The Fifties: The Golden Age Of Black & White Please return all of tech rider with the contract. A counter signed copy will be returned to you

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1 Please return all of tech rider with the contract. A counter signed copy will be returned to you Tech Rider Signed by Orchestra date Signed by ISS dat e As of 2/9/17 1

2 The Fifties, The Golden Age Of Black & White Cast List for the Printed Program Conducted by TBD - Starring - Chapter Six Karen Murphy Farah Alvin ***Casting is subject to change, please confirm cast with Brandy Rodgers As of 2/9/17 2

3 CONTACT NUMBERS Brandy Rodgers Production Manager/ Compa ny Manager C Laura Cones ISO / SPC Librarian All technical and performance related questions should be directed to Brandy Rodgers As of 2/9/17 3

4 Show Order - Not For Printed Program Happy Trails (sing-a-long) (encore) At the Hop playoff (encore) Title ACT I Artist The 1950 s Overture Orchestra Four by Six: Hits of the Decade Chapter 6 Donna Reed Theme/Commercials Karen, Chapter 6, and Orchestra How Did He Look/Cry Me A River Karen I Love Lucy Theme Orchestra Unchained Melody Farah & Chapter 6 Girl Singer Medley Karen & Farah Mambo Italiano Farah, Karen, & Chapter 6 INTERMISSION ACT TWO Rock Around the Pops Orchestra Jump Jive and Wail (no orchestra) Chapter 6 Game Show Queen for a Day Karen, Jack, Chapter 6 The Golden Age of Black and White Orchestra & Chapter 6 Theme From A Summer Place/Moulin Rouge Orchestra The Unforgettable Medley Chapter 6 Elvis Medley All Lucy Bows All As of 2/9/17 4

5 Bios & Pictures for Programs Please contact Brandy Rodgers for updated bios and Headshots. Bios will be available within 6 months of the concert dates. Bios and headshots can be distributed by CD or as Word documents and tif / jpeg image files. P.R. Images are included on a CD that will be sent with the fully executed, countersigned contract. As of 2/9/17 5

6 The Fifties 3 Flutes ( 2 nd & 3rd double Piccolo) 2 Oboes (no Eng. Horn) 3 Clarinets (3 rd /Bass Clarinet) 2 Bassoons INSTRUMENTATION Alto & Tenor Sax 1 (one player who doubles) Alto & Tenor Sax 2 (one player who doubles) Baritone Sax 4 Horns 3 Trumpets (Lead trumpet is fairly high, but not a true screamer part. -One trumpet plays the Billy Regis solo of Cherry Pink and Apple Blossom White.) 3 Trombones 1 Tuba Timpani Trap Set *** 3 Percussion (includes a car horn and Large crank siren) Harp 1 Keyboard Piano / Synth / Celeste (must be versed in 1950 s style) *** Electric& Acoustic guitar, Banjo, Mandolin (one player versed in the fifties style) Fender Bass Guitar & upright rhythm bass (one player on this instrument exclusively, also versed in fifties style) *** Strings ( minimum) Please see stage layout for details As of 2/9/17 6

7 Symphonic Pops Consortium THE FIFTIES: The Golden Age of Black & White Plus 8 Vocal Soloists *** please note that a crank siren and a car horn are needed for percussion, typically requiring a rental Instrumentation Detail and Music Rental Information (Note: Title listings for printed programs should come from Consortium producers, NOT from the titles below. Also note that the men s chorus listed below references Chapter 6.) Total Instrumentation: Fl Ob Cl Bn Hn Trp Tbn Tu Tmp Perc. Hp Keybd Extra Strings The 1950s Overture **aka: Fifties Prelude** 00:05:00 Fl: 3 1,2/P,P Hn: 4 1,2,3,4 Timp: 1 1 Cl: 3 1,2,3/BC Tb: 3 1,2,3 Kbd: 1 (1 plyr) Bn: 2 1,2 Tu: 1 1 Piano; Celesta; Synthesizer Prc: 4 (Vibes OR Marimba; Temple Blks OR Horse Hooves) Bass Drum; Bongo Drums; Chimes; Congas; Cymbals (Pair); Drum Set; Guiro; Horse Hooves; Maracas; Marimba; Orchestra Bells; Tambourine; Temple Blocks; Vibraphone; Wood Block; Xylophone Solo Instruments: Ext: 5 3 Saxes (Altos dbl Tenors), Elec. Guit / Acoustic Guit / Mandolin, Elec. Bass Baritone Saxophone; Electric Bass; Electric Guitar; Mandolin; Acoustic Guitar; Alto Sax/Tenor Sax 1; Alto Sax/Tenor Sax 2 Strings: at least 10/8/5/5/4 Four By Six: Hits of the Decade Fl: 3 1,2,3/P Hn: 4 1,2,3,4 Timp: 1 1 Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1 Piano/Celeste Bn: 2 1,2 Tu: 1 1 Celesta; Piano Prc: 4 Ext: 5 3 Saxes (2 dbl on alto & Strings: at least 10/8/5/5/4 Claves; Dinner Gong; Drum Set; Finger Cymbals; Gong; Guiro; Orchestra Bells; Shaker; Small Triangle; Tambourine; Triangle; Vibraphone; Vibraslap; Wind Chimes Solo Instruments: Men's Chorus ten); Electric Bass, Gtr Alto Sax/Tenor Sax 1; Alto Sax/Tenor Sax 2; Baritone Saxophone; Electric Bass; Guitar 00:06:00 As of 2/9/17 7

8 At Home With Mrs. Murphy Fl: 3 1,2,3/P Hn: 4 1,2,3,4 Timp: 1 1 Ob: 2 1,2 Tp: 3 1,2,3 Harp: 1 Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1 Pno/Celeste Bn: 2 1,2 Tu: 1 1 Celeste; Piano Prc: 4 Ext: 5 Strings: at least 10/8/5/5/4 Chimes; Cymbals (Pair); Drum Set; Orchestra Bells; Suspended Cymbal; Vibraphone Solo Instruments: Female Voice; Men's Chorus Alto Saxophone; Tenor Saxophone; Baritone Saxophone; Electric Bass; Guitar 00:04:00 How Did He Look/Cry Me a River Fl: 3 1,2,3 Hn: 4 1,2,3,4 Timp: 1 1 Ob: 2 1,2 Tp: 3 1,2,3 Harp: 1 Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1 Bn: 2 1,2 Tu: 1 1 Piano Prc: 4 Ext: 2 Strings: at least 10/8/5/5/4 Chimes; Drum Set; Orchestra Bells; Vibraphone Guitar; Electric Bass Solo Instruments: Female Voice 00:05:00 I Love Lucy 00:03:00 Fl: 3 1,2,3/P Hn: 4 1,2,3,4 Timp: 1 1 Cl: 3 1,2,3/BC Tb: 3 1,2,3 Kbd: 1 Pno/Celeste/Synth (1 plyr) Bn: 2 1,2 Tu: 1 1 Celeste; Piano; Synthesizer Prc: 4 (Shaker OR Maracas) Ext: 3 3 Saxes Strings: at least 10/8/5/5/4 Bongo Drums; Congas; Cymbals (Pair); Drum Set; Orchestra Bells; Shaker; Vibraphone Solo Instruments: Baritone Saxophone; Tenor Saxophone; Alto Saxophone Unchained Melody Fl: 3 1,2,3/P Hn: 4 1,2,3,4 Timp: 1 1 Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1 Pno/Celeste Bn: 2 1,2 Tu: 1 1 Celeste; Piano Prc: 4 Ext: 5 3 Saxes, Electric Bass, Gtr Strings: at least 10/8/5/5/4 Bass Drum; Chimes; Cymbals (Pair); Drum Set; Orchestra Bells; Suspended Cymbal; Triangle; Vibraphone Solo Instruments: Female Voice; Men's Chorus Tenor Sax 1; Tenor Sax 2; Baritone Saxophone; Guitar; Electric Bass 00:05:00 As of 2/9/17 8

9 Girl Singers Medley 00:12:00 Fl: 3 1,2,3/P Hn: 4 1,2,3,4 Timp: 1 1 Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1 Pno/Cel/Synth (= Honky Tonk, Harpsichord, Synth. Banjo) Bn: 2 1,2 Tu: 1 1 Celeste; Piano; Synthesizer Prc: 4 Ext: 5 (Gtr= accoustic, elec, banjo) Strings: at least 10/8/5/5/4 Bass Drum; Bongo Drums; Cymbals (Pair); Drum Set; Finger Cymbals; Marimba; Orchestra Bells; Suspended Cymbal; Tambourine; Triangle; Vibraphone; Xylophone Solo Instruments: 2 Female Voice; Men's Chorus Mambo Italiano 3 saxes, Electric Bass Alto Saxophone; Baritone Saxophone; Tenor Saxophone; Electric Bass; Guitar; Electric Guitar; Banjo 00:04:00 Fl: 3 1,2,P Hn: 4 1,2,3,4 Timp: 1 1 Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1 Pno/Synth/Celeste Bn: 2 1,2 Tu: 1 1 Celeste; Piano; Synthesizer Prc: 4 Ext: 5 Strings: Bongo Drums; Claves; Conga; Cowbell; Drum Set; Guiro; Marimba; Orchestra Bells; Vibraslap; Xylophone Solo Instruments: Alto Saxophone; Baritone Saxophone; Tenor Saxophone; Electric Bass; Mandolin Full Strings Intermission 00:20:00 Rock Around the Pops Fl: 3 1,2,P Hn: 4 1,2,3,4 Timp: 1 1 Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1 Pno/Celeste Bn: 2 1,2 Tu: 1 1 Celeste; Piano Prc: 4 Ext: 5 3 Saxes; Elec. Gtr; Elec. Strings: at least 10/8/5/5/4 Bass Drum; Chimes; Cymbals (Pair); Drum Set; Orchestra Bells; Suspended Cymbal; Vibraphone; Xylophone Solo Instruments: Bs. Alto Saxophone; Baritone Saxophone; Tenor Saxophone; Electric Bass; Electric Guitar 00:04:00 Jump, Jive an' Wail Fl: 0 Hn: 0 Timp: 0 Ob: 0 Tp: 0 Harp: 0 Cl: 0 Tb: 0 Kbd: 0 Bn: 0 Tu: 0 Prc: 0 Ext: 0 Strings: 00:02:00 Solo Instruments: Men's Chorus NO ORCH. As of 2/9/17 9

10 Game Show: Queen for a Day Fl: 3 1,2,3 Hn: 4 1,2,3,4 Timp: 1 1 Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1 Pno/Synth Bn: 2 1,2 Tu: 1 1 Synthesizer; Piano Prc: 4 Ext: 5 Strings: Chimes; Drum Set; Orchestra Bells; Xylophone Solo Instruments: 6 Actor; Narrator The Golden Age of Black and White Alto Saxophone; Baritone Saxophone; Tenor Saxophone; Guitar; Electric Bass Full Strings 00:05:00 00:06:00 Fl: 3 1,2,P Hn: 5 1,2,3,4,Asst. Timp: 1 1 Ob: 2 1,2 Tp: 4 1,2,3,Asst Harp: 1 1 Cl: 3 1,2,3 Tb: 3 1,2,3 Kbd: 1 (one player) Bn: 2 1,2 Tu: 1 1 Piano; Synthesizer; Celesta; Celeste Prc: 3 Ext: 5 3 saxes, Guitar (1 plyr), Strings: at least 10/8/5/5/4 Bass Drum; Car Horn; Chimes; Cymbals (Pair); Drum Set; Horse Hooves; Orchestra Bells; Pop Gun; Lg. Crank Siren; Small Triangle; Suspended Cymbal; Triangle; Vibraphone; Whip; Xylophone Solo Instruments: Men's Chorus Vocals are opt'l Elec. Bass Tenor Sax 1; Tenor Sax 2; Baritone Saxophone; Electric Bass; Electric Guitar; Acoustic Guitar Song from Moulin Rouge **segue to** Theme from A Summer Place Fl: 3 1,2,3 Hn: 3 1,2,3 Timp: 1 1 Ob: 0 Tp: 3 1,2,3 Harp: 1 Cl: 3 1,2,3 Tb: 3 1,2,3 Kbd: 1 Pno/Celeste Bn: 0 Tu: 0 Celeste; Piano Prc: 2 Ext: 2 Strings: at least 10/8/5/5/4 Drum Set; Orchestra Bells; Guitar; Electric Bass Vibraphone 00:04:00 Solo Instruments: Moulin Rouge has only Strings, vibes, kybd, gtr, rhy bass. Addt l instruments are for Summer Place. MUST RENT THESE 2 TUNES FROM TERRY WOODSON: The Unforgettable Medley Fl: 3 1,2,3/P Hn: 4 1,2,3,4 Timp: 1 1 Ob: 2 1,2 Tp: 3 1,2,3 Harp: 1 Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1 Pno/Celeste Bn: 2 1,2 Tu: 1 1 Celeste; Piano Prc: 4 Ext: 5 3 Saxes (2nd dbls alto&ten); Strings: at least 10/8/5/5/4 Cymbals (Pair); Drum Set; Orchestra Bells; Suspended Cymbal; Triangle; Vibraphone; Xylophone Solo Instruments: Electric Bass; Gtr Alto Sax 1; Alto Sax/Tenor Sax 2; Baritone Saxophone; Electric Bass; Guitar 00:08:00 As of 2/9/17 10

11 Elvis Medley SPC Fl: 3 1,2,3/P Hn: 4 1,2,3,4 Timp: 1 1 Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1 Pno/Celeste Bn: 2 1,2 Tu: 1 1 Celeste; Piano Prc: 4 Brake Drum OR Anvil Ext: 5 3 Saxes, Elec. Gtr, Elec. Strings: at least 10/8/5/5/4 Bass Drum; Brake Drum; Cymbals (Pair); Drum Set; Orchestra Bells; Pop Gun; Slapstick; Vibraphone; Xylophone Solo Instruments: Bs. Alto Saxophone; Baritone Saxophone; Tenor Saxophone; Electric Bass; Electric Guitar 00:10:00 **DO NOT LIST IN PROGRAM** 00:01:00 I Love Lucy Bows Encore Fl: 3 1,2,3/P Hn: 4 1,2,3,4 Timp: 1 1 Cl: 3 1,2,3 Tb: 3 1,2,3 Kbd: 1 Bn: 2 1,2 Tu: 1 1 Piano Prc: 4 Ext: 3 3 saxes Strings: at least 10/8/5/5/4 Bongo Drums; Congas; Cymbals (Pair); Orchestra Bells; Shaker Solo Instruments: Alto Sax 1; Alto Sax 2; Baritone Saxophone **DO NOT LIST IN PROGRAM** 00:02:00 Happy Trails Encore Fl: 3 1,2,3 Hn: 4 1,2,3,4 Timp: 1 1 Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1 pno/celeste Bn: 2 1,2 Tu: 1 1 Celeste; Piano Prc: 3 Ext: 4 2 saxes, Elec. Bs., Gtr Strings: at least 10/8/5/5/4 Orchestra Bells; Temple Blocks; Vibraphone Solo Instruments: Chorus Tenor Sax 1; Tenor Sax 2; Electric Bass; Guitar **DO NOT LIST IN PROGRAM** 00:01:00 At The Hop (Playoff) Encore Fl: 3 1,2,P Hn: 4 1,2,3,4 Timp: 1 1 Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1 Bn: 2 1,2 Tu: 1 1 Piano Prc: 4 Ext: 5 3 Saxes, Elec. Bs., Gtr Strings: at least 10/8/5/5/4 Bass Drum; Chimes; Drum Set; Orchestra Bells; Tambourine; Vibraphone Solo Instruments: Chorus * = Encore Alto Saxophone; Baritone Saxophone; Tenor Saxophone; Guitar; Electric Bass As of 2/9/17 11

12 SPC Drum Set Requirements Please note that the SPC travels with a drummer, Steve Hanna. Here are his minimum needs, which must be provided by host orchestra: Pro-line gear: DW (Drum Workshop), Yamaha, Pearl, Gretcsh Standard 5 piece kit with stands, pedals, and throne: Snare drum 5x14 Bass drum 16x20 or 22 High tom 8x10 Middle tom 8x12 Floor tom 16x16 Hi-hat stand with cymbal clutch Snare drum stand Bass drum pedal Cymbal stands 4 Drum throne (stool/seat) A coated Remo Ambassador Batter head is requested for snare drum for brush work. Steve will bring his own cymbals, sticks, and sound effects. If you have any questions, contact Steve Hanna at: Home 317/ Cell 317/ stixhanna@aol.com As of 2/9/17 12

13 LOCAL NEEDS To be provided by the Local Producing Orchestra Three 24 to 28 stools are needed (Black or Wood tone) A FOUR PERSON RHYTHM SECTION - MAY BE PLACED UP CENTER OR NEAR THE BRASS 1) PIANO, 2) TRAP SET, 3) ACCUSTIC BASS & FENDER, 4) GUITAR A 6 FOOT GRAND IS ACCEPTABLE FOR USE. PENDING CONDUCTOR APPROVAL, THE CELESTE MAY BE PLAYED ON THE SYNTH. SYNTHESIZER MAKE AND MODEL MUST BE SUBMITED TO BRANDY RODGERS PRIOR TO CONDUCTOR S ARRIVAL. Roundtrip shipment (FedEx 3 day or UPS 3 day) of music, costumes, and prop boxes. SPC staff will supply address labels, with values of contents. The cost of the shipment, and insurance for these packages, is the responsibility of the local orchestra. FedEx 3 day Express or UPS Air 3 Day is acceptable. Ground Shipping is not acceptable due to insurance limitations. A crank siren (typically requiring a rental) and a car horn are needed for percussion. Please see stage layout for orchestra set up details. Two wardrobe dressers are needed for: 5 hours steaming and ironing prep each performance starting 1 1/2 hours prior to curtain 2 mic stands for wireless handhelds OPTIONAL: A Fifties sign is available free of charge, except for shipping and insurance (approx $700 - $1000 depending on shipping distance, round trip). Six electrical circuits are needed for the Fifties sign. It takes less than 45 minutes to hang the sign in most halls, and it looks fabulous. As of 2/9/17 13

14 Stage Layout: See the schematic for details especially concerning orchestra set up of down stage space is needed for the Vocalists. No special floor treatments (marley, etc) are needed. There is an optional stage décor that needs a 2 x 6 space up stage center or in the corners for lights and fabric. Cast Needs: Five dressing rooms plus 1 for the conductor are requested. Dressing rooms will be discussed (knowing that some halls do not have large facilities) with tech personnel. Final dressing room assignments will be determined on-site. Depending on the location of dressing rooms, a quick change booth on stage may be needed stage right. It will need a clothes rack, mirror, music stand for jewelry, running lights. An iron, ironing board, and steamer are needed at all venues. Two wardrobe people are needed to prep the show (iron & steaming) for a 5 hour call. The concert requires 1 to 2 wardrobe staff as run crew and the call is 11/2 hours prior to curtain. A minimum of ten 1 liter bottles of water are needed for each rehearsal and performance. Towels are always appreciated. 2 mic stands for wireless handhelds As of 2/9/17 14

15 SPACE NEEDS AND STAGE LAYOUT BELOW IS A ROUGH SKETCH INDICATING THE PLACEMENT OF MICS, LIGHTING SPECIALS, AND STAGE ARRANGEMENT. PLACEMENTS WILL VARY FROM HALL TO HALL. THE DOWN STAGE SPACE NEEDS TO BE BETWEEN 8 TO 10 DEEP. NO SPECIAL FLOOR TREATMENTS (MARLEY, ETC) ARE NEEDED. DEPENDING ON DRESSING ROOM LOCATION QUICK CHANGE BOOTHES MAY BE NEEDED. THREE TALL STOOLS ARE NEEDED (CAN BE BLACK OR WOOD TONE) A FOUR PERSON RHYTHM SECTION - MAY BE PLACED UP CENTER OR NEAR THE BRASS 1) PIANO, 2) TRAP SET, 3) ACCUSTIC BASS & FENDER, 4) GUITAR A 6 FOOT GRAND IS ACCEPTABLE FOR USE. PENDING CONDUCTOR APPROVAL, THE CELESTE MAY BE PLAYED ON THE SYNTH. SYNTHESIZER MAKE AND MODEL MUST BE SUBMITED TO BRANDY RODGERS PRIOR TO CONDUCTOR S ARRIVAL. BU F H F ORCHESTRA CONDUCTOR S ORCHESTRA ^ 8 TO 10 SR SPECIAL CENTER SL SPECIAL top LIGHT SPECIAL top LIGHT TOP LIGHT V DOWN STG EDGE ¼ POINT C ¼ POINT SYMBOL KEY: L audience CL = CENTER LINE BU= back up mic WIRELSS HAND HELD, F= MUSIC STANDS FOR FEATHER FANS, S = 24 STOOL H = CONDUCTOR S HOT SPOT MONITOR SMALL W/ VOLUME CONTROL As of 2/9/17 15

16 LIGHTING REQUESTS THE LIST BELOW IS A WISH LIST. WE CAN WORK WITHIN EXISTING SYSTEMS AND BUDGETS WHEN NECESSARY. FOR THE ORCHESTRA STAND LIGHTS - controlled by light board if possible 1 FULL STAGE NO COLOR WASH 3 FULL STAGE COLOR WASHES BLUE (R79 OR 80), RED (R26 ), LT PINK (R34), 1 LIGHT PINK (R 337) FRONT COLOR WASH FOR BOWS FOR THE CONDUCTOR 2 TOP LIGHTS (R55) (from up stage of conductor podium) 2 units 2 FRONT LIGHT IN A LIGHT PINK COLOR (R337) FOR THE DOWN STAGE AREA 3 SIDE LIGHT WASHES (OVERHEAD OR FROM BOX BOOMS) 3 lights per color, per side, if possible BLUE (R68), MAGENTA (R46), PINK (R34), 1 GOBO WASH ( MIN. 4-6 INSTRUMENTS, 2-3 FROM EACH SIDE - L202 AND BREAKUP) 2 FRONT LIGHT WASHES, CONTROLLED IN 5 AREAS SL, MSL, CENT, MSR, SR - A PINK ( R337) & A BLUE (R68) 3 TOP LIGHT SPECIALS 1. SL, 2. CENT, 3. SR (R55) 2 BACK LIGHT OR TOP LIGHT WASHES BLUE(R80), AMBER(R30) 6 CIRCUITS FOR Fifties SIGN (OPT L) WALL WASHES IF POSSIBLE COLOR WASHES ON THE SHELL WALLS OR ON A BACKDROP IS DESIRED, RED, BLUE, AMBER 2 FOLLOW SPOTS WITH A SOFT EDGE AND A SOFT PINK (R337)COLOR OPTIONAL: A Fifties sign is available free of charge, except for shipping and insurance (approx $700 - $1000 depending on shipping distance, round trip). 6 electrical circuits are needed for the Fifties sign. It takes less than 45 minutes to hang the sign in most halls, and it looks fabulous. We highly recommend the usage of this large scenic element. It s original design and construction cost was approximately $10, As of 2/9/17 16

17 SOUND REQUESTS As of 2/9/17 17 SOUND REQUESTS Orchestra must provide: Nine (9) professional grade wireless handheld microphones with receivers (Shure UHF-R/Sennheiser/Audio Technica, etc.) with Shure Beta 87A capsules, or comparable. 1. Chuck Baritone 2. Nathan Tenor 3. A.D. Baritone 4. John Bass 5. Luke Tenor 6. Jarrett Tenor 7. Karen Murphy 8. Farah Alvin 9. back up placed at conductor s podium Four (4) professional grade wireless body pack transmitters with receivers (Shure UHF-R/Sennheiser/Audio Technica, etc.) Antennae combiner and remote antennas preferred. Also need three (3) beige head set microphones, with windscreens, and one (1) lav to be worn on shirt (black) to plug into the above mentioned body packs (Countryman E6 medium or low sensitivity/dpa 4066, 4088/Sennheiser HSP4, etc.) 1. Karen Murphy 2. Farah Alvin 3. Luke Act I only 4. Conductor (wears his black lav on his shirt) Six (6) professional grade wireless in ear monitor (IEM) units (Shure PSM600/700, Sennheiser G2/G3, AKG, etc.). Antennae combiner and remote antennae is preferred A separate monitor mix is needed for the in-ear monitors can be 9 AUX SENDS from the house console or a separate backstage monitor mixing console (must accommodate all vocal mics) Compression is needed for all singers. There is huge variance in dynamic range from one song to the next. 1 HOT SPOT MONITOR FOR THE CONDUCTOR TO HEAR VOCALS Conductor needs about 30 % more volume of the women than the men IN GENERAL ADDITIONAL MONITORS MIGHT BE NEEDED AT LEAST FOR: ***USE MONITORS AS PER YOUR STANDARD POPS SET UP

18 IN GENERAL, ADDITIONAL MICS HAVE BEEN USED FOR: ***USE MICS AS PER YOUR STANDARD SET UP Solo piano hi and lo A dedicated Fender person plus an acoustic guitar are needed If your hall typically requires mics on certain instruments for Pops concerts, please be prepared to add them as needed. Hand held mics 1. Chuck Baritone 2. Nathan Tenor 3. A.D. Baritone 4. John Bass 5. Luke Tenor 6. Jarrett Tenor 7. Karen Soprano 8. Farah Soprano Lav mics 9. Karen Murphy 10. Farah Alvin 11. Luke Act I Girl Medley 12. Conductor Back up mic 13. On stage near Conductor Podium (Orchestra provides mic) 2 mic stands for wireless handhelds are needed The orchestra needs to provide batteries for all equipment. As of 2/9/17 18

19 SPC The Fifties! RETURN CONTACT SHEET Name of Orchestra Phone # Fax # General Administrative Contact: Contact for technical information: Phone Operations Manager: Librarian: Merchandise Contact: Phone Rehearsal & Performance Information Date Time Location Rehearsal / Performance When does house open: Name of Hall Phone number for tickets: Hotel Information Hotel Name: Distance / time to theatre Hotel Address: Hotel Phone #: Fax: Travel time from Airport to Hall / Hotel As of 2/9/17 19