Percussion 101. Midwest Clinic 2006
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1 Percussion 101 Midwest Clinic 2006 Presented by Jim Catalano
2 A Percussionist is. A musician that plays it all: Battery (Drums) Tuned Percussion Timpani Mallet Keyboard Instruments Accessory Percussion World Percussion
3 Educational Percussion Kits Overall Features High quality (Durability / Function / Sound) Competitively priced Many price points Wide variety of product Parts availability from the USA Long range dealer rental potential
4 Percussion Mallet Pack Mallet Pack Snare Drumsticks Keyboard Mallets Timpani Mallets Brushes Concert 2B or SD1 Hard Rubber Good for wood & temple blocks Bells / Xylo Gerneral Cartwheel Wire or Nylon Drumset 5A (Nylon Tip) Soft Yarn Good for Sus Cymbal Vibe / Marimba Stacatto Hard Felt (Good for toms) Marching 3S or MS1 Plastic / Lexan (Bells only)
5 Elementary Percussion 5x14" Snare Drum & Stand 14x28" as Drum w/ Cradle 16" Crash Cymbals With Pads/Straps 2.5 Oct Aluminum Orchestra Bells w/ Stand Accessories 16" Thin Suspended Cymbal w/ Stand Timpani 26" & 29" Fiberglass Universal Triangle w/ Clip / Beater 10" Tamborine Headed Wood Block
6 High School Percussion 5x14" Snare Drum & Stand 18x36" as Drum w/ Suspended Stand 18" Crash Cymbals With Straps 2.5 Oct Steel Orchestra Bells w/ Stand All Accessories Unlimited 3x13" Piccolo Snare Drum Concert Toms 10" 12" 13" 14" w/ Stands 18" Thin Suspended Cymbal w/ Stand Timpani 23" 26" 29" 32" Copper Standard / Pro Triangle w/ Clip / Beater Ethnic Percussion Bongos, Congas Timbales Finger Cymbals 3.5 Oct Xylophone Kelon 10" Tamborine Headed Tam-Tam w/ Stand 3 Oct Vibraphone Wood Block
7 Concert Bass Drum Featuring: Suspended All Terrain Bass Drum Stand Made with square steel tubing. One size fits all Hardware St. Parts
8 Bass Drum Stand Type Cradle Suspension Ring All-Terrain Bass Drum Stand Tilt of bass drum on stand General playing 5 10 degree tilt
9 Bass Drum Drumhead Selection Ludwig Weather Master Smooth White Fiberskyn III Drumheads (Remo) Calf-like, Darker and dryer sound Renaissance Drumheads (Remo)
10 Bass Drum Tuning Low fundamental start loose and work tension up to clear low open sound Mallets Soft (Special applications) Medium (General playing) Rollers (Pair) Anticipation (Watch the conductor)
11 Bass Drum Striking area of the bass drum General Dry staccato Soft / Rolls Muffling / Dampening Left hand Knee Rolls
12 Hand Crash Cymbals 18 or 20 Medium weight Cymbal cradle on stand Straps and pads Holding position Techniques Glance Choke Open crash
13 Suspended Cymbal Light weight 16 or 18 Mallet Selection soft to medium yarn or cord No timpani mallets, No Drumsticks, (except ride sound) Striking areas Single stroke Roll technique Crescendo Anticipation Dampening
14 Suspended Cymbal Rolls Two Hand Roll One Hand Roll
15 Suspended Cymbal
16 Finger Cymbals Quality of sound Zildjian, Sabian, Holding style Striking technique 90 degree angle Dampening Body Fingers Strike at right angles Hold high for projection
17 Tambourine Type Headed (Calf or Goat Skin) Headless Jingles Single Row Double Row Jingle Material Brass, Copper, Silver, Combination, Metal
18 Tambourine Technique Avoid extraneous jingle sounds Shake roll Crescendo roll Thumb roll Knee / Fist Fingers with one hand Fingers with two hands, Tambourine on knee
19 Slow / Loud Technique
20 Slow / Soft Technique
21 Fast / Loud Technique
22 Fast / Soft Technique
23 Triangle Product 4, 6 or 8 Triangle Beaters Variety of diameters & weights Triangle Clip Makers: (Abel, Grover, Per Del, Black Swamp) Holding position On stand In hand
24 Triangle Holding Position Triangle Clip C Position Of Hand Hold high maximum projection Little Fingers Used to Muffle Striker
25 Triangle Bright Striking area Dark sound Bright sound Single strokes Rolls One hand Two hand Muffling Rolls Dark
26 Triangle on Music Stand Two Beater technique Intricate Rhythms Fast Rhythms Rolls Music Stand Muffling Fingers Strike Area
27 Wood Blocks Wood Block Strike Area Holding position Hand One Hand Trap Table Two Hands Med to Hard Rubber Mallet Striking area Cup Hand Underneath or place on soft padded towel or pad to play with two mallets for fast passages.
28 Claves / Maracas Claves (Rosewood) Holding position Best sound production Maracas Technique Rolls Cup bottom clave in hand Find open tones
29 Castanets Types Hand Paddle Machine Made from Plastic, Rosewood, Ebony Technique Need Chair to rest Knee
30 Fast / Loud Technique
31 Machine Castanets Castanet Pair Mounted on a Block Use two fingers grouped together to play more intricate, faster and accurate rhythms
32 Sleigh Bells Hold in left hand with handle up and bells facing to the ground Strike the handle of the bells with fist of the right hand Right Hand Fist Strikes Here Left Hand Holds Here
33 Percussion Accessories Maracas Vibra-Slap Guiro Slap stick Cabasa / Afuce Shakers Agogo Bells
34 Snare Drums
35 Snare Drum Diagram
36 Drum Mechanics
37 Snare Drum, Stand, Heads Drum (Metal or Wood Shell) 3x13 Piccolo Snare Drum 5x14 Snare Drum 6.5x14 Snare Drum Snare Drum Stand Extended height model, stable, basket clamp Heads Medium weight coated white
38 Drum Playing Position Position Level / Flat Angled Height Waist High Flat Angle
39 Snare Drum Heads, Sticks Head Changing How to: How often: Watch for dents, stretching, clear spots Snare Strainer Tension Drumsticks (2B, SD1, Barrel shaped bead) Wire or Nylon Brushes
40 Snare Drum Tuning Basic Tuning Cross Tuning Fine Adjustment
41 Snare Drum Playing Area Striking Area Soft General Dry staccato Stroke Tap Rebound Bounce Strainer Player
42 Snare Drum Grip Traditional (Great for jazz, marching) Matched (Universal for all percussion) Drum should not be tilted (Not necessary) Posture Back straight & feet slightly spread Top of drum height at waist level Arms comfortably at side
43 Percussion Resources
44 Thank You Jim Catalano
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