The Petrarchan Context of Spenser s Amoretti. PMLA 100 (1985): Davis, B.E.C. Edmund Spenser: A Critical Study.

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1 BIBLIOGRAPHY Abrams, M.H. A Glossary of Literary Terms. 5 th ed. Fort Worth: Holt, Rinehart and Winston, Inc., Alpers, Paul J. Elizabethan Poetry. London: Oxford University Press, Altman, Joel B. The Tudor Play of Mind: Rhetorical Enquiry and the Development of Elizabethan Drama. Berkeley and Los Angeles, CA: University of California Press, Anderson, Judith H, Donald Cheney and David A Richardson, eds. Spenser s Life and the Subject of Biography. Amherst: University of Massachusetts Press, Bayley, Peter. Edmund Spenser: Prince of Poets. London: Hutchinson University Press, Bell, Ilona. Elizabethan Women and the Poetry of Courtship. Cambridge: Cambridge University Press, Berger, Harry Jr. Spenser: A Collection of Critical Essays.Englewood Cliffs, NJ: Prentice- Hall Inc., Bernard, John D. Spenserian Pastoral and the Amoretti. ELH 47 (1988): Brooks-Davies, Douglas, ed. Edmund Spenser: Selected Shorter Poems. London: Longman, Burrow, Colin. Edmund Spenser. Plymouth: Northcote House Publishers Ltd, Church, R.W. Spenser. London: MacMillan and Co., Constable, Henry. Poems. Ed. Joan Grundy. Liverpool: Liverpool University Press, Cruttwell, P. The English Sonnet. London: Longman, Cummings, R.M., ed. Spenser: The Critical Heritage. London: Routledge and Kegan Paul, Curtius, Ernst Robert. European Literature and the Middle Ages. Trans. Willard R. Trask. Princeton, NJ: Princeton University Press, Daniel, Samuel. Poems and A Defence of Ryme. Ed. A. C. Sprague. 1930; rpt. Chicago: University of Chicago Press, Dasenbrock, Reed Way. Imitating the Italians: Wyatt, Spenser, Synge, Pound, Joyce. Baltimore, MD and London: Johns Hopkins University Press,

2 The Petrarchan Context of Spenser s Amoretti. PMLA 100 (1985): Davis, B.E.C. Edmund Spenser: A Critical Study. New York: Russell and Russell Inc., DeNeef, A. Leigh. Spenser and the Motives of Metaphor. Durham, NC: Duke University Press, Dubrow, Heather. Echoes of Desire: English Petrarchism and Its Counterdiscourses. Ithaca: Cornell University Press, Dunlop, Alexander. The Concept of Structure in Three Renaissance Sonnet Sequences. Chapel Hill: University of North Carolina Press, Edwards, Calvin R. The Narcissus Myth in Spenser s Poetry. Studies in Philology 74 (1977): Elizabethan Sonnets. Ed. Maurice Evans. London: J.M. Dent & Sons Ltd, Ellrodt, R. Neoplatonism in the Poetry of Edmund Spenser. Geneva: Librairie E. Droz, Evans, Maurice. Introduction. English Poetry in the Sixteenth Century. London: Hutchinson University Library, Everett, Barbara. Good and Bad Loves: Shakespeare, Plato and the Plotting of the Sonnets. TLS 5 July 2002: 14. Ferry, Anne. The Inward Language: Sonnets of Wyatt, Sidney, Shakespeare and Donne. Chicago: The University of Chicago Press, Forster, L. The Icy fire: Five Studies in European Petrarchanism. Cambridge: Cambridge University Press, Fowler, Alistair. Edmund Spenser: Writers and their Work. London: Longmans, Green and Co., Fox, Alistair. The English Renaissance: Identity and Representation in Elizabethan England. Oxford: Blackwell Publishers Ltd, Frushell, R. C. and B. J. Vondersmith, Contemporary Thought on Edmund Spenser. Carbondale, IL: Southern Illinois University Press, Giamatti, A. Bartlett. Pageant, Show, and Verse. In Edmund Spenser s Poetry. Ed. Hugh Maclean and Anne Lake Prescott. London: W. W. Norton & Company, Hadfield, Andrew, ed. The Cambridge Companion to Spenser. Cambridge: Cambridge 160

3 University Press, Hamilton, A.C, ed. Our New Poet Spenser, Well of English Undefyld. In A Theatre for Spenserians. Ed. Judith M. Kennedy and James A. Reither. Toronto: University of Toronto Press, The Spenser Encyclopedia. Toronto: University of Toronto Press, Hardison, O.B. Jr. Amoretti and the Dolce Stil Novo. ELR 2 (Spring 1972): Heale, Elizabeth. The Faerie Queene: A Reader s Guide. Cambridge: Cambridge University Press, Helgerson, R. Self-crowned Laureates: Spenser, Jonson, Milton and the Literary System. Los Angeles: University of California Press, Heninger, S.K. Jr. Sequences, Systems, Models: Sidney and the Secularization of Sonnets. In Poems in their Place: The Intertextuality and order of Poetic Collections. Ed. Neil Freistat. Chapel Hill: University of North Carolina Press, Sidney and Spenser: The Poet as Maker. University Park: The Pennsylvania State University Press, Words and Meter in Spenser and Scaliger. Huntington Library Quarterly 50 (1987): Herbert, George. Works. Ed. F. E. Hutchinson. Oxford: Clarendon Press, Hieatt, A. Kent. Short Time s Endless Monument: The Symbolism of the Numbers in Edmund Spenser s Epithalamion. New York: Columbia University Press, Huizinga, Johan. Homo Ludens: A Study of the Play Element in Culture. Trans. R.F.C. Hull. 1944; rpt London: Maurice Temple Smith Ltd, Hume, Anthea. Edmund Spenser: Protestant Poet. Cambridge: Cambridge University Press, Hunter, G.K. Spenser s Amoretti and the English Sonnet Tradition. In A Theatre for Spenserians. Ed. Judith M. Kennedy and James A. Reither. Toronto: University of Toronto Press, John, Lisle C. The Elizabethan Sonnet Sequences. New York: Russell and Russell Inc., Johnson, William C. Amor and Spenser s Amoretti. English Studies 54 (1973): Gender Fashioning and the Dynamics of Mutuality in Spenser s Amoretti. 161

4 English Studies 6 (1993): Spenser s Amoretti and the Art of the Liturgy. Studies in English Literature 14 (1974): Spenser s Greener Hymnes and Amoretti: Retraction and Reform. English Studies 73 (1992): Jones, H.S.V. A Spenser Handbook. New York: Appleton-Century-Crofts, Inc., Kellog, Robert. Thought s Astonishment and the Dark Conceit of Spenser s Amoretti. In Prince of Poets. Ed. John J. Elliot, Jr. London: University of London Press, Kennedy, William J. Authorizing Petrarch. Ithaca: Cornell University Press, King, John N. Spenser s Poetry and the Reformation Tradition. Princeton, NJ: Princeton University Press, Lee, Sidney. Introduction. Elizabethan Sonnets. 2 vols. Westminster: Archibald, Constable and Co. Ltd, Lever, J.W. The Elizabethan Love Sonnet. London: Methuen, Lewis, C.S. English Literature in the Sixteenth Century excluding Drama. Oxford: Clarendon Press, Lotspeich, H.G. Classical Mythology in the Poetry of Edmund Spenser. Princeton: Princeton University Press, Lowell, J.R. Spenser. In Prince of Poets. Ed. John J. Elliot, Jr. London: University of London Press, Maclean, H. and A. L. Prescott, eds. Edmund Spenser s Poetry. London: W. W. Norton & Company, Martz, Louis L. The Amoretti: Most Goodly Temperature. In Form and Convention in the Poetry of Edmund Spenser. Ed. William Nelson. New York: Columbia University Press, McCabe, Richard A. Shorter Verse published In A Critical Companion to Spenser Studies. Ed. Bart Van Es. Houndsmill, Basingstoke: Palgrave Macmillan, McNeir, Waldo. An Apology for Spenser s Amoretti. In Essential Articles for the Study of Edmund Spenser. Ed. A.C. Hamilton. Hamden: Archon Books, 1972, Miller, Jacqueline T. Love Doth Hold My Hand : Writing and Wooing in the Sonnets of Sidney and Spenser. ELH 46 (1979):

5 Mueller, W.R. Spenser s Critics: Changing Currents in Literary Taste. Syracuse: Syracuse University Press, Nelson, William. Ed. Form and Convention in the Poetry of Edmund Spenser. New York and London: Columbia University Press, The Poetry of Edmund Spenser: A Study. New York: Columbia University Press, Spenser Ludens. In A Theatre for Spenserians. Ed. Judith M. Kennedy and James A. Reither. Toronto: University of Toronto Press, 1972, Okerlund, Arlene N. The Rhetoric of Love: Voice in the Amoretti and the Songs and Sonets. Quarterly Journal of Speech 68 (1982): Osgood, C.G, ed. A Concordance to the Poems of Edmund Spenser. Gloucester, MA: Peter Smith, Ovid. Metamorphoses. Trans. Mary M. Innes. Harmondsworth, Middlesex: Penguin Books Ltd, Petrarca, Francesco. Rime. Ed. Guido Bezzola. Milan: Rizzoli, [Petrarch]. Canzoniere. Trans. J. G. Nichols. Manchester: Caranet, Prescott, Anne Lake. Spenser s Shorter Poems. In The Cambridge Companion to Spenser. Ed. Andrew Hadfield. Cambridge: Cambridge University Press, The Thirsty Deer and the Lord of Life: Some Contexts for Amoretti In Edmund Spenser s Poetry. Ed. H. Maclean and A. L. Prescott. New York: W.W. Norton & Company, Renwick, W.L. Edmund Spenser: An Essay on Renaissance Poetry. London: Edward Arnold, Ricks, Don M. Persona and Process in Spenser s Amoretti. Ariel 3, (October 1972): Ridley, M.R. ed. Introduction. The Sonnets. By William Shakespeare. 1934: rpt. London: J.M. Dent & Sons Ltd, Rix, Herbert D. Rhetoric in Spenser s Poetry. State College, PA: The Pennsylvania State College, Roche, T.P. Petrarch and the English Sonnet Sequences. New York: AMS Press, Ronberg, G. A. Way with Words: The Language of English Renaissance Literature. 163

6 London: Edward Arnold, Roston, Murray. Sixteenth Century English Literature. London: The Macmillan Press Ltd, Shakespeare, William. Shakespeare: The Sonnets and A lover s complaint. Ed. John Kerrigan. London: Penguin Books, Shire, Helen. A Preface to Spenser. London: Longmans, Sidney, Sir Philip. Poems. Ed. W. A. Ringler. Oxford: Clarendon Press, Smith, H. D. Elizabethan Poetry: A Study in Conventions, Meaning and Expression. Cambridge, MA: Harvard University Press, Sonn, Carl R. Spenser s Imagery. ELH 26 (1959): Spenser, Edmund. Edmund Spenser s Poetry. Ed. Hugh Maclean and Anne Lake Prescott. London: W.W. Norton & Company, Selected Shorter Poems. Ed. Douglas Brooks-Davies. London: Longman, Shorter Poems: A Selection. Ed. John Lee. London: J. M. Dent, The Shorter Poems. Ed. Richard A. McCabe. London; Penguin Books, Spenser s Minor Poems. Ed. Ernest De Selincourt. 1960; rpt. Oxford: Clarendon Press, The Works of Edmund Spenser: A Variorum Edition. Vol. VIII. Ed. E. A. Greenlaw, C. G. Osgood, F. M. Padelford, R. Heffner and H. G. Lotspeich. 1966; rpt. Baltimore: The John Hopkins Press, The Yale Edition of the Shorter Poems of Edmund Spenser. Ed. William A. Oram, Einar Bjorvand, Ronald Bond, Thomas H. Cain, Alexander Dunlop and Richard Schell. New Haven and London: Yale University Press, Spiller, Michael R. G. The Development of the Sonnet: An Introduction. London: Routledge, Tillyard, E. M. W. The Elizabethan World Picture. London: Penguin Books, Tonkin, Humphrey. Spenser s Courteous Pastoral. Oxford: Clarendon Press, Turner, Myron. The Imagery of Spenser s Amoretti. Neophilologus 72 (1988): Tuve, Rosemond. Elizabethan and Metaphysical Imagery. Chicago: University of Chicago Press, Waller, Gary. Edmund Spenser: A Literary Life. London: Macmillan, English Poetry of the Sixteenth Century. London: Longmans,

7 Watkins, W. B. C. Shakespeare and Spenser. Princeton: Princeton University Press, Welsford, Enid. Spenser; Four Hymnes and Epithalamion: A Study of Edmund Spenser s Doctrine of Love. Oxford: Basil Blackwell, Wind, Edgar. Pagan Mysteries in the Renaissance. New York: W.W. Norton & Company, Wood, Rufus. Metaphor and Belief in The Faerie Queene. Chippenham: Antony Rowe Ltd, Wurtsbaugh, Jewel. Two Centuries of Spenserian Scholarship ( ). Port Washington: Kennikat Press, Wyatt, Sir Thomas. The Complete Poems. Ed. R. A. Rebholz. New Haven and London: Yale University Press, Yale. See Spenser, Edmund, The Yale Edition. 165

Medieval and Renaissance Romance EN1021

Medieval and Renaissance Romance EN1021 Dr Brendan O Connell (co-ordinator), Dr Ema Vyroubalová Dr Mark Faulkner This course considers one of the most enduring genres in European literature as it developed