Professional MPTV Filters

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TEL: +1 (818) 766-3715 FAX: +1 (818) 505-9865 285 Oser Ave,

1 Professional MPTV Filters for Cinematography and Photography European Price List 7701 Haskell Ave, Van Nuys, CA TEL: +1 (818) FAX: +1 (818) Oser Ave, Hauppauge, NY TEL: +1 (631) FAX: +1 (631)

3 Table of Contents Introduction Round Drop-In Filters Schneider Optics Terms Page 4 Series 9 Filters About Schneider MPTV Filters Page 5 Standard & Diffusion/Contrast Effects Page 30 Glossary Pages 6-8 Close-Up (Diopters) Page 30 4½ Inch Filters Filter Kits Standard & Diffusion/Contrast Effects Page 31 4x4 Filter Kits Page 9 Close-Up (Diopters) Page 31 4x5.65 Filter Kits Page 9 138mm Filters 5x5 Filter Kits Page 9 Standard & Diffusion/Contrast Effects Page x5.65 Filter Kits Page 9 Close-Up (Diopters) & Achromats Page x6.6 Filter Kits Page 9 Five Inch Filters 77mm Filter Kits Page 9 Unmounted Filters Page 33 95mm Filter Kits Page 9 Six Inch Filters Mounted Filters Page 33 Clairmont In-Camera Filter System for Alexa 9½ Inch Filters Filter System for Alexa Page 10 Unmounted Filters Page mm Custom Filters Square & Rectangular Filters Unmounted Filters Page 33 3x3 Filters 3x3 Filters Page 10 Round Screw-In Filters 4x4 Filters 37mm Filters Standard Effects Page 11 Standard & Diffusion Effects Page 34 Diffusion & Contrast Effects Page mm Filters True-Streak & Solid Color Effects Page 13 Standard & Diffusion/Contrast Effects Page 35 Graduated Color Effects Page 14 43mm Filters 4x5.65 Filters Standard & Diffusion Effects Page 36 Standard Effects Page 15 48mm Filters Diffusion & Contrast Effects Page 16 Standard & Diffusion/Contrast Effects Page 37 True-Streak & Solid Color Effects Page 17 58mm Filters Horizontal Graduated Color Effects Page 18 Standard & Diffusion Effects Page 38 Vertical Graduated Color Effects Page 19 62mm Filters 5x5 Filters Standard & Diffusion Effects Page 38 Standard Effects Page 20 72mm Filters Diffusion & Contrast Effects Page 21 Standard & Diffusion Effects Page 39 Solid Color Effects Page 21 77mm Filters Graduated Color Effects Page 22 Standard & Diffusion Effects Page x5.65 Filters 82mm Filters Standard Effects Page 23 Standard & Diffusion Effects Page 41 Diffusion & Contrast Effects Page 24 95mm Filters Solid Color Effects Page 24 Standard & Diffusion Effects Page 41 Graduated Color Effects Page mm Filters 6.6x6.6 Filters Standard Effects Page 41 Standard Effects Page mm Filters Diffusion & Contrast Effects Page 27 Standard & Diffusion Effects Page 42 True-Streak & Solid Color Effects Page mm Filters Graduated Color Effects Page 29 Standard & Diffusion Effects Page 42 Accessories Adapter Rings Page 43 Filter Holder Page 43 Lens Hoods Page 43 Filter Pouches Page 43 B+W Photo Clear (Cleaning) Page 44 Schneider Filter Stop-Loss Chart Stop-Loss Chart Page 45 Inquire about types and sizes not listed above. For B+W Filters Info, please contact Schneider Optics. Page 3

4 SERVICE RETURNS: To return goods for repair, a SOI Dealer or End-User may call for our Service Department at or , or to service@schneideroptics.com. A brief description of your problem, including the products model, serial number, and date of purchase will be requested. LIMITED WARRANTY: SOI warrants its products to be free from defect in workmanship and materials for the period listed below by product class. If the products are determined by SOI to be defective or fail to meet minimum published specifications, they will be repaired or replaced free of charge at SOI s sole discretion. Except for such repair or replacement, SOI will not be held responsible for any direct, indirect, incidental, or consequential cost or damage. To register warranty, please mail in the warranty card or register your warranty at within thirty (30) days of purchase. Should there be a warranty claim you or your Customer may be asked to produce proof of purchase with the returned merchandise, therefore it is recommended that the buyer keep their receipt. Products returned for repair and not covered by warranty will be charged at SOI s standard repair rates. Schneider MPTV Filter Products 1 Year Page 4

5 Welcome to Schneider Optics Schneider Optics, a U.S. subsidiary of acclaimed German lens maker Schneider Kreuznach, represents a long history of extraordinary lenses and filters for many industries including still photography, television broadcasting, cinematography and digital projection. It s no wonder Schneider filters for motion pictures and digital cinematography are the finest in the industry. Consistent Precision Diamond cut from crystal-clear, water-white optical glass, Schneider filters are ground and polished to a precise flatness and plane-parallelism (exact parallel relationship between front and back filter surfaces). Then, to ensure perfection, this is verified by a laser interferometer. Schneider filters are then checked with a densitometer for consistent density, and tested with a spectrophotometer for proper light transmission. It s due to this ultra-high consistency, that allows cinematographers to swap like filters mid-shoot with no discernible variation in color or effect. What s more, the unprecedented purity, color saturation and repeatability of Schneider filters virtually eliminate the need for lab color timing correction. Ultra Durability Schneider filters stand up to the most rigorous demands on set or location. Many feature Schneider s specially formulated hard anti-reflective (AR) coating to resist flaking, peeling and scratching. This proprietary coating also reduces light loss and flare to less than 1% per surface, compared to untreated glass that has a light loss of 4% per surface. Schneider screw-in filters feature virtually jam-proof brass precision mounting rings, while unmounted Schneider laminated filters are protected against delamination and edge-chipping by Schneider s unique Edge Seal, which also reduces edge reflection and edge flare. Schneider Filters Work with Long Lenses The common perception among photographers and cinematographer s is that filters should not be used in front of long length lenses, due to the critically short depth of field of these lenses. This belief is often confirmed when poorly made glass or plastic-resin filters are placed in front of a long lens, and the degradation of the image is visible simply by looking through the viewfinder. This degradation is caused by poor quality control, low-quality glass and poor glass grinding and polishing techniques used in the manufacture of such filters. Schneider filters have no such problems, and can be used in front of even the longest lens. Diamond-cut from high-quality optical glass, then ground and polished to precise lens-making standards, Schneider filters offer unsurpassed clarity, light transmission and color saturation with absolutely no visible compromise of image quality. Even when stacked, they are the clear choice for use with any lens. Web: mptv@schneideroptics.com Page 5

6 GLOSSARY 81EF: Pale orange warming filter that can be used to control the bluish cast in images shot on cloudy days or in open shade. It can also be used simply to warm up a shot or to enrich skin tones. 81-Two and 81-One: Born from the 81-A, both filters are designed to add warmth to skin tones and reduce excessive blue in outdoor open shade. The 81-Two is used to accentuate skin tones for a warmer appearance. For a subject with darker skin tones, the 81-One is more appropriate. Ideal for romantic close-ups, the 81 Series can be combined with softening filters. 85: Used to correct the color of tungsten balanced film when shooting in daylight. Achromat Diopter: Increase the minimum working distance enabling closer focus from a greater working distance. Achromatic Diopters offer increased image performance over traditional single element diopters. Amber: Can simulate the effect of candlelight or a fire lit scene. Antique Suede: Accentuates earth tones. Works well for period scenes requiring warm antique look. Black Frost : A fine "black" mist (similar to Black SupaFrost & Black Promist). Subtle softening of skin texture. Flairs highlights and tones down contrast while holding black level. Removes video "edge". Chocolate: Natural warming effect. Helps smooth transition between black and white complexions. Classic Black Soft: Combines the benefits of Classic Soft with the subtle effects of Black Frost 1/8. Ideal for closeups, and can be used to facilitate a seamless transition in the look and continuity from scene to scene. Classic Soft : Contains hundreds of Micro-Lenslets evenly distributed throughout the filter. Classic Softs create a unique softening effect that helps smooth-out blemishes and minimize wrinkles. The stronger grades (1 & 2) help add mood to scene by causing highlights to glow softly. Classic Soft, HD: Designed to allow shooting in all HD formats without fear of artifacts, the HD Classic Softs offer the same unique softening effect of the original Schneider Classic Softs. Classic Sunset: Works with a wide range of focal lengths to enhance an existing sunset or create the illusion of an orange flame sunset where none exists. Clear: Protect expensive front elements and other filters while providing the truest image, free of unwanted color shifts. Color Temperature Blue: Blue filter which corrects tungsten light towards daylight. Similar to Kodak Wratten 80D and 80C series. Coral Filters: Considered to be both color-correction and color-effects filters, Schneider Coral filters are used to warm cool lighting situations such as overcast days and scenes in open shade. Different strengths of Schneider Coral filters can be used during filming to achieve the same degree of apparent warmth under different light conditions. This makes them particularly useful for maintaining a consistent color balance throughout an entire day of shooting, or to create a sunset or dawn effect during the day. Schneider Coral filters can be used to undercorrect a scene in order to create an excessively blue look for added drama, and can also be used as warming filters to create other dramatic effects. Day for Night: Simulate moonlight conditions. 4-stop light loss. DigiCon : Raises black levels while lowering highlights. Combined with in camera gamma settings and / or post production, a higher dynamic range can be recorded. The result is more detail in highlight and shadow areas with no loss of resolution or softening of the image. Filter produces no color shift and highlights are clean and halo-free. Page 6

7 GLOSSARY (Continued) Diopter (Close-up) Full Field: Increase the minimum working distance enabling closer focus from a greater working distance. Diopter (Close-up) Split Field: Increase the minimum working distance enabling closer focus from a greater working distance on half of the frame. Double Classic Black Soft: For in focus diffusion plus a heavier Black Frost effect, without filter stacking. Combines the features of the Schneider Classic Soft with a Black Frost 1/4. Enhancing Filter: Improves the color saturation of reds, oranges, and earth-tone colors such as rust, brown and amber and green. Works well on landscapes. Gold: For an overall warming effect. Portrays healthy skin tones & accentuates foliage. Golden Sepia: For old film look with the addition of a warm golden tone. Graduated Filter: Part clear and part color. They are designed to be used in professional matte boxes, so that they are readily positioned at the exact angle required to create desired effects. Graduated Hard Edge: The hard graduation from the filter effect to clear can be used with telephoto lenses or for bold transitions. Graduated Soft Edge: The soft graduated transition from the filter effect to clear on this filter can be used with wide to medium-angle lenses because these lenses have greater depth of field. Green CC: Used for black and white cinematography. Ideal for nature cinematography, it is good for darker reds and lighter greens. Hollywood Black Magic : Combines the best attributes the Schneider HD Classic Soft and Black Frost filters. Pleasant softening of bright highlights helps control the exposure while maintaining rich blacks and colors. LowCon-2000: Lowers contrast and spreads light into shadow areas. Magenta CC: Corrects florescent lighting and can also be used for special effects in music videos. Maui Brown: Enhances browns, golds, and foliage, while holding the overall white level. Good for skin tones. Improves color contrast in architecture and landscape with flat lighting conditions. Neutral Density: Schneider Neutral Density (ND) filters are designed to control exposure or depth of field under various lighting conditions without affecting color or contrast. Unlike other brands, Schneider Absorptive ND filters are a neutral gray, achieved with laboratory precision. ND Attenuator: Constant graduation across the entire filter area which is most dense at the top graduating to lighter densities at the bottom. Designed to control overall exposure and/or various lighting conditions, without affecting color or contrast. ND Combo Grad: Help balance exposure and/or compensate for the limited dynamic range of digital cameras. In all densities, the additional soft edge is two stops more than the lower half of the filter. ND Dual Grad: Offers a clear area separating 2 graduated ND attenuator sections. One section covering 2/3 of the glass graduates from the darker density to the central clear, while the smaller 1/3 goes from the lighter density at the edge to the clear section. Paradise Blue: Adds vibrant blue color to washed out sky. Page 7

8 GLOSSARY (Continued) Platinum Series IRND: Removes infrared spectrum from light path for rich deep shades of black in daylight scenes combined with ND designed to control exposure or depth of field without affect color or contrast. Uses absorptive technology and is free of off-axis color shift regardless of the focal length and can be stacked without introducing reflections. Can also be used as a standard ND filter with all HD video and Film cameras. IRND filters are neutral gray and do not require additional in camera white balance. Polarizer, Circular True-Pol : To prevent viewfinder black-out on cameras which employ polarizing elements in the beamsplitters of the viewing system, like Arriflex 435 and MovieCam Compact. Polarizer, Linear True-Pol : This is by far the most effective polarizer for motion picture and television cameras. Having an extinction ratio of ER 374, the Schneider True-Pol is 12- times more effective than other polarizing filters, and is unmatched in its ability to reduce glare and unwanted reflections, saturate colors, deepen blue skies, improve contrast, and penetrate haze. True-Pol Polarizing filters enable you to achieve a level of optical performance previously unavailable to cinematographers. Polarizer, One-Stop: While the standard True-Pol is 1-3/5 stops, the One-Stop Linear Polarizer significantly reduces reflections while reducing available light by just one stop. Sahara Gold: Especially useful in creating a rich warm scene for an old Technicolor look. This filter approximates 3/4 the color value of an 85 and can also replace an 81EF for a cool look. This filter holds skin tone better than an 81EF. Sapphire Blue: Adds indigo blue color. Storm Blue: Adds grey green color to ocean and sky for a stormy effect. Tobacco: For an old west period look. True-Cut IR: Removes the IR spectrum from the light path for rich deep shades of black in daylight scenes. Uses reflective technology and must be stacked as the farthest filter from the lens to avoid internal lens reflections. Can cause off-axis color shift if used with wide angle lenses. True-Match Vari-ND : Allows the user to select the lens f/stop and camera speed independent of ambient light conditions. Works by taking two carefully matched filters and stacking them in combination to produce a density range from 1-1/3 stop loss to 11 stops of light loss with no blue color shift. True-Streak : Clearly the most effective and exciting way to simulate the anamorphic blue streak effect with virtually any lens, anamorphic or not. Long, brilliantly colored streaks emanate from bright lights and highlights. Available in four strengths: 1mm (strongest), 2mm, 3mm and 4mm (most subtle); and in eight colors: Blue, Red, Yellow, Orange, Green, Violet and Pink as well as Clear. UV-410 Haze: Reduces or eliminates photographic haze in areas where the atmospheric conditions contain a heavy concentration of dust particles, water droplets, and pollution. White Frost: A fine "white" mist (similar to White SupaFrost & White Promist). Lowers contrast, flairs highlights and tones down colors, while creating a subtle dream-like effect. Black Frost, Classic Soft, DigiCon, Hollywood Black Magic, Micro-Lenslets, True-Match Vari-ND, True-Pol, True-Streak, and "It Starts With The Glass " are trademarks of. Page 8

9 Filter Kits Filters for High Definition 4x4 Filter Kits 6.6x6.6 Filter Kits 4x4 DV Filter Starter Kit (3 Filters) 6.6x6.6 Essential Filter Kit for RED (4 Filters) Includes: Circular True-Pol, Includes: ND.9, ND1.2, ND1.5, ND.9, Black Frost 1/2, True-Cut IR 750 Filter Filter Slot Belt Pouch 6.6x6.6 True-Cut IR Tuner Kit 4x4 DV Filter Light-Control Kit (3 Filters) Includes: True-Cut 680 IR, True- Includes: One Stop True-Pol, Cut 715 IR, True-Cut 750 IR ,107 LowCon 1/4, DigiCon 1/2, Filter Slot Belt Pouch 4x4 DV Filter Skintone Kit (3 Filters) 77mm Filter Kits Includes: Maui Brown 1, 77mm True-Match Vari-ND Kit Gold 1, Coral 1/8, Includes: 77mm True-Match 5 Filter Slot Belt Pouch Circular Polarizer (non-rotating), 4x4 DV Filter Landscape Kit (3 Filters) 4x4 True-Match Circular Polarizer, Includes: Storm Blue 2 Grad SE, 4" Filter Holder, *77mm Adapter Maui Brown 2, Classic Sunset, mm Landscape Vari-ND Upgrade Kit 5 Filter Slot Belt Pouch Includes: 77mm True-Match 4x4 Essential Kit for HD (5 Filters) Circular Polarizer (non-rotating), Includes: Circular True-Pol, 4x4 True-Match Circular Polarizer Platinum IRND.9, Platinum IRND1.2, Platinum IRND1.5, Black Frost 1/2, 5 Slot Pouch 95mm Filter Kits 95mm True-Match Vari-ND Kit Includes: 95mm True-Match 4x5.65 Filter Kits Circular Polarizer (non-rotating), 4x5.65 Landscape Control Kit 4x4 True-Match Circular Polarizer, Includes: ND.6 Vertical Grad SE, 4" Filter Holder, *95mm Adapter 4" Filter Holder, *77mm Adapter mm Landscape Vari-ND Upgrade Kit Ring, Pouch for each Includes: 95mm True-Match 4x5.65 Landscape Control Kit with Sunshade Circular Polarizer (non-rotating), Includes: ND.6 Vertical Grad SE, 4x4 True-Match Circular Polarizer, " Filter Holder, *77mm Adapter *95mm Adapter Ring Ring, Sunshade 4x5.65 Essential Filter Kit for RED (4 Filters) Includes: ND.9, ND1.2, ND1.5, 4.5" Filter Kit True-Cut IR 750 Filter, Compact ND Filter Kit (3 Filters) 4 Filter Slot Belt Pouch for Zeiss CP.2 and Canon Cinema EOS Primes 4x5.65 True-Cut IR Tuner Kit (3 Filters) Includes: ND.6, ND.9, ND1.2, Includes: True-Cut 680 IR, True- 114mm Low Profile Clamp-On Cut 715 IR, True-Cut 750 IR, Adapter 4 Filter Slot Belt Pouch 5x5 Filter Kit 5x5 HD Filter Kit (5 Filters) Includes: Clear, ND.6 Grad SE, ND.9 Grad SE, ND.9 Attenuator, ,454 True-Pol, 5 Filter Slot Belt Pouch 5.65x5.65 Filter Kits 5.65x5.65 Essential Filter Kit for RED (4 Filters) Includes: ND.9, ND1.2, ND1.5, True-Cut IR 750 Filter, Filter Slot Belt Pouch 5.65x5.65 HD Filter Kit (5 Filters) Includes: Clear, ND.6 Grad SE, ND.9 Grad SE, ND.9 Attenuator, ,454 True-Pol, 5 Filter Slot Belt Pouch *Adapter Rings available in more sizes (See Page 40) Page 9

10 Clairmont In-Camera Filter System for Alexa 36.5mm Filter System for Alexa 36.5mm Install Kit for Alexa Includes: Seven (7) mounted Includes: Install Tool, Beauty Ring, 36.5mm filters: Clear, IRND.3, Alexa Filter Holder, Spacer IRND.6, IRND.9, IRND1.2, ,561 Board (x4), PL Shim IRND1.5, IRND1.8, & the Install Kit for Alexa ( ) Install Kit Components 36.5mm Filter Install Tool mm Mounted Filters 36.5mm Beauty Ring Clear Alexa Baffle/Filter Holder IRND Alexa LDS Spacer Board (4X) IRND Alexa PL Shim IRND IRND Additional Items IRND Installation Tool IRND mm Lens Clearance Tool TBD IRND Black Frost 1/ Black Frost 1/ x3 Square Filters Polarizers Clear (Optical Flat) Linear True-Pol UV-410 (Haze) Circular True-Pol Combination Polarizers Neutral Density (ND) Linear 85/True-Pol ND Linear 81EF/True-Pol ND ND Color Correction (Warming / Cooling) ND Coral - Color Balancing ND Combinations Coral 1/ ND Coral 1/ ND Coral 1/ ND Coral ND Coral Series for Skin Tones Diffusion 81-One (mild effect) Classic Soft 81-Two (stronger effect) Classic Soft 1/ & 81EF Color Conversion Classic Soft 1/ Classic Soft 1/ EF Classic Soft Classic Soft Color Solid Black Frost Gold Solid Black Frost 1/ Gold Black Frost 1/ Gold Black Frost 1/ Gold Black Frost Storm Blue Solid Black Frost Storm Blue White Frost Storm Blue White Frost 1/ Storm Blue White Frost 1/ White Frost 1/ Contrast White Frost Low Contrast Effects White Frost LowCon / LowCon / Enhancing LowCon / Enhancing Filter LowCon LowCon Page 10

11 4x4 Square Filters Polarizers Clear (Optical Flat) Linear True-Pol UV-410 (Haze) Circular True-Pol One-Stop Linear Pol Neutral Density (ND) Combination Polarizers ND Linear 85/True-Pol ND Circular 85/True-Pol ND Linear 81EF/True-Pol ND ND True-Match Kit Filters ND True-Match Circular Pol Front F 257 ND Combinations True-Match Circular Pol Rear R ND Landscape Vari-ND Upgrade Kit 85ND Includes: Front & Rear Circ Pols 85ND ND Color Correction (Warming / Cooling) 81EFND Coral - Color Balancing EFND Coral 1/ EFND Coral 1/ Coral 1/ Neutral Density Graduated Coral ND Grad Soft Edge Coral ND Series for Skin Tones ND One (mild effect) ND Two (stronger effect) ND & 81EF Color Conversion ND Grad Hard Edge ND EF ND Color Temperature Blue (CTB) ND CTB 1/ ND CTB 1/4 (Wratten 80D) ND Attenuators CTB 1/2 (Wratten 80C) ND.3 Attenuator Magenta CC ND.6 Attenuator Magenta 10cc ND.9 Attenuator Magenta 20cc ND1.2 Attenuator Magenta 30cc ND1.5 Attenuator Green CC ND1.8 Attenuator Green 10cc Enhancing Infrared (IR) Block Enhancing Filter True-Cut IR True-Cut IR True-Cut IR True-Cut IR Platinum Series IRND Platinum IRND Platinum IRND Platinum IRND Platinum IRND Platinum IRND Platinum IRND Platinum IRND Page 11

12 4x4 Square Filters (Continued) Diffusion Contrast Classic Soft DigiCon Classic Soft 1/ DigiCon 1/ Classic Soft 1/ DigiCon 1/ Classic Soft 1/ DigiCon 1/ Classic Soft DigiCon Classic Soft DigiCon HD Classic Soft Low Contrast Effects HD Classic Soft 1/ LowCon / HD Classic Soft 1/ LowCon / HD Classic Soft 1/ LowCon / HD Classic Soft 1/ LowCon HD Classic Soft LowCon Hollywood Black Magic Hollywood Black Magic 1/ Hollywood Black Magic 1/ Hollywood Black Magic 1/ Hollywood Black Magic Hollywood Black Magic Black Frost Black Frost 1/ Black Frost 1/ Black Frost 1/ Black Frost Black Frost White Frost White Frost 1/ White Frost 1/ White Frost 1/ White Frost White Frost Classic Black Soft Classic Black Soft 1/ Classic Black Soft 1/ Classic Black Soft 1/ Classic Black Soft Classic Black Soft Double Classic Black Soft Double Classic Black Soft 1/ Double Classic Black Soft 1/ Double Classic Black Soft 1/ Double Classic Black Soft Double Classic Black Soft Page 12

13 4x4 Square Filters (Continued) True-Streak Color Solid True-Streak Clear Amber Solid True-Streak Clear 1mm Amber True-Streak Clear 2mm Amber True-Streak Clear 3mm Amber True-Streak Clear 4mm Antique Suede Solid True-Streak Blue Antique Suede True-Streak Blue 1mm Antique Suede True-Streak Blue 2mm Antique Suede True-Streak Blue 3mm Gold Solid True-Streak Blue 4mm Gold True-Streak Green Gold True-Streak Green 1mm Gold True-Streak Green 2mm Sahara Gold Solid True-Streak Green 3mm Sahara Gold True-Streak Green 4mm Golden Sepia Solid True-Streak Orange Golden Sepia True-Streak Orange 1mm Golden Sepia True-Streak Orange 2mm Golden Sepia True-Streak Orange 3mm Chocolate Solid True-Streak Orange 4mm Chocolate True-Streak Pink Chocolate True-Streak Pink 1mm Chocolate True-Streak Pink 2mm Tobacco Solid True-Streak Pink 3mm Tobacco True-Streak Pink 4mm Tobacco True-Streak Red Tobacco True-Streak Red 1mm Maui Brown Solid True-Streak Red 2mm Maui Brown True-Streak Red 3mm Maui Brown True-Streak Red 4mm Maui Brown True-Streak Violet Sapphire Blue Solid True-Streak Violet 1mm Sapphire Blue True-Streak Violet 2mm Sapphire Blue True-Streak Violet 3mm Sapphire Blue True-Streak Violet 4mm Storm Blue Solid True-Streak Yellow Storm Blue True-Streak Yellow 1mm Storm Blue True-Streak Yellow 2mm Storm Blue True-Streak Yellow 3mm Day for Night True-Streak Yellow 4mm Day for Night Page 13

14 4x4 Square Filters (Continued) Color Graduated Soft Edge Color Graduated Hard Edge Amber Grad Soft Edge Amber Grad Hard Edge Amber Amber Amber Amber Amber Amber Antique Suede Grad Soft Edge Antique Suede Grad Hard Edge Antique Suede Antique Suede Antique Suede Antique Suede Antique Suede Antique Suede Coral Grad Soft Edge Coral Grad Hard Edge Coral 1/ Coral 1/ Coral Coral Coral Coral Coral Coral Gold Grad Soft Edge Gold Grad Hard Edge Gold Gold Gold Gold Gold Gold Golden Sepia Grad Soft Edge Golden Sepia Grad Hard Edge Golden Sepia Golden Sepia Golden Sepia Golden Sepia Golden Sepia Golden Sepia Chocolate Grad Soft Edge Chocolate Grad Hard Edge Chocolate Chocolate Chocolate Chocolate Chocolate Chocolate Tobacco Grad Soft Edge Tobacco Grad Hard Edge Tobacco Tobacco Tobacco Tobacco Tobacco Tobacco Magenta Grad Soft Edge Magenta Grad Hard Edge Magenta Magenta Magenta Magenta Magenta Magenta Paradise Blue Grad Soft Edge Paradise Blue Grad Hard Edge Paradise Blue Paradise Blue Paradise Blue Paradise Blue Paradise Blue Paradise Blue Sapphire Blue Grad Soft Edge Sapphire Blue Grad Hard Edge Sapphire Blue Sapphire Blue Sapphire Blue Sapphire Blue Sapphire Blue Sapphire Blue Storm Blue Grad Soft Edge Storm Blue Grad Hard Edge Storm Blue Storm Blue Storm Blue Storm Blue Storm Blue Storm Blue Classic Sunset Classic Sunset Page 14

15 4x5.65 Rectangular Filters Polarizers Clear (Optical Flat) Linear True-Pol UV-410 (Haze) Circular True-Pol One-Stop Linear Pol Neutral Density (ND) Combination Polarizers ND Linear 85/True-Pol ND Circular 85/True-Pol ND Linear 81EF/True-Pol ND ND Color Correction (Warming / Cooling) ND Coral - Color Balancing ND Coral 1/ ND Combinations Coral 1/ ND Coral 1/ ND Coral ND Coral ND Series for Skin Tones 81EFND One (mild effect) EFND Two (stronger effect) EFND & 81EF Color Conversion Neutral Density Graduated - Horizontal 81EF ND Grad Soft Edge Color Temperature Blue (CTB) ND CTB 1/ ND CTB 1/4 (Wratten 80D) ND CTB 1/2 (Wratten 80C) ND Magenta CC ND Grad Hard Edge Magenta 10cc ND Magenta 20cc ND Magenta 30cc ND Green CC ND Green 10cc ND Attenuators ND.3 Attenuator Infrared (IR) Block ND.6 Attenuator True-Cut IR ND.9 Attenuator True-Cut IR ND1.2 Attenuator True-Cut IR ND1.5 Attenuator True-Cut IR ND1.8 Attenuator Platinum Series IRND Platinum IRND Neutral Density Graduated - Vertical Platinum IRND ND Grad Soft Edge Platinum IRND ND Platinum IRND ND Platinum IRND ND Platinum IRND ND Platinum IRND ND Grad Hard Edge ND Enhancing ND Enhancing Filter ND ND ND Attenuators ND.3 Attenuator ND.6 Attenuator ND.9 Attenuator ND1.2 Attenuator ND1.5 Attenuator ND1.8 Attenuator Page 15

16 4x5.65 Rectangular Filters (Continued) Diffusion Contrast Classic Soft DigiCon Classic Soft 1/ DigiCon 1/ Classic Soft 1/ DigiCon 1/ Classic Soft 1/ DigiCon 1/ Classic Soft DigiCon Classic Soft DigiCon HD Classic Soft Low Contrast Effects HD Classic Soft 1/ LowCon / HD Classic Soft 1/ LowCon / HD Classic Soft 1/ LowCon / HD Classic Soft 1/ LowCon HD Classic Soft LowCon Hollywood Black Magic Hollywood Black Magic 1/ Hollywood Black Magic 1/ Hollywood Black Magic 1/ Hollywood Black Magic Hollywood Black Magic Black Frost Black Frost 1/ Black Frost 1/ Black Frost 1/ Black Frost Black Frost White Frost White Frost 1/ White Frost 1/ White Frost 1/ White Frost White Frost Classic Black Soft Classic Black Soft 1/ Classic Black Soft 1/ Classic Black Soft 1/ Classic Black Soft Classic Black Soft Double Classic Black Soft Double Classic Black Soft 1/ Double Classic Black Soft 1/ Double Classic Black Soft 1/ Double Classic Black Soft Double Classic Black Soft Page 16

17 4x5.65 Rectangular Filters (Continued) True-Streak Color Solid True-Streak Clear Amber Solid True-Streak Clear 1mm Amber True-Streak Clear 2mm Amber True-Streak Clear 3mm Amber True-Streak Clear 4mm Antique Suede Solid True-Streak Blue Antique Suede True-Streak Blue 1mm Antique Suede True-Streak Blue 2mm Antique Suede True-Streak Blue 3mm Gold Solid True-Streak Blue 4mm Gold True-Streak Green Gold True-Streak Green 1mm Gold True-Streak Green 2mm Sahara Gold Solid True-Streak Green 3mm Sahara Gold True-Streak Green 4mm Golden Sepia Solid True-Streak Orange Golden Sepia True-Streak Orange 1mm Golden Sepia True-Streak Orange 2mm Golden Sepia True-Streak Orange 3mm Chocolate Solid True-Streak Orange 4mm Chocolate True-Streak Pink Chocolate True-Streak Pink 1mm Chocolate True-Streak Pink 2mm Tobacco Solid True-Streak Pink 3mm Tobacco True-Streak Pink 4mm Tobacco True-Streak Red Tobacco True-Streak Red 1mm Maui Brown Solid True-Streak Red 2mm Maui Brown True-Streak Red 3mm Maui Brown True-Streak Red 4mm Maui Brown True-Streak Violet Sapphire Blue Solid True-Streak Violet 1mm Sapphire Blue True-Streak Violet 2mm Sapphire Blue True-Streak Violet 3mm Sapphire Blue True-Streak Violet 4mm Storm Blue Solid True-Streak Yellow Storm Blue True-Streak Yellow 1mm Storm Blue True-Streak Yellow 2mm Storm Blue True-Streak Yellow 3mm Day for Night True-Streak Yellow 4mm Day for Night Page 17

18 4x5.65 Rectangular Filters (Continued) Color Graduated Soft Edge - Horizontal Color Graduated Hard Edge - Horizontal Amber Grad Soft Edge Amber Grad Hard Edge Amber Amber Amber Amber Amber Amber Antique Suede Grad Soft Edge Antique Suede Grad Hard Edge Antique Suede Antique Suede Antique Suede Antique Suede Antique Suede Antique Suede Coral Grad Soft Edge Coral Grad Hard Edge Coral 1/ Coral 1/ Coral Coral Coral Coral Coral Coral Gold Grad Soft Edge Gold Grad Hard Edge Gold Gold Gold Gold Gold Gold Golden Sepia Grad Soft Edge Golden Sepia Grad Hard Edge Golden Sepia Golden Sepia Golden Sepia Golden Sepia Golden Sepia Golden Sepia Chocolate Grad Soft Edge Chocolate Grad Hard Edge Chocolate Chocolate Chocolate Chocolate Chocolate Chocolate Tobacco Grad Soft Edge Tobacco Grad Hard Edge Tobacco Tobacco Tobacco Tobacco Tobacco Tobacco Magenta Grad Soft Edge Magenta Grad Hard Edge Magenta Magenta Magenta Magenta Magenta Magenta Paradise Blue Grad Soft Edge Paradise Blue Grad Hard Edge Paradise Blue Paradise Blue Paradise Blue Paradise Blue Paradise Blue Paradise Blue Sapphire Blue Grad Soft Edge Sapphire Blue Grad Hard Edge Sapphire Blue Sapphire Blue Sapphire Blue Sapphire Blue Sapphire Blue Sapphire Blue Storm Blue Grad Soft Edge Storm Blue Grad Hard Edge Storm Blue Storm Blue Storm Blue Storm Blue Storm Blue Storm Blue Classic Sunset Classic Sunset Page 18

19 4x5.65 Rectangular Filters (Continued) Color Graduated Soft Edge - Vertical Color Graduated Hard Edge - Vertical Amber Grad Soft Edge Amber Grad Hard Edge Amber Amber Amber Amber Amber Amber Antique Suede Grad Soft Edge Antique Suede Grad Hard Edge Antique Suede Antique Suede Antique Suede Antique Suede Antique Suede Antique Suede Coral Grad Soft Edge Coral Grad Hard Edge Coral 1/ Coral 1/ Coral Coral Coral Coral Coral Coral Gold Grad Soft Edge Gold Grad Hard Edge Gold Gold Gold Gold Gold Gold Golden Sepia Grad Soft Edge Golden Sepia Grad Hard Edge Golden Sepia Golden Sepia Golden Sepia Golden Sepia Golden Sepia Golden Sepia Chocolate Grad Soft Edge Chocolate Grad Hard Edge Chocolate Chocolate Chocolate Chocolate Chocolate Chocolate Tobacco Grad Soft Edge Tobacco Grad Hard Edge Tobacco Tobacco Tobacco Tobacco Tobacco Tobacco Magenta Grad Soft Edge Magenta Grad Hard Edge Magenta Magenta Magenta Magenta Magenta Magenta Paradise Blue Grad Soft Edge Paradise Blue Grad Hard Edge Paradise Blue Paradise Blue Paradise Blue Paradise Blue Paradise Blue Paradise Blue Sapphire Blue Grad Soft Edge Sapphire Blue Grad Hard Edge Sapphire Blue Sapphire Blue Sapphire Blue Sapphire Blue Sapphire Blue Sapphire Blue Storm Blue Grad Soft Edge Storm Blue Grad Hard Edge Storm Blue Storm Blue Storm Blue Storm Blue Storm Blue Storm Blue Classic Sunset Classic Sunset Page 19

20 5x5 Square Filters Polarizers Clear (Optical Flat) Linear True-Pol UV-410 (Haze) Circular True-Pol One-Stop Linear Pol Neutral Density (ND) Combination Polarizers ND Linear 85/True-Pol ND Circular 85/True-Pol ND Linear 81EF/True-Pol ND ND Color Correction (Warming / Cooling) ND Coral - Color Balancing ND Combinations Coral 1/ ND Coral 1/ ND Coral 1/ ND Coral ND Coral EFND Series for Skin Tones 81EFND One (mild effect) EFND Two (stronger effect) & 81EF Color Conversion Neutral Density Graduated ND Grad Soft Edge 81EF ND Color Temperature Blue (CTB) ND CTB 1/ ND CTB 1/4 (Wratten 80D) ND CTB 1/2 (Wratten 80C) ND Grad Hard Edge Magenta CC ND Magenta 10cc ND Magenta 20cc ND Magenta 30cc ND Green CC ND Combination Grads Green 10cc ND Combo Grad.3/ ND Combo Grad.6/ Infrared (IR) Block ND Combo Grad.9/ True-Cut IR ND Combo Grad 1.2/ True-Cut IR ND Dual Grad 1.2/ True-Cut IR ND Attenuators True-Cut IR ND.3 Attenuator Platinum Series IRND ND.6 Attenuator Platinum IRND ND.9 Attenuator Platinum IRND ND1.2 Attenuator Platinum IRND ND1.5 Attenuator Platinum IRND ND1.8 Attenuator Platinum IRND Platinum IRND Enhancing Platinum IRND Enhancing Filter ,005 Page 20

21 5x5 Square Filters (Continued) Diffusion Color Solid Classic Soft Amber Solid Classic Soft 1/ Amber Classic Soft 1/ Amber Classic Soft 1/ Amber Classic Soft Antique Suede Solid Classic Soft Antique Suede HD Classic Soft Antique Suede HD Classic Soft 1/ Antique Suede HD Classic Soft 1/ Gold Solid HD Classic Soft 1/ Gold HD Classic Soft 1/ Gold HD Classic Soft Gold Hollywood Black Magic Sahara Gold Solid Hollywood Black Magic 1/ Sahara Gold Hollywood Black Magic 1/ Golden Sepia Solid Hollywood Black Magic 1/ Golden Sepia Hollywood Black Magic Golden Sepia Hollywood Black Magic Golden Sepia Black Frost Chocolate Solid Black Frost 1/ Chocolate Black Frost 1/ Chocolate Black Frost 1/ Chocolate Black Frost Tobacco Solid Black Frost Tobacco White Frost Tobacco White Frost 1/ Tobacco White Frost 1/ Maui Brown Solid White Frost 1/ Maui Brown White Frost Maui Brown White Frost Maui Brown Classic Black Soft Sapphire Blue Solid Classic Black Soft 1/ Sapphire Blue Classic Black Soft 1/ Sapphire Blue Classic Black Soft 1/ Sapphire Blue Classic Black Soft Storm Blue Solid Classic Black Soft Storm Blue Double Classic Black Soft Storm Blue Double Classic Black Soft 1/ Storm Blue Double Classic Black Soft 1/ Day for Night Double Classic Black Soft 1/ Day for Night Double Classic Black Soft Double Classic Black Soft Contrast DigiCon DigiCon 1/ DigiCon 1/ DigiCon 1/ DigiCon DigiCon Low Contrast Effects LowCon / LowCon / LowCon / LowCon LowCon Page 21

22 5x5 Square Filters (Continued) Color Graduated Soft Edge Color Graduated Hard Edge Amber Grad Soft Edge Amber Grad Hard Edge Amber Amber Amber Amber Amber Amber Antique Suede Grad Soft Edge Antique Suede Grad Hard Edge Antique Suede Antique Suede Antique Suede Antique Suede Antique Suede Antique Suede Coral Grad Soft Edge Coral Grad Hard Edge Coral 1/ Coral 1/ Coral Coral Coral Coral Coral Coral Gold Grad Soft Edge Gold Grad Hard Edge Gold Gold Gold Gold Gold Gold Golden Sepia Grad Soft Edge Golden Sepia Grad Hard Edge Golden Sepia Golden Sepia Golden Sepia Golden Sepia Golden Sepia Golden Sepia Chocolate Grad Soft Edge Chocolate Grad Hard Edge Chocolate Chocolate Chocolate Chocolate Chocolate Chocolate Tobacco Grad Soft Edge Tobacco Grad Hard Edge Tobacco Tobacco Tobacco Tobacco Tobacco Tobacco Magenta Grad Soft Edge Magenta Grad Hard Edge Magenta Magenta Magenta Magenta Magenta Magenta Paradise Blue Grad Soft Edge Paradise Blue Grad Hard Edge Paradise Blue Paradise Blue Paradise Blue Paradise Blue Paradise Blue Paradise Blue Sapphire Blue Grad Soft Edge Sapphire Blue Grad Hard Edge Sapphire Blue Sapphire Blue Sapphire Blue Sapphire Blue Sapphire Blue Sapphire Blue Storm Blue Grad Soft Edge Storm Blue Grad Hard Edge Storm Blue Storm Blue Storm Blue Storm Blue Storm Blue Storm Blue Classic Sunset Classic Sunset Page 22

23 5.65x5.65 Square Filters Polarizers Clear (Optical Flat) Linear True-Pol UV-410 (Haze) Circular True-Pol One-Stop Linear Pol Neutral Density (ND) Combination Polarizers ND Linear 85/True-Pol ND Circular 85/True-Pol ND Linear 81EF/True-Pol ND ND Color Correction (Warming / Cooling) ND Coral - Color Balancing ND Combinations Coral 1/ ND Coral 1/ ND Coral 1/ ND Coral ND Coral EFND Series for Skin Tones 81EFND One (mild effect) EFND Two (stronger effect) & 81EF Color Conversion Neutral Density Graduated ND Grad Soft Edge 81EF ND Color Temperature Blue (CTB) ND CTB 1/ ND CTB 1/4 (Wratten 80D) ND CTB 1/2 (Wratten 80C) ND Grad Hard Edge Magenta CC ND Magenta 10cc ND Magenta 20cc ND Magenta 30cc ND Green CC ND Combination Grads Green 10cc ND Combo Grad.3/ ND Combo Grad.6/ Infrared (IR) Block ND Combo Grad.9/ True-Cut IR ND Combo Grad 1.2/ True-Cut IR ND Dual Grad 1.2/ True-Cut IR ND Attenuators True-Cut IR ND.3 Attenuator Platinum Series IRND ND.6 Attenuator Platinum IRND ND.9 Attenuator Platinum IRND ND1.2 Attenuator Platinum IRND ND1.5 Attenuator Platinum IRND ND1.8 Attenuator Platinum IRND Platinum IRND Enhancing Platinum IRND Enhancing Filter ,005 Page 23

CINEMA FILTERS. nisifilters.com.au nisifilters.co.nz

CINEMA FILTERS. nisifilters.com.au nisifilters.co.nz Since our beginning over ten years ago, NiSi has devoted itself to the research and development of filters. Today, NiSi is at the forefront of optical technology. They combine the highest quality glass