Tjaden Darkroom. Facility Guide. Updated 8/22/13 JG
|
|
- Constance Bishop
- 5 years ago
- Views:
Transcription
1 Facility Guide Updated 8/22/13 JG
2 TABLE OF CONTENTS Introduction... Pg 1 Darkroom Staff and Contact Info... Pg 1 Access... Pg 1 Using the Darkroom.... Pg 2 Conduct... Pg 2 Lockers.. Pg 2 Chemistry.. Pg 2 Supplies and Equipment... Pg 3 INTRODUCTION Film Processing. Pg 3 Printing Pg 4 24 Hour Equipment Checkout... Pg 5 Darkroom Safety Information... Pg 6 Emergency Numbers... Pg 7 Technical Support Numbers... Pg 7 Photographic Supplies Companies... Pg 7 Welcome to the Tjaden Darkroom! This guide will provide you with the information necessary to work in the darkroom. Policies exist to ensure the darkroom operates effectively and safely. The darkroom manager and monitors are available to provide assistance. Do not hesitate to ask them for help. DARKROOM STAFF & CONTACT INFORMATION The Darkroom Manager is responsible for the overall management of the facility and equipment. Darkroom Monitors have photography experience and are knowledgeable about darkroom functions and equipment. They are available to help users and are responsible for ensuring the safe and appropriate use of the facility. Jennifer Gioffre, Darkroom Manager RM 120B DarkroomManager@cornell.edu Monitors Booth: RM TjadenDarkroom@cornell.edu ACCESS Undergraduate Students The darkroom is open to undergraduate students enrolled in an art department photography courses. AAP students who have completed an art department photography course may gain access to the darkroom through the subscription policy. Please see the darkroom manager for more details. Art Thesis Students Art Thesis Students who have satisfactorily completed Intro to Photography (ART2601) or who provide a transcript showing the completion of a comparable course at an accredited university, and pay the appropriate fees may have access to the darkroom. Attendance at darkroom safety training and orientation sessions is required each semester. Students will not be granted access to the darkroom if they fail to attend scheduled sessions. Art MFA Students Art MFA students who require the use of a darkroom for their art practice and who have darkroom experience and knowledge may have access to the darkroom. Students must provide evidence of experience with photographic processes and darkroom equipment. The darkroom manager approves usage and qualifying experience. The following are considered experience: A transcript showing enrollment in Art 2601 or Art 3603 at Cornell University Equivalent course from another institution Examples of prints and contact sheets. Students who do not have darkroom experience or knowledge are encouraged to take ART 2601, Introduction to Photography MFA students are required to attend darkroom orientation and safety training to obtain access to the facility. Orientation is held during the first few weeks of the Fall Semester. Attendance at a brief facility update meeting is required each subsequent semester students wish to continue using the labs. MFA students are encouraged to attend darkroom meetings, held approximately every two weeks during the semester. 1
3 USING THE DARKROOM Cornell IDs Required Users must present a valid Cornell ID card to gain access to the darkroom and check out equipment. The ID will be held by the monitor until the user is done working in the darkroom and all equipment has been returned. Access During Schedule Class Time The darkroom is available when classes are not is session. During regularly scheduled class times, the darkroom may be available if it is not being used by a scheduled class. CONDUCT Users must follow all darkroom rules and policies. Maintain darkroom cleanliness. No food or drinks allowed in any darkroom When printing, store backpacks and bags at enlarger station. space. Food and drinks are allowed in the No yelling or excessive noise. classroom ONLY. Report all problems to the monitor on duty. No phone or electronic displays in the Do not attempt to adjust or fix any darkroom. equipment. This includes enlargers, print Label all supplies. washers, water temperature controls, and Supplies left unattended are placed in the lost safelights. See the darkroom monitor or and found. manager for assistance. Store coats on the coat racks in the foyer and the hallway. Be respectful of the equipment provided by the darkroom. If equipment is damaged due to negligence or abuse you will be responsible for its repair or replacement. A user found abusing the darkroom facilities, equipment or policies will receive a warning. After three warnings darkroom privileges are suspended for two weeks. The next infraction results in a final suspension. LOCKERS Lockers are available for students enrolled in photography courses and semester subscribers. Students may request a second locker. The monitor can open a locker for a student who has forgotten their key. After three instances, the key will be considered lost and the student will be required to pay for a replacement ($25 fee). Locker keys are to be returned and lockers emptied by the designated due date. Anything left in lockers or stored in the darkroom past the due date is considered a donation to the darkroom. There is $25 charge for late keys. CHEMISTRY The darkroom provides the following chemistry: Film Processing Chemistry Kodak Rapid Fixer with Hardener Heico Permawash LFN wetting agent Recycled, pre-marked chemical jugs Paper Processing Chemistry Kodak Dektol developer Kodak Indicator Stop Bath Kodak Fixer Heico Permawash Selenium Toner RA-4 Color Chemistry Students provide film-processing developer, Kodak D-76 all of these are available from the campus store. 2
4 DARKROOM SUPPLIES AND EQUIPMENT Students supply the following materials: Photo Paper Film Negative storage sleeves Anti Static Cloth Scissors, pens, markers Matting Materials (boards and linen tape) Re-closable portfolio case Push pins Spotting brush China marker Textbook A supply kit for Introduction to Photography (ART2601) containing the majority of supplies needed is available from Midwest Photo Exchange (mpex.com). Information is distributed at the beginning of each semester. Equipment available for checkout at the monitor s booth: Developing tanks: 16oz, 32oz Magnifying Loupe Developing reels: 35mm, 120 and 220 Negative carriers: 645, 6X6, 6X7, 6X9, 4X5 Film Cleaner Fixed Easels: 8X10, 11X14, & 16X20 Enlarger Bins, containing: Adjustable Easels*: 8X10, 11X14, 16X20, o 8X10 easel 20X24 o 11X14 easel Rulers & T-Squares o Contact printing frame Tacking Iron o Grain Focuser Dexter Mat Cutting Tool o 35mm Negative Carrier Spotting Dyes o Viewing filters (color only) *Requires training and permission from faculty or the darkroom manager FILM PROCESSING B&W FILM To process film, darkroom users must present a current Cornell ID. Film processing is performed ONLY in the film-processing sink in room 120E. Processing equipment, tanks, reels and can openers are available for checkout at the monitor s booth. The film-processing sink accommodates up to three students. The monitor will keep a waiting list. Do not place chemical jugs or other wet materials on the light table or on the floor. Rinse ALL equipment (tanks, reels, lids, funnels, graduates, thermometers, trays and buckets) thoroughly with hot water to prevent contamination. Return all graduates, funnels and thermometers to the shelves in the processing area. All tanks, reels and lids must be 100% dry when returned to the monitor. Remove film from the drying cabinet promptly. Film left for more then 24 hours will be removed. COLOR FILM The darkroom provides color film processing by mail in partnership with Darkroom Imaging in Rome, NY. Students are responsible for all shipping and processing costs. This service is provided for courses that use color negative film. LITHO NEGATIVES Students currently enrolled in ART 3604 and upper level students working in alternative photographic processes may use the black and white darkroom for the production of litho negatives. Upper level students need to meet with the Darkroom Manager for permission. When checking out an enlarger bin please notify the monitor that you will be making litho negatives and which developer dilution you will be using. 3
5 PRINTING Enlarger bins are checked out from the monitor with a Cornell ID. Bins are labeled with letters for B&W enlargers and numbers for color enlargers. Use ONLY the enlarger station that corresponds to the bin that has been checked out. Enlarger stations are NOT to be left unattended. When the darkroom is full and others are waiting to print there is a four-hour time limit on printing sessions. At the end of printing sessions please clean up the enlarger and viewing stations, turn off the enlarger, close the negative stage and return the bin promptly. Bins are to be returned directly to the monitor and may NOT be left on the monitor booth counter at any time. B&W PRINTING and WASHING Do not bring used paper towels, chemicals or liquids to enlarger stations. Vise versa, do not bring equipment, negatives or supplies to sink areas. All prints must be processed with constant agitation. Improper agitation will result in poor image quality. Prints left unattended will be thrown away! Wet prints must be transported in in plastic trays. When finished, trays must be rinsed and neatly stored upside-down under the print washers. DO NOT LEAVE TRAYS IN SINKS. All B&W prints are washed in the wet lab (Rm 121B). Washers can only be turned on by monitors, the darkroom manager, faculty and TAs. Request this service 15 minutes in advance. Do not attempt to adjust washers yourself. COLOR PRINTING Color printing requires complete darkness and the color hallway is very dimly lit. Open doors slowly when entering or exiting enlarger and processor rooms. Color processor procedures: 1. Timer must be at 0 seconds before feeding prints. 2. Place prints in the processor emulsion side up. 3. Feed prints alternately between left, center and the right of the feed tray. 4. When leaving the feed room, turn on the timer (preset to 20 sec) and leave the room door slightly ajar. 5. Prints take 4 minutes to process. If a print has not exited the processor after 5 minutes notify the monitor on duty immediately. Note: No paper or tests strips smaller that 5 x 8 No torn paper. Use scissors or paper cutter. Printing Digital Negatives Students enrolled in ART 3604 and upper level students working in alternative photographic processes have access to the darkroom s Digital Negative Printing Station. To use the printing station check out the computer mouse from the monitor. Files must be ready to print before checking out the mouse. The Digital Negative Printing Station may not be used for editing. 24-HOUR EQUIPMENT CHECKOUT 4
6 From the monitors booth: Available for 24-hour checkout Air cable releases 18% reflective grey cards From the darkroom manager: Available to students enrolled in Introduction to Photography (ART 2601) 35mm cameras Available to students in 3000 and 4000 level photography courses for course related work Medium Format Large Format Digital On-Location Lighting Hasselblad View Camera Canon DSLR Lowel Omni Tungsten Lights Fuji 6X9 Field Camera Monolight Strobes Mamiya RB67 Tripods Twin Lens Reflex Light Meter Light Meter All students must be trained and tested on equipment before use. Students must be trained and tested on equipment each semester. Equipment must be reserved a minimum of 24-hours in advance prior to checkout. Equipment is checked in and out Monday Thursday 7:45am 8:15am by the darkroom manager. Equipment loan periods are as follows: Pick-Up Day Return Day Monday Wednesday Tuesday Thursday Wednesday Monday Thursday Tuesday A $5.00 per hour fee is charged for the late return of equipment. Students who fail to pay a late fee may be denied access to the darkroom. Fees can be paid with Cornell Card or pre-approved check. Equipment with multiple components include an inventory list. Students are responsible for ensuring these kits are complete before leaving the darkroom and will be financially responsible for all missing equipment parts. Students borrowing equipment are responsible for the condition of equipment while in their care and must report any problems to the darkroom manager immediately. A student found abusing equipment and/or not following checkout policies will receive a warning. After three warnings students will lose the privilege to check out equipment. *Specialized equipment is available for the support of the photography curriculum. Course related needs take priority. College Equipment Resources: Tripods, digital cameras, and AV equipment are available from the AAP Equipment Cage in the Fine Arts Library, 3rd floor of Rand Hall. Visit for equipment inventory lists and loan policies/procedures. DARKROOM SAFETY INFORMATION SAFETY DATA SHEETS (SDS) 5
7 Material Safety and Data Sheets are available for all chemicals used in the darkroom. These sheets outline the chemical characteristics, hazards, emergency procedures and other important information specific to each chemical. In the event of a chemical exposure emergency the MSDS are to be given to the treating physician. SDS sheets are available in the monitor s booth or online at mpf.aap.cornell.edu/msds. TJADEN DARKROOM SAFETY PRACTICES: 1. No food or drink allowed in the darkroom. Students may only eat and drink in the classroom area. 2. Keep all chemicals away from skin, mouth and eyes. 3. Always use tongs and/or gloves when handling photographic chemistry. 4. In case of contact with chemicals, wash with soap and water. 5. In case of chemical or water spills, notify the monitor immediately. 6. Read and follow all instructions and safety recommendations provided by the manufacturer, faculty, darkroom manger and monitors. 7. Only chemicals provided or approved by the darkroom may be used in the facility. 8. Goggles and disposable gloves are available in wet areas of the darkroom. Aprons and dust masks are available at the Monitor s Booth. There are four ways that photographic chemistry can enter your body: 1. Eye or Skin contact 2. Ingestion 3. Inhalation of chemical dust, powders and vapors 4. Cross contamination to food, clothes or other non-lab materials. Be aware that darkroom chemicals dry and turn to powder. Dried chemistry can get on your clothes, hands, and books, then into the lungs or be absorbed through the skin. It is your responsibility to protect yourself! IN CASE OF EMERGENCY Notify the monitor on duty if an accident/emergency occurs. All accidents must be reported, no matter how small. If the monitor is unavailable use the red phone in the darkroom foyer to contact campus police. Campus police will provide instructions until emergency personnel arrive. INHALATION OF CHEMISTRY: Remove person to fresh air. If symptoms persist contact Gannett health or use red phone to contact campus police. INGESTION OF CHEMISTRY: Call Poison Control at , tell them what was ingested and follow their instructions. Use the red phone to contact campus police. CHEMICALS IN EYES: Immediately flush for 15 minutes with cold water at an eyewash station. If symptoms persist seek medical attention. In case of stop bath contact immediately flush for 15 minutes with cold water at an eyewash station and seek medical attention. Always remove and dispose of contacts lenses after eye contamination. CHEMICAL EXPOSURE TO THE SKIN: Flood skin with water until chemical is washed away. Wash with soap and water. Seek medical attention if symptoms develop. (Rash or hives are typical symptoms) EMERGENCY NUMBERS: Poison Control Center
8 Cornell Police: Red Emergency Phones connect directly to campus police 911 from campus phone Kodak Heath Services: Darkroom Manager TECHNICAL SUPPORT NUMBERS: from a cell phone or off campus phone Kodak: Ilford: PHOTO SUPPLY COMPANIES: Adorama 42 West 18 th St. New York, NY (p) (f) (note holiday closing schedule) B & H Photo th Ave. New York, NY (p) (f) (note holiday closing schedule) Calumet 890 Supreme Dr. Bensenville, IL (p) Freestyle Sales Company 5124 Sunset Blvd. Los Angeles, CA (p) K & M Camera 377 E. 23 rd St. New York, NY (p) Midwest Photo Exchange 3313 North High Street Columbus, OH (p) Bostick & Sullivan (Alternative Process) PO Box Santa Fe, NM (P) Light Impressions (Archival Storage supplies) 439 Monroe Ave. Rochester, NY (p) (f) LOCAL SUPPLIERS: B&C Photo Supply 317 W. Water St. Elmira, NY (p) (f) M & Q Camera Center, Inc. 226 Hawley Ave. Syracuse, NY (p)
Photography Department Lab Rules & Information. Open approximately 1 week a er classes begin and closing on the last day of reviews each semester.
Photography Department Lab Rules & Information Cage Hours Monday-Thursday: 10:00am-9:30pm Friday: 10:00am-5:30pm Saturday: CLOSED Sunday: 1:00-5:30pm Holiday Hours 2:00-9:30pm T: 617.879.7489 Open approximately
More informationProcessing and. Photography. Printing
Processing and Photography Printing Darkroom Layout Divided into dry area and wet area Need good workflow between the two Dry bench consists of enlarger photographic paper multigrade filters contact printer
More informationAP 9A Lab Facilities Handbook
Art Photography AP 9A Lab Facilities Handbook Art Photography Department Website: http://www.cabrillo.edu/academics/photography/ Program Co-Chairs: Gordon Hammer (831) 479-6188, gohammer@cabrillo.edu Susan
More informationIntroduction to Photography PGY 2401c Professor Phone #: Office room: Materials: Film and enlarging paper . Gadgets odds and ends Text:
2013-1 Syllabus Introduction to Photography PGY 2401c Professor: Joseph Tamargo Phone #: 305-237-3171/ 3815/ 7438 Office room: Room 3604-9 or 3305 Hours Posted Chairperson Dr. Rosa Mayorga Lab Assistant
More informationAssignments: Three assignments and a final project related to hands on camera operation.
Prof. Kelly Carr e-mail: kc47@georgetown.edu (202) 687-7010 art department office Photography 1 Summer 2017 ARTS 130.20 M-R 10:45 AM 12:45 PM Office Hours By Appointment Course Objective: An introduction
More informationPHOTOGRAPHY CENTRE GUIDELINES 2013/14
PHOTOGRAPHY CENTRE GUIDELINES 2013/14 There may seem to be a lot of rules but they are only in place to give you a fair, clean, safe and productive space to do your work. Read through these pages now to
More informationILFORDINFO HOW TO PROCESS YOUR FIRST BLACK AND WHITE FILM
ILFORDINFO HOW TO PROCESS YOUR FIRST BLACK AND WHITE FILM Your darkroom (kitchen, bathroom or cupboard) needs to be completely blacked out to stop light from entering. For windows use thick card cut to
More informationCeramics/Wet Shop. Information, Policy & Protocols
Ceramics/Wet Shop Information, Policy & Protocols 2016 2017 1. General Policy Student safety is our #1 priority. Shop technicians have the final word on your working conditions. You must follow the safety
More informationIntroduction to Photography PGY 2401c Professor Phone # Office room: Kodak Tri-x 400 do not buy Tmax or C-41 color black and white film.
Term 2011-2 Syllabus Introduction to Photography PGY 2401c Professor: Joseph Tamargo Phone # : 305-237-3171 Office room: 3604-9 Email: jtamargo@mdc.edu Materials: 1. A camera, preferably with fully adjustable
More informationStephen Shore, The Nature of Photographs
Term 10-1 Syllabus Introduction to Photography PGY 2401c Professor: Joseph Tamargo Phone # : 305-237-3171/ Office room: 3604-9: Hours posted Email: jtamargo@mdc.edu Materials: 1. A camera, preferably with
More informationPhoto 100 Basic Black and White Photography Instructor: Melinda Holden
Photo 100 Basic Black and White Photography Instructor: Melinda Holden e-mail melfoto@att.net Course Content: Traditional film/ wet darkroom experience. This is not a digital photo course. How cameras,
More informationTECHNICAL INFORMATION
TECHNICAL INFORMATION ILFOSOL 3 FILM DEVELOPER LIQUID CONCENTRATE DEVELOPER FOR LOW VOLUME BLACK AND WHITE FILM PROCESSING IN SPIRAL TANKS, DISHES, TRAYS AND ROTARY PROCESSORS WITHOUT REPLENISHMENT ILFORD
More informationinstructor: Andrew Ross Photo I Course Syllabus
PGY 2401C-02 instructor: Andrew Ross Photo I office hours: s 6-8pm (darkroom/silver-based photography) email: andrew@andrewross.com Fall 2008 phone: 919.260.7537 Course Syllabus General Information Meetings:,
More informationISO 400/27 o BLACK AND WHITE PROFESSIONAL FILM FOR HIGH PRINT QUALITY AND FLEXIBILITY IN USE
FACT SHEET July 2004 ISO 400/27 o BLACK AND WHITE PROFESSIONAL FILM FOR HIGH PRINT QUALITY AND FLEXIBILITY IN USE ILFORD HP5 Plus is a fast black and white film. It is ideal for action, available light
More informationTraditional Photography Lab Manual ART 140: Photography 1 Revised
Traditional Photography Lab Manual ART 140: Photography 1 Revised 20160808 Written by Sarah Baranski, Edited by Sherri Lerche Waubonsee Community College Photography Lab Manual, 2013 Waubonsee Community
More informationPRINTING SETUP with OMEGA ENLARGER
PRINTING SETUP with OMEGA ENLARGER Follow this procedure when beginning a work session in the Darkroom. Use this page as an actual checklist as you prepare to work. Get a key from the Monitor in the Cage
More informationSan José State University Department of Art & Art History PHOT 110, Black and White Photography, Section 01, Fall 2016
San José State University Department of Art & Art History PHOT 110, Black and White Photography, Section 01, Fall 2016 Course and Contact Information Instructor: Office Location: Email: Office Hours: Class
More informationImportant Dates In lecture Tuesday March 6th Covers lab procedures, bring 4521 NCS answer sheet
PHOTO 40 SYLLABUS Spring 12 : The purpose of this class is to familiarize students with basic camera and black and white photographic techniques. Concepts of visual organization, design, and using light
More informationRD-90 Developer-Replenisher F-Fix Fixer-Replenisher
T E C H N I C A L I N F O S H E E T RD-90 Developer-Replenisher F-Fix Fixer-Replenisher I. SYSTEM DESCRIPTION RD-90, a 3-part liquid concentrate is formulated for use in all automatic processing machines
More informationWimberley Developer #2, Version D+ 1 liter kit (Dry) CATALOG NO TO MAKE 50 LITERS OF WORKING SOLUTION
Wimberley Developer #2, Version D+ 1 liter kit (Dry) CATALOG NO. 01-0158 TO MAKE 50 LITERS OF WORKING SOLUTION 2003 John Wimberley. Rev. E Please read these instructions thoroughly before using! WD2D+
More informationKODAK T-MAX 100 Direct Positive Film Developing Outfit
TECHNICAL DATA / CHEMICALS September 1999 J-87 KODAK T-MAX 100 Direct Positive Film Developing Outfit The KODAK T-MAX 100 Direct Positive Film Developing Outfit is designed to produce positive black-and-white
More informationProcessing Film. How do I develop and fix the latent image on my film so I can make prints? By Marcine Linder
Processing Film How do I develop and fix the latent image on my film so I can make prints? By Marcine Linder The Structure of Film The emulsion layer of black and white film has light-sensitive silver
More informationHow to Print: Making an Enlargement from a Negative in the Darkroom
How to Print: Making an Enlargement from a Negative in the Darkroom The Steps Prepare and gather all the materials and resources needed for you to work in the darkroom: Negative Storage Folder or Box Darkroom
More informationPhotography I / ARHA-18 Spring 2011 Tuesday/Thursday 1-4 PM Professor Justin Kimball Phone
COURSE DESCRIPTION: Photography I / ARHA-18 Spring 2011 Tuesday/Thursday 1-4 PM Professor Justin Kimball Phone 542-2124 jfkimball@amherst.edu An exploration of the basic materials, processes, techniques,
More informationIntroduction to Photography: Darkroom
Introduction to Photography: Darkroom Class: ART 34 Spring 2011 Class Schedule: MW 9:30-11:30 Class Location: ARTS 2A Instructor: Rebecca Soderholm E-mail: rsoderholm@drew.edu Phone: 973-408-3105 Office
More informationUsing the KODAK Negative Film Processing Cartridges FC1 and FC2
CURRENT INFORMATION SUMMARY May 2005 CIS-254 Using the Processing Cartridges FC1 and FC2 The Processing Cartridges FC1 and FC2 and KODAK Rinse Tablets are designed for use in FUJI FP363SC and FP563SC Film
More informationStandard Operating Procedure for Ceramics Area Tyler School of Art Jan 19, 2009
Standard Operating Procedure for Ceramics Area Tyler School of Art Jan 19, 2009 The following guidelines determine the proper use and access to all Ceramics Area spaces. The spaces outlined in this policy
More informationChemistry Safety Worksheet
Chemistry 12 Block: Laboratory Safety A. Lab Preparation Chemistry Safety Worksheet Name: Partner's name(s): Date: 1. Briefly describe where the following pieces of safety equipment are, in our laboratory,
More informationART / / ADVANCED PHOTOGRAPHY MIRACOSTA COLLEGE / / SPRING 2018
ART 208-1468 / / ADVANCED PHOTOGRAPHY MIRACOSTA COLLEGE / / SPRING 2018 INSTRUCTOR Shane Anderson sanderson@miracosta.edu Office Hours: Tuesday 10:50-11:30 in the Photography Course Website and Calendar:
More informationTECHNICAL INFORMATION
TECHNICAL INFORMATION HARMAN technology Limited ISO 50/18 BLACK AND WHITE PROFESSIONAL FILM FOR HIGH PRINT QUALITY AND FLEXIBILITY IN USE ILFORD PAN F Plus is an extremely fine grain black and white film.
More informationISO 400/27º, BLACK AND WHITE PROFESSIONAL FILM FOR HIGH PRINT QUALITY AND FLEXIBILITY IN USE
HARMAN technology Limited TECHNICAL INFORMATION HP5 PLUS ISO 400/27º, BLACK AND WHITE PROFESSIONAL FILM FOR HIGH PRINT QUALITY AND FLEXIBILITY IN USE ILFORD HP5 Plus is a fast black and white film. It
More information400 PROFESSIONAL FACT SHEET ISO 400/27º, FINE GRAIN, BLACK AND WHITE PROFESSIONAL FILM FOR SUPERB PRINT QUALITY. September 2002
September 2002 FACT SHEET 400 PROFESSIONAL ISO 400/27º, FINE GRAIN, BLACK AND WHITE PROFESSIONAL FILM FOR SUPERB PRINT QUALITY ILFORD DELTA 400 PROFESSIONAL is a fast, fine grain, black and white professional
More informationAnatomix Plus X-Ray System
T E C H N I C A L I N F O S H E E T Anatomix Plus X-Ray System I. SYSTEM DESCRIPTION Anatomix Plus liquid concentrates are formulated for use in all automatic processing machines for all standard cycle
More informationKODAK PROFESSIONAL T-MAX P3200 Black & White Negative Film
KODAK PROFESSIONAL T-MAX P3200 Black & White Negative Film TECHNICAL DATA / BLACK-AND-WHITE FILM March 201 F-4001 KODAK PROFESSIONAL T-MAX P3200 Black & White Negative Film 3200TMZ is a multi-speed continuous-tone
More informationPERCEPTOL, ID-11 AND MICROPHEN FILM DEVELOPERS
FACT SHEET PERCEPTOL, ID-11 AND MICROPHEN FILM DEVELOPERS August 2004 POWDER DEVELOPERS FOR LOW VOLUME BLACK AND WHITE FILM PROCESSING IN SPIRAL TANKS, DEEP TANKS, DISHES/TRAYS AND ROTARY PROCESSORS WITHOUT
More informationPHOTO 1 MIDTERM REVIEW!
PHOTO 1 MIDTERM REVIEW! THESE TOPICS WILL BE COVERED 1. Shutter speed 2. Aperture 3. Depth of field 4. Point of departure 5. Light metering & grey cards 6. Bracketing 7. Equivalent exposures 8. Film speed
More informationA POWDER FILM DEVELOPER AND REPLENISHER FOR THE HIGH VOLUME BLACK AND WHITE FILM PROCESSING IN DEEP TANKS AND DIP & DUNK (HANGER) PROCESSORS
FACT SHEET ID-11 August 2004 A POWDER FILM DEVELOPER AND REPLENISHER FOR THE HIGH VOLUME BLACK AND WHITE FILM PROCESSING IN DEEP TANKS AND DIP & DUNK (HANGER) PROCESSORS ILFORD ID-11 is an economic, versatile,
More informationOpen Lab Hours: Will be posted on the studio door after the first week of classes. Taylor 008, 022
Art 281 Darkroom Photography 2018 Spring Semester (2183) Smith,Priscilla A MW 3:35PM - 6:05PM TYG008 (3 credit hours) Explores the concepts and tools of black & white photography while studying photographic
More informationSurprises with Light JoAnne Dombrowski
SCIENCE EXPERIMENTS ON FILE Revised Edition 6.29-2 Figure 1 3. Hold the card with the arrow in front of you at the same distance as the far side of the jars. From this position, move the card away from
More informationBLACK AND WHITE, ORTHOCHROMATIC COPY FILM
FACT SHEET August 2004 BLACK AND WHITE, ORTHOCHROMATIC COPY FILM ILFORD ORTHO Plus black and white copy film is designed for many applications. It is particularly recommended for continuous tone copy work,
More informationAnatomix RP X-Ray System
T E C H N I C A L I N F O S H E E T Anatomix RP X-Ray System I. SYSTEM DESCRIPTION Anatomix RP liquid concentrates are formulated for use in all automatic processing machines for all standard time cycles,
More informationFig. 1. A. Adjustable section of film holder. B. Notched portion. C. Projection guides. D. Back stop
G E A C B F H D A. Adjustable section of film holder. B. Notched portion. C. Projection guides. D. Back stop Fig. 1 2 E. Central inlet. F. Pouring slot. G. Light-tight groove for lid. H. Stirring rod.
More informationSCIENCE EXPERIMENTS ON FILE Revised Edition Common Cents. Bruce Hogue. Safety Please click on the safety icon to view the safety precautions.
SCIENCE EXPERIMENTS ON FILE Revised Edition 5.23-1 Common Cents Bruce Hogue Topic Density of metals Time 1 hour! Safety Please click on the safety icon to view the safety precautions. Materials 50 to 100
More informationThe Silver Gelatin Photographic Print
The Silver Gelatin Photographic Print How to create a properly exposed, in focus, properly developed and fixed photographic print from a black and white negative By Marcine Linder Darkroom Triangle of
More informationKODAK PROFESSIONAL T-MAX P3200 Black & White Negative Film
KODAK PROFESSIONAL T-MAX P3200 Black & White Negative Film TECHNICAL DATA / BLACK-AND-WHITE FILM July 201 F-4001 KODAK PROFESSIONAL T-MAX P3200 Black & White Negative Film 3200TMZ is a multi-speed continuous-tone
More informationGuide to Manual Processing of NDT Films
TECHNICAL DATA / NON-DESTRUCTIVE TESTING February 2008 TI-2643 Guide to Manual Processing of NDT Films To reach the desired density on a radiograph, many people use set exposure factors and then adjust
More informationDELTA PROFESSIONAL ILFORD FACT SHEET ISO 400/27º, FINE GRAIN, BLACK AND WHITE PROFESSIONAL FILM FOR SUPERB PRINT QUALITY F.
ILFORD FACT SHEET 94009F.www DELTA PROFESSIONAL ISO 400/27º, FINE GRAIN, BLACK AND WHITE PROFESSIONAL FILM FOR SUPERB PRINT QUALITY ILFORD 400 DELTA PROFESSIONAL is a fast, fine grain, black and white
More informationDELTA 400 PROFESSIONAL
HARMAN technology Limited TECHNICAL INFORMATION DELTA 400 PROFESSIONAL ISO 400/27º, FINE GRAIN, BLACK AND WHITE PROFESSIONAL FILM FOR SUPERB PRINT QUALITY ILFORD Delta 400 Professional is a fast, fine
More informationIntroduction to Printing in the Darkroom. Ansel Adams: The Tetons and the Snake River (1942)
Introduction to Printing in the Darkroom Ansel Adams: The Tetons and the Snake River (1942) Overview Philosophy For Beginners First steps in the darkroom How to make your first print Advanced Techniques
More informationKODAK PROFESSIONAL TRI-X 320 and 400 Films
TRI-X 320 and 400 Films TECHNICAL DATA / BLACK-AND-WHITE FILM December 2016 F-4017 TRI-X 320 and 400 Films are high-speed panchromatic films that are a good choice for photographing dimly lighted subjects
More informationNOTES ON PRINTING 08/06
NOTES ON PRINTING 08/06 1-Photographic materials are sensitive to most light sources. Never open your box of paper unless you are working under an appropriate yellow or red safelight. (Color photographic
More informationSUFFOLK COMMUNITY COLLEGE Eastern Campus Riverhead, New York Spring Course Outline
SUFFOLK COMMUNITY COLLEGE Eastern Campus Riverhead, New York Spring 2008 Course Outline Catalog Number: VA 91 Instructor: John Stefanik, Adjunct Prof. Course Title: Introduction to Photography Semester:
More informationSFX FACT SHEET BLACK AND WHITE CAMERA FILM WITH EXTENDED RED SENSITIVITY FOR CREATIVE PHOTOGRAPHY. April 2004
FACT SHEET SFX BLACK AND WHITE CAMERA FILM WITH EXTENDED RED SENSITIVITY FOR CREATIVE PHOTOGRAPHY April 2004 DESCRIPTION ILFORD SFX 200 is a medium speed black and white camera film for creative photography.
More informationARS-IMAGO CHEMICALS DATA SHEETS
ARS-IMAGO S DATA SHEETS Giorgio Coen Cagli www.ars-imago.ch 1 ARS-IMAGO FD FILM DEVELOPER ARS-IMAGO FD FILM DEVELOPER is a highly concentrated, high-energy black and white film developer with a moderate
More informationFUJIFILM Europe DIS (Direct Injection System)
FUJIFILM Europe DIS (Direct Injection System) Operation Manual 1. Description Noritsu and Gretag minilabs which are designed for Kodak SM chemicals do not have conventional replenishing tanks. Conventional
More informationKODAK Simulation Film / 7157
TECHNICAL INFORMATION DATA SHEET Copyright, Eastman Kodak Company, 1998 1) Description KODAK Simulation Film / 7157 KODAK Simulation Film / 7157 is a high-speed, wide latitude, orthochromatic medical x-ray
More informationFirework Colors. 5 g each of the following compounds (in finely powdered form):
Firework Colors Topic Using the flame test to identify different metals Introduction Scientists use the flame test to distinguish between compounds containing different metal ions, such as sodium in sodium
More informationINTRODUCTION TO THE FPC PROCESS CONTROL
MANUAL January 2004 INTRODUCTION TO THE FPC PROCESS CONTROL MANUAL A SYSTEM OF PROCESS CONTROL FOR ALL BLACK AND WHITE FILMS The ILFORD FPC (Film Process Control) system is designed to provide you with
More informationKODAK X-OMAT BT Film / 4530 / XBT
TECHNICAL INFORMATION DATA SHEET Copyright, Eastman Kodak Company, 2003 KODAK X-OMAT BT Film / 4530 / XBT 1) Description KODAK X-OMAT BT Film / 4530 is a full-speed, blue-sensitive medical x-ray screen
More informationCASPER COLLEGE COURSE SYLLABUS ART 1160 PHOTOGRAPHY 2
CASPER COLLEGE COURSE SYLLABUS ART 1160 PHOTOGRAPHY 2 Semester/Year: Spring 2018 Lecture Hours: 2 Lab Hours: 4 Credit Hours: 3 Class Time: 2:00-4:50 p.m. Days: Mon. and Wed. Room: VA 127 Instructor s Name:
More informationIntroduction to Black & White Photography Proposed Syllabus (15 weeks, 2 classes/week) Sarah Cunningham, Instructor
Introduction to Black & White Photography Proposed Syllabus (15 weeks, 2 classes/week) Sarah Cunningham, Instructor Photographs really are experience captured, and the camera is the ideal arm of consciousness
More informationLake-Sumter State College Course Syllabus
Course / Prefix Number PGY 1401C Course Title: Basic Photography CRN: 20331 Credit: 3 Term: Spring 2015 Course Catalog Description: An introduction to black and white photography. Emphasis will be on basic
More informationDarkroom printing. Pictionary_tutorial
Darkroom printing Pictionary_tutorial In this tutorial you ll learn the basics of printing in a darkroom, its basic terms and processes, and the workings of the the equipment you'll be using. Developing
More informationTHE CAMERA EYE CAMERA
35MM CAMERA Goal - To have students use the 35mm camera as a tool and begin to understand the differences between creating images rather then just recording images. Objectives: 1) Students will be able
More information400 PROFESSIONAL ILFORD FACT SHEET ISO 400/27º, FINE GRAIN, BLACK AND WHITE PROFESSIONAL FILM FOR SUPERB PRINT QUALITY www
ILFORD FACT SHEET 00028.www 400 PROFESSIONAL ISO 400/27º, FINE GRAIN, BLACK AND WHITE PROFESSIONAL FILM FOR SUPERB PRINT QUALITY ILFORD DELTA 400 PROFESSIONAL is a fast, fine grain, black and white professional
More informationFORMULARY P.O. Box 950 Condon MT FAX
Catalog Number 07-0080 PHOTOGRAPHERS' FORMULARY P.O. Box 950 Condon MT 59826 800-922-5255 FAX 406-754-2896 Van Dyke Brown Printing Kit Contains chemicals to make approximately 100 4 x 5 prints As the name
More informationDarkroom Materials: [students who will be using the darkroom will need to provide]
Art 4650 - Alternative Processes Portfolio, sec 001 Class #: 31388 Grading basis: A-F or audit Credits: 3.0 credits (max 9.0) Prerequisites: Art 1900 (Visual Literacy), 3600 (Aternative Processes-FILM
More informationUsing the KODAK Negative Film Processing Cartridges FC1 and FC2
Using the KODAK Negative Film Processing Cartridges FC1 and FC2 CURRENT INFORMATION SUMMARY December 2017 CIS-254 The KODAK Negative Film Processing Cartridges FC1 and FC2 and KODAK Rinse Tablets are designed
More informationFILM PHOTOGRAPHY, BASIC (535)
FILM PHOTOGRAPHY, BASIC (535) DESCRIPTION This course is part of a sequence of courses that prepares individuals to use artistic techniques combined with a commercial perspective to effectively communicate
More informationKODAK PROFESSIONAL T-MAX Developers
KODAK PROFESSIONAL T-MAX Developers TECHNICAL DATA / CHEMICALS December 2017 J-86 KODAK PROFESSIONAL T-MAX Developer is a moderately active, liquid black-and-white film developer that offers enhanced shadow
More informationTo help you learn tiiasctfql. to learn to develop, print, and enlarge m OREGON STATE COLLEGE
i.42 31cc.1 CVME'NF LLEcTIO OREGON Camera A 4-H Photography Project EGO$ STATE t.tpay DetmP' Seti.n NOV 4 195? Hound To help you learn tiiasctfql to learn to develop, print, and enlarge m FEDERAL COOPERATIVE
More informationIntroduction to Commercial Photography
Introduction to Commercial Photography Unit: 1-2 Content Standard(s) and Orientation 1. Describe the purposes, rules, and regulations relative to commercial photography. 2. Research career opportunities
More informationBAA Photography 11. Coquitlam. District Name: SD #43. District Number: Mike McElgunn. Developed by: March, Date Developed: Gleneagle Secondary
BAA Photography 11 District Name: District Number: Developed by: Date Developed: School Name: Principal's Name: Coquitlam SD #43 Mike McElgunn March, 2004 Gleneagle Secondary Dave Matheson Board/Authority
More informationTECHNICAL DATA / COLOR PAPER July 2003 E-23
MMA-00 Month 1996K TECHNICAL DATA / COLOR PAPER July 2003 E-23 KODAK EKTACOLOR ROYAL VII Paper DESCRIPTION KODAK EKTACOLOR ROYAL VII Paper is a resincoated color paper for printing color negatives. It
More informationCourse Syllabus. Instructor Information. Course Description. Prerequisites/Corequisites. Scans. Course Objectives
Course Syllabus Department : Photography Course Title : Photography II Section Name : ARTS_2357_2 ND Start Date : 10/17/11 End Date : 12/19/11 Modality : Face-to-Face Credits : 3.0 Instructor Information
More informationKODAK MIN-R S Film / 4906
TECHNICAL INFORMATION DATA SHEET Copyright, Eastman Kodak Company, 2002 KODAK MIN-R S Film / 4906 1) Description KODAK MIN-R S Film / 4906 is a medium speed, dual coated, ortho-sensitive medical x-ray
More informationFilm and processing quality assurance
Film and processing quality assurance Image Receptors Direct action non screen film Indirect action screen film Digital sensor Direct Action Non Screen Film Usually intra-oral film Non screen film reacts
More informationTECHNICAL DATA / COLOR PAPER July 2003 E-19
TECHNICAL DATA / COLOR PAPER July 2003 E-19 KODAK EKTACOLOR Edge 7 Paper A-00 Month 199 DESCRIPTION KODAK EKTACOLOR Edge 7 Paper is a resin-coated color paper for printing color negatives. It is designed
More informationAPPENDIX D AN ALTERNATIVE PROCESS WORK SPACE
APPENDIX D AN ALTERNATIVE PROCESS WORK SPACE Setting up an alternative working space is relatively simple and requires only small and inexpensive adjustments to your home, apartment, or classroom. With
More informationEASTMAN TRI-X Reversal Film 7278
MPTVI Data Sheet XXXXXXXXXXX XX KODAK XX XX TInet XX XXXXXXXXXXX Technical Information Copyright, Eastman Kodak Company, 1994 1) Description EASTMAN TRI-X Reversal Film 7278 EASTMAN TRI-X Reversal Film
More informationGem Hut, Littleton, CO, USA University of Washington Cuprite gemstone (2 mm) Cuprite rainbow (thickness varies)
Building a Rainbow A nanometer ( 1 million times smaller than this dot ) is a length scale that is close to the size of molecules and atoms. Unusual things happen to materials that are made at this size.
More informationEASTMAN PLUS-X Reversal Film / 7276
MPTVI Data Sheet XXXXXXXXXXX XX KODAK XX XX TInet XX XXXXXXXXXXX Technical Information Copyright, Eastman Kodak Company, 1995 1) Description EASTMAN PLUS-X Reversal Film / 7276 EASTMAN PLUS-X Reversal
More informationCourse Syllabus. Instructor Information
Course Syllabus Department : Photography Course Title : Photography I Section Name : COMM_1318_1 ST Start Date : 8/22/11 End Date : 10/14/11 Modality : Face-to-Face Credits : 3.0 Instructor Information
More informationMember Orientation to the Grand Glass Arts Club. Welcome to the Grand Glass Arts Club!
Member Orientation to the Grand Glass Arts Club Welcome to the Grand Glass Arts Club! The Grand Glass Arts Club offers the opportunity to create a wide range of stained glass art forms by providing a facility,
More informationCyanotype + Gum Bichromate Printing from Film + Digital Captures CE 5041C 5041N SUMMER 2012
Cyanotype + Gum Bichromate Printing from Film + Digital Captures [Pick the date][type the sender company name] CE 5041C 5041N SUMMER 2012 Course Information Location: Anderson 608 Dates: WED JUN 6 WED
More informationContains chemicals to make approximately 24 8 x 10 prints
Catalog Number 07-0090 PHOTOGRAPHERS' FORMULARY P.O. Box 950 Condon MT 59826 800-922-5255 FAX 406-754-2896 Cyanotype Kit Contains chemicals to make approximately 24 8 x 10 prints The popular and inexpensive
More informationKODAK High Speed Infrared Film
TECHNICAL DATA / BLACK-AND-WHITE FILM January 1999 F-13 KODAK High Speed Infrared Film KODAK High Speed Infrared Film is a high-speed film with moderately high contrast, sensitive to light and radiant
More informationKODAK PROFESSIONAL AZO Paper
TECHNICAL DATA / BLACK-AND-WHITE PAPER June 2005 G-10 KODAK PROFESSIONAL AZO Paper Discontinuance of KODAK PROFESSIONAL Black & White Photographic Papers Due to the ongoing transition to digital output
More informationRev. December 2016 Angelina College Fine Arts Division ARTS 2356 /COMM 1318 Photography Instructional Syllabus Spring 2017 Instructional Syllabus
Rev. December 2016 Angelina College Fine Arts Division ARTS 2356 /COMM 1318 Photography Instructional Syllabus Spring 2017 Instructional Syllabus COURSE DESCRIPTION: Three-hours credit. This is an introduction
More informationART 131 SCOTTSDALE COMMUNITY COLLEGE FALL 2011 SEMESTER OUTLINE
ART 131 SCOTTSDALE COMMUNITY COLLEGE FALL 2011 SEMESTER OUTLINE BETH ELLS beth.ells@sccmail.maricopa.edu AB 116 OFFICE HOURS: T & R 8:00-9:00 a.m., T 6:45-7:15 p.m. W 8:00 8:30 a.m. M & F 10:00 11:00 a.m.
More informationSafety Procedures Visual Arts
Safety Procedures Visual Arts Plano Independent School District Janice Truitt, Visual Arts Coordinator Fine Arts Department Plano Independent School District 1 General Safety Procedures: Exposure to hazardous
More informationPinhole Camera Workshop
Pinhole Camera Workshop A brief history of the Camera Obscura, the science behind pinhole photography, and instructions how to make your own camera! Workshop led by Mindy Goose & Mat Dale The Camera Obscura
More informationKODAK PROFESSIONAL KODABROME II RC Paper
TECHNICAL DATA / BLACK-AND-WHITE PAPER June 5 G-6 KODAK PROFESSIONAL KODABROME II RC Paper Discontinuance of KODAK PROFESSIONAL Black & White Photographic Papers Due to the ongoing transition to digital
More informationFLORIDA ATLANTIC UNIVERSITY. Course Syllabus. TBA (an appointment by is always recommended)
FLORIDA ATLANTIC UNIVERSITY Course Syllabus I. Course Title: PGY2401C Photography I Prerequisite(s): none II. Class Meetings: Tuesday & Thursday 1-3:50pm Credit Hours: 4 III. Instructor: Contact: Office
More informationSan José State University Department of Art & Art History Photo 40, Beginning Photography, Section 08, Fall 2017
San José State University Photo 40, Beginning Photography, Section 08, Fall 2017 Course and Contact Information Instructor: Office Location: Telephone: Email: Office Hours: Class Days/Time: Classroom:
More informationArt250: Photography I, Fall 2016 Marzieh Karimi Office hours (with appointment): TuTh 5-6pm, MFA Shed studio
Art250: Photography I, Fall 2016 Marzieh Karimi (marzieh.karimi.202@my.csun.edu) Office hours (with appointment): TuTh 5-6pm, MFA Shed studio Catalogue Description: Basic instruction in the creative use
More informationKODAK PROFESSIONAL POLYCONTRAST III RC Paper
TECHNICAL DATA / BLACK-AND-WHITE PAPER November 2004 G-21 POLYCONTRAST III RC Paper NOTICE POLYCONTRAST III RC Paper is discontinued. Suggested replacements are dependent on location. POLYMAX II RC Paper
More informationSketchpaint. Ideal for turning any smooth surface into a whiteboard. Ready to use in 5 days
Sketchpaint Ideal for turning any smooth surface into a whiteboard SketchPaint - A whiteboard straight out of a tin! White Gloss or Transparent Finish Simple application Tin size available: 3m² or 6m²
More informationMINIMUM REQUIREMENTS FOR A DARKROOM.
1 THE DARKROOM Neill Serman. Aug, 2000 W + P. Ch. Pages 97 - It is important that the darkroom be designed to make film processing an efficient, precise and standardized procedure. Since processing procedures
More informationThe Ophthalmic Darkroom: Processing and Printing Fluorescein Angiograms 179
The Ophthalmic Darkroom: Processing and Printing Fluorescein Angiograms 179 FIGURE 6-8 Daylight style tanks incorporate a two-part top that permits solutions to be poured in and drained without allowing
More information