THE GENDER OF MODERNISM
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1 THE GENDER OF MODERNISM A CRITICAL ANTHOLOGY Edited by Bonnie Kime Scott CONTRIBUTING EDITORS MARY LYNN BROE, MARILYN L. BROWNSTEIN, CAROLYN BURKE, RONALD BUSH, THADIOUS M. DAVIS, MARIANNE DEKOVEN, SUSAN STANFORD FRIEDMAN, DIANE F. GILLESPIE, NANCY K. GISH, CLARE HANSON, SUZETTE HENKE, CORAL ANN HOWELLS, JANE LILIENFELD, JANE MARCUS, CELESTE M. SCHENCK, BONNIE KIME SCOTT, BRENDA R. SILVER, SUSAN M. SQUIER, AND CHERYL A. WALL INDIANA UNIVERSITY PRESS BLOOMINGTON AND INDIANAPOLIS
2 CONTENTS ACKNOWLEDGMENTS xiii INTRODUCTION. BONNIE KIME SCOTT 1 1 Djuna Barnes Introduced by Mary Lynn Broe 19 Mother 30 To the Dogs 33 The Confessions of Helen Westley 40 2 WillaCather Introduced by Jane Lilienfeld 46 The Novel D6meubl6 53 Nancy's Return (From Sapphira and the Slave Girl) 56 3 Nancy Cunard Introduced by Susan Stanford Friedman 63 Black Man and White Ladyship 68 Harlem Reviewed 73 The American Moron and the American of Sense Letters on the Negro 78 Letter to Ezra Pound 80 4 H.D. Introduced by Susan Stanford Friedman 85 Notes on Thought and Vision 93 The Borderline Pamphlet 110 Marianne Moore 125 Responsibilities 127 Joan of Arc 129 Letters to Amy Lowell 134 Letters to Marianne Moore 137 VII
3 viii THE GENDER OF MODERNISM 5 T. S. Eliot Introduced by Nancy K. Gish 139 Introduction to Djuna Barnes's Nightwood Review of Marianne Moore's Poems and Marriage Introduction to Marianne Moore's Selected Poems 6 Jessie Redmon Fauset Introduced by Cheryl A. Wall 155 As to Books Reviews of Countee Cullen and Langston Hughes Foreword to The Chinaberry Tree From Plum Bun 7 Zora Neale Hurston Introduced by Cheryl A. Wall 170 Characteristics of Negro Expression Spirituals and Neo-Spirituals Big Sweet (From Dust Tracks on a Road) Stories of Conflict 8 James Joyce Introduced by Bonnie Kime Scott 196 Stephen's Interview with His Mother (From Stephen Hero) Letter to Nora Barnacle 9 Nella Jjarsen Introduced by Thadious M. Davis 209 Letter on Walter White's Flight Letter to Carl Van Vechten 10 D. H. Juawrence Introduced by Bonnie Kime Scott 217 Matriarchy Cocksure Women and Hensure Men
4 11 Mina hoy Introduced by Carolyn Burke 230 Contents Gertrude Stein 238 Aphorisms on Futurism 245 The Ineffectual Marriage 247 Joyce's Ulysses 248 Brancusi's Golden Bird Rose Macaulay Introduced by Susan M. Squier 252 Afternoon Out (From Non-Combatants and Others) 260 Evening in Church (From Non-Combatants and Others) 263 Alix, Nicholas, and West (From Non-Combatants and Others) 265 Second Period: Smash (From Told by an Idiot) 266 Following the Fashion 269 Album Hugh MacDiarmid Introduced by Nancy K. Gish 275 Following Rebecca West in Edinburgh: A Monologue in the Vernacular (With Glossary) Katherine Mansfield Introduced by Clare Hanson 298 From Early Journal 305 From Letters to John Middleton Murry 306 The Flowering of the Self (From Journal, 1920) 307 On Vaihinger (From Journal, 1921) 308 Three Women Novelists (From Review of Dorothy Richardson's The Tunnel) 309 Dragonflies (From Review of Richardson's Interim) 310 The New Infancy (Review of May Sinclair's Mary Olivier) 311 A Ship Comes into the Harbour (Review of Virginia Woolf's Night and Day) 312 A Novel without a Crisis (From Review of Vita Sackville-West's Heritage) Charlotte Mew Introduced by Celeste M. Schenck 316 Absence 321 The Cenotaph 322 ix
5 x THE GENDER OF MODERNISM 16 Marianne Moore Introduced by Marilyn L. Brownstein 323 From the Correspondence 334 If I Were Sixteen Today 339 Charlotte Bronte 341 Well Moused, Lion 343 Archaically New 349 Hymen Ezra Found Introduced by Ronald Bush 353 Letter to Marianne Moore, 16 December Doggerel Section of Letter to Marianne Moore 362 "Others" (With Margaret Anderson's Annotation), 365 Suffragettes Jean Rhys Introduced by Coral Ann Howells 372 Vienne 377 Voyage in the Dark: Part IV (Original Version) 381 Ghostwriting Dorothy Richardson Introduced by Diane F. Gillespie 393 From "In the Crank's Library": In the Days of the Comet The Reality of Feminism Talent and Genius Women and the Future About Punctuation Women in the Arts Continuous Performance: The Film Gone Male Adventure for Readers Foreword to Pilgrimage Novels 20 May Sinclair Introduced by Diane F. Gillespie 436 The Novels of Dorothy Richardson "Prufrock: And Other Observations": A Criticism
6 Contents xi The Poems of "H. D." 453 The Reputation of Ezra Pound 468 "The Future of the Novel": An Interview Gertrude Stein Introduced by Marianne DeKoven 479 How Writing Is Written 488 What Are Master-pieces and Why Are There So Few of Them 495 A Transatlantic Interview Americans 516 White Wines 521 Play 524 A Description of the Fifteenth of November: A Portrait of T. S. Eliot 525 Sitwell Edith Sitwell 528 To Kitty or Kate Buss Sylvia Townsend Warner Introduced by Jane Marcus 531 Women as Writers 538 Cottage Mantleshelf 546 Bluebeard's Daughter Rebecca West Introduced by Bonnie Kime Scott 560 Trees of Gold 570 The "Freewoman" 573 Spinster to the Rescue 577 The World's Worst Failure 580 Reply to D. H. Lawrence's "Good Boy Husbands" 584 What Is Mr. T. S. Eliot's Authority as a Critic? 587 High Fountain of Genius Antonia White Introduced by Jane Marcus 597 The House of Clouds 603
7 xii THE GENDER OF MODERNISM 25 Anna Wickham Introduced by Celeste M. Schenck 613 Song of the Low-Caste Wife 617 Divorce 618 The Angry Woman Virginia Woolf The Modern Tradition. Introduced by Suzette Henke 622 Modern Fiction 628 From "Mr. Bennett and Mrs. Brown" 634 Modern Novels (Joyce) 642 Cultural Critique. Introduced by Brenda R. Silver 646 The Journal of Mistress Joan Martyn 658 From "Byron and Mr. Briggs" 667 Notes for Reading at Random 673 Anon 679 The Reader 697 SELECTED BIBLIOGRAPHY. BONNIE KIME SCOTT 702 CONTRIBUTORS 710 INDEX 713 Photographs on pages
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