ceramic artsdaily.org 15+ tried & true cone 10 glaze recipes recipe cards for our favorite high fire pottery glazes

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1 ceramic artsdaily.org 15+ tried & true cone 10 glaze recipes recipe cards for our favorite high fire pottery glazes

2 Contents Good news cone 10 potters! We ve gathered more than 15 of our favorite cone 10 glaze recipes together in a convenient recipe-card format, perfect for printing and taking to the glaze lab or pottery studio. Whether you are interested in trying out some of the beautiful glazes that have been used for generations, or if you want to try something new, you ve found the perfect resource. Use the beautiful images here as a guide to the cone 10 surfaces you ll get, but be sure to always start out with small batches and have fun testing and tweaking! Now get out there and mix up some new glazes for your pottery! 15 Tried & True High Fire Glaze Recipes Martin Swart s Steady Green Cone 8-12 Oxidation or Reduction Martin Swart s Opaque Green Cone 8-12 Oxidation or Reduction HAA2 Cone 9-10 Oatmeal White Cone 10 Malcolm Davis Shino Glaze Hank s Shino Glaze Rhodes Crackle Slip Cone 10, redduction Mark Nafziger s Gold Glaze Jim Brown s Blue Glaze Peach Black Temmoku Glaze Celadon Liner Glaze Magnesia Matt Glaze Coleman Vegas Red Glaze Cone 8 10, reduction Green to Black Cone 10 Elaine s Celadon Base Glaze Cone 8 11, reduction

3 Martin Swart s Steady Green cone 8 12 Oxidation or Reduction Whiting (Kulu) % Potash Feldspar Kaolin (G1) Silica Add: Copper Oxide % Red Iron Oxide % Test using whiting, potassium feldspar (like Custer feldspar), and kaolin (like EPK kaolin) available from local supplier. To make gray/ blue glaze, substitute cobalt oxide at 0.5% for the copper oxide. Above: Steady Green with gray/blue substitute Right: Steady Green Martin Swart s Opaque Green cone 8 12 Oxidation or Reduction Whiting (Kulu) % Potash Feldspar Kaolin (G1) Silica Version 1 Add: Copper Oxide... 1 % Tin Oxide or Zirconium % Version 2 Add: Copper Carbonate % Tin Oxide or Zirconium % Add 8 10% zirconium for a very opaque green. I prefer zirconium because it s much cheaper than tin oxide in South Africa. iii

4 Caterina Roma HAA2 Cone 9 10 Dolomite % Whiting Potash Feldspar Ball Clay China Clay Silica... 5 This opaque white matte glaze verges on being grayish blue. It breaks black on ridges, and is great to accentuate texture and facets. It s sensitive to thickness and temperature: completely matte when fired at cone 9, and has a more satin finish at cone 10, with a light crackle surface. Thickness gives a whiter look and tends to go black if applied too thin. I use a thick mixture, brush it on, and fire it in the hot spots of my electric kiln at cone I discovered this glaze in the book, Oriental Glazes, by Michael Bailey. It is recommended for once-firing, but I ve always used it on bisqued pieces. Caterina Roma Oatmeal White Cone 10 Bone Ash % Dolomite Whiting Potash feldspar Kaolin Add: Tin Oxide % This glaze is a bit shinier than HAA2. It can be fired over a broader temperature range, but it can be a bit runny if fired over cone 10. It breaks brown on edges and gives better results when thin. I use it for dipping in a thin mixture but, with care, it can be also brushed on. The interaction with the impurities found in the clay I collect gives a rough finish. When I want a white satin glaze, I use a combination of the HAA2 and Oatmeal White glazes in different coats, which results in a deep and interesting surface. This glaze is also useful when refiring with HAA2, to lower the melting temperature. Malcolm Davis Shino Glaze Soda Ash % Kona F-4 Feldspar Nepheline Syenite Edgar Plastic Kaolin Kentucky Ball Clay (OM 4) % For use on porcelain, add 6% Cedar Heights Redart From Mel Jacobson, Ceramics Monthly, December iv

5 Hank s Shino Glaze Cryolite % Nepheline Syenite Low-Melt Spodumene McNamee Kaolin Add: Veegum T % White where thick; red where thin. Best with early reduction and a long, concluding period of oxidation, or an oxidation soak during cooling. Yields a very soft and fat surface with crawling. Crawls more strongly if fired soon after glazing. From Hank Murrow, Ceramics Monthly, September Rhodes Crackle Slip Borax % Zircopax Custer Feldspar...20 Calcined Kaolin...20 Edgar Plastic Kaolin (EPK) Kentucky Ball Clay (OM 4) Flint For use on green- or bisqueware Mark Nafziger s Gold Glaze Bone Ash % Dolomite Whiting Custer Feldspar...48 Kentucky Ball Clay (OM 4) Add: Rutile % Jim Brown s Blue Glaze Whiting % Custer Feldspar Edgar Plastic Kaolin (EPK) % Add: Cobalt Carbonate % Rutile % From Tony Winchester, Ceramics Monthly, November v

6 Peach Black Temmoku Glaze Whiting % G-200 Feldspar...50 Edgar Plastic Kaolin (EPK) Flint Add: Tin Oxide % Red Iron Oxide % Macaloid....1 % Tom Turner Porcelain Body Celadon Liner Glaze Dolomite % Whiting G-200 Feldspar Grolleg Kaolin Flint Add: Tin Oxide % North Fork Stone % Macaloid % North Fork Stone is a native basalt material; Alberta or Albany slip can be substituted. Magnesia Matt Glaze Dolomite % Lithium Carbonate Talc Whiting G-200 Feldspar Grolleg Kaolin Flint Add: Tin Oxide % Macaloid % Custer Feldspar % 6-Tile Clay Kaopaque Kentucky Ball Clay (OM 4) Flint Veegum T From Craig Martell, Ceramics Monthly, May Coleman Vegas Red Glaze (Cone 8 10, reduction) Barium Carbonate % Dolomite Gerstley Borate Whiting Custer Feldspar EPK (Edgar Plastic Kaolin) Silica (Flint) % Add: Copper Carbonate % Tin Oxide % Titanium Dioxide % Yellow Iron Oxide % oxblood with purple undertones From Tom & Elaine Coleman, Ceramics Monthly, January vi

7 Green to Black (Cone 10) Bone Ash % Dolomite Whiting Custer Feldspar EPK Add: Copper Carbonate % Tin Oxide % The glaze will be matt black when applied thick and soda fired in oxidation or reduction. A thin application combined with light soda glaze coverage can produce pumpkin oranges next to olive greens. From Ryan McKerley, Ceramics Monthly, March Elaine s Celadon Base Glaze (Cone 8 11, reduction) Whiting % Zinc Oxide Custer Feldspar Frit 3110 (Ferro) EPK (Edgar Plastic Kaolin) Silica (200-mesh Flint) White: Tin Oxide % Green: Mason Stain % Iron Blue: Mason Stain % Yields a smooth transparent glaze that is great over carved or incised decoration on porcelain. From Tom & Elaine Coleman, Ceramics Monthly, January vii

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