READING LIST: Textbooks

Transcription

1 READING LIST: Textbooks Reyes Hiraldo: A Practical Handbook for the Actor, Bruder, M., Cohn L., Olnek M., Pollack N., Previto R., Zigler S. (1986). New York: Vintage Books The viewpoints book: a practical guide to viewpoints and composition, Bogart, A. and Landau, T. (2005). 1st edn. New York; London: Theatre Communications Group. And Then, You Act, Bogart, A. (2007). New York: Routledge Psychoanalysis and Performance. Campbell, P. and Kear, A. (eds.) (2001) London: Routledge. Stanislavski in Focus, Carnicke, S. (2008) New York: Routledge. To The Actor on the technique of Acting, Chamberlain, F. (2003) Michael Chekhov. London: Routledge Performing Arts Journal Publications. Chekhov, M. (1985) Lessons for the Professional Actor. New York: Performing Arts Journal Publication The Feeling of What Happens. Body, Emotion and the making of Consciousness, Damasio, A. (2000), London: Vintage Pedagogy of the Opressed, Freire, P. (2000). 30th Anniversary edn. NewYork (Great britain): Continuum. Lesley Ewen: Towards a Poor Theatre, Grotowski, Jerzy (1968/2002) New York: Routledge The Invisible Actor, Oida, Yoshi (1997) Oxon: Routledge The Complete Stanislavsky Toolkit, Merlin, Bella (Revised 2013) Nick Hern Books The Outstanding Actor: Seven Keys to Success, Rea, Ken (2015) London: Bloomsbury Methuen Drama The Director s Craft: A handbook for the theatre, Mitchell, Katie (2009) London: Routledge Through the Body, Callery, Dymphna (2001) London: Nick Hern Free Play: Power of Improvisation in Life and the Arts, Nachmanovitch, Stephen (1990) New York: Penguin Putnam

2 An Actor s Work on a Role, Stanislavski, Konstantin (Translated by Jean Benedetti) (2010) London: Routledge An Actor s Work: A Student s Diary, Stanislavski, Konstantin (Translated by Jean Benedetti) (2008) London: Routledge A Choreographer s Handbook, Burrows, Jonathan (2010) London: Routledge The theatre of Societas Raffaello Sanzio, Castellucci, Claudia et al, (2007) Oxon: Routledge Freeing the Natural Voice, Linklater, Kristin (Revised 2006), London: Nick Hern Books Andrew Darren Elkins: My Life in Art. Stanislavski Constantin. (1920). US, Little, Brown and Company. The Grotowski Sourcebook. Wolford L, Schechner R. (2001) Routledge; Reprint edition. Musicality in Theatre (Featuring Andrew s company). David Roesner. (2013) Online Ebook. 21st Century Actor Training. Alison Hodge, (2010) Routledge; 2 edition. An Acrobat of the Heart: A Physical Approach to Acting. Stephen Wangh. (2000) Vintage Books; Original edition. Zygmunt Molik s Voice and Body Work. Camp G, Molik Z. (2010) Routledge; Pap/Dvdr edition. Heart of Practice: Within the Work Centre of Jerzy Grotowski and Thomas Richards. Thomas Richards. (2014) Routledge. At Work with Grotowski on Physical Actions. Thomas Richards. (1995) Routledge. Theatre and Boxing: The Actor Who Flies. Franco Ruffini. (2014) Routledge. Systems of Rehearsal: Stanislavski, Brecht, Grotowski and Brook. Shomit Mitter. (1992) Routledge. Peter Brook: The Empty Space. Peter Brook. (2008) Penguin Classics; 1st Edition Thus edition Antonin Artaud: Theatre and its Double. Antonin Artaud. (2013) Alma Classics; 1 edition To the Actor: On the Technique of Acting. Michael Chekhov. (2002) Routledge; Revised edition. Dodin and the Maly Drama Theatre: Process to Performance. Maria Shevstova. (2004) Routledge; First Edition edition.

3 Pia Rickman: From Stage to Screen, Britten, Bill: (2015). Bloomsbury Methuen Drama Acting for Film, Truth 24 times a second, Churcher, Mel: (2003). Virgin Books Creating Unforgettable Characters, Practical Guide to Character Development in Films, TV Series, Advertisements, Novels and Short Stories, Segar Linda (1990). Holt (Henry) & Co, U.S.; First Edition edition Directing Actors, Merlin, Bella: Seger, Linda: Weston, Judith: (1996), Michael Wise Niall Philips: The Actor and the Target. Declan Donnellan. (2002). Nick Hern Books, 2005 The National Theatre at Work. (Hamlet Observed). (2001). Royal National Theatre Publications Department The Respect for Acting. Hagen U and Croall J. Jossey Bass (1973); 2nd Edition edition, Recommended playwrights: Eugene O' Neill Henrik Ibsen. Myles Horgan: To The Actor on the technique of Acting. Chamberlain, F. Michael Chekhov. London: Routledge Chekhov, M. (2002) Oxon: Routledge. The Feeling of What Happens. Body, Emotion and the making of Consciousness. Damasio A, (2000) London: Vintage Pedagogy of the Opressed. Freire, P. (2000) 30th Anniversary edn. New York; (Great britain): Continuum. The Twentieth-Century Actor Training. Hodge, A. (2000) Oxon: Routledge. The Twentieth-Century Performance Reader. Huxley, M and Witts, N. (2002). Oxon: Routledge. Theatre, education and the making of meanings: art or instrument? Jackson, T. (2007) Manchester: Manchester University Press. Jung on active imagination. Jung, C.G. (1997) London: Routledge. El Último Stanislavski, Knebel, M. (1996). Madrid: Fundamentos The Moving Body - Teaching Creative Theatre. Lecoq, J. (2000), London: Methuen and Houben True and False. Heresy and Common Sense for the Actor. Mamet, D. (1997) New York: Pantheon Books. The body speaks. Marshall, L. and Oida, Y. (2008). 2nd. edn. London: Methuen Drama. Beyond Stanislavski. Merlin, B. (2001), London: NHB

4 The Michael Chekhov Handbook: for the Actor. Petit, L. (2010) Oxon: Routledge. Jerzy Grotowski. Slowiak, J. Cuesta, J.(2007) London: Routledge. An Actor s Work. Stanislavski, K. (2008) Oxon: Routledge La Construcción del Personaje. Stanislavski, K. (2007) Buenos Aires: Alianza. The Kingdom of God is Within You. Tolstoi, L. (2010) Milton Keynes: Watchmaker. Psychophysical Acting: An Intercultural Approach after Stanislavski, Zarilli, P. (2009). Oxon:Routledge. Body voice imagination: ImageWork Training and the Chekhov technique. Zinder, D.G. (2009) 2nd edn. London, New York: Routledge. Alan Pearce: An Actor's Work. Konstantin Stanislavski. (2009) Routledge. Stanislavski's An Actor Prepares and Building a Character translated into a single Volume. Vocal Arts Workbook. Carey D, Clark R. (2008) Methuen Drama. A useful set of exercises to get your voice working and realising its potential. An Empty Space. Peter Brook. (1968). Touchstone. A seminal book on performance and the state of modern theatre. Impro: Improvisation and the Theatre. Keith Johnstone. (2007) Methuen Drama Techniques and exercises from the master of improvisation. The Moving Body. Jacques Lecoq (2009) Routledge. Philosophy and teachings from the French mime and theatre tutor, responsible for techniques such as neutral mask and clown. Respect for Acting. Hagen U, Frankel H. (1973) John Wiley and Sons Lessons from one of the greatest acting teachers of last century. Twentieth Century Actor Training. Alison Hodge. (2000) Routledge. A compendium of essays on acting theory and training exercises from the past 100 Years. Geoffrey Williams: About Acting (addressing various aspects of technique ) The Empty Space. Brook, Peter. (1968) London: Penguin Classics, Words Into Action: Finding the Life of the Play. Gaskill, William. (2011) London: Nick Hern Books. Making a Performance: Devising Histories and Contemporary Practice. Govan, Emma; Nicholson, Helen, Normington, Katie. (2007) London: Routledge. Shakespeare s Advice to the Players. Hall, Peter. (2009) London: Oberon Books. The Theatre of Grotowski. Kumiega, Jennifer. (1985) London: Methuen. True and False: Heresy and Common Sense for the Actor. Mamet, David. (1998) New York: Faber and Faber.

5 Sanford Meisner on Acting. Meisner, Sanford, Longwell, Dennis. (1987) New York: Vintage. Other (about storytelling, interviews with theatre people etc. The Seven Basic Plots: Why We Tell Stories. Booker, Christopher. (2015) London: Bloomsbury, Talking Theatre: Interviews with Theatre People. Eyre, Richard. (2007) London: Nick Hern Books. Jonathan Bradshaw: Straight & Crooked Thinking by Robert Thouless. Sam Miller: Voice and the Actor. Cicely Berry. (1973). Random House, 2011 Games for Actors and Non-Actors. Augusto Boal. (1992). Psychology Press, 2002.