"DR. FEELGOOD" MOTLEY CRUE. E7#9 AS AS/G GS F#s ES GS I I I I ,., -...,,,.-1,...--,4.

Transcription

1 MOTLEY CRUE s heard on R. FEELOO ( MOTLEY / BEYON) Words and Music by Nikki Sixx and Mick Mars * Transcribed by ndy ledort and Jeff Perrin ll guitars are tuned down one whole step (low to high: C F ). tuning (low to high): C F. ll pitches sound in the key of, one whole step lower than written. E#9 / F#s ES lit' d i ti ntro (:) -.,- - - Moderately q = w/swing 6ths feel (.FJ'J'j = J ) N.C.(ES) *tr. (elec. w/dist.) PM,. -''! :_i! _ _. _. _. -.., {repeat pr evious ba).,., -...,,,.-,....,4. *rn o grs. arr.fo r one Fig. / ,. tr. pla.vs Rhy. Fig. ten times (see bar ) N.H. *tr. dips w/ba r N.H. 'd oubled pich: "pr e-bend" wlbar plays Fig. ten times (see bar ) 8 v v v v v v pitches: C O PY HC T 989 S XX UNN l-:r TUNE S. M R S MOUNTN MU SJ C NO,..OMMY L NO M U.SC. LL R HT S MN ST E RE 8Y W B M US C CORP. USE 6Y P l::.rm SSON O f LJ ireo P U 8 LS NC C O. NC. LL Rl HT S R ESERVE.

2 ir. NJL :-.H. w/ba r 4 _ V V V (:3) (E5) 5 NC# (E5) E#9 (E5) 3 - -f tr. -, pick scrapes ( st time only) P.f P.M _... o+o- o- y y- r o \::LJ :::l L: +4 - (:. 9,!!,,, - L...J ' ' - o+o s r 9 o s r 5 tr. NC# (E5) (repeat previous rwo bars). E#9 (E5). P.M Rat l '-<< '- -'L !" o+y s f [m V erses (:48, :4, :8) tailed Jimmy is a second-hand hood (.> on the corner always ignore (J.J tell you he's the king of these bario streets / r.m. deals somebody 's movin' out in Hollywood gettln' paid up to Shangri-la F#s ES ot a Jimmy's Came + -h - ======== 3:- _ _-_-_-_-_-'_= =:::: ::::::.::...,._ -+ J- - o- -+,- Fill (:4) tr () r- H, / t _p " - '<: :: ::;; '!' _..._ (fade out over next two bars) L...J

3 sixty by five Chevy primered flames got ii wired law's for hire his wealth as a matter of luck / ot it traded for some powdered goods Jig. made in the shade ot a Says he never broke no law Two- F#s ES tr. plays Fill on 3rd Verse (see previous page) little saw Jimmy he's-a runnin' a gang hideaway does business all day lime loser runnin' out of juice / P.M. but but at hear night Time he's he'll to doin' okay always be found move out quick F#S ES P.M. ot a sellin' Heard a t y- - y y 6 cozy sugar rumor little to the goin' / P.M, job through the Mexican mob sweet People on the street 'round Jimmy's going down this call Packages of this lime it's candy Jimmy's gonna F#s ES caine } town slick P.M. TJ Chorus (:5, :3. :5) the one they call octor Feelgood the one that makes you feel (ES) 5 d (ES) 8 Rhy. Fig PM - -, =(r:.,... -.,... O-t ) L...J Fig. 9-t f d L..J 4-?-+-y- - f- i- z- - r all E# , i right (ES) 8:: 8' ' 6 6. L_J _ J -f. - j L.J 3

4 the one they call octor Feelgood (nd time) (3rd time). Cops 5 d (ES) E#9 end Rhy. Fig. 3 -, _. _ _ =t: t-l++ -t- i +-, o ,+t - o _. end Fig. - 5-,,,- +...,...=r l ;-++ o i' C.U t:::::±=±::::::::i!. - fol st and nd Br idges (:4. :34).. 3. gonna be your Frankenstein 've got one thing you'll understand gonna be your Frankenstein nd let him soothe your soul just take his hand Rhy. Fi/... Y?... -, Rhy. Fig. 3 ES , i TTi TT _J - rr!.,,, (octor Feelgood) (octor Feelgood) O-H-H- f LJ f::::::::l Fig ' t..r -, s 3 3 r sr s- s - s - o-4- or o- o l not what you call a glamorous man Some people call him an evil man tr. ES 35 (octor Feelgood) ot one thing that's easily understood (octor Feelgood) (octor Feelgood) Let him introduce himself real good (octor Feelgood) E5 play s Fig. 3 rwice (see bar 33) 39 (nd time) skip ahead to the one they call octor Feel good Oh yeah the only one they call Feelgood end Rhy. Fig. 3 9r. BS ruu_ - tr! ll J-i- - -,...,...-_..._. - -===-r - r...c t,' -'+ - _- _- _- _- _- _- _- _- _- _- _- _- _- _- _-... +_;.._ it ;=_=_=_=_=_-_- _=_=_=_=_=_=_====.fi,,+ ::::-=-==-==_= _-==- _:=_::t:'-l i"" :r"'- =- +4 tr. E:::: : o- s + s y- s - o J J 4

5 [m st uitar Solo (:59) M# (ES) (ES) rr. plays Rhy. Fig. (see bar 8) tr. (w /dclay) hold bend and let ring ,,l_- ::J-. _,, -.- =th , ;5, l- l-l+, _-_-_- _-_-_-_-_-_-_-_- _-;:_ -_-_-i-_-_-_-_-;:_-_-_-_-_-_-::+ l t====t===t::::::t:::r::j=:::::t:::::j:::t::t::t:: ::. plays Fig. (see bar 8) J 5 (E5) Ft- -l-' P i - :- -i- Osfssss, pitch: go back [ 3rd Verse J. He'll E#9 [!] (:5) 46 tr. (doubled) (E5) N.tl. rr. play s Rhy. Fig. seve n times (see bar ) : -'. r 3 3 (to slack ) N.. Vt tr. plays Fill (see below) pitch: "pre-be,,d " wlbar play s Fig. seven rimes (see bar ) N.H. _dje_s ' - N... r-f- -'-+ +-<- -'-+ -' = pitch: N.L (} '.: f. :'t _R/'!'.:!/ - [s_e_e_ '!' l +l/ u vv lg nd uitar So lo (3:) Ctr. plays Rhy. Fig. 3 (see bar 33) 55..-,. ES F t 5 5 5, ''pre-bend " wlbar plays Fill (see below) 5 - repe,, pre"ious bem plays Fig. 3 rhree limes (see bar 33) E5 Y: 5,..._ 5 P..... P.- _ o i-=f 5 o 5.,._.-,:5 o - ( t- t ) ' -..._ / - - J J pitch: (j ho ld foll b<nd Fill (:5) Rhy. Fill (3:8) -..., ', ::::::LJ LJ Fill (3:8) l:i±o o- o- o- +. 3J!,... 5

6 E ) / 'P.._ , +- -<- +-f++-++-f o o+ o- o, ,,-.,,,,,_-_, _, _, -+-_,.,,, > l'm radually mo e pi cking hand down the siring while picking in order to produce differem pine/, harmonics (as heard fo the recording). tr. 85., " T T T T T T T T (-5 5 L...J { \:d...j ':::::l?_lt L.LJ J [HJ(3:3) (E5) 5!C# (E5) E#9 (E5) 5 /C# (E5) tr. 3 plays Fill (see below) rr. plays jirs r two bars qf Rhy. Fig. twi ce (see bar 8) T T T T T T T N.H pil<:h: ) ( slack) (E5) 5!C# (E5) (E5) we# (E5) E#9 tr. plays Rhy. Fig. (.ree bar 8) tr. N.H. 68 w/ba r.6 rrs. 4 and 5 play Fills 3 and 4 (see below) ** +/.&,t- Huh 've 5 d rr. substitutes Rhy. Fill (tee bar 3) u.&, -tt pitch: F tr. 3 N.H ,...,,.._-_- _- _-_-_-_-_-_-_-_-_-_-_-,,,.., -,,.4>- <?.4>- -fl * "pre -bend.. wl har piti::h: Hass... pull bar up Fill 3 (3:4) tr. 4 tr L...::l pitch: O µ/ bar up. Ju.-n tlive Fi/4 (3 4) tr. 5 (elec. w/dist.) \\.Jbat (grad. dive ) -l Yi 6

7 [J 3rd Brid ge (3:4) got one thing you'll understand (octor i- =t ! i!l=!=l tr. (E5) Feelgood) 5 NC# 5 \- 3: = =========== =:!:::::::::::::::::::::::::::::::::::::::::::.=...- o=:.=l- -.i.: -o+-o==-::::::: -_-3-:._ -_-3-:..-: :..-:..- ==-=t-+===,_.,,. ==}t.==t-_ -_-_J::j T T T TT!. Fig. 4 _ o sf-s-t s-+ =:::.=._- s o-,-o s 5=== :;;.. q -:_-:...-! t=,,..4 3-,- t=.i J, j ,. -. L.-=l not what you'd call a glamorous man (octor Feelgood) ot (E5) 5 NC# 5 4 tr. one thing that's easily understood (E5) (octor Feelgood) 5 NC# 5 plays Fig. 4 rwice (see bar ) the one they call octor Feelgood , <t- 5 '- r "c -" QJ Outro (4:) (E5) (E5) rr. plays firsr rwo bars of Rhy. Fig. til fade (see bar 8) 8 tr. octor (E5) ;., 4( 4)' l i j L...J play 5 tim es and fad e Feelgood NC# (E5) (octor Feelgood) E#9 (E5) { -'-,- 9, 9 - -> ' s."- 4- t4l' - -.j L...J ->