History of photography (part 2): documenting the world
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1 History of photography (part 2): documenting the world CS 178, Spring 2014 Marc Levoy Computer Science Department Stanford University
2 Outline everyday scenes architecture and archaeology wonders of the industrial age notable events the beginning of photojournalism wet plate photography Matthew Brady and the Civil War surveying the West 2
3 Everyday scenes (Rosenblum) 3 Porta della Ripetta, Rome, 1846 (photograph by Calvert Jones)
4 Everyday scenes (Gardner) (Rosenblum) Harbor of La Rochelle, 1851 (painting by Corot) 4 Banks of the Seine at Sèvres, 1851 (photograph by Victor Regnault)
5 Architecture and archaeology (Newhall) The Parthenon, 1869 (photograph by William James Stillman) 5
6 Architecture and archaeology (Marc Levoy) (Newhall) Notre Dame cathedral, 1851 (photograph by Charles Negre) 6
7 Wonders of the industrial age (Rosenblum) 7 The Crystal Palace, London, c (photograph by Philip Henry Delamotte)
8 Wonders of the industrial age 8 The Great Eastern being launched, 1858 (photographer unknown)
9 (Newhall) Isambard Brunel, Builder of the Great Eastern (photograph by Robert Howlett)
10 Notable events 10 (Newhall) Meeting of the Rails, 1869 (photograph by Andrew J. Russell)
11 The beginnings of photojournalism (Rosenblum) 11
12 The beginnings of photojournalism 12 (Rosenblum) Execution of the co-conspirators, 1865 (photograph by Alexander Gardner)
13 The beginnings of photojournalism (Library of Congress) (Rosenblum) 13 Abraham Lincoln, 1865 (photograph by Alexander Gardner) John Wilkes Booth
14 Wet-plate collodion photography developed in 1851 by Frederick Scott Archer clean the glass plate (extremely well) flow the glass plate with "salted" (iodide/bromide) collodion immerse the plate in a silver nitrate bath (for 3-5 minutes) expose the plate (from one second to several minutes) develop the plate (using an ferrous sulfate based developer) fix the plate (with potassium cyanide or sodium thiosulfate) any number of prints can be made exposure must immediately follow silvering, so requires a traveling darkroom 14
15 Matthew Brady ( ) (Rosenblum) (wikipedia) 15 a wet plate photographer at work, circa 1877 (illustrator unknown)
16 Matthew Brady and the Civil War (Garrison) 16 Colonels of the 164th New York Cavalry
17 Matthew Brady and the Civil War (Garrison) 17 Camp life
18 Matthew Brady and the Civil War (Garrison) 18 Artillery
19 Matthew Brady and the Civil War (Garrison) 19 Fortifications
20 Matthew Brady and the Civil War (archives.gov) Lincoln visiting Antietam,
21 Matthew Brady and the Civil War (Garrison) bloodiest battle in American history (23,000 casualties) this photograph was probably posed 21 Dead at Antietam, 1862 (photograph by Alexander Gardner)
22 Matthew Brady and the Civil War (Archives) 22 The Ruins of Richmond, Virginia, 1865
23 Matthew Brady and the Civil War 23 General William Tecumseh Sherman, 1865
24 Surveying the West (Rosenblum) 24 The Hayden Survey, 1870 (photographed by William Henry Jackson)
25 route of Prof. Levoy s 1984 bicycle trip Hayden Survey map of Colorado and Utah, 1874 (USGS)
26 Landscape tourism (Truettner) 26 Thomas Cole, Crawford Notch, 1839
27 Landscape tourism (Salinger) 27 Alfred Bierstadt, The Rocky Mountains, 1863
28 Surveying the West (Archives) Grand Canyon, 1882 (ink and watercolor by William Holme) 28 Grand Canon of the Colorado River, 1871 (photographed by John K. Hillers)
29 The founding of Yellowstone Park (NPS) 29 Grand Canyon of the Yellowstone, 1871 (photographed by William Henry Jackson)
30 The founding of Yellowstone Park (NPS) 30 Grand Canyon of the Yellowstone, 1872 (watercolor by Thomas Moran)
31 Slide credits Newhall, B., The History of Photography, Little, Brown & Co., Rosenblum, N., A World History of Photography (4th ed.), Abbeville Press, Garrison, W., Brady s Civil War, The Lyons Press, Tanser and Kleiner, Gardner s Art Through the Ages (10th ed.), Harcourt Brace, National Archives, The American Image: Photographs from the National Archives, , Pantheon Books, Truettner, W.H., Wallach, A., eds., Thomas Cole: Landscape into History, Yale University Press, Salinger, M., Masterpieces of American Painting, Random House,
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