AH305 Raphael, Titian, and the Art of Painting
|
|
- Natalie O’Neal’
- 5 years ago
- Views:
Transcription
1 AH305 Raphael, Titian, and the Art of Painting Art and Aesthetics Module: Artists, Genres, Movements Spring 2018 Seminar Leader: Geoff Lehman Course Times: Wednesday,14:00-15:30 and Friday, 14:00-15:30 (until 17:15 for museum visits) Office Hours: Tuesday, 13:00-15:00 Course Description This course examines the works of two painters central to the Renaissance tradition, Raphael and Titian, and considers the dialogues among them and the larger questions they raise for understanding the art of painting. For Vasari, Raphael s art was the epitome of Florentine disegno (design, drawing) and Titian s of Venetian colorito (coloring). And yet this is only one of a myriad of ways that these two artists, between them, defined the terms of Renaissance painting, and of its long afterlife in the following centuries. Their individual works are exceptional in the complexity of interpretation they demand, in their aesthetic and affective power, in their engagement with the wider humanist culture of the Renaissance, and in the degree to which all these qualities emerge from the use of the medium itself and from the very process of painting. Indeed, the works of these artists not only play a central role in defining the art of painting historically within the Western tradition; they also raise the question of the meaning and the power of the art itself, its philosophical (metaphysical, ontological, epistemological) character and its role in responding to and shaping human experience. The course will focus on a small number of major works (among others: Raphael s Madonnas, large altarpieces, and frescoed rooms in the Vatican; Titian s mythologies, portraits, and paintings in sitù in Venice) and will consider the response to Raphael and Titian in the works of the Mannerist generation and of later artists (Rembrandt, Rubens, Poussin, Velázquez, Goya, Monet, Picasso, Kentridge). Visits to museums to encounter works of art firsthand will be an integral part of the course. Course Books (all of these books can be borrowed from the Bard College Berlin library for the term) Ovid, Metamorphoses (ISBN: ) Leon Battista Alberti, On Painting (ISBN: ) Baldassare Castiglione, The Book of the Courtier (ISBN: ) Giorgio Vasari, The Lives of the Artists (ISBN: ) Walter Pater, The Renaissance (ISBN: ) There is no reader required for the course.
2 Requirements Attendance For this class attendance is mandatory, and active participation in discussions will be an essential part of the course. More than two absences (that is, absences from two sessions of 90 minutes) in a semester will significantly affect the participation grade for the course. Readings should be done in advance of the class for which they are assigned. Please consult the Student Handbook for regulations governing periods of illness or leaves of absence. Museum Visits Five of our scheduled classes will be museum visits. These will usually be on Friday, since the longer block of time scheduled for our course on Fridays allows us to make these visits during regular class time. Assessment Participation Students should arrive to each class on time and prepared. Being prepared means (1) having completed the assigned reading (in the specific editions indicated above), (2) bringing to class a non-electronic copy of the assigned reading, and (3) being ready to initiate and to contribute to discussion. Engagement in class discussion should be regular as well as productive; quantity alone will not favorably affect the participation grade. Writing Assignments There will be two principal assignments over the course of the term: a midterm essay of 6-7 pages ( words) and a final presentation accompanied by an essay of 9-10 pages ( words), due at the end of the term. Policy on Late Submission of Papers From the Student Handbook on the submission of essays: Essays that are up to 24 hours late will be downgraded one full grade (from B+ to C+, for example). Instructors are not obliged to accept essays that are more than 24 hours late. Where an instructor agrees to accept a late essay, it must be submitted within four weeks of the deadline and cannot receive a grade of higher than C. Thereafter, the student will receive a failing grade for the assignment. Grade Breakdown Class participation: 30% Midterm essay: 30% Final presentation: 10% Final essay: 30%
3 Schedule I. Raphael Wednesday, January 31 Theme and Variations Wallace Stevens, So-and-So Reclining on Her Couch Friday, February 2 Visit to the Gemäldegalerie Leon Battista Alberti, On Painting, Book II, pp Wednesday, February 7 The Vatican Stanze, I Leon Battista Alberti, On Painting, Book III Heinrich Wölfflin, Classic Art, Raphael, selections Friday, February 9 No class Wednesday, February 14 The Vatican Stanze, II Baldassare Castiglione, The Book of the Courtier, Book I, sections and 37 Heinrich Wölfflin, Classic Art, Raphael, selections Friday, February 16 The Vatican Stanze, III Giorgio Vasari, Lives of the Artists, Preface to Part Three and Life of Raphael, selections Wednesday, February 21 Mannerism Walter Friedländer, Mannerism and Anti-Mannerism in Italian Painting, selections II. Raphael, Rembrandt, Goya Friday, February 23 Rembrandt: The Group Portraits Aloïs Riegl, The Dutch Group Portrait, pp.3-20, Wednesday, February 28 Painting, Engraving, Etching André Malraux, Saturn: An Essay on Goya, selections III. Titian
4 Friday, March 2 Visit to the Gemäldegalerie Heinrich Wölfflin, Principles of Art History, Linear and Painterly, pp.18-29, Wednesday, March 7 Giorgione and Titian Walter Pater, The Renaissance, The School of Giorgione and Conclusion Friday, March 9 The Altarpiece Giorgio Vasari, Lives of the Artists, Life of Titian, selections David Rosand, Painting in Sixteenth-Century Venice, Chapter 2, selections Sunday, March 11, 14:00 Painting Workshop * Class meets in The Factory Lodovico Dolce, The Dialogue on Painting, selections Wednesday, March 14 Titian s Mythologies, I Ovid, The Art of Love, Book 1, ll Philostratus the Elder, Imagines, Book I, Introduction, 6, 15, and 25 Friday, March 16 Titian s Mythologies, II Ovid, Metamorphoses, selections Hubert Damisch, A Theory of /Cloud/, Chapter 1, selections Midterm essay due: 23:59 on Sunday, March 18 Wednesday, March 21 Old-age style David Rosand, Painting in Sixteenth-Century Venice, Chapter 5, selections Friday, March 23 No class SPRING BREAK (March 26-April 2) IV. Poussin and Rubens Wednesday, April 4 Poussin and Rubens
5 Louis Marin, Toward a Theory of Reading in the Visual Arts: Poussin s The Arcadian Shepherds Jonathan Unglaub, Poussin and the Poetics of Painting, selections Friday, April 6 Visit to the Gemäldegalerie Georges Didi-Huberman, Confronting Images, selections V. Las Hilanderas Wednesday, April 11 Framed Narrative Ovid, Metamorphoses, Book VI, ll (pp ) Svetlana Alpers, The Art of Describing, selections Friday, April 13 The Art of Painting David Rosand, The Meaning of the Mark, The Stroke of the Brush VI. Modernism Sunday, April 15, 14:00 Visit to the Alte Nationalgalerie Edmond Duranty, The New Painting, selections Jules LaForgue, Impressionism T. J. Clark, The Painting of Modern Life, Olympia s Choice, selections Wednesday, April 18 Monet T. J. Clark, The Painting of Modern Life, The Environs of Paris, selections Leo Steinberg, Monet s Water Lilies Friday, April 20 Visit to the Berggruen Museum Maurice Merleau-Ponty, Eye and Mind, sections II, IV, and V Leo Steinberg, Other Criteria, The Women of Algiers, selections Wednesday, April 25 Picasso Gertrude Stein, Picasso (Dover ed.), selections Rosalind Krauss, The Optical Unconscious, Chapter 5 Friday, April 27 Kentridge Rosalind Krauss, Perpetual Inventory, The Rock : William Kentridge s Drawings for Projection
6 FINAL PRESENTATIONS Wednesday, May 2 Friday, May 4 Wednesday, May 9 Friday, May 11 Final essay due: 23:59 on Wednesday, May 16
IS102 RENAISSANCE ART AND THOUGHT: RENAISSANCE FLORENCE
IS102 RENAISSANCE ART AND THOUGHT: RENAISSANCE FLORENCE BA2 Core Course, Fall 2016 Seminar Leaders: Geoff Lehman, Katalin Makkai, Libby Merrill Course Times: Tuesday, 11:00-12:30 and Thursday, 9:00-10:30
More informationAR204 Art and Interpretation
AR204 Art and Interpretation Art and Aesthetics Module: Art Objects and Experience Fall 2018 Seminar Leader: Geoff Lehman Course Times: Wednesday,14:00-15:30 and Friday, 14:00-15:30 (until 17:15 for museum
More informationIS102 RENAISSANCE ART AND THOUGHT: RENAISSANCE FLORENCE
IS102 RENAISSANCE ART AND THOUGHT: RENAISSANCE FLORENCE BA2 Core Course, Fall 2017 Seminar Leaders: Rodolfo Garau, Ian Lawson, Geoff Lehman (coordinator), Katalin Makkai Course Times: Tuesday, 9:00-10:30
More informationIS102 RENAISSANCE ART AND THOUGHT: RENAISSANCE FLORENCE
IS102 RENAISSANCE ART AND THOUGHT: RENAISSANCE FLORENCE BA2 Core Course, Fall 2018 Instructors: Rodolfo Garau, Ian Lawson, Geoff Lehman (coordinator), Katalin Makkai, Laura Scuriatti Course Times: Tuesday,
More informationAH313 Photography and Modernity
AH313 Photography and Modernity Art and Aesthetics Module: Media, Practices, Techniques Spring 2019 Seminar Leader: Geoff Lehman Course Times: Wednesday, 9:00-10:30 and Friday, 10:45-12:15 (9:00-12:15
More informationFA 30b History of Art II: From the Renaissance to the Modern Age Scope and Format: Textbook: 7th edition also acceptable
1 FA 30b History of Art II: From the Renaissance to the Modern Age M,W,Th: 11:00-11:50 am (Block D) Mandel G-12 Professor Jonathan Unglaub unglaub@brandeis.edu Office hours: Mondays 3:00-5:00 pm, and by
More informationCourse Description. Course Learning Outcomes. RENAISSANCE ART & ARCHITECTURE in Fall 2018 (AH2013)
RENAISSANCE ART & ARCHITECTURE in Fall 2018 (AH2013) Course Code AH2013 Professor(s) Mathilde Bert Prerequisites None Office Number C-504 Class Schedule MR: 13:45-15:05 in C-101 R: 15:20-16:40 in V-1 Office
More informationLT102 The Contemporary Novel
LT102 The Contemporary Novel Seminar Leader: James Harker Course Times: Mondays and Wednesdays, 3:45-5:15 pm Fall Term 2018 Email: j.harker@berlin.bard.edu Office Hours: Mondays and Wednesdays, 11:00 am-12:30
More informationCIEE GLOBAL INSTITUTE - MADRID
CIEE GLOBAL INSTITUTE - MADRID Course name: Spanish Masters in the Madrid Museums Course number: (GI) AHIS 3102 MASP Programs offering course: Open Campus - Language, Literature and Culture Track Language
More informationART 12 Introduction to Western Art: Renaissance to the Present Summer 2018 (July 13-August 9) Instructor: Marta Becherini
ART 12 Introduction to Western Art: Renaissance to the Present Summer 2018 (July 13-August 9) Instructor: Marta Becherini Course hours This course meets every day from Monday to Friday for two hours each
More informationFA103 Found Fragments & Layered Lines: mixed-media techniques for drawing and collage
FA103 Found Fragments & Layered Lines: mixed-media techniques for drawing and collage Seminar Leader: John Kleckner Email: j.kleckner@berlin.bard.edu Course Times: Fri 14:00-17:15 Office Hours: Fri 13:00-14:00
More informationARH 1210: History of Western Art: Renaissance to the Present
ARH 1210: History of Western Art: Renaissance to the Present General Information: Term: 2018 Summer Session Instructor: Staff Language of Instruction: English Classroom: TBA Office Hours: TBA Class Sessions
More informationCIEE GLOBAL INSTITUTE - MADRID
CIEE GLOBAL INSTITUTE - MADRID Course name: Course number: Programs offering course: Spanish Masters in Madrid Museums AHIS 3102 MASP Madrid Open Campus Language, Literature and Culture Track Language
More informationARH 012: History of Western Art: Renaissance to the Present
ARH 012: History of Western Art: Renaissance to the Present General Information: Term: 2018 Summer Session Instructor: Staff Language of Instruction: English Classroom: TBA Office Hours: TBA Class Sessions
More informationARH 012: History of Western Art: Renaissance to the Present
ARH 012: History of Western Art: Renaissance to the Present General Information: Term: 2018 Summer Session Instructor: Staff Language of Instruction: English Classroom: TBA Office Hours: TBA Class Sessions
More informationARH 012: History of Western Art: Renaissance to the Present
ARH 012: History of Western Art: Renaissance to the Present General Information: Term: 2019 Summer Session Instructor: Staff Language of Instruction: English Classroom: TBA Office Hours: TBA Class Sessions
More informationARH 012: History of Western Art: Renaissance to the Present
ARH 012: History of Western Art: Renaissance to the Present General Information Term: 2018 Summer Session Class Sessions Per Week: 5 Instructor: Staff Total Weeks: 4 Language of Instruction: English Total
More informationLT111 Reading into Writing A fiction workshop
LT111 Reading into Writing Syllabus, Fall 2018 p. 1 of 6 LT111 Reading into Writing A fiction workshop A fine gentleman like that, they said, had no need of books. Let him leave books, they said, to the
More informationCIEE Global Institute - Madrid
CIEE Global Institute - Madrid Course name: Spanish Masters in the Madrid Museums Course number: AHIS 3102 MASP Programs offering course: Open Campus Open Campus Track: Language, Literature and Culture
More informationSENMIDDELALDER - RENÆSSANCE - MANIERISME
1 Wamberg, Jacob: "Billede med udsigt: Landskabets gennembrud i renæssancens maleri" 1 Kilde: Periskop : Forum for kunsthistorisk debat Periskop, Nr. 3, 1994 ISSN: 09086916 2 Alberti, Leon Battista: "Om
More informationCourse Pre-requisites, Co-requisites, and/or Other Restrictions
THE ART OF THE RENAISSANCE AHST 3315 PROF. MARK ROSEN Course Information AHST 3315 Section: 001 MW 10 11:15 am Fall 2017 Professor Contact Information Prof. Mark Rosen Phone: 972-883-2367 Email: mark.rosen@utdallas.edu
More informationGeneral Education Core Objectives: Students who successfully complete this course will demonstrate competency in the following core objectives:
THE UNIVERSITY OF TEXAS AT DALLAS Course Information: ARHM 2342-002 Connections in the Arts and Humanities: The Italian Renaissance Dr. Dianne Goode Spring 2015, Tuesdays and Thursdays, 11:30 am - 12:45
More informationGeneral Education Core Objectives: Students who successfully complete this course will demonstrate competency in the following core objectives:
THE UNIVERSITY OF TEXAS AT DALLAS Course Information: ARHM 2342-501 Connections in the Arts and Humanities: The Italian Renaissance Dr. Dianne Goode Fall 2016, Mondays and Wednesdays, 5:30-6:45 pm JO 3.906
More informationLIBERAL ARTS COLLEGE
LIBERAL ARTS COLLEGE 2018-2019 LBCL 295/A: THE HISTORY OF ART Section A: Monday and Wednesday, 13:15-14:30 Instructor: Mark Russell Email: mark.russell@concordia.ca Office Hours: Rm. 304 - M/W, 14:45-15:45
More informationHistory of European Art: Centers, Protagonists, and Cultural Identities
Name: Email address: Course title: Track: Language of instruction: Contact hours: Stefano de Bosio stefano.debosio@fu-berlin.de History of European Art: Centers, Protagonists, and Cultural Identities B-Track
More informationARH 2051 Introduction to Principles and History of Art 2 Renaissance to the Present Fall 2015
ARH 2051 Introduction to Principles and History of Art 2 Renaissance to the Present Fall 2015 Giotto, Lamentation, Arena Chapel, Kara Walker, Insurrection! (Our Tools Were c. 1303-1306 Rudimentary, Yet
More informationJEFFERSON COLLEGE COURSE SYLLABUS ART105 SURVEY OF ART II. 3 Credit Hours. Prepared by: Blake Carroll. Revised Date: January 2008 by Blake Carroll
JEFFERSON COLLEGE COURSE SYLLABUS ART105 SURVEY OF ART II 3 Credit Hours Prepared by: Blake Carroll Revised Date: January 2008 by Blake Carroll Arts & Science Education Dr. Mindy Selsor, Dean ART105 Survey
More informationARH 311: History of Italian Art from the 15th to the beginning of the 17th Century
ARH 311: History of Italian Art from the 15th to the beginning of the 17th Century Spring Semester Instructor: Elisabetta Cunsolo ecunsolo@shc.edu Course Description: This course will offer an introduction
More informationThe Art Ins+tute of Chicago
The Art Ins+tute of Chicago The Art Ins+tute of Chicago Fourth Grade is the year you visit the Art Ins(tute of Chicago. By the +me you view this presenta+on you may have already been or just about to go
More informationSummer School Duccio to Degas: Introducing Western European art
Summer School Duccio to Degas: Introducing Western European art 1250 1925 Monday 25 Friday 29 September, 4pm Monday 25 September Early altarpieces We begin with an introduction to ways of looking at paintings
More information(D) sfumato (C) Greek temple architecture
1. All of the following are humanistic traits in the above statue by Michelangelo EXCEPT (A) use of marble (B) contrapposto stance (C) free-standing sculpture (D) sfumato (E) glorification of the human
More informationLIBERAL ARTS COLLEGE
LIBERAL ARTS COLLEGE 2017-2018 LBCL 295/A: THE HISTORY OF ART Section A: Monday and Wednesday, 16:15-17:30 Instructor: Mark Russell Email: mark.russell@concordia.ca Office Hours: Rm. 304 M/W, 15:00-16:00
More informationAttendance is required. Work will be assessed on the basis of students visual observations, mastery of course material, and critical interventions.
AH 320 19 TH CENTURY ART IMPRESSIONISM AND POSTIMPRESSIONISM IES Abroad Paris BIA DESCRIPTION: This course provides an in-depth study and pictorial survey of Impressionism, its origins and its legacy presented
More informationHistory of European Art: Centres and Protagonists
Name: Email address: Course title: Track: Language of instruction: Contact hours: Stefano de Bosio stefano.debosio@fu-berlin.de History of European Art: Centres and Protagonists B-Track English 72 (6 per
More informationCredits Lecture Hours Studio/Lab Hours
COURSE OUTLINE ART 122 Course Number HISTORY OF ART II Course Title 3 3 0 Credits Lecture Hours Studio/Lab Hours COURSE DESCRIPTION Survey of artists, styles and cultures from the Renaissance through mid-19th
More informationArt 232: History of Western Art II
Art 232: History of Western Art II Professor Ellen Daugherty Rhodes College, Spring 2005 414 Clough, Ext. 3663 417 Clough, MWF 1:00-1:50 daughertye@rhodes.edu CRN: 20120 Office Hours: Thursday 1:30-4:30
More informationArt Appreciation Activity Points % of Total Discuss 60 5% Exam 60 5% Final Exam 100 8% Journal 90 7% Practice 220 18% Quiz 360 29% Test (CST) 180 14% Test (TST) 180 14% Total Points for the Course : 1250
More informationArt Appreciation UNIT 1: INTRODUCTION TO PAINTING LESSON 1: BROAD STROKES: PRINCIPLES OF PAINTING
Core Art Appreciation Art Appreciation is a survey of the history of Western visual arts, with a primary focus on painting. Students begin with an introduction to the basic principles of painting and learn
More informationARH 2051 Introduction to Principles and History of Art 2 University of Florida, School of Art + Art History, Fall Semester 2014
University of Florida, School of Art + Art History, Fall Semester 2014 Professor Ashley Jones Graduate Assistants: Lila Stone and Leslie Todd ashley.jones@ufl.edu stone18@ufl.edu, ltodd1288@ufl.edu office
More informationART 103: History of Western Art: Renaissance to Present
Academic Inquiries: Email: sai@swufe.edu.cn ART 103: History of Western Art: Renaissance to Present Course Number: ART 103 Instructor: To be announced Total contact hours: 54 hours Credit: 4 Course Description
More informationART12 Intro to Western Art Renaissance to the Present
Basic Information ART12 Intro to Western Art Renaissance to the Present Instructor Name Home Institution Gordon Hughes Rice University Course Hours The course has 20 lectures classes in total. Each class
More informationWednesdays pm. (unless otherwise specified). No previous knowledge of Art History required.
Location Class code Instructor Details NYU London ARTH-UA9350001 Dr. Michael Douglas-Scott Class Details Wednesdays 1.00-4.00 pm. (unless otherwise specified). Meet at the site indicated on the syllabus.
More informationBoston University Study Abroad London Contemporary British Literature CAS EN 388 (Elective B) Spring 2016
Boston University Study Abroad London Contemporary British Literature CAS EN 388 (Elective B) Spring 2016 Instructor Information A. Name Julie Charalambides B. Day and Time Fridays, 9.30am-1.30pm PLUS
More informationC A P I L A N O UNIVERSITY COURSE OUTLINES
C A P I L A N O UNIVERSITY COURSE OUTLINES TERM: FALL 2015 COURSE NO: AHIS 315 INSTRUCTOR: TBA OFFICE: TBA LOCAL: TBA E-MAIL: @capilanou.ca Art of the Baroque SECTION NO(S): CREDITS: 3 OFFICE HOURS: TBA
More informationTHE UNIVERSITY OF TEXAS AT DALLAS
THE UNIVERSITY OF TEXAS AT DALLAS Course Information: AHST 3315.09M Art of the Italian Renaissance Summer II, 2015 Tuesdays and Thursdays, 1:00-5:15 p.m. JSOM 11.201 Instructor s Contact Information: Dr.
More informationThe Pursuit of Reality
The Pursuit of Reality The Artemision Bronze / Venus de Milo Classical Hellenistic Greek Sculpture. Greek sculpture is a steady progression towards greater naturalism and realism, but is idealised and
More informationARH 2051 Introduction to Principles and History of Art 2 University of Florida, School of Art + Art History, Spring Semester 2015
University of Florida, School of Art + Art History, Spring Semester 2015 Professor Ashley Jones Graduate Assistants: Maura Gleeson and Mary Wright ashley.jones@ufl.edu emgleeson@ufl.edu, marymac607@ufl.edu
More informationIntroduction to Art History
Core is a survey of the history of Western visual arts, with a primary focus on painting. Students begin with an introduction to the basic principles of painting and learn how to critique and compare works
More informationART HISTORY (ARTH) Kent State University Catalog
Kent State University Catalog 2017-2018 1 ART HISTORY (ARTH) ARTH 12001 ART AS A WORLD PHENOMENON (KFA) 3 An introduction to the history of art emphasizing analysis and interpretation of visual art forms.
More informationArt Appreciation UNIT 1: INTRODUCTION TO PAINTING. Core
Core is a survey of the history of Western visual arts, with a primary focus on painting. Students begin with an introduction to the basic principles of painting and learn how to critique and compare works
More informationBlack & White Photography Course Syllabus
Black & White Photography Course Syllabus Course Information ARTS 3371.001 Black & White Photography, FALL 2015 THURSDAY 1 3:45 ATC 2.908 (3.904) Professor Contact Information Dr. Diane Durant durant@utdallas.edu
More informationSection 1. Objectives
Objectives Describe the characteristics of the Renaissance and understand why it began in Italy. Identify Renaissance artists and explain how new ideas affected the arts of the period. Understand how writers
More informationMPJO : FEATURE WRITING GEORGETOWN UNIVERSITY: MPS- JOURNALISM Tuesdays, 6 p.m. to 9:20 p.m. Summer 2014
MPJO- 700-40: FEATURE WRITING GEORGETOWN UNIVERSITY: MPS- JOURNALISM Tuesdays, 6 p.m. to 9:20 p.m. Summer 2014 Instructor: Ryan Lizza Downtown campus, room C230 Office hours: by appointment. COURSE OVERVIEW
More informationLake-Sumter State College Course Syllabus
Lake-Sumter State College Course Syllabus Course Information: Course Prefix/Number: ARH 2000 Course Title: Art Appreciation CRN: 20658 Credit Hours: 3 Semester: Spring 2018 Class Days, Location, Time:
More informationLake-Sumter State College Course Syllabus
Lake-Sumter State College Course Syllabus Course Information: Course Prefix/Number: ARH 2000 Course Title: Art Appreciation CRN: 20564 Credit Hours: 3 Semester: Spring 2019 Class Days, Location, Time:
More informationThis course satisfies the Creative Arts core curriculum requirement.
LECTURES: MWF 1:00 1:50 ARTS 1304: Art History II: Gothic to the Present Dr. Devon Stewart Carr 243 dstewart23@angelo.edu Office Hours: Monday Thursday, 2-4pm, and by appointment Art History II surveys
More informationProf. Victor Coonin Office Hours: MWF Clough, x3824 and by appointment
Prof. Victor Coonin Office Hours: MWF 2-3 412 Clough, x3824 and by appointment coonin@rhodes.edu Art 323: Italian Renaissance Art Fall 2005 T,Th 2:00-3:15 Course Objectives and Description Students will
More informationTitian By Sheila Hale READ ONLINE
Titian By Sheila Hale READ ONLINE If you are looking for the book Titian by Sheila Hale in pdf format, then you have come on to correct site. We presented complete variation of this book in txt, PDF, DjVu,
More informationACRYLIC PAINTING II, Art 305
LA MISSION COLLEGE Professor: Barbara Kerwin, Thursdays 5:50-10 pm. CAC 1; clean-up 9:40 pm Office CAI 221 or CAC 1: Office CAI 221 or CAC 1: M, T, Th 4:30--5:50, F. 2:10-3:30 Barbara@Barbarakerwin.com,
More informationUNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS Cambridge International Level 3 Pre-U Certificate Principal Subject
UNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS Cambridge International Level 3 Pre-U Certificate Principal Subject www.xtremepapers.com ART HISTORY 9799/02 Paper 2 Historical Topics May/June 2013 2
More informationFoundations of Interactive Game Design (80K) week one, lecture one
Foundations of Interactive Game Design (80K) week one, lecture one Introductions TAs, reader/tutors, faculty If you want to add this class As of today, four of seven sections had space most space in Tuesday
More informationCIEE Global Institute - Rome
CIEE Global Institute - Rome Course name: Michelangelo and Leonardo da Vinci: the Story Behind the Italian Renaissance Course number: AHIS 3002 ROIT Programs offering course: Rome Open Campus (Language,
More informationCREATIVE COMPUTER GRAPHICS I
CREATIVE COMPUTER GRAPHICS I Description This course provides experiences with a variety of computer technologies and Art related software programs, such as Photoshop and Painter. Assignments are based
More informationCLASSICAL MYTHS IN ITALIAN RENAISSANCE PAINTING BY LUBA FREEDMAN
CLASSICAL MYTHS IN ITALIAN RENAISSANCE PAINTING BY LUBA FREEDMAN DOWNLOAD EBOOK : CLASSICAL MYTHS IN ITALIAN RENAISSANCE PAINTING Click link bellow and free register to download ebook: CLASSICAL MYTHS
More informationBOSTON UNIVERSITY STUDY ABROAD VENICE. Fall Semester 2014
BOSTON UNIVERSITY STUDY ABROAD VENICE Fall Semester 2014 Course: CFA AR 341 Painting Studios Instructor: Prof. Luca De Gaetano (luca.degaetano@gmail.com) Class appointments: Tuesday 9:15 am- 12:00 pm;
More informationTHE UNIVERSITY OF TEXAS AT DALLAS
THE UNIVERSITY OF TEXAS AT DALLAS Course Information: AHST 1304-001 Survey of Western Art History: Renaissance to Modern Fall 2015, Tuesday/Thursday, 1:00 2:15 pm JO 2.604 (Jonsson Performance Hall) Instructor
More informationRENAISSANCE ARCHITECTURE
RENAISSANCE ARCHITECTURE The clarity and precise geometry of central perspective mirrors the interest of Italian Renaissance artists and architects for Classical Roman examples. The Renaissance revival
More informationART AND BIOGRAPHY PROF. MARK ROSEN. Course Information. HUAS 6315 Spring 2014 M 1 3:45. Professor Contact Information
ART AND BIOGRAPHY PROF. MARK ROSEN Course Information HUAS 6315 Spring 2014 M 1 3:45 Professor Contact Information Office: JO 5.114 Email: mark.rosen@utdallas.edu Office phone: 972-883-2367 Office hours:
More informationDA9013 DRAWING AND SKETCHING FOR DESIGN
DA9013 DRAWING AND SKETCHING FOR DESIGN Academic Year 2017 Semester 2 Course Coordinator Assistant Professor Ng Woon Lam Course Code DA9013 Course Title Drawing and Sketching for Design, Compositional
More informationART 13 Introduction to Modern Art History Summer 2019 (July 12-August 8) Instructor: Marta Becherini
ART 13 Introduction to Modern Art History Summer 2019 (July 12-August 8) Instructor: Marta Becherini Course hours This course meets every day from Monday to Friday for two hours each day, for a total of
More informationUNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS Cambridge International Level 3 Pre-U Certificate Principal Subject
UNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS Cambridge International Level 3 Pre-U Certificate Principal Subject ART HISTORY 9799/02 Paper 2 Historical Topics May/June 2012 2 hours 15 minutes *2574265004*
More informationChapter 15. Renaissance and Reformation. Outline Section 1 The Italian Reniassance
Chapter 15 Renaissance and Reformation Outline Section 1 The Italian Reniassance I. Era of Awakening A. Renaissance Ch 15 Sec 1 1. early 1300 s, Italy 2. Means rebirth 3. Philosophical and artistic movement
More informationCIEE Global Institute - Rome
CIEE Global Institute - Rome Course name: Michelangelo and Leonardo da Vinci: the Story Behind the Italian Renaissance Course number: AHIS 3002 ROIT Programs offering course: Rome Open Campus (Language,
More informationUNIVERSITY OF NORTH ALABAMA AR 180: INTRODUCTION TO ART HISTORY An illustrated lecture course on the discipline of art history and its methods.
UNIVERSITY OF NORTH ALABAMA AR 180: INTRODUCTION TO ART HISTORY An illustrated lecture course on the discipline of art history and its methods. 3.0 Credit Hours Course Description This class is a general
More informationArt at the Prado Museum
In partnership withfundación Ortega-Marañón Art at the Prado Museum COURSE DESIGNATOR: MADR 3021 NUMBER OF CREDITS: 3 LANGUAGE OF INSTRUCTION: CONTACT HOURS: 45 COURSE DESCRIPTION The aim of this course
More informationGeneral Certificate of Education Advanced Level Examination June History of Art
General Certificate of Education Advanced Level Examination June 2012 History of Art HART3 Unit 3 Investigation and Interpretation (1) Friday 1 June 2012 1.30 pm to 3.00 pm For this paper you must have:
More informationART HISTORY (PRINCIPAL) 9799/02 Paper 2 Historical Topics For Examination from 2016
Cambridge International Examinations Cambridge Pre-U Certifi cate www.xtremepapers.com ART HISTORY (PRINCIPAL) 9799/02 Paper 2 Historical Topics For Examination from 2016 SPECIMEN PAPER 2 hours 15 minutes
More informationARH 021: Contemporary Art
General Information ARH 021: Contemporary Art Term: 2019 Summer Session Class Sessions Per Week: 5 Instructor: Staff Total Weeks: 5 Language of Instruction: English Total Class Sessions: 25 Classroom:
More informationThirty-Minute Essay Questions from Earlier AP Exams
Thirty-Minute Essay Questions from Earlier AP Exams A: In most parts of the world, public sculpture is a common and accepted sight. Identify three works of public sculpture whose effects are different
More informationThere is A LOT of material to cover in this survey course, Attendance is imperative for your success in the course.
Acadia University HIST 1823: History of Art II Winter 2018 Tuesdays & Thursdays, 3-4:30pm, BAC 142 Dr. Laurie Dalton Office: BAC 128 (in hallway behind art gallery) Office hours: by appointment Email:
More informationUnderstanding Art: Leonardo da Vinci and His Time
Understanding Art: Leonardo da Vinci and His Time PROF. MARK ROSEN Course Information AHST 2331 Spring 2015 TTh 10 11:15 Section: HN1 Professor and TA Contact Information Dr. Mark Rosen Office: JO 5.114
More informationMAYMESTERCOURSE~S----~-----
ooriginal APPROVAL FORM FOR MAYMESTERCOURSE~S----~----- MISSISSIPPI STATE UNIVERSIY NOTE: This form is a cover sheet that must accompany a proposal for inclusion of a course in the Maymester. Please fill
More informationBy Phae N. Sophomore EHAP Ms. Pojer
By Phae N. Sophomore EHAP Ms. Pojer And here s Florence! Here it is! Located on the Adriatic Sea Major port city Further away from Rome than Florence Secular republic during the Renaissance Stable, powerful,
More informationFall Semester 2017 JTC 335 Digital Photography Section 2 Department of Journalism and Media Communication Colorado State University
Fall Semester 2017 JTC 335 Digital Photography Section 2 Department of Journalism and Media Communication Colorado State University Instructor for Section 2 Dr. Pete Seel Office Clark C-205 Phone (970)
More informationDrawing: Structural Spaces, Structural Bodies ART103
Drawing: Structural Spaces, Structural Bodies ART103 Instructor: Prof. Lisa Nonken Course Hours: total instructional hours 38.5 Office Hours: Thursdays 7:30-8 pm, or by appointment email: info@sienaart.org
More informationPrimary Art 8 Week Mrs. Kat Bunker Carr 246A Office hours are T 8-2 and R from 8-10
Primary Art 8 Week Mrs. Kat Bunker Carr 246A kbunker@angelo.edu Office hours are T 8-2 and R from 8-10 COURSE DESCRIPTION Designed for non- art majors /minors and K-12 Art Certification Majors, this abbreviated
More informationART216-01: The History of Art: From the Renaissance to the Present
Summer I, 2006 Prof. R. Barris Email: rbarris@radford.edu course home page: www.radford.edu/~rbarris office: 224 Powell; 831-6001 hrs: M-Th 10-12 ART216-01: The History of Art: From e Renaissance to e
More informationCourse Outline. TERM EFFECTIVE: Fall 2014 CURRICULUM APPROVAL DATE: 02/24/2014
5055 Santa Teresa Blvd Gilroy, CA 95023 Course Outline COURSE: ART 1B DIVISION: 10 ALSO LISTED AS: TERM EFFECTIVE: Fall 2014 CURRICULUM APPROVAL DATE: 02/24/2014 SHORT TITLE: ART HISTORY LONG TITLE: Art
More informationARTH 345 Fall 2018 The Age of Rembrandt: Northern European Art in the 17 th Century MW 3-4:15 Art and Design 2026
ARTH 345 Fall 2018 The Age of Rembrandt: Northern European Art in the 17 th Century MW 3-4:15 Art and Design 2026 Instructor: Email: Office: Office Hours: Prof. Angela Ho aho5@gmu.edu Robinson B334 Monday
More informationImpressionism in Paris the other French Revolution EH 1 Credit Course DIS Fall 17 Major Discipline: Art History
Impressionism in Paris the other French Revolution EH 1 Credit Course DIS Fall 17 Major Discipline: Art History Renoir: Le Mulin de la Galette (1876) When God gets bored in Heaven he opens the window and
More informationRTV 3101 (Spring 2017) ADVANCED WRITING FOR THE ELECTRONIC MEDIA
RTV 3101 (Spring 2017) ADVANCED WRITING FOR THE ELECTRONIC MEDIA Instructor: James Babanikos, Ph.D. Office: 3064 Weimer Hall Office Phone: 392-6399 e-mail: jbabanikos@jou.ufl.edu Office Hours: Tuesdays
More informationSaturday, March 24, 2012 Course Outline
Saturday, March 24, 2012 Course Outline Protestantism Caravaggio Velazquez Rubens Classical Vs. Baroque Key Notions -Tectonic/atectonic -Tenebrism 1 Proto Renaissance (1250-1400) Early Renaissance (1400-1480)
More informationART & ANATOMY PAINTING
Rhodes College, Art Department Art 300-01, Life Study Spring 2005, Clough 312, M/W 2-4:30pm Professor: Erin Harmon Email: harmone@rhodes.edu Campus phone: 843-3826 Office hours M/W 5-6PM or by appointment
More informationCommunications and New Media Title: Writing for Media Catalog Number: CNMS Credit Hours: 3 Total Contact Hours: 45
! South Portland, Maine 04106 Communications and New Media Title: Writing for Media Catalog Number: CNMS-125 01 Credit Hours: 3 Total Contact Hours: 45 Lecture (or Lab): Room HILDM-102 Instructor: Huey
More informationThe standard Core Curriculum rubrics will be used to assess the Arts and Humanities goals AH o and AH p:
German 01:470:358 Expressionism, Dada, Surrealism Methods of assessment The standard Core Curriculum rubrics will be used to assess the Arts and Humanities goals AH o and AH p: AH o. Examine critically
More informationSyllabus for TVF 318 Fundamentals of Scriptwriting 3 Credit Hours Fall 2014
I. COURSE DESCRIPTION Syllabus for TVF 318 Fundamentals of Scriptwriting 3 Credit Hours Fall 2014 Teaches the basics of dramatic scriptwriting for television and film and analyzes script from a Christian
More informationDepartment of Art Fall ARTH 1306, Section 001 HISTORY OF WORLD ART II Seamon Hall, Room 210, TR 1:30 2:50 pm
Department of Art Fall 2009 ARTH 1306, Section 001 HISTORY OF WORLD ART II Seamon Hall, Room 210, TR 1:30 2:50 pm Professor: Dr. Stacy Schultz Office: Fox Fine Arts Center, Room A455A Office telephone:
More informationContent Area 3 Part 3 Renaissance & Baroque One Pagers. AP ARTH C. Montenegro
Content Area 3 Part 3 Renaissance & Baroque One Pagers AP ARTH C. Montenegro Attached you will find the following: Explanations and considerations when filling out the One Pagers, Table of Main Themes,
More informationENGL 76: After the Apocalypse: Speculative Fictional Narratives at the Turn of the 21st Century
ENGL 76: After the Apocalypse: Speculative Fictional Narratives at the Turn of the 21st Century Instructors: Paula Moya and Jonathan Leal 3-unit seminar MW 2:30-3:50 p.m. Course Description What happens
More informationInstitute of Arts and Multimedia at Los Angeles Mission College Art 103, Section 3030, Art Appreciation, 3 Units
Institute of Arts and Multimedia at Los Angeles Mission College Art 103, Section 3030, Art Appreciation, 3 Units Associate Degree Applicable: Humanities Credit Transferable: U.C., C.S.U. Fall 2012, August
More information