Thank you for auditioning for ROCK OF AGES NATIONAL TOUR ROLE: DREW

Transcription

1 Thak you for auditioig for ROCK OF AGES NATIONAL TOUR ROLE: Preset i the room ill be director, producig team castig Iitial Call please prepare: -A Sog from your book i the style of or from the sho 1980s Rock Sog ONLY Please o Pop -Side 1 i this packet labeled Iitial Appoitmet -Please have your full book music ith you, i case the team eeds to hear somethig differet If you are called back please prepare: -This FULL packet of material -Please have your full book music ith you, i case the team eeds to hear somethig differet INSTRUCTIONS: Be sure to brig your picture ad resume, otherise e ill ot have oe i the room! Thaks so much! W S Castig W S Castig

2 SIDE 1 10/27/2011 Iitial Appoitmet 9 START HEY!!! (to Sherrie) You okay? I as ust mugged Come o, let s get you some ice ( takes her suitcase) Sorry about your purse It s okay I did t really have aythig i there My travel book says to alays hide your valuables someplace safe, so I tucked all my moey iside my lacy, pik, yet slightly seethrough ad somehat iappropriate for my age paties (iocetly) (togue-tied) That s really smart (exteds had) I m Sherrie (shakes) Wolfgag Vo Colt I m sorry? (embarrassed) Or Dre You ust visitig? Actually, I thik I m here for good leads her toard The Bourbo Room Yeah? IT S TRUE! YEAH! Well, elcome to LA!

3 10/27/ / ENSEMBLE YOU RE MOTORIN WHAT S YOUR PRICE FOR FLIGHT YOU VE GOT HER IN YOUR SIGHTS AND DRIVING THROUGH THE NIGHT They eter the The Bourbo Room Shut up! You ork at The Bourbo Room? (checks book) This place is like famous! Let s get that ice DENNIS ad LONNY are iside - sharig a oit Deis, this is Sherrie (cot d) I love your club So aesome (breath i) Eve smells like rock ad urie DENNIS So hat brigs you out here, Sherrie? I m a actress! What a shocker LONNY Hey, maybe e could hook Sherrie up ith a ob? DENNIS (holdig ihale of SMOKE) We are ot hirig right o Sorry, seetie Ooo! Look at that!! A lucky pey!! suddely otices o the floor As she picks it up, the boys ca t help but ote her flaless behid

4 10/27/ DENNIS But I suppose e could alays use some extra help Ohmygod! Are you kiddig? I d love a ob! ust util you make it big, of course smiles at FATHER (OFFSTAGE) SISTER CHRISTIAN, OH THE TIME HAS COME DENNIS I ll let my boy Dre sho you aroud MOTHER (OFFSTAGE) AND YOU KNOW THAT YOU RE THE ONLY ONE TO SAY Hey, you at a drik or somethig? OKAY I as goa go get a Slurpee You at oe? MALE ENSEMBLE DON T NEED NOTHIN BUT A GOOD TIME I love Slurpees! So do I! FATHER BUT YOU RE MOTORIN YEAH MOTORIN No shit?! (amazed) I say o shit!

5 10/27/ FEMALE ENSEMBLE HOW CAN I RESIST? Be right back Cherry okay? I love Cherry! MALE ENSEMBLE AIN T LOOKIN FOR NOTHIN END AND IT DON T GET BETTER THAN FULL ENSEMBLE WHAT S YOUR PRICE FOR (excited) This ad exit i opposite directios Suddely, LONNY appears from SL LONNY Yeah, good stuff Course hat these guys do t ko is hile everyoe s out motori ad havi othig but a good time, (dramatic) a dark cloud has moved i over our beloved Strip A couple of STREET PEOPLE pass MALE ROCKER (OEY PRIMO) He s talkig about the e Arby s LONNY No, I m ot talkig about the delicious Arby s! I m talkig about this! LONNY coures the set to ope, revealig Scee 3a INT Mayor s office Day REGINA Mayor, your three o clock is here A Hertz Kliema? The MAYOR appears ith his right-had oma, REGINA

6 SIDE 2 10/27/2011 Callback Oly 74 ad bump passig each other esus! Why do t you -- Lookig up, sees ho it is is equally surprised START (cot d) Dre? Oh my God, I Ho are you? Sherrie I m fie Ad you? Good Great, actually Oh yeah? So the actig? That goig ell? Yeah I as actually ust meetig ith a pretty big producer at, ah, Orio Pictures Thik it could really lead to somethig That s great Well, you take care, Sherrie Wait What about you? Your music? begis to alk aay Um I got a e bad Street Boyz ith a Z Goa be huge Got a Tiger Beat shoot ad everythig Tiger Beat? That s a departure from rock, is t it? (sarky) Yeah ell, I guess sometimes people chage their mids about thigs, people they like, ie coolers Hold o, you re mad at me?!

7 10/27/ I thik I m etitled If you remember you re the oe ho tured your back o me the miute I as fired! Buddy, it look me a log time to get over-- Tured my back o you?! Time out! What about he you (ca t say it) ith Stacee axx! You said e ere ust frieds! Y ko, ust driki ie coolers?! I ever said that! Suddely, LONNY appears LONNY Yeah, actually you did (Realizig this is a private momet, LONNY slips back off) Sorry Dammit, I as crazy about you You ere? Goodbye, Dre begis to alk aay Sherrie? (cot d) Maybe give it a liste It s about you reaches ito his pocket ad hads a cassette I m scared

8 10/27/ No, it s good stuff begis to exit (feelig hoest) I m a stripper (embarrassed) Exotic dacer (the) Stripper Veus club My maager dressed me like this ad that s the first demo tape ayoe s take off my hads ats to say more I better go (cot d) Dre For hatever it s orth Street Boyz or hatever I thought you made a really hot rocker (cot d) (to herself) God, you are so stupid (to himself) Why did you say frieds!? (re: tape) He rote me a sog? The to separate Oce aloe (to himself) She as crazy about me? END 14 HIGH ENOUGH I DON T WANNA HEAR ABOUT IT ANYMORE IT S A SHAME I VE GOT TO LIVE WITHOUT YOU ANYMORE THERE S A FIRE IN MY HEART A POUNDING IN MY BRAIN IT S DRIVING ME CRAZY

9 SONG 1 PIANO/CONDUCTOR Dre Esemble Cue: : "Say it Wolfgag!" I Waa Rock [c 3/10] Callback Oly Orchestratio: Etha Popp 4 START Hard Rock [q = 108] : b 4 I a - a rock! I a - a rock! ENSEMBLE: I at to? 4 4 Dist B3 f Rock! G 5 F 5 (Bs) C 5 D 5 F 5 Rock! G 5 F 5 C 5 D 5 Bb5 b rock! I a - a rock! Rock! Rock!? G 5 F 5 C 5 D 5 F 5 G 5 F 5 C 5 D 5 Bb5 b R-6742/802 Aixter Rice Music Service 630 Nith Ave, NYC

10 PC -2-4 I Waa Rock [c 3/10] P Tur it do you say, Well, all I got-ta say to you is time ad time a-gai I say o! No, o, o, o, No!? G G 5 /C G 5 /F G 5 F5 C o! There's a feel - ig that I get from oth-i' else ad there ai't oth-i' i the orld that makes me? G G 5 /C G 5 /F go! Go, go, go, go, go! So, if you ask me Why I Go!? G 5 F5 C 5 G 5 F 5 C 5 F 5 b Aixter Rice Music Service 630 Nith Ave, NYC

11 PC -3-4 I Waa Rock [c 3/10] b? like the ay I play C 5 There's o-ly oe thig I ca say to you: I a-a rock! F 5 b b Bb5 F 5 C 5 b b I a - a rock! I at to Rock! Rock!? G 5 F 5 C 5 D 5 F 5 G 5 F 5 C 5 D 5 Bb5 b : "OKAY, I GET IT!!" END rock! Rock! Rock! I a- a Rock! Rock! Rock!? G 5 F 5 C 5 D 5 Bb5 b Aixter Rice Music Service 630 Nith Ave, NYC

12 SONG 2 Dre Sherrie Stacee Esemble 4? 4 Moderate 80's Pop Ballad [q = 102] Safety (Out o ay 2-bar phrase) 1 Dark Wurli (both hads) F A m Waitig For A Girl Like You Cue: LONNY: "So let's set a ice mood, shall e?" G/A 2 [c 3/10] 3 A m Callback appoitmet Orchestratio: Etha Popp G/A 4 6A 5 V START : So log, 6 I've bee 7 8 look-ig too hard, I've bee ait - ig too log (Tur sig-al!!)? (Gtr1 - cot sim :) A m G/A A m G/A 9 V Some-times I do't ko hat I ill fid I o-ly ko it's a mat - ter of time, he you? A m G/A A m G/A

13 13 V : love some-oe, he you love some-oe (Gtr 2) It (Bs - cot sim :)? E m7 D 2 E m7 D V feels so right, so arm ad true, I eed to ko if you feel it too? E m7 D2 E m7 D2 E 7

14 V : P WOMEN (O/S): 22 May-be I'm rog Wo't you tell me if I'm com-ig o (Breathy / o vib) : too strog? This V Ahh MEN (O/S): P (Breathy / o vib) Ahh 25? (+Gtr1) F ma9 (Bs) P heart of mie has bee hurt G 26 be 27 F ma9 3 G - fore, this time I a-a be sure I've bee ait- 28 : V b b V Ahh P b Ahh b? (Bs) F ma9 G F ma9 G b b

15 V b b V b b b? b ig WOMEN (O/S): (Breathy / o vib) MEN (O/S): Ooh, (Breathy / o vib) Ooh, (+Gtr1 - hole otes) D m 30 for a C D D m (Bs) girl like you to ah ah C D Dm D m C 31 come i - to my life I've bee ait- Bb 32 D m C/D 33 V b : b V b ig for a girl like you, your (breathy) Wait - ig for a (breathy) lov-ig ill sur-vive I've bee ait- girl b Wait - ig for a girl b? b D m C D D m C D Dm D m /C Bb Bb /A G m (Bs - cot sim :)

16 37 b b V b b b? b ig (breathy) I've bee ait-ig, (breathy) I've bee ait-ig, D m (+Bs) for C D D m 38 some-oe e to make me feel a-live Yeah, ait- ooh, ooh, C D D m C 39 Bb Bbma7 ah ah 40 (Bs) : V D m C D D m C D D m

17 41 V b b b V b b ig : I've bee aitig - for a 42 b for a girl like you to boy like you to (breathy) Wait-ig for a (breathy) 43 come i to my life come i to my life 44 END b b? b D m C D D m Wait-ig for a C Bb Bb /A g G m (+Bs) Rhoades-y Sparkle Thigy 45 (+Gtr2)? A m Still Wurli, but add phasig vocal pad G/A A m G/A 48 49? Dark Wurli (both hads) A m (+Bs) (+Gtr1 - comp) G/A 50 : "I still ca't believe you're opeig for Arseal That is so cool!" 51 A m G/A : "Ad I oe it all to you" (cot) 52 (Bs)

18 SONG 3 Sherrie Dre Esemble Cue: : "Dre For hatever it's orth Street Boyz or hatever I thought you made a really hot rocker" ( ad part) High Eough [c 3/10] Callback Oly 14 Music Lyrics by ack Blades, Ted Nuget, ad Tommy R Sha Arragemet by Etha Popp 1 [q = 82] 4 : (to herself) "God, you are so stupid" : (to himself) "Why did you say 'frieds!?' " U! 2 U : (re: tape) "He rote me a sog?" : (to himself) "She as crazy about me?" (go o)? 4 P 4 (Gtr 2 - Acoustic) 3 U U (Gtr 1 - Clea elec /trem) 3 U U 3? 5? : I do't a - a hear a - bout it a - y - more It's a (Gtr 2 - Rhythm) A 4 E/G shame I've got to live ith-out you a - y - more There's a Fm7(add4) 6 START V :

19 7 V? r fi - re i my heart, a poud - ig i my brai, it's driv- ig me E sus 8 E V 9 10!? cra D 2 - zy (Keys - Sy Strs) 11 V? : We do't eed to talk a - bout it a - y - more : We do't eed to talk a - bout it a - y - more A 12 E/G

20 13 V Yes - ter-day's ust a mem - o - ry 14 Ca e close the door? I? 15 V? 17 Yes - ter-day's ust a mem - o - ry Fm7(add4) ust made oe mis-take, r I E sus Ca e close the door? he you called did - 't ko hat to say, he you called me E me V ba - by? ba D 2 - by (Drs - fill)

21 20 V Do't say good- ight Say you're go - a stay for - ev - er, f? Do't say good- ight Say you're go - a stay for - ev - er, F 2 G 2 F G A m V oh oo hoa, all the ay oh oo hoa, all the ay? F G A sus A

22 : 24 V : Ca you take me high e ough - Ca you take me high e - ough? V WOMEN: (off-stage) MEN: (off-stage) Ca you take me high e - ough? Ca you take me high e - ough?? D A B m V to fly me o - ver yes - ter-day?? E m Fly E m9 me o - ver yes - ter-day? G A

23 27 28 V Ca you take me high e ough? - Ca you take me high e - ough? V Ca you take me high e - ough? Ca you take me high e - ough?? D A 2 /C B m 29 V It's ev - ver o - ver! 30 Whoa oh oh oh Whoa oh oh I'm V! : (alt melody) I'm? E m7 G 2 A 2

24 V V : Oh : N 3 ru-ig I as ru- ig for the door : (alt melody) 32 3 ru-ig I as ru - ig for the door V WOMEN: (off-stage) Oh MEN: (off-stage)? Oh B sus2 D A

25 33 34 V Oh V The ext thig I re - mem - The ext thig I re - mem - Oh V? Oh B sus2 D A

26 35 36 V Oh V - ber I as ru - ig back for more - ber I as ru - ig back for more Oh V? Oh B sus2 D A

27 37 V V Oh " " yeah, yeah, 38 yeah, yeah, yeah yeah, yeah, yeah V Oh? Oh B sus2 D A B sus2 39 V : Do't say good-bye Say you're go - a stay for - ev - er, : 40? Do't say good-bye Say you're go - a stay for - ev - er, G 2 A 2 G A B m

28 41 V oh, oo oh, all the ay oh, oo oh, all the ay 42 All the ay, All 43 the ay, yeah? G A B 5 A 5 44 V : : Ca you take me high Ca you take me high 45 e ough? - e - ough? V WOMEN: (off-stage) Ca you take me high MEN: (off-stage) e - ough? Ca you take me high e - ough?? D A B m

29 46 47 V Ca you fly me o - ver yes - ter-day?? E m7 Fly Em9 me ov - er yes - ter-day? G A V Ca you take me high e ough? - Ca you take me high e - ough? V Ca you take me high e - ough? Ca you take me high e - ough?? D A/C B m

30 50? : E m dim poco a poco It's ev - ver o - ver Yes - ter - day's ust a mem - o - ry 51 G Gma7 52 Rit 53 U! END V : U? Yes - ter - day's ust a mem - o - ry E m7 A U U al iete