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1 Page 1 of 5 Online Auction Catalogue Lot # 111 BEN NICHOLSON British Sculptured Forms One ink wash on paper, on verso signed, titled and dated March 13, /4 x 20 1/2 in, 40 x 52.1 cm Private Collection, England Waddington Galleries, London Private Collection, Toronto Christopher Neve, Ben Nicholson: Recent Paintings on Paper, Waddington and Tooth Galleries, 1978, unpaginated Ben Nicholson, Ben Nicholson , Odakyu Museum, 1992, reproduced Norbert Lynton, Ben Nicholson, 1993, reproduced page 406, plate #399 Exhibited: Waddington and Tooth Galleries, London, Ben Nicholson: Recent Paintings on Paper, 1978, catalogue #20 Odakyu Museum, Tokyo, Ben Nicholson, September 30 - October 18, 1992, traveling to Shizuoka Prefectural Museum of Art; Hakone Open-Air Museum; Museum of Art, Kintetsu, Osaka; The Museum of Modern Art, Gunma, , catalogue #83 $30,000 ~ $40,000 CAD $20,000 CAD Preview at: Heffel Fine Art Inc. Toronto Online Auction is. There is an automatic 3 minute bidding extension, for the entire auction session, if a bid is submitted on any lot within the last 3 minutes on the bidding clock. These auction session time extensions will continue to occur until there is a 3 minute period during which no bidding takes place on any lot in the current session. Our online auction experience now fully emulates our live ballroom auction excitement. Search by: All works Found: 17 works Showing works: 11 through 17 Sorted by Lot # Page # More lots available: October st Session International Pop Art Prints Lots #: Download Auction Catalogue in PDF Format October rd Session Fine International Art Lots #: Lot # 112 PABLO PICASSO Spanish Deux buveurs catalans etching, signed, dated in the plate and inscribed in the margin "376 / BL 228 / 163 / 9-503" 9 1/4 x 11 3/4 in, 23.5 x 29.8 cm By descent to the present Private Collection, Vancouver Georges Bloch, Catalogue of the Printed Graphic Work , Volume I, catalogue #228, reproduced page 74 This auction has multiple sessions. Click on the session name to see more lots. Showing lots from: October nd Session Fine International Art Highlights Lots #: Browse Entire Auction Catalogue New Search Search by Artist

2 Page 2 of 5 This etching is plate 12 from the Vollard Suite. This etching was produced in an edition of of which were produced on paper sheets with larger margins. The paper is Montval laid paper, and bears the Picasso watermark. Sheet size is 13 1/8 x 17 3/8 inches. The subject is thought to be a young Catalan fisherman recounting his life to an old bearded fisherman. The print was published in 1939 by Ambroise Vollard, one of the great art dealers and publishers of the twentieth century. $8,000 ~ $12,000 CAD $7,500 CAD Search by Subject Search by Category Search by Country Search by Preview location Go to Lot# Click on each thumbnail to view a full version of each item. All prices are in Canadian Dollars. Lot # 113 ARTHUR SEGAL Romanian Village Courtyard oil on canvas, signed 19 3/4 x 23 3/4 in, 50.2 x 60.3 cm Although great care has been taken to ensure the accuracy of the information posted, errors and omissions may occur. All acquisitions are subject to our Terms and Conditions of Business. Private Collection, Toronto $9,000 ~ $12,000 CAD Related links: $8,000 CAD Preview at: Heffel Fine Art Inc. Toronto Bidding Hotlist My Bids Register to Bid Shipping Terms and Conditions Catalogue Terms and Abbreviations Expert Bidding Tips Frequently Asked Questions Lot # 114 THEO TOBIASSE Israeli La place Vendome oil on canvas, signed, titled and dated 1966 and on verso titled and certified by Marion Scott Gallery on the gallery label 21 1/2 x 25 1/2 in, 54.6 x 64.8 cm Marion Scott Gallery, Vancouver $9,000 ~ $12,000 CAD Final Bid: $9,000 CAD Lot # 115 LILL TSCHUDI Swiss Life Class colour linocut, 1938

3 Page 3 of 5 signed twice, titled and inscribed "USA" 10 1/4 x 12 in, 26 x 30.5 cm Stephen Coppel, Linocuts of the Machine Age, 1995, reproduced page 39, plate 26 and page 145, catalogue #LS 64 Exhibited: Birmingham Museum and Art Gallery, Exhibition of Modern Lino-cuts, March 30 - April 19, 1939, same image exhibited, catalogue #135 Iain MacNab opened The Grosvenor School of Modern Art in 1925 at 33 Warwick Square. Claude Flight, who had recently completed a publication on the process of linocut printmaking, was invited to instruct at the newly formed school. Cyril Power, a respected architect, joined the faculty shortly after as a lecturer and Sybil Andrews was hired as the school secretary. Lill Tschudi, a talented Swiss artist, enrolled in the Grosvenor School of Modern Art in 1929 at the age of 18. Encouraged by Flight, Tschudi took up the linocut technique, which became her preferred medium. Eventually, through revenue from the sales of her prints, Tschudi would leave London to further her schooling at the Academies André Lhote in Paris. Tschudi studied life drawing with the Cubist painter Lhote, which perhaps was the inspiration for this work. Tschudi maintained a close relationship with Flight and continued to exhibit with the Grosvenor School group and contribute to the annual exhibitions of British linocuts. In a letter dated 5 July, 1938, Flight commented to Tschudi about this print, "In the Life Class I think you have got away with the subject better than anyone has with this particular subject before, it is [sic] nice colour & balance & your whites are very well managed." Following the inaugural exhibition of British linocuts in 1929 at the Redfern Gallery in London, the 1930s were the most productive and important period for the Grosvenor School artists. Tschudi produced 65 linocuts in the period between 1930 and This exceptional example of her mature work, dated 1938, is rare to the market and has only been available at public auction once in the past decade. Please note: this work is archivally matted but is unframed. Search by: All works Found: 17 works Showing works: 11 through 17 Sorted by Lot # More lots available: October st Session International Pop Art Prints Lots #: Download Auction Catalogue in PDF Format October rd Session Fine International Art Lots #: $30,000 ~ $50,000 CAD $30,000 CAD This auction has multiple sessions. Click on the session name to see more lots. Page # Lot # 116 MAURICE UTRILLO French Maquis à Montmartre oil on canvas, circa 1950 ~ 1952 signed and on verso inscribed "La Fourvière" on the photo certificate 18 1/8 x 21 3/4 in, 46 x 55.2 cm Private Collection, Toronto, 1953 By descent to the present Private Collection, California

4 Page 4 of 5 Louis Libaude, Maurice Utrillo, Galerie Eugene Blot, 1913 This work is of Maurice Utrillo's best-known subject, the neighbourhood of Montmartre in Paris. It features the distinctive Basilica of Sacré-Coeur on the left and the well-known windmill building Moulin de la Galette on the right. Also, this particular view substantially resembles a circa 1948 work entitled Le maquis de Montmartre, sold at auction in New York in Utrillo was born in Montmartre, a vibrant district known for its nightclubs, cafes and artist studios, to painter and artist's model Suzanne Valadon. Valadon gave Utrillo artistic instruction, and, upon embarking on his life as an artist, he set up his studio in Montmartre - as had other well-known artists such as Pablo Picasso, Salvador Dali and Vincent van Gogh, to name a few. Near the turn of the century, Paris was a hotbed of artistic ferment, and Utrillo was part of a group of Post-Impressionist avant-garde artists interested in contemporary art and literature named Les Nabis, who were influential in the 1890s. Utrillo's art dealer Louis Libaude declared, "Maurice Utrillo is the painter of Montmartre. Since Lupine, I believe no other artist has been able to render with such acute sensitivity the charm of this little provincial town, isolated on the summit of Paris. Utrillo excels in painting the cracked walls of the old houses. The smallest...façade takes on in his paintings an extraordinary intensity of colour and life." The original photo certificate is signed by Paul Pétridès and is included with this painting. This work was presented to Messrs. Fabris and Paillier. $90,000 ~ $120,000 CAD $80,000 CAD Lot # 117 WU CHANGSHUO Chinese Chrysanthemum hanging scroll, ink and colour on paper, signed, dated 1918, inscribed with a poem in Chinese and stamped with three seals of the artist and on verso signed and titled 60 x 16 in, x 40.6 cm The artist's inscription, along with the poem, indicates that he painted this when he was at the age of 74. $20,000 ~ $30,000 CAD $19,000 CAD

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