702 Special Pale A cold lavender when used with a full tungsten source, but warms

Size: px

Start display at page:

Download "702 Special Pale A cold lavender when used with a full tungsten source, but warms"

Lionel Rich
5 years ago
Views:

1 20

2 702 Special Pale A cold lavender when used with a full tungsten source, but warms Lavender as the source is dimmed. Good as a fill for slow sunset fades. 003 Lavender Tint Subtle cool wash for stage and studio lighting Lilac Tint Pale lavender. Good for almost white light with a cool tint Pale Lavender Pantomime, ballroom sets, enhances dark skin tones in follow spots. 170 Deep Lavender Set lighting - discos - theatres Fuchsia Pink Musical revue, pantomime, sultr scenes Cold Lavender Made for front/ke lighting perfect together with Lee Lil A cool lavender with little red content. Good for romantic evening eteriors. 052* Light Lavender General area side lights. Great for basic followspot colour Ecellent back light. 194 Surprise Pink With 193 for musicals Chrsalis Pink A new deep lavender with a dash of rose blusher Provence The colour of the Lavender fields of the South of France. A redder version of 180 for use on cameras balanced to tungsten sources. 058* Lavender Ecellent backlight. Creates a new dimension Special Medium Theatre and T.V. effect lighting, backlighting Lavender 700 Perfect Good for backlighting and romantic atmospheres Lavender 707* Ultimate Violet Used in musical performances for general colour washes and set lighting. 180 Dark Lavender Pleasing effects for theatrical lighting, backlighting King Fals A cold lavender Lavender 344 Violet Dusk effect, good skin tones, romantic effect Special Lavender Moonlight, musical / romantic scenes, enhances skin tones * Paler Lavender Subtle cool wash Electric Lilac Provides good colour rendering which creates sharp edges, adding a touch of drama. 142 Pale Violet Moonlight, ccloramas, highlighting pot plants Regal Blue A deep lavender blue, that strongl enhances skin tones * Congo Blue Looks like black light when used with a fluorescent source Great effect colour. Ver saturated. 21

3 799 Special K.H. A deep lavender that brings out the UV Lavender 071* Toko Blue Deep blue, use for midnight scenes, ccloramas Palace Blue Dark moonlight - romantic evening * J.Winter Blue A ver dark blue with a high UV content. Good when used in high concentrations for a mood and powerful stage colour wash. 120* Deep Blue Pleasing effect for theatrical lighting * Deeper Blue Deep warm blue. Good for back and side lighting * Mikkel Blue A romantic blue to produce a night effect * Special Medium Cool moonlight, mood effects Blue 195* Zenith Blue Moonlight for dark sets, ccloramas * Dark Blue Good for mood effects created b backlight and sidelight Creates great contrast. 715* Cabana Blue A deep blue that still has enough transmission to work encouragingl well on television. 723 Virgin Blue This is a pure blue, not too green and not too lavender, et still feels warm for a blue with an earl morning feel. 721* Berr Blue Used in musical performances for rear colour wash, or set lighting. 722 Bra Blue A purer blue with ver little red in it Elsian Blue A new deeper version of Alice blue * Just Blue Good colour miing blue. Great for cclorama lighting Spir Special Blue A cool industrial blue * Alice Blue Great for cclorama lighting. Deep blue skies Evening Blue Good for night scenes, romantic moonlight Bedford Blue A smok warm blue. Good for skin tones Colour Wash Blue To allow low intensit tungsten to hold a cold/blue feel Double CTB Converts tungsten to dalight Cold Blue To give a cold/gre H.M.I. effect from a tungsten source. Will also help blend when using both tungsten and HMI sources. 366 Cornflower Seasonal mood lighting, pale moonlight Full CTB Converts tungsten to photographic dalight

4 708 Cool Lavender For use as a warmer tint without turning ellow and to recreate the colour of fluorescent lighting. 281 Threequarters Converts tungsten to dalight CTB 202 Half CTB Converts tungsten to dalight * Mist Blue Night scenes, cool wash Quarter CTB Converts tungsten to dalight Eighth CTB Converts tungsten to dalight * Pale Blue Cool front light wash, good for creating an overcast look for cold weather. 174 Dark Steel Blue Set lighting - creates good moonlight shadows Slate Blue Pure medium blue. Good for skies, moonlight, dusk Sk Blue Morning skin tones, night sk. Cclorama lights * Medium Blue Deep moonlight. Great for colour miing Dalight Blue Moonlight * Bright Blue Ver dramatic when used as moonlight True Blue Moonlight Pale Nav Blue Moonlight, cclorama night effect Glacier Blue Cold blue, good for cool atmospheric mood setting Ocean Blue Useful at low levels of light, dull skies, - moonlight Summer Blue Good for light midda sk. Light blue tinted wash Steel Blue Good for cool washes. Adds a pale green tint Great for emulating ic weather on stage. 725 Old Steel Blue Cool wash, useful for highlights Lighter Blue Dalight effects No Colour Blue Clean blue with hints of green. Good for moonlight and side light * Light Blue Strong night effect Moonlight Blue Moonlight, ccloramas * Lagoon Blue Floodlit warm wash - underwater scenes - ballet

5 727 QFD Blue Good for backlighting and swimming pool effect * Scuba Blue Used in musical performances for a rear colour wash, or set lighting. 116* Medium Pleasing effect for theatrical lighting Blue- 354 Special Steel Blue Cooling blue-green wash for stage and set lighting * Peacock Blue Pleasing effect on sets, cclorama cloths, back lighting (e.g. ice rinks, galas, etc). 131 Marine Blue Romantic moonlight - ballet - underwater scenes LEE Fluorescent Converts tungsten to fluorescent light of 5700K Kelvin (cool white/dalight). 728 Steel Approaching storms. Overcast das. Cold steel light Malevolent moonlight. 730 Libert A good green for creating mster and suspense Dirt Ice A flat green with a fluorescent feel. Smpathetic to skin tones Damp Squib A dirt green. Reduces warmth but not towards blue Good for cross lighting. 243 LEE Fluorescent Converts tungsten to fluorescent light of 3600K (warm white) Kelvin 242 LEE Fluorescent Converts tungsten to fluorescent light of 4300K (white) Kelvin 219 LEE Fluorescent General tungsten to fluorescent correction for use when fluorescent colour temp is unknown, to provide medium correction. 323 Jade Use for underwater scenes, ccloramas, backlighting Soft Cool green, use for gobo cover, pantomime, ccloramas Mallard Good for mood setting, undergrowth Velvet A beautiful background colour. Victorian melodrama A night-time green. 124* Dark Ccloramas - good for back lighting Forest Deep green, sinister forest scenes, ccloramas, backlighting * Dark Yellow Highlighting for forest effects Twickenham A powerful green with depth, for music or light entertainment Aurora Borealis Primar jungle colour. Removes some red and blue Works best with Dalight bulbs. Sodium lamp effect. 139* Primar Set lighting, ccloramas * Moss Mood creator. Used with gobos, creates a great foliage effect

6 122* Fern Ccloramas - good for mood effect * JAS A rich ellowish green: useful as a concert stage wash where darker skin tones, costume and set are a consideration. 121* LEE Dense foliage, tropical or woodlands effect Lime Use with gobos for leaf glades - pantomimes - slightl sinister atmosphere. 138 Pale Good with gobos for wooded scenes LEE Plus Approimatel equivalent to CC30 green White Flame Corrects white flame carbon arcs b absorbing ultra violet. 245 Half Plus Approimatel equivalent to CC15 green Quarter Plus Approimatel equivalent to CC075 green Eighth Plus Provides ver slight green cast Clear Used in animation and projection work LEE UV Transmission of less than 50% at 410nms No Colour Straw Warm effect, sunlight Eighth CT Straw Converts 6500K to 5700K - dalight to tungsten light with ellow bias. 223 Eighth CTO Converts dalight to tungsten light LCT Yellow (Y1) Reduces colour temperature of low carbon arcs to 3200K * Pale Yellow Sunlight Quarter Converts 6500K to 5100K - dalight to tungsten light CT Straw with ellow bias. 206 Quarter CTO Converts dalight to tungsten light Wheat Adds warmth, sunlight Straw Pale sunlight through window effect - warm winter effect Sun Colour Adds warmth, bright sunlight Straw 442 Half CT Straw Converts 6500K to 4300K - dalight to tungsten light with ellow bias. 205 Half CTO Converts dalight to tungsten light Bastard Amber Warm white, warm wash, lamplight

7 009* Pale Amber Gold Perfect warm front light for an skin tone LEE Yellow Useful for producing a strong sunlight effect * Straw Tint Warmer than other straw colours. Good sunlight effect when used in contrast with ambers and blues. 285 Threequarters Converts dalight to tungsten light CTO 744 Dirt White Correct a dalight source to an off white tungsten source. Used with a tungsten source provides a "ding" effect like a smok bar. 204 Full CTO Converts dalight to tungsten light Full CT Straw Converts 6500K to 3200K - dalight to tungsten light with ellow bias. 651 Hi Sodium Used on tungsten to create a High Pressure Sodium look HMI (to Tungsten) Converts HMI to 3200K, for use with Tungsten film Full CT Eight Five Converts dalight to tungsten with a red bias Cardbo Amber Warm tint for skin tones English Rose Warm tint wash - dark flesh tones - softer skin tones Nectarine Romantic sunset. Period pieces Apricot Sunrise, sunset, lamplight CID (to Tungsten) Converts CID to 3200K, for use with tungsten film Bastard Pink Deep sunset. Useful on dark skin tones * Dark Salmon Enhances dark skin tones, sunsets, ballroom sets Surprise Peach Skin tones - mood light Smoke Pink Ccloramas - set lighting, discos Seed Pink A smok pink. Good for tungsten on skin tones CSI (to Tungsten) Converts CSI to 3200K, for use with tungsten film Eas White Primaril developed for fluorescents to ensure warm, comfortable light and flattering skin tones. 156 Chocolate Warms light and reduces the intensit Brown To give a murk, dirt feel to tungsten A darker, less pink chocolate. 653 Lo Sodium Used on tungsten to create a Low Pressure Sodium look

8 742 Bram Brown A dirt brown with green /cool qualit. Good for skin tones, dims well without going too pink. 208 Full CTO Converts dalight to tungsten 6500K to 3200K ND and reduces light 2 stops. 207 Full CTO Converts dalight to tungsten 6500K to 3200K and ND reduces light 1 stop. 232 Super Correction Converts white flame arc to 3200K, for use with tungsten film W.F. to Tungsten 230 Super Correction Converts ellow carbon arc (of low colour temperature) LCT Yellow to tungsten. 650 Industr Sodium Used on tungsten to blend with Sodium light Mustard Yellow Spook when used in haze. Removes some red and blue Works best with dalight bulbs. Sodium lamp effect. 642 Half Mustard Half strength Sodium light effect, designed for use Yellow with dalight sources. 643 Quarter Mustard Quarter strength Sodium light effect, designed for use Yellow with dalight sources. 100 Spring Yellow Sunlight wash - use with gobos, disco, dark skin tones * Medium Yellow Pure bright ellow. Not good for acting areas but great for special effects and accents. 101 Yellow Sunlight and window effect - pleasant in acting areas Light Amber Warm ellow colour. Great for candlelight or warm bright sunlight effects. 767 Oklahoma Yellow A rich blend of bright sunshine and warm ochre overtones Deep Amber Good for sunlight effect, accents, side light. Be careful of skin tones under the reddish tint of this colour. 015* Deep Straw Warm amber light. Good for effects such as candlelight and fire Egg Yolk Yellow A bold strong chemical ellow. Based on 179 but not as red Chrome Orange Combination of 1/2 CTO and double strength 104, sunlight * Medium Amber Afternoon sunlight, candlelight, great side light Burnt Yellow A colour that feels warm and dense on camera, a balance between 179 and Orange Mainl light entertainment, functions. Fire effect if used with 106, 166, Golden Amber Great for emulating a late in the da sunset. Side lighting, cclorama lighting. 652 Urban Sodium Used on tungsten to create the orange glow associated with Sodium light 158 Deep Orange Fire effect Rust A vivid rust colour effect

9 021* Gold Amber Great for sunsets, cclorama lighting and fire effects * Millennium Gold Useful for lighting architecture: it produces a rich amber when used on a tungsten source, or a much cooler effect when used on a HMI lamp. 780 AS Golden Amber A strong colour good for backlighting * Dark Amber Backlight Deep Golden Fire effect Amber 025 Sunset Red Warm stage wash, TV studio wash, sunset effect Terr Red A strong amber red that works well when used against reds, and dark ambers, in wash combinations, and on ccloramas. 019* Fire Strong red/amber. Good for fire effects Flame Red Special effects and great for fire effects Light Red Theatre and television effect lighting, ccloramas Primar Red Strong red effect, ccloramas * Bright Red Vibrant red, good for cclorama lighting PLASA Red Fire effect, musicals, ccloramas Blood Red For a deep saturated red effect Used when a strong vivid red effect is required. 027* Medium Red Cclorama lighting, side lighting, footlights Good for colour miing. 787 Marius Red Nice deep full red. Rose leaf colour * Dark Magenta Ver strong pink, good for back lighting Magenta Ver strong - used carefull for small areas on set Bright Rose Fire effects, musicals * Scarlet Pantomimes, ballroom sets, fire effects Pale Red Ccloramas Ros Amber Warm, emotional, romantic Pink Dance sequences (useful for softening white costumes without affecting skin tones). 107 Light Rose Good for general washes. Good for followspots Light Salmon Interesting backlight

10 153 Pale Salmon Backlighting in conjunction with white light Loving Amber Backlight and general area, great for sunrise, warms skin tones Moroccan Pink A rich natural pink, good for producing late afternoon sun effects * Medium Bastard Naturall enhances skin tones Amber 151 Gold Tint Pleasing effect for theatrical lighting Pale Gold Interior lighting to enhance skin tones Pale Rose Pleasing effect for theatrical lighting, lamplight Eighth Minus Provides ver slight magenta correction Quarter Minus Approimatel equivalent to CC075 magenta Half Minus Approimatel equivalent to CC15 magenta * Light Pink Musical reviews. Warm wash LEE Minus Approimatel equivalent to CC30 magenta Pink Carnation Soft, cool pastel pink, good for backlighting and general colourwash. 110 Middle Rose Pleasing effects for theatrical lighting * Medium Pink Good for general washes. Side lighting Flesh Pink Musical and pantomime ke lighting Plum Romantic, atmospheric set lighting Prett n Pink Creates warm and soft effects Dark Pink Good for ccloramas Rose Pink Strong pink wash ccloramas Follies Pink Dramatic stage lighting Bright Pink Created for use as back lighting, side lighting Good for "specials". Great for musicals. 793 Vanit Fair A rich glamorous pink, good for use on special occasions Special Pantomimes, light entertainment etc. Strong stage wash Rose Pink 795 Magical Magenta Rich miture of red and pinks

11 048 Rose Purple Good for emulating evening. Great backlight Medium Purple A strong cheerful glow, for ccloramas and pantomimes Mauve Good for back lighting. Dark magenta / purple adds drama, mood * Deep Purple Used in musical performances for general colour washes and set lighting. 30

The Architectural Range

The Architectural Range The Architectural Range Building on our experience in film and theatre lighting, LEE Filters have introduced a range of lighting filter products specifically designed for use in