceramic properties.

27 Industrial uses of kaolin Paper coating, Cement, Food additives Paper filling, Pencil leads, Bleaching Extender in paint, Adhesives, Fertilizers Ceramic raw material, Tanning leather Plaster Filler in rubber, Pharmaceuticals, Filter aids Filler in plastics, Enamels, Cosmetics Extender in ink Pastes, and glues Crayons Cracking catalysts, Insecticide carriers, Detergents Fibreglass, Medicines, Roofing granules Foundries, Sizing, Linoleum Desiccants, Textiles, Polishing compounds

28 Kaolin- China Clay Kaolin, is sometimes referred to as China clay because it was first used in China. part of the group of industrial minerals, with the chemical composition Al2Si2O5(OH)4. It is a layered silicate mineral, with one tetrahedral sheet linked through oxygen atoms to one octahedral sheet of alumina octahedra. Rocks that are rich in kaolinite are known as kaolin or china clay.

29 Structural transformations Kaolinite structure Kaolinite group clays undergo a series of phase transformations upon thermal treatment in air at atmospheric pressure.

30 Drying kaolin Below 100 C, exposure to dry air will slowly remove liquid water from the kaolin. The end-state for this transformation is referred to as "leather dry". Between 100 C and about 550 C, any remaining liquid water is expelled from kaolinite. The end state for this transformation is referred to as "bone dry". Through this state, the expulsion of water is reversible: if the kaolin is exposed to liquid water, it will be reabsorbed and disintegrate into its fine particulate form. Subsequent transformations are not reversible, and represent permanent chemical changes.

31 Metakaolin Endothermic dehydration of kaolinite begins at C producing disordered metakaolin, but continuous hydroxyl loss is observed up to 900 C. Comp: Al 2 Si 2 O 5 (OH) 4 Al 2 Si 2 O H 2 O.

32 Ball Clays Ball clays are highly plastic and contain few mineral impurities. They fire to their mature hardness at about 2336 F (1300 C). When moist, they are dark grey and when fired they are either light grey or light buff in color.

33 Common Dry Ball Clays Used in Pottery Ball clays are light-colored, highly plastic clays that are used to help clay bodies become more workable. They are also very prone to excessive shrinkage (generally between 12% and 15%) and warping. Because of these problems, they are not used by themselves in a clay body. Champion Ball Clay Champion ball clay fires to white and is known for excellent dry strength.

34 Problems of Ball clays Ball clays do have a serious drawback. They cannot be used by themselves due to their excessive shrinkage during drying and firing. They are extremely useful, however, when added to other clays to increase workability and plasticity.

35 Ball clay Ball clay An extremely plastic, fine grained sedimentary clay, which may contain some organic matter. Small amounts can be added to porcelain to increase plasticity. Ball clays are kaolinitic sedimentary clays. They consist of 20-80% kaolinite, 10-25% mica, and 6-65% quartz. They are fine-grained and plastic in nature. Ball clays are relatively scarce deposits

36 Fire Clays Fire clays vary widely in their characteristics. The hallmark is their high firing range. They mature at about 2696 F (1500 C). Although relatively free from mineral impurities, they tend to have spots of iron which lend a speckled appearance once fired. Often used in stoneware clay bodies to increase their maturation temperature and to give the fired clay a bit extra roughness, or "tooth". Used in fuel-fired kilns to create cone packs and to seal doors.

37 Fire clay Fire clay is a term applied to a range of refractory clays used in the manufacture of ceramics, especially fire brick. This kind of clay has a slightly lower percentage of fluxes than kaolin. It is usually quite plastic. It is a highly heat resistant form of clay. It can be combined with other clays to increase the firing temperature and may be used as an ingredient to make stoneware type bodies.

38 Fire clay Fire clay has a "mineral aggregate composed of hydrous silicates of aluminium (Al 2 O 3.2SiO 2.2H 2 O) with or without free silica. A "fire clay material must withstand a minimum temperature of 1,515 C. High-grade fire clays can withstand temperatures of 1775 C (3227 F). Fire clay is resistant to high temperatures, having fusion points higher than 1,600 C (2,910 F). It is suitable for lining furnaces, as fire brick. Suitable for the manufacture of utensils used in the metalworking industries(crucibles & glassware).

39 Porcelain Clay Bodies Porcelain clay bodies are known for their hardness, their extremely tight density, their whiteness, and their translucence when the pottery's walls are thin. Kaolin clays are the foundation of all porcelain clay bodies. Kaolin is the purest form of clay. It is also so non-plastic as to be nearly unworkable if not mixed with other clays. Another difficulty is that porcelain clay bodies are very prone to warping during drying and in the kiln. The purest porcelain bodies are fired at the highest temperatures used in pottery, usually between cone 11 and cone 14. However, many porcelain clay bodies are modified to make the clay more workable and also to bring the firing temperature down.

40 Porcelain Includes colorfully glazed, white ceramics hardened by forming and firing mixtures of high-purity clays (or pottery stones), silica and feldspars. They were developed during China's Sui and Tang Dynasties ( A.D.) and adopted worldwide. Widely used in modern tableware, insulators, arts & craftworks and exterior tiles.

41 Stoneware Clays Stoneware clays are plastic and are often grey in color when occur with moisture. Their fired colors range through light grey and buff, to medium grey and brown. Fired colors are greatly affected by the type of firing.

42 Stoneware clay Suitable for creating stoneware. has many of the characteristics between fire clay and ball clay, It contains finer grains, like ball clay It is more heat resistant like fire clays.

43 Stoneware Clay Bodies Generally speaking, stoneware clay bodies fire to a gray, buff, tan, or light brown color. Color will vary with the same clay, depending on the kiln's atmosphere. Darker colors are possible with the addition of slips, such as Alberta Slip, or of coloring oxides. Stoneware clays get their name from the dense, rock-like nature of the clay body when it is fired to its maturation temperature. There are some naturally occurring stoneware clays that need little modification. Usually, however, a stoneware clay body adds other ingredients for optimal performance. For example, ball clays may be added for plasticity, or fire clays may be added to raise the maturation temperature of the clay body.

44 Stoneware These ceramics are composed of purer clay, fire-hardened and lacking water absorption properties. Today, they are used for clay pipes, pavement bricks, artisan pots and tea sets.

45 Dry Stoneware and Fire Clays There are several dry fire clays and stoneware clays available to the studio potter. These dry clays are used to create custom clay bodies, using clay body recipes.

46 Low-fire bodies Low-fire bodies are defined by when the temperature at which the clay body matures, generally considered to be between cones 09 and 02 (1700⁰ and 2000⁰ F or 927⁰ and 1093⁰ C). Low-fire clays tend to have good workability and usually will not shrink, warp, or sag excessively. However, they are softer which means that they are less durable and will absorb liquids. Low-fire clays are divided into two types according to their color after firing. Darker-colored bodies (most commonly red), and the white and buff clay bodies.

47 Mid-Fire Stoneware Clay Bodies Mid-Fire Stoneware Clay Bodies are formulated to fire to maturity between 2150 F and 2260 F (1160 C and 1225 C). High-Fire Stoneware Clay Bodies fire to their mature hardness between 2200 F and 2336 F (1200 C and 1300 C).

48 Differences Between Mid-Range and High-Fire Clays the distinguishing factor is the temperature at which the clay matures. (heating cones in sequence) Mid-range clay bodies high to maturity between cone 4 and cone 7. High-fire clay bodies are usually considered to be those that mature between cone 8 and cone 11, although some porcelains go all the way to cone 14. The ingredients used in mid-range and high-fire clay bodies are very similar within their type. The main difference is that, in relation to high-fire bodies, mid-range bodies will have either less refractory elements, more fluxing agents, or a combination of these two.

49 Red or Dark Earthenware Clays can range from a orange-red to a dark brown, with red being the most common. Their color derives from the iron-bearing clays used their clay bodies. The iron already within the clay body acts as a fluxing (melting) agent, which matures the clay at relatively low temperatures. Earthenware clays melt at such low temperatures that they seldom become fully vitrified. Because of this, the fired ware will continue to absorb liquids. For this reason, functional ware is almost always glazed.

50 White or Buff Earthenware Clays Because of an increased interest in low-temperature firing, new varieties of low-fire clay bodies have been developed. These clay bodies have also been given the label earthenware due to the fact that they mature in the earthenware temperature range. The idea of low-firing white clay bodies actually began further back to Europe, when pottery factories began trying to duplicate the porcelain ware that had become available from the eastern Asia. These clay bodies required large quantities of fluxing agents, in order to lower the melting temperature for the relatively clean mixtures of kaolin and ball clays. The white bodies of today are still composed of about half clay and half added fluxing agent, such as talc.

51 Common red clay and Shale Common red clay and Shale clay have vegetable and ferric oxide impurities which make them useful for bricks. Generally unsatisfactory for pottery except under special conditions of a particular deposit.

52 Bentonite An extremely plastic clay which can be added in small quantities to short clay to increase the plasticity. Bentonite is an absorbent aluminium phyllosilicate, It is an impure clay consisting mostly of montmorillonite. There are different types of bentonite, each named after the respective dominant element, such as potassium (K), sodium (Na), calcium (Ca), and aluminium (Al).

53 Smectite Smectite is the mineral name given to a group of Na, Ca, Mg, Fe, and Li-A1 silicates. The mineral names in the smectite group which are most commonly used are Namontmorillonite, Ca-montmorillonite, saponite (Mg), nontronite (Fe), and hectorite (Li). The rock in which these smectite minerals are dominant is bentonite.

54 Methods of shaping in pottery Hand building The potter's wheel Granulate pressing Injection moulding Jiggering and jolleying Roller-head machine Pressure casting RAM pressing Slipcasting

55 Glaze Glaze is a glassy coating on pottery The primary purposes is for decoration and protection. One important use of glaze is to render porous pottery vessels impermeable to water and other liquids. Glaze may be applied by dusting the unfired composition over the ware or by spraying, dipping, trailing or brushing on a thin slurry composed of the unfired glaze and water. The colour of a glaze after it has been fired may be significantly different from before firing.

56 Specialised glazing techniques; In Salt-glazing, common salt is introduced to the kiln during the firing process. The high temperatures cause the salt to volatize, depositing it on the surface of the ware to react with the body to form a sodium aluminosilicate glaze. Salt-glazing

57 Glazing Methods -Ash glazing Ash glazing - ash from the combustion of plant matter has been used as the flux component of glazes. The source of the ash was generally the combustion waste from the fuelling of kilns although the potential of ash derived from arable crop wastes has been investigated. They are now limited to small numbers of studio potters who value the unpredictability arising from the variable nature of the raw material.

58 Glazing Methods Underglaze decoration (in the manner of many blue and white wares). Underglaze may be applied by brush strokes, air brush, or by pouring the underglaze into the mold, covering the inside, creating a swirling effect, then the mold is filled with slip. In-glaze decoration On-glaze decoration Enamel

59 Firing Firing produces irreversible changes in the body. It is only after firing that the article or material is pottery. In lower-fired pottery, the changes include sintering, the fusing together of coarser particles in the body at their points of contact with each other. In the case of porcelain, where different materials and higher firing-temperatures are used, the physical, chemical and mineralogical properties of the constituents in the body are greatly altered.

60 Object of firing In all cases, the object of firing is to permanently harden the wares and the firing regime must be appropriate to the materials used to make them. As a rough guide, earthenwares are normally fired at temperatures in the range of about 1,000 C (1,830 F) to 1,200 C (2,190 F); stonewares at between about 1,100 C (2,010 F) to 1,300 C (2,370 F); and porcelains at between about 1,200 C (2,190 F) to 1,400 C (2,550 F).

61 Kilns Kilns may be heated by burning wood, coal and gas or by electricity. When used as fuels, coal and wood can introduce smoke, soot and ash into the kiln which can affect the appearance of unprotected wares. For this reason, wares fired in wood- or coal-fired kilns are often placed in the kiln in saggars, lidded ceramic boxes, to protect them. Modern kilns powered by gas or electricity are cleaner and more easily controlled than older wood- or coalfired kilns and often allow shorter firing times to be used.

62 Thanking You