Assignment 2 Solution Composition and Space. 3. Durability is purposely compromised in ephemeral art forms. True False

Transcription

1 Assignment 2 Solution Composition and Space 1. Linear perspective ensures scale difference with equal and even sharpness all over. 2. Stylization leads to naturalism. 3. Durability is purposely compromised in ephemeral art forms. 4. Abstraction is a term that is applied to artworks in which simplification is evident. 5. In ancient Egyptian art, use of multiple point perspective showed objects to its most descriptive view. 6. The Persistence of Memory (Spanish: La persistencia de la memoria; Catalan: La persistència de la memòria), 1931 painting by artist Salvador Dalí has the elements of Sureal art Cubist art 7. All forms however complex can be reduced to geometric forms.

2 8. An ambiguity of ground results in spatial puzzle. 9. Cubism follows photographic naturalism. 10. There can be no vanishing point in Isometric projection. 11. Optical illusion is a distinctive feature of decorative art. 12. A linear perspective drawing is incomplete with the knowledge of just a single vanishing point. 13. The freestanding art works are synonymous to sculptures. 14. The negative ground cannot be created with high value colours. 15. In traditional oil painting, a painter chooses to apply low value colors first. 16. A narrow corridor is suitable for displaying very large paintings.

3 17. The Weeping Woman ⅝ 19 ¼ inches) oil on canvas by Pablo Picasso, France in 1937 is a work which belongs to Surreal art Cubist art Fauvism 18. An example of ideal distortion is, A Printed text Hand written text 19. The color and value variation impart a feeling of Spatial depth Interactive space 20. Curvilinear forms are organic in nature. 21. To attach foreign object to a composition was popular in Analytical cubism Facet Cubism Synthetic cubism 22. In architecture the positive ground is enclosed by negative ground. 23. Betrayal, St. George, Artos, Rethymnon, 1401 A.D. Depth by scale difference Depth by overlapping Depth by isolation 24. Overlapping with size difference appears to be two-dimensional.

4 25. Equal distribution of negative and positive ground creates threedimensionality in a composition. 26. Waterfall (Waterval), lithograph by the Dutch artist M. C. Escher first printed in October 1961 is a Sureal Space Impossible Structure Spatial puzzle All of the above None of the above 27. Elevation on the ground indicates a recession into a deeper ground -is termed as, Vertical location Linear Perspective Isometric projection 28. As we raise our view upward, object move further away towards the horizon in eye level. 29. Subject matter is recognizable in nonobjective forms. 30. In naturalism, physical appearance of rendered image in nature is the primary inspiration; simplified object here resembles with less exactitude.

5 31. Drawing Hands is a lithograph by the Dutch artist M. C. Escher first printed in January 1948 is a Interactive space Multiple point perspective Naturalistic space All of the above None of the above 32. Ukiyo-e artist Kitagawa Utamaro's 'Fukagawa no Yuki' ('Snow in Fukagawa') Kanagawa Prefecture, OKADA MUSEUM OF ART/KYODO One point perspective Atmospheric perspective Oriental Space Surreal space Isometric Space All of the above 33. Expressionistic artworks appeal to subjective responses of beholder, often through exaggeration of form or expression. 34. In abstraction, represented images often intent to extract essence of object or idea. 35. Parallel lines on parallel planes converge at the vanishing point in Renaissance painting Oriental Space

6 36. The Lamentation of Christ (Lamentation over the Dead Christ, Dead Christ) is a painting of about 1480 by the Italian Renaissance artist Andrea Mantegna. Multiple point perspective Cubist perspective Amplified perspective Isometric projection Areal Perspective 37. Naturalism involves perfected proportion. 38. Sign is universal and symbol is culture specific in visual communication. 39. One point linear perspective acts as a unifying factor in a composition, 40. By placing a larger object in a vertical location and smaller objects in the lower half, a sense of two-dimensionality can be brought forward.