Impersonator Contest Technical Rider Page 1
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1 Impersonator Contest Technical Rider Page 1 Technical Rider All staging and equipment is to be provided, as specified. DO NOT MAKE ANY SUBSTITUTIONS WITHOUT CONSULTING PRODUCER. Should there be a disparity between this technical rider, and that of another entity (i.e. other act, venue, sound company, etc.), CONTEST rider will take precedence. A) STAGE & POWER: The stage is to be a sturdy, single level platform, optimum 20'D x 40'W x 2'H. A carpeted drum riser (8'x8'x2') is recommended at center stage. The stage is to be set, in place and free of encumbrances when the crew arrives for load-in. Storage for equipment cases is required adjacent to the stage and out of sight of the audience. If stage is outside, stage should be covered and purchaser shall provide plastic covers to cover all equipment and stored cases. Weather damage to equipment is purchaser's sole responsibility. Band gear will require a POWER DROP BOX supplying at least three (3) 20 AMP 115V AC each. Power failure, delays in performance, and/or damage to equipment or personnel is purchaser's sole responsibility. Catered equipment (sound system, and lights) may require more power. Check with the rental company(s) for their electrical requirements. B) LIGHTS: Follow Spot & operator. Minimum 2 light trees (or a front and back truss) are required with at least 4 multi-colored par 64 (or larger) spots per tree. Suggested colors include: red, pink, violet, turquoise, yellow, and blue. Dimmer board or controller is to be positioned at the sound console. Smoke or light fog is recommended. An experienced L.D. is required. All terms and provisions contained in this technical rider (pages numbered consecutively 1-6), are integral and binding parts of Entertainment Contract dated, between ( purchaser ) and ( producer ). All is agreed and accepted by the undersigned. Name and Title Name and Title Authorized Signature Date Authorized Signature Date
2 Impersonator Contest Technical Rider Page 2 C) SOUND SYSTEM: A quality sound system is critical to performance and requires a sound system consisting of a minimum of the following: 1-24 channel mixing board (minimum), with 3 band eq., 2 effects sends, 8 sub-mixes, and a stereo house mix. House board is to be positioned in line with center stage, at least 75' but not more than 150' from the front of the stage. A knowledgeable is required channel snake. Snake must be covered with a runner or taped securely to the floor. 2-3-way speaker system (including 18" subs) suitable for venue size (EAW, TURBOSOUND, JBL preferred) with appropriate cabling, power amps, equalizers, and crossovers. 2 - Yamaha SPX 90 (or equivalent) digital effects processors. (1 for reverb on snare and toms - small room 2.2 sec.). (1 for echo on vocals - stereo echo % left / % right). 1 - Quad noise gate (Gatex preferred) (to gate undesirable ring from drums). 1 - Dual compressor/limiter (compression on stereo house mix) (DBX preferred.) 3 - Direct boxes (bass and keyboards L & R) Microphones and stands as per attached MICROPHONE INPUT SHEET. 4-6 outlet power strips supplying cycle/115v AC for stage gear. 1 - Cassette deck or CD player for pre-show and break music. A selection of music appropriate to the theme of event is required. D) MONITOR SYSTEM: CONTEST features 4 part harmony and requires a high quality stage monitor system. 6 mixes into 7 wedges are required. See stage plot for monitor placement channel mixing board (for monitors) with at least 6 discreet mixes. Monitor board is to be positioned at stage right. An experienced operator should be available to mix CONTEST's monitors during the sound check and show. 7-2 way floor monitors, each with at least 1-15" or 2-12" speakers, and a high frequency horn (EAW, TURBOSOUND, or JBL preferred). 7-1/3 octave graphic equalizers, 7 amplifiers with appropriate cabling. IMPORTANT! SOUND SYSTEM AND MONITORS ARE TO BE UP, RUNG OUT, AND RUNNING WHEN THE BAND ARRIVES FOR SOUND CHECK. Please have the sound provider call Jamie (614) , to confirm these requirements.
3 Impersonator Contest Technical Rider Page 3 IF BACKLINE IS A PROVISION OF THE AGREEMENT, THE FOLLOWING IS REQUIRED: E) BACKLINE: We realize that the exact gear specified may not be available at all locations, however, we have tried to be as generic as possible, requiring industry standard stage gear. Please make NO substitutions without consulting with Producer. DRUMS TO BE SET UP WITH SEAT ON AMP LINE. 1-5 piece minimum drum kit (Yamaha DW or Pearl) consisting of the following: 1-22" bass drum; 1-5.5" x 14" snare drums; 1-10" rack power tom (on separate tall stand); 1-12" rack power tom (double mount on bass drum); 1-13" rack power tom (double mount on bass drum); 1-16" floor tom; 1-14" high hat (2 cymbals, heavy duty stand and pedal); 1-12" splash cymbal; 1-16" crash cymbal; 1-18" crash cymbal; 1-20" medium ride cymbal; 1 - Adjustable throne; 1 - Yamaha or Pearl double bass drum pedal. All drums should be equipped with top and bottom heads. All appropriate cymbal boom stands, pedals, and hardware. All heads must be in excellent condition. 2 KEYBOARDS (Del City Music: Larry: (405) ) 1 - Yamaha DX-7 (or DX-7II FD) synthesizers or equivalent; 1 Kurzweil PC88 digital stage piano (2nd choice: Korg SG1; 3rd choice Roland RD 500) (or equivalent). 1-2 tier keyboard stand, 1 - Keyboard seat PRODUCER WILL BRING: 3 guitars, 1 bass, drum sticks, and guitar tuner (4-10" x 24" x 60" cases). Please have the backline provider call Jamie (614) , to confirm these requirements.
4 Impersonator Contest Technical Rider Page 4 MICROPHONE INPUTS CH POSITION STAND MIC 1 st /2 nd /3 rd CHOICE SUBMIX 1 Lead Vocal Straight Wireless Beta 58/Beta 58/SM58 1/2 2 Keyboard Vocal Boom Beta 58 / SM 58 / SM 57 1/2 3 Bass Vocal Boom Beta 58 / SM 58 / SM 57 1/2 4 Rhythm Guitar Vocal Boom Beta 58 / SM 58 / SM 57 1/2 5 Lead Guitar Vocal Boom Beta 58 / SM 58 / SM 57 1/2 6 DI Keyboards Left DI Pan Left 3 7 DI Keyboards Right DI Pan Left 4 8 DI Bass Guitar DI 3/4 9 Rhythm Guitar Boom SM57 / SM58 3/4 3 O clock 10 Lead Guitar Boom SM57 / SM58 3/4 9 O clock 11 Kick Drum Desk boom Senn 421, RE 20, D112 5/6 12 Snare Drum Boom CS 15, SM 57 5/6 13 Hi Rack Tom Boom Senn 421, D112, SM 57 5/6 3 O clock 14 Mid Rack Tom Boom Senn 421, D112, SM 57 5/6 1 O clock 15 Low Rack Tom Boom Senn 421, D112, SM 57 5/6 11 O clock 16 Floor Tom Boom Senn 421, D112, SM 57 5/6 9 O clocl 17 Hi Hat Boom SM 81, ATM 405, SM 57 5/6 18 Overhead L Boom SM 81, ATM 405, SM 57 Pan Left 5 19 Overhead R Boom SM 81, ATM 405, SM 57 Pan Right 6 20 Open Channel (CD, etc.) 21 EFX Return Echo L Left Echo 30% Pan L Pan L 22 EFX Return Echo R Right Echo % Pan R Pan R 23 EFX Return Reverb L Left Reverb - Small Room Pan L Pan L 24 EFX Return Reverb R Right Reverb - Small Room Pan R Pan R SUBMIXES 1. Vocal Left 2. Vocal Right 3. Instruments (keys, guitars, bass) Left 4. Instruments (keys, guitars, bass) Right 5. Drums Left 6. Drums Right MONITOR MIXES MIX 1. (LEAD): All vocal (100% self, 75% others), keyboards MIX 2. (KEYBOARD): All vocals (100% self, 75% others), guitar, kick, snare, hat. MIX 3. (BASS): All vocals (100% self, 75% others), kick. snare. MIX 4. (DRUMS): All vocals, slight keyboards & guitars, all drums, heavy kick. MIX 5. (VOCALIST): All vocals (100% self, 75% others), keyboards. MIX 6. (LEAD GUIT): All vocals (100% self, 75% others), keyboards, snare. HOUSE MIX 40% instruments, 60% vocals, Heavy kick & snare, with lots of high end (4K), and low end (100Hz) on kick. Small room reverb on snare and toms. Digital delay (stereo echo) on all vocals (L: % / R: %)
5 Impersonator Contest Technical Rider Page 5 TECH NOTES SYNOPSIS OF STAGE / ELECTRICAL / MINIMAL RENTAL REQUIREMENTS / STAGE PLOT PA SYSTEM ch mixing board w/ 2 fx send (postfade), 4 submixes, and a stereo house mix ch snake, (covered w/ runner stage to board). 2 3-way speaker systems, suitable for venue size* (see note below), including: Amplifiers, Equalizers, Electronic crossovers (or processors). 1 House drive rack with: 2 SPX-90 (or equivalent) effects processors. 1 quad noise gate. 1 dual compressor/limiter. 17 Microphones: 1 Wireless Microphone (Shure 58 or Better) 5 Shure Beta 58 (vocals). 6 Shure SM 57 (guitars, snare, hat, & OH's). 5 Senn 421 or AKG D112 (kick & toms). 3 Direct boxes (bass & keyboards L/R). 1 CD player w/ a selection of CD s (pop, oldies, dinner music). 14 Boom mic. stands. 1 Straight Mic Stand 1 Desk mic. stand (kick). ALL APPROPRIATE WIRES AND CABLES MONITORS ch monitor mixing board w/ at least 7 monitor sends ch splitter (monitor/house). 9 2-way floor monitor speakers (1-15" and horn or 2-12" and horn) watt (min.) power amplifiers (or 4-stereo 500w/side amplifiers), with appropriate cabling. 7 1/3 octave graphic equalizers. BACKLINE Drums (minimum 5 piece kit DW, Yahama or Pearl) bass drum 22" snare drum 5.5" x 14" rack toms: 10", 12", 13" floor tom 16" cymbals: 14" hat, 12" splash, 16" crash, 18" crash, 20" ride. adjustable throne DW double kick drum pedal all pedals, stands, and hardware. New heads (Top & Bottom) Keyboards 1 Kurzweil PC88 digital stage piano (2nd choice: Korg SG1; 3rd choice Roland RD 500). 1 2-tier keyboard stand, seat, keyboard mixer, pedals, effects, and cables. Amplifiers 3 Fender "TWIN AMP" guitar amplifiers (at least 100 watt with channel switching pedal). 1 Gallien Krueger 800 RB bass amp (or Ampeg SVT-II) with 1-15" AND 4-10" speakers. LIGHTS & MISC Light trees (or a front/rear truss) with at least 4 par 64 lamps/tree (32 lamps total) w/controller, cables, and colored gels: red, yellow, aqua, pink, blue, green. 6 6 outlet power strips. 6 50' extension cords. 3 guitar stands. 1 Follow Spot STAGE & ELECTRICITY At all events CONTEST requires a stage and adequate electricity. Stage - Optimum size is 20' deep x 40' across x 2' high. Minimum size may be as small as 12' deep x 28' across x 1' high (with a 4' wide clearance on each side of the stage for sound system speakers). Electricity - Stage gear requires a minimum of 3-20 amp / 120 volt AC circuits. Sound system and lights will require more. Check with the rental company.
6 Impersonator Contest Technical Rider Page 6
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